Category: Music

Interview: Sublime with Rome


As part of their short UK run of shows and penultimate performance before Boomtown festival, Sublime With Rome landed at Bristol’s O2 Academy on 12th August to release their infectious mix of reggae, rock, hip hop and ska.

Before their set, music blogger Verity Vincent sat down with lead singer Rome Ramirez who has led the band’s line-up since 2009, alongside Sublime bassist Eric Wilson and new drummer Carlos Verdugo.swr2So how have the other UK shows been so far? The other shows have been awesome, just fucking packed, people have been screaming. The UK is always good and you’re so passionate about music so, it’s cool to come over from the US. In the US there’s a lot of bands that tour all the time and there’s a lot of competition so to be able to come over here and do that is awesome.

And you’re playing Boomtown tomorrow, have you done much of the festival circuit in the UK?  We’ve done like a dozen or so festivals over here before, but this will probably be the biggest one.

I’ve never done Boomtown but it’s supposed to be like a mini Glastonbury… It’s funny you should say that because that’s what we keep hearing so, I’m excited for that!

And then you’re back in the US to tour with Offspring? We start that in about three weeks. We played a show in southern California together, just us two bands and it was a massive success, bigger than what we would draw without them, and for them without us. With the bands being in the same area, and having a lot of mutual friends, it was just like, why don’t we go on the road?

We did a test run in Canada for a couple weeks and that was just awesome success.

So after the summer you’re back in the studio? October we’ll be back in the studio to release next summer.

At this point do you feel like you have a clear direction with which way your sound is going? Nah every time it’s kind of new. I know a lot of bands do that, they have their “thing” and that’s cool but, I think every album just has a different inspiration.

You always manage to have a good mix of sounds that are heavier and then more acoustic etc  Yeah totally. Sometimes you can put on a reggae or rock album and it’s just – the same – for a fucking, hour and a half y’know. My favourite part about Sublime is being able to mix all that up. I don’t know how we do it, I’m still figuring that part out!

Do you feel like there’s less pressure of what music people expect from you,  now that you’ve been established as Sublime With Rome for so long? Yeah, I think for me personally, I’m older now and been doing it for so long. People that come and listen to us and support us have already heard the news that we’ve been a band for almost eight years y’know. As far as that goes, and public perception goes, it’s been a lot more positive and they’ve had time to accept it.

That’s the cool thing about music though, it’s always expanding. And for me there’s so much involved in making a new album, that’s where the pressure is.

With the younger generation, do you think they’re an audience that will have heard your music before listening to Sublime? I think for the younger generation it’s still the other way around, with being introduced to Sublime and then they’re like… Oh what? That’s fucking crazy, let’s listen to what they’ve got! Just because, you know, Sublime was so massive. But, it’s awesome to be here and be able to do this and people that didn’t see Sublime, can come to our shows.

swr

Tattoo wise, do you have any favourite pieces of yours or particular artists you like to work with? Yeah! Nic Westfall, he has his own shop in Sacramento, California, he’s an insane artist. So fucking good. This is one of my favourite pieces (uncovers an incredible portrait situated on his forearm, just above an equally perfect Ren and Stimpy tattoo).

My buddy Nate Siggard he’s done most of my tattoos, and he’s tattoo’d pretty much all of us. And Jason Fritze from Florida, he’s done a million tattoos on Eric. He’s only done one on me but it wasn’t a good concept it was just a, fuckin’ cirlcle. I was like, “man I want you to give me one of those good tattoos!” but we were in the studio and didn’t have time. But we usually fly him out to our days off on the tour and he’ll come and chill for a day or two. Or if we’re at the studio, we’ll just invite him down and set up shop for a couple days and get some tattoos.

After speaking with Rome their set was insane launching with ‘Date Rape’ it perfectly set the tone for the rest of evening. Covering Toots & The Maytals ’54-46, That’s My Number’ among Sublime’s back catalogue and sprinkled with the bands’ own tracks including ‘Murdera’, ‘You Better Listen’ and ‘Panic’ from the 2011 album Yours Truly.

Rome, Eric and Carlos closed the night in timeless fashion with ‘What I Got’ and ’Santeria’, leaving the crowd in Bristol with an experience that had no doubt for most, been a long time coming.

Ones to watch at ArcTanGent

Music writer Amber is getting ready to celebrate ArcTanGent’s 5th year at Fernhill Farm, the ultimate festival for music lovers. Guaranteed to bring you the best in math-rock, alt-rock, post-rock and basically any kind of hyphenated rock with everything in between. 

With such a diverse line-up Amber has created a list of bands you cannot afford to miss.

arctangent-tshirt-text-950x1343

Thursday

Nordic Giants

Possibly the most immersive live band I have ever seen, Nordic Giants submerge you in cinema as the duo drive you through a narrative with their mesmerising soundscapes.

Heck 

Last night it hit social media that ArcTanGent would be Heck’s final show. The most hopeful and hilarious comment on the thread said ‘This is where you announce your new album called ‘The Last Show’ at ArcTanGent’ but if it isn’t this then it’s everyone’s last chance to make it count.

Friday

H09909

I got my first taste of H09909 (Horror) when they supported on The Dillinger Escape Plan’s final UK tour. I got a split lip and I was just a casual bystander. Finding itself somewhere between experimental hip hop and hardcore expect plenty of tentacle fingers and wedding dresses.

Listener 

It’s about Listener time made it to the ArcTanGent line-up, especially on the biggest stage, Arc. I have never seen Listener in such a large environment but I guarantee it will an experience to remember.

Saturday

Employed To Serve

Employed To Serve are taking over and it’s easy to hear why.  Their abrasive sound posseses each of their strengths in a way that forces crowds into each other. They are pushing the forefront of the British rock scene and are unmissable this weekend.

Tricot

The perfect mix of unpredictable patterns and intricate upbeat rhythms, Tricot are not to be missed. Live, their intensity is met seamlessly with their brand of frantic rock appearing effortless in their epic talent.

See you at the silent disco.

February 2017_V3

Top 10 Bands to catch at Reading & Leeds Festival

It’s just under a month until Reading and Leeds Festival and just glancing at this year’s line-up has got our guest music blogger Verity Vincent joining in the debate as to whether male artists are dominating festival line-ups.

With some incredible bands spread across stages large and small, Verity also shares the top ten artists she cannot wait to see this year…

Should whether music is led by a male or female voice be theoretically irrelevant? The gender lines should be blurred enough for it to matter more about the diversity and quality of music on offer than whether it comes from a man or a woman. But does the “should” transcend?

Ellie Goulding has spoken out about a lack of female peers at many festivals. But my recent experiences at festivals like 2000 Trees has been different, there was a distinct mix of powerful, female fronted bands. If you take festivals such as V Festival, which are predominantly pop focused, you’ll pretty much find a 50/50 split of male and female acts, so is it purely down to a coincidence of the genre? What bands have released new music or who’s reformed?

Looking over the Reading and Leeds poster there are some seriously powerful females on the bill, from the ultimate trio that is Haim, to The Pretty Reckless, PVRIS, Charli XCX, Anne-Marie, and feminist trailblazer Lande Hekt of Muncie Girls. Yes, male-led acts may have dominance, but aren’t we just all happy to be in the same place celebrating rock music old and new?

Here’s my top ten artists that I cannot wait to witness…

Kasabian
Kasabian’s new album ‘For Crying Out Loud’ has some incredible tracks like Twentyfourseven, Comeback Kid and their lead single, ‘You’re in Love With a Psycho’.

The Magic Gang
Ep’s One, Two and Three have all been packed with feel-good, soul warming, foot tapping loveliness. They’re a band made for creating real festival vibes. But in a cool way, not a flower crown wearing kinda way.

Blossoms
Blossoms have had quite the ride in four short years, creating an album filled with catchy yet credible tunes that have earned them a main stage top 3 slot.

Muncie Girls
After a Kerrang! Award nom last year, an Australian tour and a string of festival bookings this year, the Exeter based band continue to be on the rise.

Idles 

Ballsy, brash and Bristolian band Idles have a wonderfully uncompromising attitude when it comes to presenting their music, and theirs is a set not to be missed.

Haim 

Is there anyone that doesn’t adore Haim? How can you not? Their personalities are just as infectious as their music.

Frank Carter
Frank’s sets are often as dramatic as they are energetic. The front man doesn’t shy away from getting involved with people’s lost phones, settling fights and generally acting as an extra form of security. What will happen at Reading and Leeds? We’re more than intrigued to find out.

While She Sleeps
I distinctly remember watching While She Sleeps play a morning slot at Bestival a few years back – what a way to shake off a hangover. Headlining The Pit stage on Saturday night, they’ll be an equally perfect way to finish the night as to start the day.

What about the last two?  Liam Gallagher and Eminem. Arguably both at iconic status and possessing a back catalogue big enough to please diehard fans. How would a conversation pan out between them I wonder? A question we may never know the answer to…

Liam Gallagher

Eminem

Who made it onto your list?

There’s also a stellar offering on the comedy front including Simon Amstell, Tape Face, Katherine Ryan and Bill Bailey.
Check out the full line-up poster below and get your tickets here.

Slam Dunk North Street Spotter 2017

Every year Slam Dunk Festival seems to outdo itself. After our music writer Amber had such an amazing time meeting the crowd to create last year’s Slam Dunk Street Spotter we couldn’t wait for her to head back for the 2017 edition…

The Bronx

Name: Raine (right)
Instagram: @raineisonfire
Job: Tattoo Artist
Tattoo: Arms by Dan Molloy, back of thigh by Emil Tramp
There to see: Casey

Name: Adelaide (left)
Instagram: @lxdle
Job: Student
Tattoo: Arm by Em Jay, leg by Hannah Clarke 
There to see: Cute is what we aim for

Name: Laura Rebecca
Instagram: @laurarebz
Job: Manager at Urban Outfitters
Tattoo:  Laura’s right arm by Mike Gibson, left arm by Aimee Spittlehouse, dino calf by Miles Welby Jenkins.
There to see: Enter Shikari and Don Broco

Name: Kirsty
Instagram: @kirstycee
Job: Fashion and print designer
Tattoos: Arm (top half) by  Jamie Eskdale, arm (bottom half) by James Walters, shin by Christine Davies, thigh by Danny Brown.
There to see: Bury Tomorrow, Don Broco, Beartooth, Enter Shikari

Name: Kate
Instagram: @deadthingsbykate
Job: Taxidermist
Tattoos: by Dale Sarok and Henbo Henning 
There to see: We caught Kate at the end of Cute Is What We Aim For‘s set before she ran off to Beartooth.

Name: Karla
Instagram: @karlafarrar 
Job: Everyman Cinema
Tattoos: Yorkshire rose by Judd Wrighton.
There to see: Stray From The Path, Don Broco, Beartooth, Enter Shikari

See you next year!

Gin Wigmore: New Single & GIRLGANG

The sultry, gravel voiced New Zealand singer-songwriter Gin Wigmore returns with her defiant new single, ‘Hallow Fate’ and simultaneously launches GIRLGANG a collaborative project focusing on music and art…

gin

Written and produced by Gin Wigmore and Steve Rusch, ‘Hallow Fate’ is the first single taken from her forthcoming album. Launching in conjunction with the release of the new song is GIRLGANG – an exciting new collaborative project that combines both art and music and focuses on female empowerment and partnership. Wigmore has hand selected five artists to create exclusive and original pieces inspired by five songs from her new album.

The first GIRLGANG pairing sees Gin collaborating with San Diego tattoo artist Briana Sargent who created a tattoo inspired by ‘Hallow Fate’, her love of vibrant colours and the spirit of California.

Gin-Wigmore-Hallow-Fate-Single-Artwork

Over the next eight months, Gin will release five songs taken from her upcoming fourth album, each one a collaboration with a different female artist. Gin personally chose the artists and assigned them a song for them to use as inspiration for their creations. The GIRLGANG project is designed to highlight and celebrate fellow women and to find a new way to have an experience and connection with music through a variety of artistic formats.

‘Hallow Fate’ is available worldwide now. Download/stream it HERE.

Interview with Cattle

Our writer Harry Casey-Woodward interviews lead vocalist Chris from Leeds punk band Cattle, whose music is the stuff of nightmares…

I’ve heard of some unusual line-ups for a post-punk band, but Cattle from Leeds take the cookie. They have two drummers and no guitarist for one. Well we’ve seen how extra drummers have worked well for bands like Slipknot at creating extra intensity. Cattle have also made up for a lack of guitar by fully utilising the skills of their bassist, in the style of the original post-punk outfit from Leeds, Gang of Four.

15415932_10155348074703492_700971773_n

Why are you called Cattle? Is it a comment on the state of humanity? I’d like to say it was a really deep and drawn out process that resulted in the selection of a highly symbolic name, but I can’t quite remember what led to it! Have you seen that advert for Cravendale milk, where some cows follow a man home to steal back their milk? (https://www.youtube.com/watch?v=MF4eTlCl660), maybe I was watching that advert?

What drives you to make such scary music? What are the themes of your songs? We didn’t realise it was so scary! A lot of the songs are about things like nature, minimalism and bad decisions in life. I think everyone has elements to their personality which other people might deem scary – anger, a bleak outlook, and music is a way of processing those aspects and feelings.

Are there any particular post-punk/noise rock bands who have especially influenced you? Big Business and the Melvins are a huge influence, as well as bands lines like Ghold, Godheadsilo, Harvey Milk and 400 Blows. Post punk isn’t such an influence, but there’s a ton of good stuff out there – Preoccupations and Protomartyr are two of my favourites at the moment.

15403232_10155348074818492_1645076387_n

What current bands do you like, or you think are noisy enough? There’s loads of good stuff at the moment. In the UK we like Ghold, Bearfoot Beware, Irk, Unwave, Famine, Casual Nun, Gumtakestooth and in other parts of the world, The Body, Big Business, Big Ups, Meatwave and Pile are well worth checking out.

Your music sounds so raw but you still find time for catchy riffs. Do you think there should be a balance between distortion and melody in punk music? Yes definitely, I think music stands or falls on the strength of a hook, even when people are making punk rock, noise, mood pieces. A lot of my favourite music (Neil Young, Warren Zevon, Ween, Creedence Clearwater Revival, AC/DC) is hook based and hopefully this shows.

How important is it to create atmosphere in your music? It’s quite important, I think the hook should be first but obviously setting the right tone for a story or feeling you’re trying to convey is a good idea.

Are your live shows as intense as the music? We definitely like to go for it live. The first few shows were absolutely exhausting and I had to sit down in a chair after them like an old man! It’s getting better now though – there’s nothing like losing your shit for 30 minutes.

15416129_10155348074678492_696875388_n

I loved your cover of ‘anthrax’ by Gang of Four. It’s my favourite song off the ‘Entertainment’ album. What do you like about the song? The noisy build up is fantastic, and then when that absolutely sublime beat kicks in its total magic. It’s the complete package – amazing riff, great vocals and totally weird.

What are your views on synths? Do you think punk and electronic music have mixed well? There’s so many bands who’ve done ace stuff with synths, so yeah I think so. The locust for example used synths in a such an amazing way, and I saw that band crystal castles play ages ago at Leeds festival and it was super intense – thought it worked really well.

It’s funny you should mention it actually because the next step for Cattle is to buy silver suits and we’re all going to play synths. Like kraftwerk, but with one added synth (so 20% better than kraftwerk).

15253575_1367406769945207_3170288382244851682_n

It says on your bandcamp that your self-titled EP was released in 1970. Just how long have you guys been around? That was just a joke – I used the release date for the first Black Sabbath album. Think we’ve being going around five years now.

As the vocalist, how do you belt out that much fury in your voice? Because I am FURIOUS MAN. Just kidding, I love that singer John Brannon (Negative Approach, Laughing Hyenas) and thought he had the greatest voice ever so was trying to emulate him. Essentially it’s really cathartic and shouting about stuff that bothers me makes me helps me deal with those feelings and feel good about myself.

Are there any other art forms besides music that influence you? All the big ones basically – books, film, artwork. Especially things that take a more minimal approach (authors like Cormac McCarthy, Hubert Selby Jr, or art by Robert Ryman) have definitely influenced my approach to the band in terms of trying to take a direct route in making music, not overcomplicate things and not get bogged down in the bullshit everyone else tries to get you involved in.

Check out their debut album Nature’s Champion here, which consists of seven songs of booming, sludgy hell, or paradise depending on your tastes. Even without a guitarist, the band somehow create an incredible wall of distortion that’s sure to prick up your ears, underneath which weave some hooky bass lines that are the real powerful aspect of the band.

All photos taken by Howie Hill Photography

Music Review: Seasick Steve at Wembley

Casual music lover Harry Casey-Woodward was lucky enough to see bearded bluesman Seasick Steve playing in our merry capital at Wembley Stadium…

07-seasick-steve-crobsneltjes-6k4a3495

Apart from Elvis, there is perhaps no other musician who embodies the American dream than Seasick Steve. In particular, he embodies the mythical spirit of American freedom, that gets lost on highways and hitches on trains. In October, this big-bearded icon graced our shores with a one-off show.

After fruitlessly circling the wrong Wembley arena, me and my companion found the right venue. We were introduced by Steve himself on a giant screen to his support act, a two-man band named Black Dog Revelation. They sounded like a gnarly Black Keys with slow snarling songs powered by thunderous drums.

After they rocked the house, we were treated to a video of Steve driving up to the venue in a tractor before he walked on stage to deafening applause. He started off with some politics, voicing his disapproval of Trump before opening his set with a hushed Dylanesque solo song.

12-seasick-steve-crobsneltjes-img_2763

Steve and his small handful of musicians then proceeded to turn the cavernous venue into a warm, cosy atmosphere. Steve was as relaxed as if he was playing in your front room. The lighting helped too. The stage was backlit by simple but pleasant fairy lights, draped as if over a tree. The most striking lighting was used when Steve played solo songs like ‘Treasures’. One spotlight would light him up in the middle of the dark venue, making him look dramatically humble.

Humble is something Steve is very good at. More than once, he asked for the spotlights to sweep his cheering audience and appeared constantly stunned at their adoration. He came close to tears when he expressed gratitude for his slot on the Jools Holland show that got him exposure.

He was also good at being kickass during his louder songs like ‘Thunderbird’. He and his giant bearded drummer lost themselves in colossal solos as they thrashed their instruments, even the homemade ones Steve expressed fondness for like his Diddley Bo.

16-seasick-steve-crobsneltjes-img_2863

His most stunning performance was when he pulled a random woman from the crowd and played her a tender rendition of ‘Walkin’ Man’. The lucky lass looked as if she would melt from tearful gratitude.

Other ladies who joined Steve onstage included a singing guitarist from Glasgow who played a cover of a Steve song she had already done on YouTube, which Steve had admired. There was also a gifted filly on the fiddle and a talented square dancer who could tap along to Steve’s songs with her shoes.

The gig ended with Steve being given a cake, showing us a picture of his tractor and playing ‘Dog House Boogie’, which took a while to finish since he forced his drummer to repeat faster and faster endings.

So despite drunken calls of ‘Steeeeeeve-oooooh’ and one or two fights (one of which broke out in front of our seats) the gig was an evening of musical magic and thrilling musicianship. It was also a pleasure to be in the company of such a character like Seasick Steve.

Images from bluesmagazine.nl.

Music Review: Slaves, ‘Take Control’

Harry Casey-Woodward, hobbyist reviewer and noise lover, reviews the new album by Kent punk duo Slaves, Take Control.

Slaves, Take Control, 2016, Virgin/EMI, 4/5

slaves-2014

Slaves are something British music has needed for a while. We’ve had plenty of cool noise-making bands over recent years, but none have been as fun or direct as Isaac Holman on drums and Laurie Vincent on strings, both gleefully roaring their sharp, hilarious lyrics on working class problems. Hot on the heels of their official debut last year Are You Satisfied?, Slaves’ second album Take Control came out at the end of this September, sporting a florescent cover painted by the guitarist.

Their previous album was a hard act to follow. Catchy, exhilarating and ballsy, it was surely the Never Mind the Bollocks of 2015. I was a little worried therefore that Slaves would fall into the pattern that ensnares a lot of noisy bands and just spend their careers replicating their first album over and over. Thankfully, while the style of the new album is still very much Slaves, it is a bit of a different creature.

slaves_roses

For one thing, there’s more songs. Some admittedly are random skits, but Take Control also has a greater range of styles and thus feels like a bigger project. Are You Satisfied was a compact burst of shout-along joy rides, while Take Control boasts a little more sophistication, musically and lyrically.

That still doesn’t mean it isn’t fun though. Take opening track ‘Spit it Out’. It may not be a cover of Slipknot’s awesome single but it is a contender for best single of the year, mainly because it’s such a perfect punk anthem. Making brilliant use of the quiet/loud song dynamic that made bands like Nirvana sound great, repetitive jabbing guitar builds up to a roaring chorus, where the singer screams the song title over and over. The other lyrics reflect themes Slaves have raged about on several songs, namely getting lads off their arses and doing something with their lives.

slaves

Other current topics Slaves attack on Take Control include mundane media (on such rollercoaster tracks as ‘Hypnotised’) and material wealth (see the blistering ‘Rich Man’). Once again Slaves prove themselves masters of the punk rock formula: fast, simple topical bullets of humorous anger. However, there is more of the sophisticated side that peeked through the energetic blast of Are You Satisfied.

Half of the tracks are as post-punk as Public Image. Songs like ‘Lies’ sound like catchy but creepy pop hits, with slow, menacing riffs. Even the vocal mix sounds more post-punk. While Isaac was shouting in your face before, now his charismatic voice sounds like it was recorded in an empty concrete room, giving it a spooky echo while losing none of its edge.

Beastie Boy Mike D of all people even supplies rap on the thundering ‘Consume or be Consumed’. Joined by Baxter Dury, Slaves also reveal a sensitive side on the tender ‘Steer Clear’, where the singer begs someone he cares about not to go drink driving after an argument. Once again, Slaves have produced a winning combination of subtlety and savage bluntness while upping their game.

Images from gigslutz.co.uk, greatescapefestival.com and theguardian.com.

Boomtown 2016 Street Spotter

With mind-blowing production, hoards of interactive characters and immersive story lines happening throughout the weekend, Boomtown festival thrives off the imagination and creativity of its dwellers. It was no wonder that our blog contributor Becky Young had such an incredible time exploring the town, meeting its people and finding out more about their relationship with their ink and the festival itself. Boomtown is the only place so many different and unique people can all come together and feel like one big family!

Sophie from Vienna
Age: 26
Job: SFX artist
Favourite Boomtown area: Mayfair
Tattoo by Phillip Millic while guesting in London
“It’s all about the artist, they and I need to have a connection for me to wear their art on my skin for life”

sophie_full1

sophie_close_up_21

sophie_close_up1

Nick from Peterborough
Job: Chef
Favourite Boomtown area: Sector 6
Tattoo by Ziggy Bates from Cloud Nine Ink
“My mum passed away and it represents the Greek mythology we both loved”

nick_full1

nick_close_up1

Frankie from Berlin
Age: 26
Job: Stripper & performer
Favourite Boomtown area: Freak Boutique in China Town
Tattoo by Jay Moon at Pride Tattoo
“I met Jay at a squat party, he was doing banners for Skumtek and I loved his art – and so he offered to tattoo his art on to me!”

frankie_full1

frankie_close_up1

Courtney from Bournemouth
Age: 26
Job: Forklifter
Favourite Boomtown area: Lion’s Den
Tattoo by Ana Tatu from Black Lodge
“Reggae on my left arm close to my heart, my right arm represents rock ‘n’ roll for my Uncle”

courtney_full1

courtney_close_up21

courtney_close_up11

 

Fay from Bridgewater
Age: 30
Job: Childcare
Favourite Boomtown area: Chinatown
Tattoo by Mike from Mike’s Tattoo Studio
“Just a sexy ass lady and she deserves to be seen”

fay_full1

fay_close_up1

Shaded: Dean Robinson

‘Shaded’ is an on-going interview series created by 22-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.

Dean Robinson is a 25 year-old Brighton-based musician and visual artist who creates violent and visceral sonic landscapes under the pseudonym Knifedoutofexistence, as well as contributing fuzzed clouds of texture and depth when it comes to his collective noise project Swallowing. In conversation with ‘Shaded’, the purveyor of seaside distortion demystifies the influences behind his work, the story behind his Bonnie Tyler tattoo and speaks about the relationship between the worlds of extreme music and body modification.

12901239_10156602907545251_891279103907288866_o-2

Can you talk about what it is you do as a musician? Firstly, I would say that calling myself a musician is a stretch, and probably does real musicians and myself a disservice. I currently work with two main projects: Knifedoutofexistence, which is a solo project in which I make noise and sounds with a range of objects, gear and vocals. I am also a member of the band Swallowing, where I add noise in the form of guitar feedback to the grinding dirge created by my band mates.

When did you start exploring musical performance? I have been playing in bands since I was roughly 16 years old, but I performed as Knifedoutofexistence for the first time in February 2013.

558769_607160129317552_1874546527_n

Skulls by Slim at Bournemouth’s Electric Skull

What initially influenced you musically? Knifedoutofexistence was inspired by a range of conspiring factors. I wanted to take the challenging and questioning ideals of punk and apply that to the actual sound itself. Why should it be that the only structure that punk doesn’t challenge is musical rules themselves? The band Column Of Heaven were a massive influence on both the sonic element of the project and the gravity I gave to the subject matter I work with.

Knifedoutofexistence is actually a reference to a sample at the end of the first Column Of Heaven release, ‘Ecstatically Embracing All That We Habitually Suppress’. Swans also opened my mind to the power of loops and repetitiveness – to the ability to create the same kind of aggression that’s stereotypical of extreme genres of music as Hardcore Punk, but in this polar opposite way. Instead of a quick blast of emotion, Swans create something that slowly drags you into it. ‘Filth’ taught me how to be covert with aggression.

Can you speak to what is currently inspiring you as a musician? The desire to make something constructive and creative out of the negative aspects of my personality and life is a constant inspiration. My motive for making noise has always been catharsis.

10724841_807105599340249_1843187530_n

Boar by Scott Move

Can you tell me about your tattoos? I think, like most people who’ve been tattooed a decent amount, I’ve stopped counting them. Most of my tattoos are music related, as that’s always been the biggest part of my life. I have tattoos in tribute to a long list of bands and artists: Man Is The Bastard, The Doors, Iron Monkey, Black Flag, Minor Threat, Closure, Black Sabbath, Carrion Sunflower, Dystopia. I suppose Bonnie Tyler can be added to that list as well!

When I was out in Canada playing a few shows recently, I was in this bar that had a juke box. There was a group of us who thought we’d annoy everyone in the place by pouring all of our money into this machine and repeatedly requesting ‘Total Eclipse of the Heart’. It kind of backfired though, as the more we listened to it, the more we started to dig into the song and the lyrics and it ended up hitting us hard. We all got ‘love in the dark’ tattooed on us in honour of the experience. All of my tattoos have been done by a range of talented tattoo artists. My friends Sam Layzell and Rosie Evans who work out of their own private studio MVL in Leeds have done a decent amount of my work between them. Slim at Bournemouth’s Electric Skull did my knees. Scott Move, who is one of my favourite artists, produced this rad boar on my arm.

What attracted you to tattoos in the first place? They’re just something I’ve always been drawn to. I guess they go hand in hand with the subcultures and aesthetics I’ve always found appealing. The permanency of them is definitely a massive attraction for me. It’s something that, once finished, is forever a part of your person. My first tattoo was the logo of this band Reuben. I waited outside of the tattoo shop on my 18th birthday and got it done at 9 in the morning!

12912725_1113227838740848_2077958783_n

Do you have any plans for future work? There’s a lot of work I’ve got planned. I’d like to get “No Doves Fly Here” across my chest in reference to The Mob’s Post-Punk classic, as well as a portrait of the legendary futurist painter, composer and writer Lugi Russolo on my ribs. There’s a lot of incredible artists I’d like to get tattooed by.

Do you find that there’s a relationship between tattoo culture and the world that you gravitate towards creatively? Absolutely! Both tattoo culture and the world of extreme music have an outsider mentality to them and are not often given credit as “valid” or “real” art forms, although an approval that many involved do not seek to gain or actively work against. Noise is for the punks. Tattoos are for the punks.