Laura Makabresku is a Polish visual artist and photographer who creates beautiful fairytale-esque images. Her photographs overflow with a dream-like quality inspired by the delicacy of nature and the fragility of the human condition…
Laura Makabresku is a Polish visual artist and photographer who creates beautiful fairytale-esque images. Her photographs overflow with a dream-like quality inspired by the delicacy of nature and the fragility of the human condition…
When I first saw this in the cinema, I thought this was one of Pixar’s best. The story is charming enough, with a rat fulfilling his dream to be a chef in one of the most esteemed restaurants in Paris. However, the film also invited us to share in his passion for food and cooking, even the simple dish of the title. Let’s just forget the fact that everyone in Paris has American accents.
I’m not a huge fan of this movie, but it’s such a celebration of our food lust I couldn’t afford to miss it off the list. An ambitious young scientist, trapped in a small town where all there is to eat is sardines, achieves surely everybody’s greatest wish and invents a machine that makes food rain from the sky. The film goes one step further, showing yet again how such a fantastic scientific achievement can get dangerous very quickly.
In honour of the late, great Gene Wilder this musical chocolate banquet surely earns a place here. Based on one of Roald Dahl‘s most imaginative and celebrated children’s books, the film follows a little blond angel named Charlie who wins one of the fabled golden tickets to Willy Wonka’s chocolate factory. Although I’m sickened slightly by the Americanised sappiness thrust into the story, the filmmakers did a great job of recreating Wonka’s factory with the finest of 70s effects, as well as keeping Dahl’s dark streak of humour intact.
Let’s keep up the literary-inspired choc fests shall we? Based on the novel by Joanne Harris, a mysterious woman arrives in a small French town during Lent and promptly sets up a chocolate shop. When she starts awakening the townspeoples’ repressed desires, this does not sit well with the local priest and he and the woman begin a battle of ideologies. This is an exploration of the emotional power of food and Johnny Depp is dishy as a guitar-playing gypsy pirate.
Let’s stay in France, except we’ll travel into the future a bit. From visionary director Jean-Pierre Jeunet (Amelie, Alien: Resurrection) came this dystopian romantic comedy about an ex-circus performer moving into a flat. Unfortunately, in post-apocalyptic France food is scarce and the landlord, who happens to be a butcher, is eyeing up his tenant. But his daughter is nice. Cue a lot of comic action about human desperation for food, including some vegetarian revolutionaries.
The exhibition runs from 27 August 2016 – 9 July 2017
‘The Princessehof National Museum of Ceramics in Leeuwarden presents a titilating exhibition about eroticism: Sexy Ceramics. Classical Greek vases, refined Asian porcelain and contemporary ceramics by artists such as Louise Bourgeois and Jessica Harrison escort the viewer into the world of sex and seduction. The exhibition follows the phases of love-play, from the first touch and gentle courtship to the act of lovemaking itself. Attention is paid to hidden symbols, evocative shapes and explicit objects, but also to the sensuality of the material, the clay itself.’
Artist Jessica Harrison has been commissioned to create a sculpture for the gallery exhibition, and she has crafted one her recognisable and beautiful enamel tattooed women, which we love so much.
Posthumously preserving tattooed skin is a great way to appreciate tattoos without the need for animated human flesh holding it all together. But if the thought of having dead human skin framed and on display in your living room is a little too macabre for your liking then Melbourne’s Thing Gallery has you covered.
Thing Gallery commission tattooists to work on hyper-real silicone hands that they then exhibit and sell online. Have you ever wanted a unique tropical piece by Sam Kane or some black work by Hannah Pixie but live on the other side of the world? Thing Gallery have been busy curating hands from artists living in all corners of the earth, like Or Kantor in Israel, Poland’s Edek, and Oozy in Korea.
It’s a unique opportunity to own real tattoos as pieces of art disconnected and distinct from the human body.
Below are some of the first hands uploaded to their gallery. Be sure to sign up to their mail-list to be among the first notified when new hands become available, or keep an eye on their Instagram page for updates and images of awesome works of art.
By Charley Gerardin (Melbourne)
By Nina Waldron (Melbourne)
By Elizabeth Huxley May (Sydney)
By Sam Kane (Sydney)
By Mark Jelliman (England)
23-year-old Georgina Liliane is a tattoo artist based at Intense Colours in Southampton, who is now currently working and travelling across Canada. We chatted to Georgina about what inspires her and the guest spots she has planned while travelling…
How long have you been tattooing? Including my apprenticeship four years and still constantly learning.
How did you start? What did you do before? I drew designs for friends and my close friends got tattooed by my mentor and he was about to open a studio and was looking for an apprentice. My friends recommended me to the studio and they had a look at my work and I was offered an apprenticeship. At the time I was just about to finish my foundation in illustration so it was perfect timing as I didn’t want to go to university at all!
Do you have a background in art? I have always been drawing since I can remember, I studied fine art at college and illustration at uni.
What drew you to the tattoo world? I remember being at school and loved flicking through tattoo magazines and pictures online (instead of doing work I needed to do of course). I loved the bright colours and bold style of traditional tattoos.
How would you describe your style, has it changed? In my very early years of tattooing I drew in more of a traditional style, it wasn’t very distinct at first but through practise and patience I started to draw delicate, illustrative and more feminine designs, mostly animal and nature related.
What do you like to tattoo and draw? My favourite tattoos to do are cats, any animal, gothic/halloween related and pop culture related designs such as Studio Ghibli, Harry Potter, Lord of the Rings, all of which I’m a huge fan of!
What inspires you? Classical art and vintage postcards are something I frequently look at. I went to the Robert Bateman gallery on Vancouver Island and his paintings were beautiful. Although incredibly detailed he focuses mainly on creating a certain mood to be felt when viewing his paintings, and adding other details that wouldn’t necessarily be seen at first glance, which I found interesting and something I could take inspiration from.
What would you love to tattoo? And what would you refuse to do? I would love to do larger scale pieces in the future, I wouldn’t want to do anything that could be offensive. I often turn away certain cover up tattoos if the old tattoo is difficult or too dark to cover, I always suggest to laser the tattoo to lighten it. This means less limitation on what could be tattooed over it.
Do you have any guest spot or conventions planned? So far I’ve worked on Vancouver Island at Painted Lotus, Vancouver at Gastown Parlour, I’m about to start working at Scythe and Spade in Calgary, followed by the Montreal Convention in September. Then I’ll be working at Deathless tattoo in Montreal, and in Ottawa I’ll be at Ink Spot. That’s all I’ve planned so far! I’m nervous for the convention as it’ll be the first one I’ve done by myself and in another country can be quite daunting. But everyone in Canada has been so friendly and helpful and I’ve settled in quickly.
Can you tell us about your own tattoos? Both of my sleeves have been done by the very talented Antony Flemming, I love them as everyday there’s a new detail I didn’t see before. I’ve done a couple of tattoo trades with my friends Ashley Luka and Charlotte Timmons both stupidly lovely and talented artists in Birmingham. I still have a lot of space and ideas for future tattoos for myself, I’d love it if I can get a tattoo from Sam Smith who I’ll be working with in Calgary, but if not I’ll be more than happy to sit and watch her work and hopefully learn a thing or two!
Kelsey Beckett is an freelance artist from Michigan, USA who creates beautiful acrylic and oil paintings featuring floating florals and pretty girls. We especially love her cotton candy colour palette and her women dressed in draping fabrics…
5. Pinocchio (1940)
This makes the list for being possibly the scariest Disney film. There’s child kidnappers, the most monstrous whale ever put on screen and one truly horrific scene where a boy transforms into a donkey. All this somehow went over my head when I was a kid. Maybe I was too distracted by the cricket.
4. The Jungle Book, (1967)
The one Disney film with jazz music! Sadly this was the last movie Mr. Disney produced while he was alive, but it was a genius stroke to mix Rudyard Kipling‘s story of a boy raised in the jungle by animals with foot-tappin’ tunes. I have yet to see the 2016 remake and in my opinion it’s going to be hard to beat this original feast of songs and great characters.
3. The Emperor’s New Groove (2000)
This film is a breath of fresh air in the Disney canon. It has one of the most original plots (an ancient emperor gets turned into a llama by the fiendish Yzma and the loveable Kronk, possibly the best villainous duo ever) and thus this is definitely the funniest and breeziest of the Disney animations. There’s also no forced songs or romance either, unless you count the growing bromance between the emperor and the peasant Pacha.
2. Finding Nemo (2003)
Pixar have surely saved Disney and this has to be their best effort. Inspired by the oceans’s beauty and variety of life, Pixar made a truly epic Odyssey that’s still funny and charming, of a clownfish facing down the dangers of the deep to find his son. I am just a little excited about Finding Dory.
1. The Lion King (1994)
Another nature-inspired epic, this time set on the African plains and with a more Shakespearean plot, where Simba the lion has to avenge his father’s death at the paws of his sly uncle Scar and fulfil his destiny as King of the pride. Why is this my favourite? Maybe I just like African wildlife, but everything about this film is damn near perfect: the songs, the animation, the equal amounts of humour and tragedy. There’s also hyenas, and Timon and Pumbaa. All together now, ‘hakuna matata…’.
19-year-old Lea Katz is a resident artist based in Melbourne, Australia, soon to be living in Bavaria, Germany. We chatted to Lea about the beautiful women she draws and how tattoos make her feel about her body…
Inspired by Things&Ink Lea created this illustration just for us…
What medium do you use? How do you create each piece? I work digitally and traditionally. For my digital paintings, I use a graphic tablet and Photoshop. When I work traditionally, I usually rely on pencils, ink and sometimes watercolour. I also love mixing my drawings with other elements to create a collage-like look. I have some gold paper for example, that I combine with my drawings, sometimes I use photos from magazines for that and on other days, I just take whatever I can find and glue it to my sketches.
When I get to work, my usual process is to start out with a very messy sketch that I refine until I’m happy with it. Once that’s done, I begin to work on details to achieve a semi-realist look on certain parts of the artwork (like the face, when I draw a portrait), when I’m finished with that, I start bringing in flat shapes and lines and in the end, I combine it with different scans (in digital paintings), older drawings and photos.
What kinds of things do you draw? I love drawing portraits, but I also enjoy drawing flowers, nature and birds. Every now and then I also do some typography, but I really need
What is it about women that makes you want to draw them? I guess it’s something that I do since I’m a kid, so it’s almost like a habit now. I love women, I love being a woman (most of the time, at least) and women get so much shit so often, that I just want to celebrate women and femininity in my paintings. I draw them as queens, strong, proud and independent, cover them in gold and all things fabulous.
What inspires you? Huge inspirations for me are art history and music. I’ve always been a little art nerd and a huge fan of art nouveau and surrealism, which are two big influences on my work. Music is a big part of my life, I always listen to music, I love singing (even if I’m a horrible singer. Doesn’t stop me though) and there are always songs that just make me want to catch the vibe of it and put it in a painting.
How would you describe your style? I’d say my style is a mixture of semi-realism, art nouveau, graphic design and sometimes surrealism. It’s basically a huge collage of styles that I love and try to combine into one piece of work.
Do you admire any other artists, do they influence your work? Definitely! Frida Kahlo, Alfons Mucha, Gustav Klimt, Cindy Sherman, Man Ray and Hannah Höch are people that never stop inspiring me. I love Frida’s self-portraits, Mucha’s girls and Klimt’s golden paintings. Cindy Sherman’s photography is simply fascinating to see, as well as Man Ray’s and Hannah Höch’s dadaist collages.
Can you tell us about your tattoos? I just got my first tattoo in March this year when I visited Amsterdam so I don’t have too many yet. My first tattoo was a beautiful little heart by Angelique Houtkamp, as a souvenir that reminds me of one of my favourite cities. Next, I got a flower on my wrist and after that Frida Kahlo from her “Wounded Deer” painting, which is a piece of art that has a lot of personal meaning to me. And since this Frida was tattooed in a more traditional style, I decided to get another one. This time, full on classic Frida as we know her. It was also my first tattoo in Australia, done by the amazing Marian Machismo.
How do tattoos make you feel? Have they made you feel differently about your body? Tattoos make me feel great, they make me feel like a badass and I’m happy that they give me the ability to carry things that I love with me wherever I go. They definitely changed a lot about how I view myself and my body. I, like probably every person who had to go through puberty, have a lot of insecurities, I’m unhappy with that part of my body, this could be thinner, this patch of skin has too many freckles, blah blah blah. You probably know what I mean. Covering myself in art that I love changed the way I look at myself. I don’t look at my arm and worry about it being too fat or too whatever anymore, I look at it and see my beautiful tattoos and feel incredible. In fact, I’m happy for every inch of skin that I have because it’s potential tattoo-space.
Do you have any future tattoo plans? Definitely. My next appointment is in September, with Clare Hampshire from Hot Copper Studio here in Melbourne. And I have a lot of Australian artists on my list that I need to get a tattoo from before I move back to Germany in January.
Do you do commissions? Where can people buy your art? I do! I love doing commissions. I sell prints, shirts and a ton of products with my drawings on it via redbubble and I’m always open to sell my original, traditional drawings.
How long have you been tattooing? Looking back through my diary, I’ve been tattooing on a regular basis for about 7-8 weeks now. I started my apprenticeship in October of 2015 and my mentor let me tattoo myself after about four months so I could get a glimpse of the world I was stepping into. I tattooed myself again a couple of months later and then a handful of my wonderful friends volunteered to let me tattoo them, and then all of a sudden I’m tattooing every day alongside all the other artists at the shop. This is something I’ve wanted for so long and sometimes I still wake up and think ‘is this really my life now?!’
How did you start? What did you do before? I remember telling my tutor at college that I wanted to be a tattoo artist and she looked at me blankly with no advice to give. I then went to university for a year, worked in bars and restaurants, went travelling for a bit, all the while knowing I still just wanted to tattoo.
It got to the point where I couldn’t stand my job any longer and I plucked up the courage to email Mike Stockings (my mentor) and asked if he would be willing to see me to discuss the possibility of an apprenticeship at his studio. I had been avidly following his work for years and I had my heart set on learning from him. He agreed to see me, went through my work, picked it apart, gave me some advice and then told me to go away and draw some more. I don’t think he expected that I’d ever come back, but I continued to take more work to show him for about six months until he offered me the apprenticeship.
Do you have a background in art? Drawing was always ‘my thing,’ when I was younger. I remember going round to other kids’ houses to play and being shocked that they didn’t put the lids back on their colouring pens, or that they only had scrap paper to draw on. Looking back, I’m so grateful to my mum for nurturing my interest in art. Even at a young age she would take me to exhibitions and buy me good quality drawing materials.
I studied art at college and even went on to university to start an illustration degree. I probably thought my art classes were boring at the time but I realise now that they really did teach me some valuable things about composition, light and shadow, complementary colours etc.
What drew you to the tattoo world? I remember seeing some of Guy Aitchison’s luminous bi-mech work when I was about 16 and I was instantly blown away. It was like at that moment, my eyes were opened to a whole world of tattooing beyond the high street flash that I was familiar with. I then went on to discover Emily Rose Murray, Tiny Miss Becca, and (dare I say) Kat Von D who were all women starting to make waves in a male dominated industry at the time. I was so inspired and excited that you could make a living out of drawing wonderful pictures on people. I was desperate to get tattooed when I was a teenager and now I’m starting to build up a nice collection of my own I feel more comfortable in my skin than ever.
Are there any artist that influence your work? I really like all the bold, bright work that is coming out of Germany at the moment. Lars Uwe Lus lips, is one of my absolute favourites. His use of colours, line weights and style in general is pretty mind-blowing. I love the illustrative quality of Kate Selkie’s work and I am always reminded that good drawing skills are the foundation of a good tattoo. And of course, watching Mike work is probably my biggest influence. His work has so much character and he’s always trying to push boundaries and put out fresh new ideas. It’s impossible not to be inspired.
Describe your style, has it changed? I’d say my style changes a little bit with every tattoo I do. I think my work is leaning towards neo-traditional, working with bright colours and bold line. The guys where I work taught me early on to follow the fundamentals of traditional tattooing, emphasising the importance of clean lines and getting a good amount of black into any tattoo to create contrast and a tattoo that will age well.
What inspires you? Everything really. I guess that’s a pretty terrible answer but it’s true. I’ll often find myself sneaking into people’s front gardens to take photos of their flowers to use as reference, or stuffing a leaflet in my bag because I like the colour palette that’s been used. I feel like my eyes now scan everything to see if it’s a possible reference or inspiration in some way.
I love Japanese art and culture, art nouveau, pop art, film photography, and really enjoy going to museums and galleries. Even if the work doesn’t influence mine directly, I always feel so creatively energised after seeing another artist’s vision come to life.
What would you love to tattoo? I consider myself incredibly lucky that Mike gives me the freedom to tattoo what I want already. He has always really emphasised that if you do work you enjoy then that will be evident, and people will come to you.
Eventually I’d like to be tattooing larger scale animal designs and faces (tattoos of faces, not tattooing on faces!) I love the idea of working on a project and can’t wait to be piecing together ideas for a sleeve or back piece. For now though, I am happy doing my little designs, trying to make each one cleaner and better than the last. I think there’s a fine line between continually pushing yourself to improve, and trying to run before you can walk. The guys at work will often tell me that I’m not ready to tattoo a certain part of the body yet, or that a design is too complex and then I just have to take a step back and remember that it’s still really early days for me.
What is a typical day like for you? I usually get to the studio at around 9 am, mop the floor, clean the grips, set up Mike’s station and try to make sure everything stays tidy during the day. I’m trying to do one tattoo a day at the moment and truthfully I couldn’t tell you anything that happens in the shop during that time!
We chat to the infamous Megan Massacre, 30, tattoo artist and co-founder @GritNGlory, about her new colouring book, reality TV and her tattoo style
Megan, we love your work! How would you describe your style?
Thanks! My tattooing style is mostly known for my very bright, colourful palettes and I usually mix a few tattooing styles together such as realism, traditional, neo-traditional and new school.
We loved you in America’s Worst Tattoos and NY Ink… Did you enjoy doing reality TV, what were the highlights?
Yes very much! The highlight for me was getting to share my work with such a large audience of people.
If you could tattoo anyone, dead or alive, who would it be?
Probably Gwen Stefani, I’ve loved her since I was a kid listening to No Doubt!
What made you decide to venture into colouring books?
I’ve always wanted to make a book of my tattoo drawings, tattoo flash is what we call it in the industry. When I realised it could double as a colouring book I thought it was such a cool, fun idea that even more people could enjoy.
What do you hope people will get from it?
I like to think of it as a book for both tattoo artists and fans, as well as colouring fanatics. I hope that tattoo artists and fans find the book useful for tattoo ideas and flash, as well as fun and therapeutic for colouring as well.
It is aimed at adults and children?
Yes I think it’s great for both!
Do you think colouring books are important for wellbeing?
I think colouring is a great way to relieve stress and relax your mind while also working in a creative outlet and creating something awesome you can feel proud of.
Is it important for you to be involved in lots of different creative projects?
For me personally yes. I always have a few different projects going on, I like to stay overly busy. I also like to be involved in as many different creative industries as possible, it allows me to keep learning through art.
What are your hopes for the future?
I hope to make more colouring and art books for fans to enjoy, and to continually keep breaking into new, creative industries.
When will you next be in the UK?
I don’t have any plans at the moment but I try to go once a year, I’ll definitely be posting on my social media when I’ll be heading there next!
You can order a copy of Marked in Ink, the colouring book by Megan Massacre from Book Depository.