5 Best Superhero Movies

Since Olympic athletes are technically superhuman, film lover Harry Casey-Woodward thought it would be appropriate to list a few of his favourite superhero movies.

5. The Kickass movies (2010 and 2013) 

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No one has superpowers in these films, but they make my list for sheer brutality. This series about teenagers turned costumed vigilantes possesses some truly dark moments, such as the scene in the first film where two heroes are beaten live on TV by the mafia and Jim Carrey‘s death scene in the sequel. These films also score points for boasting one of the most savagely badass heroines ever, the purple-haired Hit-Girl.

4. Batman (1989) 

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How could I not include the classic that arguably raised the standard for all superhero films? Director Tim Burton excelled in his typically Gothic style while leaving out his annoying kookiness. Nevertheless, this dark edgy thriller still packs in some slightly silly capers and capes. It also has Jack Nicholson‘s infamous, smiley performance as the Joker, who somehow combined menace and cheesiness.

3. The Hellboy movies (2004 and 2008) 

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Hellboy is more of a superhuman than the above heroes while also being slightly less human. A big red half-demon with a stone hand that holds the key to the apocalypse, Hellboy’s backstory is admittedly more extensive than your average radiation-affected superhero. The world that writer Mike Mignola and director Guillermo del Toro imagined for him is also strikingly imaginative, with lots of crazed Nazis and cool monsters for Hellboy to beat the crap out while quipping one liners.  

2. Christopher Nolan‘s Batman Trilogy (2005-12) 

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The man in the black, pointy-eared cape is back, only this time we’ve moved on from the over-the-top 80s and we’re into the slick, sophisticated noughties. The franchise needed a reboot, especially after the camp fiasco of Batman & Robin, and Mr. Nolan, director of smart thrillers like Memento, appears to have been the man to do that. His three Batman films did away with the cheesy Gothic excess of the 90s films and attempted to take the subject matter more seriously, with more complex characters. Of course, it is impossible to take Christian Bale‘s gravelly Batman voice seriously, but we did get non-stop action and some surprisingly villainous performances from such cute actors as Heath Ledger and Tom Hardy.

1. Deadpool (2016) 

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This shouldn’t really be number one, since it’s not a serious superhero movie. But it’s just so damn entertaining. I may also be a little biased, since I don’t really like superhero movies so the merciless humour directed at the moral pomposity of these films was much appreciated. It was also a refreshing revelation to see a Marvel film that had adult humour and blackly comic violence while openly mocking the conventions of its own genre. The hero is still badass, even if he never stops making pop culture references.

Images from moviepilot.com, batman.wikia.com, denofgeeek.com, nerdist.com and bleedingcool.com.

Interview with Olivia Olivier

24-year-old Olivia Olivier works out of Everlasting Tattoo in San Francisco, California and creates wonderfully traditional tattoos. We chatted to Olivia about her inspirational mother and what drew her to the tattoo world…

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How long have you been tattooing? Four and a half years now.

How did you start? What did you do before? My mom’s boyfriend owns a shop that I started working at doing miscellaneous jobs and counter work at 15, then started full time at 17. And at 18 started my apprenticeship. I haven’t had any other job!

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Do you have a background in art? I have always had drawing going on around me, my mom is a phenomenal artist. She encouraged me to draw ever since I can remember. I have learned a lot from her, especially about figure drawing. She teaches at San Francisco’s City College and I have taken her class along with others multiple times.

What drew you to the tattoo world? Definitely the idea of being able to make art for a living, somewhat on your own terms. I love being able to make people happy by tattooing them. Also the ability to travel, and essentially work anywhere in the world.

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Describe your style, has it changed? I would say I pretty much stick to traditional tattooing, bold lines are very important. Although I do use fine lines as well, and a wider range of colour, it’s too much fun to stay away from. I don’t think I’ve been tattooing long enough to have changed styles, I’m still learning what works for me and developing one.

What do you like to tattoo and draw? I love to tattoo women, whether it be full body pin up or just a bust. Happy, sad, sassy or lusty! Also flowers, plants, animals, insects, creatures in general. Fancy things like jewellery, religious imagery. Anything organic or decorative.

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What inspires you? Like I mentioned before, figure drawing has been a big inspiration. I like going to the library and look at art books, from Greece’s marble sculptures to renaissance paintings, baroque jewellery and decoration, up to modern pop art. I also take a lot of inspiration from my surroundings, growing up in San Francisco being around really creative and unique people.

What would you love to tattoo? And what would you refuse to do? I would love to tattoo lady faces on a larger scale, and more black and grey. Things I usually decline are tattoos with no outline, watercolour style tattoos, and tattoos on the finger because I think they generally age poorly. And definitely no hate symbols.

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Do you have any guest spot or conventions planned? Currently, I only have one guest spot set, at Icon Tattoo in Portland, OR. August 11th-13th. I hope to be travelling more often, and will post dates on Instagram. I have worked the Star of Texas convention in Austin the past three years, and Salt Lake City the past two and will hopefully be back to both this coming year.

Can you tell us about your own tattoos? My legs are where I stared, one shot, just for fun stuff. Arms are a bit more planned, I stick to black and grey and still have real estate open that I am saving for certain things. I also kept the black and grey theme on my chest and stomach.

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Learning to Love my Body and my Stoma Bag

27-year-old Caz Caines, from Newbury, Berkshire is a make-up lover and compliance administrator. We chatted to Caz who is sharing her story about her stoma bag as a way of celebrating her body, spreading self love and helping others… 

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How did you feel when you first had the bag fitted? Can you tell us about why and how you came to have it? I have had my stoma [a pouch placed over the stomach to collect waste products that usually pass through the colon] for six years now. I was really poorly and admitted to hospital with a very swollen stomach, turns out my large intestine was so stretched and my organs were shutting down. When the surgeons opened me up my large intestine split. They had to operate and create a stoma, which I named Krang. I was so scared and upset but relieved. I woke up from surgery with the bag, totally unexpected and a big shock. After I got over the initial shock, I felt relieved because I knew that I’d feel better in myself, this could give me a new lease of life.

IMG_0705Did you always feel so confident? Nope, definitely not! I found that when I had surgery my body changed so much – I lost four stone while in hospital as I wasn’t allowed to eat for 10 days. I really started looking at it differently as I now had this ridiculously big scar with added poo bag on my stomach, not something you see everyday. So I felt a bit self conscious at first, that didn’t last long though. I started blogging soon after, speaking to other young people with stomas and really trying to encourage others to see themselves as the attractive, positive person they are or soon could be.

What advice would you give to others who struggle to feel good about themselves? You just gotta think this is the only life you’re gonna have so appreciate yourself and focus on the things you like. I love make-up and creating different looks with that, it really does make me feel better about myself. Get your nails done, put on your favourite music. Surround yourself with wonderful, hilarious people. My friends helped me out so much when I was poorly, they’re absolutely brilliant people. You always need that friend who will tell you to stop wallowing, I like people who are forward, you need people like that in your life.

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How do you try to celebrate your body? Is Instagram a way for you to do this? I just try and appreciate it the best I can, I’m not one to deny myself a pizza every week. Instagram can be a way, my recent bag picture did get a lot of positive comments and attention which is great, social media is crazy! I have spoken to more people who had bags, there is a big network of Ostomates on Instagram, more people are showing their bags off. I definitely have my down days and hangs up like everyone, I try not to let it get to me, I just need to remind myself that my bag saved my life so I should be bigging it up.

Why do you think sharing your story and spreading body positivity is important? Because there are so many people out there who probably feel a little lost after surgery, you really don’t feel 100% so I just want to show people, it’s cool, you’ll get back to feeling good again! You just gotta embrace what you have, even those without bags! You have one body, don’t listen to the magazines, you don’t have to be a certain way. I don’t want people who have bags to feel like they’re ugly, nor the people who don’t have them to think we are. I get messages from so many young people saying I’ve helped them feel more confident, it’s just so great, it’s nice knowing you’ve helped someone just by saying what you truly feel.

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How have tattoos helped? I had tattoos before surgery, I’ve always loved them. I do have a piece which I got last year by Jody Dawber – it is a lady with two sets of eyes, as if to say ‘don’t see yourself through other people’s eyes’. I wanted to get something that tied in with my message of body confidence and my bag as well as looking fabulous.
When I get a new tattoo it’s exciting, I get such a rush from seeing it go from paper to skin – I can’t stop looking at it once it’s been done and definitely can’t wait to show everyone this fantastic piece of art.

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What tattoo plans do you have? The plan has always been heavy coverage, I love the look. I was a stupid 18 year old and started on a sleeve which I now can’t stand and I’m working on blacking out. I want to get more work by Jody, she is definitely one of my favourite artists as her style is so cute and distinctive, it also helps that she’s so easy to talk to and would put anyone at ease. I would also love another Danielle Rose piece, her work is so stunning, it takes your breath away. I follow a few artists on IG, it is one of the easiest places to find new tattooers, so I have my eye on a few people currently – Craven Tattooer, Max Rathbone and Aimee Lou are a few I’m loving at the moment.

Interview with Katie Shocrylas

31-year-old tattoo artist Katie Shocrylas tattoos out of a private studio in Vancouver, BC, Canada and creates mesmerising and bright tattoos inspired by the beauty of nature. We chatted to Katie to find out more about her distinctive style and what drew her to the tattoo world…

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Photo taken by rolydee.com

How long have you been tattooing? I have been tattooing full-time for about four years.

How did you start? What did you do before? I became fascinated with tattooing about a year after finishing art school, while I was travelling and started getting tattooed myself. After my apprenticeship I ended up going back to school for art therapy; I took a bit of a roundabout route but ultimately found my way back to tattooing and haven’t stopped since. Now, I couldn’t imagine doing anything else.

I did a lot of different things before I got into tattooing: I spent four years completing a Bachelor of Fine Art degree, a year travelling in New Zealand, and in the time between then and the beginning of my tattoo career had a variety of different jobs in the service industry. My apologies to anyone who got me as a server, I was always terrible at waiting tables and serving drinks!

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Do you have a background in art? I have always drawn and painted, and have an undergraduate degree in visual art specialising in mixed media figure drawing and painting. I also danced semi- professionally until I was 18.

What drew you to the tattoo world? I have always loved the fact that tattooing allows you to make one-on-one connections with other people through images. I think it’s a really unique way to make even just a small difference in someone else’s life, and being able to learn a little bit about their experiences by creating a piece of really personal artwork for them. I am drawn to the directness of drawing directly onto someone’s body; tattoos are aesthetic and I love that they’re a way for people to adorn their skin with images they find beautiful and/or significant – I see tattoos as a movement towards self love and often acceptance and healing. Also, it’s really, really fun and super rewarding to be able to make art for people every day!

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How would you describe your style, how has it changed? I always have a hard time describing my style but I suppose I would say I do illustrative, vibrant, somewhat neo-traditional and mostly animal-based tattoos. Over the past few years, I feel my work has become a little freer and more whimsical – my line work has definitely evolved to have a bit more of a sense of naturalism to it. Also, I find myself working with bright colour schemes in a way that combines black and neutral tones to contrast the hyper-vibrant rainbow palettes I love so much. I think my sense of colour is becoming more refined and I’m really enjoying the depth that results from that.

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What do you like to tattoo and draw? Animals! Crystals! Anything that grows in nature. I love doing pet portraits, anything magical or whimsical, food tattoos are really fun (fruits and veggies and anything sweet), patterns, ornamentation, anything that combines the real world with an imagined world.

What inspires you? I am inspired by nature, pop culture (especially anything from the 80s), travel, and lots of other artists (tattoo and otherwise, both past and contemporary).

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What would you love to tattoo? I really want to do more pop culture tattoos – think X Files, drag queens, iconic musicians, 80s inspired imagery. I’d also love to do more insects, snakes, and exotic as well as mythological animals. I really want to tattoo a zebra, if anyone’s keen!

Do you have any guest spot or conventions planned? I’ll be part of Art Basel again this December with my lovely sponsors Hush Anesthetics! Otherwise I am going to be primarily in Vancouver for the remainder of 2016 as I’ve been on the road a lot this past year and am looking forward to a few months at home. However, I am in the beginning stages of planning some North American and UK guest spots for 2017. I am also planning on heading back to Brighton for the convention in 2017, I was part of the convention this year and had a blast.

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Can you tell us about your own tattoos? Half of the tattoos on my arms are cover ups, and my favourite tattoos rarely see the light of day – I’ve got a little collection of animals on my legs (a horse, toucan, squirrel, puppy, kittens – still lots of space on my one leg to fill with more creatures!) Steve Moore is doing a full backpiece for me, we’re two sessions in, I’m pretty excited about that as his work has inspired me since before I even started tattooing.

Tattooist Paul Hill on Sailor Jerry’s Ride

Motorbike collector, tattoo artist and owner of Vagabond Tattoo Studio Paul Hill recently joined the team at iconic American brand, Sailor Jerry for The Ride 2016, which pulled together the UK’s most legendary motorcyclists into three  motorcycling teams –Kingdom of Kicks, The Originals and FTH – for an epic ride around the UK. We wanted to find out more about Paul’s love for motorbikes and tattoos…

Watch The Ride videos on Sailor Jerry’s YouTube channel

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Do you think motorbikes and tattoos go hand in hand?
Historically certain aspects of bike culture and tattooing have been intertwined. As cliche as it sounds I think that still exists. The kind of person that is into customising bikes is likely to be into customising other things, including their body. Bike styles of the 60s and 70s bring with them an interest in the aesthetics of that era and those bold traditional tattoos are a big part of that.

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What made you first fall in love with motorbikes? And also with tattoos?
I’ve always been into customising and putting my own stamp on things, bikes are a good way to channel that energy and tattooing is the ultimate expression of that.

What was your involvement in The Ride? What was it like?
I’ve met a lot of new people and created friendships through tattooing and even more through motorcycling, often both. The community surrounding motorcycles is constantly growing, a lot of the friends I’ve met are in a similar position to me. Young(ish) person usually within the creative industry all supporting each other. For me it has a community feel that allows us all to work and creatively do exactly what we want. My friend James (team Kingdom of Kicks) is one of these people. We met through the bike scene and I tattoo a mutual friend. He got in touch saying Sailor Jerry were planning a ride this year and offered me spot – a bunch of us riding around the UK camping and partying courtesy of Sailor Jerry, hard to turn down!

image © Sandy Carson Photography and Sailor Jerry 2016. Not to

What was your favourite moment from The Ride?
SCphoto_KoK_riding_shots_final_edit-20The ride itself was awesome, there are so many beautiful roads right on our doorstep bikes being the best way to take advantage of them. Riding through North Wales and the Brecon Beacons is hard to beat. My favourite moment by far was making a BBQ using a piece of slate over a bonfire. We had just finished a great day’s riding through some of the best roads we’d ever ridden and all sat around the fire until the early hours eating and drinking. Moshing in a hay bale bunker to Frank Carter & The Rattlesnakes was up there too!

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What do you like to mix your Sailor Jerry with?
I mix my Sailor Jerry with Ginger beer.

We asked Sailor Jerry to sum up The Ride in a sentence: This summer Sailor Jerry hit the road once again for round two of The Ride, this year three bad-ass, bike building teams from across the UK were tasked with a series of epic challenges and compete against each other on a hell raising journey of balls-to-wall riding.

Paul was in team Kingdom of Kicks, but unfortunately it was The Originals who took the crown. Better luck next year, Paul. Sounds like he had a great time anyway. Check out Sailor Jerry’s Ride competition on their website.

Launch of the new sketchbook: LÉA NAHON – Carnet 1

French publishing house Noire Méduse has just released the beautiful Léa Nahon– Carnet 1, a sketchbook by tattoo artist Léa Nahon.

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This first volume features a selection of drawings taken from her own sketchbooks, which play a very important part in her life as an artist and through which Léa offers her interpretation of the world. She has developed her own style, including sketches, stencils, collages and sometimes text, with a dominance of black ink. Her illustrations, essentially portraits, are mainly inspired by her own environment. Léa returns to her artistic roots as a tattooer, by offering to ink these pages within the heart of the matter: the skin of her clients. All these designs are transformed into either paintings or tattoos, sometimes even both.

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After a short introduction by the editor, this book unveils  64 pages of stunning drawings, the extraordinary world of this tattoo artist with her unique and unmistakeable style. Free from traditional codes of tattooing, Léa Nahon, originally from Paris became a leader in this innovative trend, an important part of the contemporary art dimension of modern tattoos. Indeed, she worked for a long time at “La Boucherie Moderne” (Brussels) one of the main centres of experimental tattooing, before opening her own shop called “L’Usine”, in Liège (Belgium).

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You can purchase the book from: www.noire-meduse.com

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Album Review: Red Hot Chili Peppers, ‘The Getaway’

Harry Casey-Woodward, casual reviewer, gives his opinions on the latest album from one of California’s most popular exports, funk rock extraordinaires the Red Hot Chili Peppers.

Red Hot Chili Peppers, The Getaway, 2016, 3/5 

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Love them or hate them, you can’t deny the Chili Peppers have had an eclectic sound. There is the joke that in order to write a Chili Peppers hit you just chuck the word ‘California’ in somewhere, but the band have gone through several dramatic transformations throughout their extraordinary career.

In the 80s and 90s, they were a drug-crazed, sex-crazed, fiery funk/punk power machine. That all changed with the 1999 Californication album, when the band started sounding more mellow and mature. Unfortunately, since then they may have gone too mellow. The worst of their recent music, from such guilty albums as Stadium Arcadium and I’m With You, is just radio-ready soft rock.

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This year’s record The Getaway confirmed my suspicions that it would be another mild Chili Peppers offering. But does that make it bad? By the Way fans will be pleased to know that the band have returned to the cool melancholy that characterised that 2002 album rather than the slick, mindless joy of Stadium Arcadium. Some of the Getaway tracks are still funky rock-outs like ‘We Turn Red’, though of course they’re not as heavy as old songs like ‘Suck My Kiss’.

However, what the album lacks in ‘ooomph’, it makes up for with cool sophistication. Some of the tracks, like epic single ‘Dark Necessities’, even reminded me slightly of the Talking Heads‘ cool art funk. Of course, the Peppers have yet to lose their gift of writing supremely catchy tunes and the chorus of ‘Necessities’ is sure to still appeal to anguished youth: ‘you don’t know my mind/you don’t know my kind/dark necessities are part of my design.’

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The band have also added new elements to their music. Along with the formidable talents of the original members, a few tracks are driven by synth. I wasn’t sure about this at first, since it sounded like the band were moving further from their rock roots and embracing current musical trends just to fit in. But the synths are used to great effect, especially on the title track which uses throbbing beats for a jerky rhythm a la Gang of Four. Contrasted with Anthony Kiedis’s seductive vocals, what we get is an eerie but danceable album opener. Elsewhere a string quartet, a vocal choir and even piano by Elton John all build up lush, textured songs that bridge the line between rock and pop.

So it may not be a Blood Sugar Sex Magik or even a Californication. But it’s a relief that the Peppers made an album that doesn’t make you cringe. I’m surprised at how much I enjoy it. It’s a groovy, moody masterpiece with a little sparkle that’s perfect for dancing and chilling to this summer, or blasting out of your camper van as you cruise down the highway or whatever hip kids are doing these days.

Images from redhotchilipeppers.com.

Interview with Karolina Skulska

25-year-old Karolina Skulska tattoos out of Kult Tattoo Fest in Krakow, Poland and creates wonderful floral tattoos. We chatted to Karolina about the natural world that inspires her and how she started tattooing…

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How long have you been tattooing? It’s been two years since I took hold of a machine for the first time. But I’m not sure if my first steps could even have been called tattooing!

How did you start? What did you do before?  Before I was studying journalism but after a short time I realised that the work didn’t suit me. During that time I was a customer of Kult Tattoo Fest and was getting tattooed by Edek. One day I noticed that guys from TF Mag (magazine about tattoos which is released by people who are a part of Kult team) were looking for another editor. As a journalism student and tattoo fanatic I was a good candidate. I worked there for few years and was drawing a lot of the time, I was tottally absorbed in the tattoo industry.

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Do you have a background in art? I didn’t graduate from art school or academy, but I was always drawing a lot and also taking some drawing lessons. I was doing it for no real reason, but I felt that it might be useful in the future.

What drew you to the tattoo world? Since I remember I’ve felt that there’s something in tattoos that attracts me more than other people. When I was under the legal age I was begging my parents to let me get my first tattoo. Then work in TF Mag showed me this tattoo world from the inside. Doing interviews with tattoo artists was helping me to become more more interested in the craft. I wanted to try the things they were talking about and understand them. Now it’s my greatest passion and job all in one.

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Describe your style, has it changed? I don’t think it has changed, my career is too short for big changes. I call myself a tattoo florist, because I love to put lots of flowers into my works, lots of leaves and other botanical aspects. It looks great on all body types as it’s easy to fit the anatomy lines of the body. I use strong outlines but in the same time add small details, I love pastel colours and dotwork.

What do you like to tattoo and draw? What inspires you? As I mentioned, nature is the most inspiring thing for me. In my camera roll I have more photos of botanical elements than food and selfies combined. I love drawing these things, I find a great sense of pleasure from the dots, lines and floral designs.

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What would you love to tattoo? And what would you refuse to do?  I don’t have a  list of stuff I want to do, I simply love all tattoos. Colouring people and using machines is great fun and pure happiness for me,  so I just want to do it! I will refuse to do motives that are harmful for other people like racist symbols etc. and I’m also not into religious stuff. I also refuse to make designs that I know will look really bad after a  few years, like very small and detailed stuff or super fashionable white ink tattoos.

Do you have any guest spot or conventions planned? This summer I will go to Trondheim for a few guest spot for sure, but as I was travelling a lot last month I’ll probably take a break. Then I’ll start guest spotting with renewed energy next year.

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Can you tell us about your own tattoos? Most of them are made by Edek, but you can also find on me works of Piotr Bemben, Bartek Kos, Marie Kraus, Davee, Mazak, Kay Lee. Most of my tattoos were spontaneous and creates in the happy moments of my life.

Exhibition: Exit Voto

Our Italian contributor Ilaria Pauletti chatted to Rossana Calbi the curator of Exit Voto, the latest exhibition at Parione9 in Rome, on until August, 7th…

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More than 100 artists were involved in Rossana’s Exit Voto, and among them are some talented Italian tattooists including Miss Juliet, Diletta Lembo and Morg Armeni.

Everyone of the chosen artists had the task of recreating a holy picture on paper. They were all completely free from any obligation or limitations, Rossana simply choose the theme and the medium.

As you may already know, ex-voto is an offering given in order to fulfil a vow, normally the offerings are given to saints or divinities in gratitude or devotion (hence the Latin term, short for ex voto suscepto, “from the vow made”).
Rossana played with this ancient term to show a way that we can exit or enter the holiness that can be found in the everyday, and a way to explore other’s affinities with the divine.

diletta lembo_santa felicitaWhen did the idea of this ambitious project come to you, how did it evolve to become what it is now exposed in the Roman gallery?
The theme of the representation of holiness has interested me for a long time. In 2011 I curated the exhibition Carpe Viam in Elsa Morante multi-functional complex of Rome, in that case the idea was to understand the artistic representation of holiness along the way. In that project were artists who have also been involved in EXIT VOTO, Marianna Pisanu and Pelin Santilli. Following Virgil’s admonition, carpe viam, I embarked on this journey and last year I decided to work with a hundred artists that could reinvent the holy pictures that I saw in the drawers of my grandmother’s home.

Have you commissioned a representation of each saint, giving total control to the artist or have you given them some guidelines? The only instructions I give when curating an exhibition is the theme, format, and in this case the medium- paper. What interests me and what I think is gripping is the development of each project, I love to see how each artist evolves the theme with different techniques and perspectives.

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When did you decide to include tattooists and not just artists or painters? I do not make a distinction between the arts: cartoonists, illustrators, painters and tattoo artists for me are always just artists. I work without categorising the expression and choices of any artist.

What is your personal relationship with the faith?
I need to believe in something greater than me, I need to do this because I need a warning and above all hope.

And with the art of tattooing?
I was interested in the tattoo world when I was younger. I’m always very curious to see the pictures and study the ties they have with the people. Tattooing represents the evolution of symbols on the skin. Understanding the choices and the need to have a mark on the skin means you understand a lot about the individual and also of the group.

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I personally think that tattooing is an act of faith, about trusting yourself. Deciding to change your body, to explore a feeling or taking control of your body, is an important gesture. What do you think about it? Do you have any tattoos?  I got a tattoo of a lily when I was 18, and I never liked the result. The ink exploded transforming the design into something poorly defined. It took me years to trust a tattoo artist again. Well, I chose Nicoz Balboa to cover the tattoo on my shoulder with another lily, that should have been there in the first place.

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What is the Exit Voto that represents you the most? The holy picture that struck me the most is the ‘Maddalena Penitente (Penitent Magdalene)’ by Zoe Lacchei. As I said before I do not give guidance on the realisation of the work, but Zoe Lacchei heard what I was trying to produce with the title. But there are also works that I have enjoyed and that can eliminate the heaviness of my spirit, including the ‘Saint Honoré’ painting by Riccardo Bucchioni.