Cold Girl Fever: Katie Thirks

We chat to 27-year-old Leeds based blogger and zine creator Katie Thirks about her blog www.coldgirlfever.com, her tattoo collection, and why she created her now sold-out Love/Hate zine…

screen-shot-2017-01-05-at-20-09-27

How would you describe your style? My day-to-day style is pretty laid-back. I don’t really follow fashion trends consciously – I buy clothes and style my outfits depending on my mood. I can never plan outfits in advance because of this, so packing for holidays is always a nightmare. My priorities comfort and versatility – clothing that I can mix up – and good denim. Shoes are my weakness, I have around 50 pairs – you’ll mainly find me in Salt-Water sandals, Vans or 70s Chuck Taylor’s.

My tattoos are, for the most part, pretty American/Western traditional. That’s the style of tattooing I am drawn to. I like the aesthetics, the colours and the boldness. I have a lot of older traditional flash tattooed, such as my backpiece which is based on a Bert Grimm original, Sundance (or Raindance, depending on who you ask!). It’s always interesting to see how a tattooer will put their spin on an old piece of flash and make it their own.

screen-shot-2017-01-05-at-20-12-55

What do you think of social media as a platform, how do you feel about sharing your life in such a public space? I only really use Instagram, which I love. I have a Twitter and a private Facebook, but they don’t get used as much. I don’t agree with the stance that social media is bad for us, or narcissistic. I dislike that negative spin, it’s a very bitter outlook. In saying that, there can most definitely be a darker side to social media. I think it can be hard for some people to separate reality from the online world. Although, given that we document so much of our lives these days, it can be easy for the lines to be blurred. I don’t think it’s a bad thing, technology has enabled us to do so much and connect in more ways than ever before.

I’ve dealt with negativity online (which I’ve blogged about) and I do think, in some cases, social media can perhaps encourage unhealthy behaviour. For me personally, social media has allowed me to fulfil creative pursuits and promote them – Love/Hate, for example. My Instagram is a really useful tool for interacting with like-minded people and it gives me a voice, in some ways.

I think it’s time to accept that social media is as much real-life as, err… real-life. That being said, it’s important to not get too sucked in and be sure to live life away from a camera lens, enjoying the moment. I don’t put my entire life online, but I generally post highlights and nice things I get to do, nice places, my cat and, of course, selfies! Big selfie advocate over here – I love seeing women feeling confident and beautiful enough to document it.

screen-shot-2017-01-05-at-20-09-53

How did you start your blog, what inspired you? Making the decision to start blogging was an extension from my Instagram account, I guess. I have always dabbled in blogging in some way or another – I’ve had a MySpace, Live Journal and a Tumblr. I like sharing stories and experiences, I like connecting with people and I like writing. Blogging is something that feels natural for me. As someone who seems to have gone through a fair few challenges in my life, sometimes it’s difficult for me to express what I’m feeling or going through vocally (I’m working on that!) and I’ve always found writing a cathartic process. It helps me get my thoughts in order and is very therapeutic.

What can people expect to see on your blog? What do you write about? I write about personal topics – health, self-care, travelling. Talking about mental health is something I think is especially important. It was never an agenda of mine to write about mental health, but it just happened. When I write, it tends to be from the heart and spontaneous, and I rarely plan or schedule posts so again, depending on my mood or situation, it dictates the direction of what I write.

My blog has opened up some really helpful dialogue and I’ve had great conversations off the back of some of my posts. Ironically, keeping to a regular blogging schedule is something that I struggle with, thanks to my mental health, which can be erratic. I go through phases of productivity and it can be hard to not feel pressure. I have to remind myself that my blog is for me and try to keep it easygoing, rather than beat myself up for not posting anything for two months.

screen-shot-2017-01-05-at-20-11-20

What was your first tattoo, do you still love it? My first tattoo was a lesson in how not to get your first tattoo. I was 17 and it was Bob Tyrell flash off of the wall in a scratcher shop. It was a gothic heart with wings and I had it on my stomach. It’s since been covered by a much bigger Japanese piece by Fil Wood. Please don’t get your first, or any, tattoo in this way.

What drew you to the world of tattoos? My favourite uncle is heavily tattooed and pierced. Growing up I was in awe of him, his leather jacket and his motorbikes. We would go to a biker festival called The Rock & Blues with my parents and him, and it was always so much fun. I would stare at everybody’s tattoos and ask questions about them. I also used to draw on my skin and have stick-on transfers. I just love how tattoos look and the history behind them fascinates me. I am so glad that I learned a lesson and waited longer before I started getting ‘seriously’ tattooed with more visible work.

screen-shot-2017-01-05-at-20-10-08

Do you think tattoos have to have a meaning? I don’t think tattoos have to have a deep, profound meaning, but I appreciate the notion that they can have a meaning. I have tattoos that are ‘for’ something or to preserve memories – a place, a pet, my husband’s name. When people have larger scale work and ongoing projects, I absolutely understand how it can become more of a spiritual journey for them. Being tattooed, no matter the size of a tattoo or the duration of a session, requires so much physical and mental energy and it’s going to change your body permanently.

Has having tattoos changed how you feel about yourself and your body? With each tattoo, I feel like I come into my own a bit more. I’ve always struggled with body image for various reasons and, as glib as it sounds, I’m so much more confident in my own skin now. I have plenty of space left, but I’m in no rush to fill up – it isn’t a race. For me, being tattooed is a process. I don’t have a master plan where everything is mapped out. I seek out artists I love when I travel and choose pieces based on factors such as the size and shape of the space it’s going to fill and how it will complement other tattoos surrounding it.

screen-shot-2017-01-05-at-20-17-20

Why did you decide to create a zine around women, tattoos and the reactions they encounter? What do you hope to achieve? My inspiration for the zine was basically my own experiences of having people let me know what they think of my tattoos. All. The. Time. I never invite people to comment (or to touch me), yet their need to express their opinion baffles me every time it happens, which is on a daily basis. In turn, I found myself having frequent conversations with other women about dealing with the same unwanted attention – catcalling, sexist remarks and negative comments from family and strangers in the street regarding our tattoos and bodies.

With the zine I simply wanted to create a space for tattooed women/trans/non-binary folks to share their experiences. I knew I wanted to bring together a range of stories and for it to be a collective effort. One woman’s story about street-harassment may shock us, but over 30 stories is even more powerful. The finished product almost feels celebratory – whenever I received a new submission, I would be beaming from ear-to-ear upon opening the email because of the beautiful photos people sent with their writing. I love nothing more than seeing women proudly show off their bodies and the choices they have made. By creating this project, I hope it lets other tattooed women know that A) it’s unacceptable behaviour and we have the right to stand up for ourselves and B) make people think twice before they interrogate or shame a tattooed woman.

screen-shot-2017-01-05-at-20-09-12

Was this zine drawn from your own experience? Have you struggled with what to wear because of other people? As much as I love my tattoos and don’t feel the need to seek approval from anybody, I am definitely affected by other people’s reactions to them. Whether this is my auntie telling me that when she sees a pretty girl in a dress who happens to have tattoos that she “looks trashy and has ruined her looks”, or the stranger in the cafe whispering loudly that I look “like a thug”, or the customer at work who touched my arms, telling me, “I like your tattoos – I mean I like all of you, if you know what I mean…”, the charity worker shouting for “the lady with the tattoos” to come for a chat in the middle of a busy street… It goes on.

I, and other women, have to navigate this intrusive and embarrassing behaviour daily. It’s constant. How can we not consider what we’ll wear each day, and the responses it will evoke from the general public? I noticed a theme with the stories – people said that things got worse in the summer, which is something I absolutely relate to. It broke my heart that, on top of all the usual obstacles women face, our choices and ownership of our bodies is still being brought into question with each summer dress or vest top that we wear.

Film Review: A United Kingdom

Harry Casey-Woodward, movie connoisseur, reviews last year’s romantic drama on race and politics in 1940s Botswana.

A United Kingdom, 2016, cert 12, dir Amma Asante, 3/5

mv5bnjexmdm3m2itnzk5ys00oge4lweznmutodk3yzdhn2qzm2m4xkeyxkfqcgdeqxvynjgymdmymzi-_v1_

When the caption ‘based on a true story’ appears onscreen at the start of a movie, I can’t help but feel a mild form of dread. At their worse, some of these films demand to be taken seriously while simplifying historical events and real people into ‘goodies vs baddies’ situations. While this true-story movie is also somewhat guilty, I was pleasantly surprised by its quality which is nearly worthy of the events it depicts.

The film opens in 1940s London, where we meet Prince Seretse Khama of Botswana who is studying while awaiting the time to return home and be king. He is played passionately by David Oyelowo, who also gave a great performance in Disney’s 2016 chess underdog story Queen of Katwe.

mv5bmjixmjrkymytotfjmc00mzczltkxowitoweyy2ywmme3ymewl2ltywdll2ltywdlxkeyxkfqcgdeqxvyntk1mtq3ndi-_v1_

He meets Ruth Williams, a young white London woman played by Rosamund Pike. They fall in love and even decide to marry, regardless of the consequences. Unfortunately these consequences turn out to be huge.

They meet opposition from everyone, not just from casual racists in the street but Ruth’s father even disowns her. The situation worsens when Prince Khama brings Ruth to Botswana to be his queen. For marrying a white woman and defying tradition, his uncle tries to undermine his right to the throne.

The British government in charge of Botswana exploit this division to seize further control of the country and its possible resources of diamonds. They even go so far as to have Khama exiled, separating him from Ruth. Even when apart, the pair struggle on to unite Botswana and be re-united with each other.

mv5bmjlizjbjzdktm2q1ys00nthilweyotgtnzm1ztqxmzu4mte2xkeyxkfqcgdeqxvynjuwnzk3ndc-_v1_

This romantic drama may have a lot of clichés you may recognise. For example, despite this being a complex political situation the goodies and baddies are clearly defined. Jack Davenport (Admiral Norrington from Pirates of the Caribbean) and Tom Felton (aka Draco Malfoy) are typecast as the slimy villainous bureaucrats representing British imperialist politics and thwarting the main characters’ romance. There are also times where the film feels a bit overly positive. Rosamund Pike somehow wins over the hearts of the Botswana people and overcomes their prejudices just by being… nice.

However, the film is still a strong comment on racism in the twentieth century. Two people of different colour marry and political turmoil ensues. It also helps that the performances are good. The romance of the leads feels powerful and believable thanks to their incredible acting. Oyelowo reduces himself to tears in one scene when he’s giving a speech to his people on his right to rule. The intense political conflict also makes this more gripping than other milder historic dramas. To be fair, you’d have to have a heart of stone not to be moved by this cry for love and unity in the face of state-sanctioned prejudice.

The Art of Filip Hodas

24-year-old 3D artist Filip Hodas based in Prague, creates mesmerising beautiful and surreal art. Digitally crafted, Hodas transforms the earth’s landscapes with bursts of pastel colours, billowing smoke and dreamy textures, his textural collages feature enchanting crystals and animal skulls – we just can’t get enough! 

screen-shot-2017-01-05-at-20-42-35

screen-shot-2017-01-05-at-20-42-01

screen-shot-2017-01-05-at-20-42-16

 

screen-shot-2017-01-05-at-20-41-43

screen-shot-2017-01-05-at-20-41-15

screen-shot-2017-01-05-at-20-41-29

screen-shot-2017-01-05-at-20-40-42 screen-shot-2017-01-05-at-20-40-55

screen-shot-2017-01-05-at-20-40-28

Shaded: Danny Rossiter

‘Shaded’ is an on-going interview series created by 22-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.

Danny Rossiter is a legendary 37-year-old tattoo artist and co-owner of Manchester’s Rain City Tattoo Collective. As part of Things and Ink’s ongoing interview series ‘Shaded’, I spoke with ‘The King’ about his passion for tribal tattooing, surfing and Japanese culture as he tattooed my shoulder.

screen-shot-2016-09-30-at-16-53-04-1

“Before I was tattooing, there wasn’t anything I wanted to do,” answers Danny Rossiter, more commonly referred to as ‘The King’ by his peers, to a question regarding his relationship with tattoos that I can barely ask as the Traditional-Japanese heavyweight begins to hammer an Eastern-inspired demon onto my shoulder. “I just wanted to surf,” he continues casually – as if he were telling the story over dinner as opposed to the violent process of tattooing. “My grandma was an artist – a painter, and she always encouraged me to draw, but it wasn’t until I was 17 that I asked myself “what can I do that’s really cool?” and tattooing looked cool.”

From fantasist beginnings spent dreaming up his very own ‘Endless Summer’ meets Horiyoshi III existence to a nomadic life spent darting across the Southern Hemisphere, Danny is currently tattooing me out of his own shop: the legendary Rain City Tattoo Collective. The 37 year-old Zimbabwean’s corner of the shop holds a plethora of books – most of which relate to the subject of Japanese culture. “I just love Japanese Culture! The imagery is really powerful and holds so much meaning. You can find yourself looking at a brutal battle and a serene scene of beauty within the same Ukiyo-e print!” Although a master of the craft himself, Danny constantly humbles his position that’s backed-up by an 18-year relationship with the industry by suggesting that he’s simply riding history’s wave. “There’s so much tradition to Japanese tattooing, and ‘tradition’ loosely translates into ‘repetition’. It’s traditional because it has worked, been repeated and been passed down, so I’m well aware that all of my work has either been stolen or borrowed.”

screen-shot-2016-09-30-at-16-54-16

The idea for the collective was born out of a drunken, lightning-strike evening Danny spent with talented artists Matt Cooley, Gre Hale and Dan Morris, who had all decided they no longer wanted to work under the thumb of any kind of shop hierarchy, but wanted to create a diplomatic space that allowed them the time and freedom to develop and concentrate on their work. Founded in 2012, the shop has grown to be one of the most well respected spots the world over. “The shop has influenced me to keep working and to keep going,” speaks Danny of Rain City’s effect on him. “You can get complacent when working with one other person, but when you’re surrounded by so many people that are so stoked on tattooing, you can’t help but get caught up in it.”

When speaking of his first memories of tattooing, Danny speaks with a cool detachment as if unburdened by nostalgia. “I got my first tattoo when I was 18. It was this tribal biohazard symbol. It’s covered now, but I do love tribal. It’s such a strong look that often invites passionate criticism. That’s what’s so great about it: it encourages passion – it’s so powerful that people fucking hate it!” Danny’s enthusiasm for tribal bled into the story of the first ever tattoo he produced. “I vividly remember the first tattoo I ever produced: It was this tribal spider – I couldn’t stop shaking! I’d love to see what that tattoo looks like today. ”

screen-shot-2016-09-30-at-16-58-00

As someone who is called ‘King’ more than he is his own name, I feel hesitant asking Danny of his inspiration, but much like the rest of our conversation Danny is open and unpretentious in his answer. “Everything is visual with me. I’ve never been the kind of person who finds inspiration in more abstract places, like music or writing. Maybe there’s a whole world of work I could be producing if I dug into that.” Danny follows the thought with how he sees his work evolving. “People can get lost in the idea of ‘style’ and leaving their own unique mark on tattooing, but producing work for the customer rather than yourself is far more important. People think too much about the mark they want to leave, but it’s all about what you’re doing in the moment. You don’t want to get too involved in the future.”

Interview with Tattooist Laura Gascoyne

21-year-old Laura Gascoyne works out of Never Say Die in Croydon London where she creates black dot work and pattern tattoos. We chatted to Laura about what inspires her, how she started in the industry her own tattoo collection…

image-7-1

Photo taken by Nick Evans

How long have you been tattooing? How did you start? In September 2014 I popped into Never Say Die on a friend’s recommendation. Originally I thought they may just offer me a receptionist position but after seeing my portfolio Kali (the shop owner) offered me an apprenticeship. I was over the moon! I did my first tattoo about six months later and have steadily progressed since then. I’m obviously still learning, as with art and tattooing I believe you never stop learning, but I have recently become more confident with my skills and am building up a decent client basis.

image-6
What did you do before? Do you have a background in art? I’ve always been passionate about art since I was a little kid and always knew I wanted a career in art. After completing my GCSEs, I went on to study art at a college but dropped out after a term, as I felt like the things they were teaching me in college weren’t helping me to progress.

How would you describe your style? How has it developed? Where do you see it going? That’s a really hard one to answer! Before I started tattooing I specialised in drawing realistic portraits and then went on to start drawing lots of mandalas. However once I started my apprenticeship I began with tattooing quite simple mandalas which progressed to more pattern styled work. However as a custom artist I get asked to design and tattoo all sorts of things, which I love because it really helps expand my drawing skills and pushes me out of my comfort zone.  Generally everything I draw is quite pretty and lots of patterns and dot work.

image

What inspires you? Everything! Whether it be a pattern on an old tile in a bathroom, or a tattoo made my someone else, we are constantly surrounded by art work and patterns and I really see the beauty in everything, especially nature. I’m very much inspired by Tibetan and oriental style patterns and I love tattooing Thai ornamental patterns. Although I haven’t tattooed that many, I do love tattooing beautiful woman, and a lot of my large scale drawings have a woman’s face as the main feauture.

Do you admire any artists? Do they influence your work? Even before I started my apprenticeship, rather than being inspired by painters and fine artists I was always just looking at tattoos for inspiration. On Instagram 90% of the pages I follow are tattoo artists, I won’t pick out any names in particular because there’s just so many who I admire so much! Of course everything I see has the ability to influence my work in some way, as my work is a combination of everything I’ve ever seen and felt, and everything that has inspired me.

image-3
What kinds of things do you like to tattoo and draw? If I’m just let loose in my sketch book I find myself drawing very detailed and patterned orientated large scale pieces, with a very spiritual and symbolic feel about them. I am a very spiritual and positive person myself so that’s the sort of thing I would like to predominately tattoo on people, as for me tattooing is all about sharing my art work and spreading messages though art.

image-1
Can you tell us about your own tattoos?  So my right leg is basically a sticker book of random tattoos given as gifts and just spontaneous ones, and a fair amount of tattoos I’ve done on my self. My left arm is for tattoos I’ve put more thought into, all just black ink and quite dark, but all revolved around the beauty in nature and positivity. I have a few small random tattoos dotted about, included a handpocked unalome on my ear, a smiley face on one of my finger tips, and the seed of of life on the back of my neck. I have a full back piece in progress which so far has just been four sessions of solid black work.

5 Best Films of 2016

Hobbyist reviewer Harry Casey-Woodward takes a look back over last year’s films and lists his five personal favourites.

5. Deadpool, cert 15, dir Tim Miller 

mv5bmjixnjuzmje2mf5bml5banbnxkftztgwnzm0nty0nje-_v1_sx1777_cr001777999_al_

There’s nothing deep about this film, but it’s such a refreshing stab (pun intended) against the conventional superhero image. Ryan Reynolds has great fun as the spandex-clad, mercenary joker in this hilarious cocktail of adult humour, pop-culture references and darkly comic violence.

4. Bone Tomahawk, cert 18, dir S. Craig Zahler

BT_100714_RAW-4653.CR2

Besides The Witch, this is perhaps the most original horror released in the UK this year. Not only is it a good horror, it’s a good western too. Kurt Russell plays an ageing sheriff leading a small band against a tribe of cannibals who kidnapped their fellow townspeople. There’s some brutal gore but this film thankfully focuses more on the characters, their drama and the building suspense.

3. Julieta, cert 15, dir Pedro Almodovar

mv5bmtcxotc5mzmynv5bml5banbnxkftztgwmdi3nzc4mdi-_v1_sy1000_sx1500_al_

Spanish director Almodovar does it again with this emotional, feminine drama worthy of his previous classics like All About My Mother. A middle-aged woman living in Madrid is troubled by her tragic past and her relationship with her estranged daughter. With such striking quirks as two actresses playing the main character, this is powerful and imaginative cinema.

2. The Revenant, cert 15, dir Alejandro G. Innaritu

mv5botiwmza4otawml5bml5banbnxkftztgwndq3mtkynje-_v1_sy1000_cr0015531000_al_

This Oscar-winning historical epic is a brutal but beautiful survival story set in the early days of the American frontier. Leonardo Di Caprio won Best Actor for his gruelling performance of a fur trapper left for dead after a bear attack, but who stubbornly drags himself through the wilderness after his nemesis, Tom Hardy. This great story is not only well acted but well shot, with unusually long tracking shots giving you a thrilling and unique cinematic experience.

1. The Hateful Eight, cert 18, dir Quentin Tarantino

THE HATEFUL EIGHT

Tarantino reminds us that sometimes to make a great film, you can just strand some violent, well-armed characters in one cabin and let mayhem ensue. Tarantino defies genre conventions and predictability yet again in this snowbound western. It may test your patience at three hours long, but I enjoy it’s simplicity. It’s proof you can capture an audience’s attention not just with action and special effects but with dialogue, suspense and great actors like Samuel L. Jackson and Jennifer Jason Leigh.

Interview with Charlotte Verduci

24-year-old Charlotte Verduci works out of Lav Mì Tattoo in Milan and Ink Factory Tattoo Shop in Bergamo, where she creates wonderful blackwork tattoos inspired by her love of baroque patterns…

image9

How long have you been tattooing? How did you start? I started tattooing at the age of 19. I’m now five years in, I started very young. I fell in love with this wonderful craft straight the way at the age of 14 as I read tattoo magazines.

What you did before? Do you have a background in art? Before I was tattooing I was studying and I graduated from art school. I did a year’s academy illustration course. But as soon as I was asked to start as an apprentice at a tattoo shop, I stopped studying. I have not thought twice about it, I don’t look back and I’ve been thrown head first into learning the art of tattooing.

image5

How would you describe your style? How has it developed? I started with colorful tattoos, traditional and classic style at the beginning. Then I began learning the rules of ornamental tattooing, it all happened one evening, a day before a tattoo convention, when I wanted to propose something new.  So I started to draw, and I developed the Baroque figures that I do so much now. It was love at first sight, at last I felt that I could give my work a touch of originality. I wanted to create something that fully represents the Baroque style. Over the past year I have developed a recognisable style- you can’t miss it! I call it a Baroque blackwork!

image1

What inspires you? I would answer this question with everything! I’m very sensitive to everything around me. Milan is a city where you find art in every corner, from craft shops to the Art Nouveau buildings. I love to walk into a bookstore and browse through books filled with antique prints and vintage prints, and I go the markets on Sunday where there is no shortage of decorated frames. I am fascinated by the baroque vector, textures, and mostly historical illustrations. However I always try to maintain solid work in my tattooing, this a basic rule for me. As much as I can fantasise and dream I always keep order in my designs, making them as clear and readable as possible.

Do you admire any artist? Do they influence your work? I follow a lot tattoo artists who make ornamental tattoos, but also Japanese and traditional. Not really anyone in particular, but I follow so many! Thomas Hooper, Kelly Violence, Jack Papiette, Filip Leu, Abby Drielsma and Lus Lips always remain my favorite artists!

image8

What kinds of things do you like to tattoo and draw? Baroque filigree! I had a period in time when I only drew snakes, I could do an encyclopaedia! Then came the month where I would only do cats! I really like to draw female faces with hats and dresses in a vintage style, of course embroidered with my style added to them. I really like to evoke an ancient and classical touch in my designs!

image3

Can you tell about your own tattoos? For now I have a Japanese arm made by Simone Valentinuzzi, the other arm with works carried out by various colleagues – Angela Smisek and a miniature swallow by Stizzo. I definitely want tattooed by the artists I mentioned. I always want a tattoo, but they hurt more and more!

A Things&Ink wedding, our editor @morewhitequeen married her prince

Friday 14 October 2016, our editor Alice Snape got married to her love James. It was a day filled with love and fun, from getting ready with the bridesmaids and the beautiful ceremony in the Council Chamber at Islington Town Hall to the party at Wunderlust in Deptford and drunken dancing. Beautiful memories were made and captured in these stunning photos by Eclection Photography and Lisa Jane Photography.

 

aj-eclectionphoto005

Garter compulsory

aj-eclectionphoto030

Makeup by Keely Reichardt

aj-eclectionphoto037

Alice through the looking glass, a present from mother of the bride

aj-eclectionphoto035

aj-eclectionphoto032

Hair by Lou Culley, slavehair.com

Getting ready photos all by Eclection Photography

aj-eclectionphoto057

Bridesmaids and bride, by Eclection Photography

aj-eclectionphoto221

James and Alice, the bride and groom say “I Do” Islington Town Hall

aj-eclectionphoto248

aj-eclectionphoto205-2

aj-eclectionphoto251

aj-eclectionphoto289-2

The perfect confetti moment outside Islington Town Hall

aj-eclectionphoto355

The bus from Islington Town Hall to Deptford South East London

aj-eclectionphoto313

aj-eclectionphoto350

Capturing moments on the bus Lisa Jane Photography

aj-eclectionphoto348

aj-eclectionphoto508

aj-eclectionphoto483

Say something funny bridesmaids! 

aj-eclectionphoto535

Take a moment with your sister…

aj-eclectionphoto421

aj-eclectionphoto429

The newlyweds 

aj-eclectionphoto550

Let the party commence #stittlewedding

aj-eclectionphoto688

Location: Wunderlust at the Big Red

aj-eclectionphoto682

aj-eclectionphoto745

Guests!

aj-eclectionphoto734

aj-eclectionphoto752

aj-eclectionphoto733The bride with tattoo artist Emily Johnston

aj-eclectionphoto767

aj-eclectionphoto780

aj-eclectionphoto715

The happy ending, the most perfect end to a perfect day. The bride and her groom. Love.

Interview with Jessica O

We chat to 28-year-old tattoo artist Jessica O who works out of Lado Clássico Tattoo in Blumenau, in the south of Brazil, about what inspires her traditional style and the tattoos she creates… 

img_6801

How long have you been tattooing? I’ve been tattooing for about three years now, counting my apprenticeship.

How did you start? I had tattoos and loved them, but never imagined myself as a tattoo artist because I was afraid of creating bad tattoos. I was in a very bad year of my life, at the end of 2012, I had just quit an awful job and wasn’t happy at all with my professional life. So I decided to do what I had always loved the most: drawing. Then I started to study and understand tattoo flash and read about the old tattooers, Coleman, Bert Grimm, Percy Waters, Dietzel and fell in love with it all. A friend of mine saw my paintings and offered me an apprenticeship at his studio and here I am today!

img_6768

What did you do before? Do you have a background in art? I worked within the fashion and product development sector of the textile industry. I have been drawing since I can remember, but I’ve never taken classes for it.

How would you describe your style? I don’t know,  it’s too detailed to be traditional and too simple to be neo traditional I guess. But I like to say traditional. I try to make tattoos that are solid and long lasting, anatomically correct (little OCD especially with hands), bright and beautiful to look at from close and far away.

img_3408

What inspires you? I especially like vintage photography, circus and old postcards. I love looking at old tattoo flash sheets, and the history behind tattooers and tattooing. Early renaissance paintings are beautiful but I’m most of all I’m inspired by people that make things with love.

img_6955

Do you admire any artists? Do they influence your work? I admire a lot of today’s artists, too many to count! For the most part they’re women. Since the beginning of my career I have looked up to lady tattoo artists. I discovered Ashley Love, Claudia de Sabe, and I thought “God, I hope to be this good someday!

What kinds of things do you like to tattoo and draw? Mostly human figure, ladies, cats, dogs, mermaids, roses and hands.

img_6942
Can you tell us about your own tattoos? On the palms of my hands I have a butterfly, that was the most painful thing I’ve ever experienced. Most of my tattoos were done by friends and people that I admire. I mostly choose flash from the person I’m getting tattooed by. I plan on going to Europe to get tattooed by a lot of awesome people someday soon!