Tattoo politics: if I could turn back time…

Perhaps you’ve fallen out with the artist, maybe they moved away or it was badly executed, but is it ever, really, okay, to get another tattooer to complete someone else’s work?

This feature was written by Alice Snape, and originally published in Total Tattoo, September 2019.

ALICE BACK BEFORE

I look at my back in the mirror. I try not to regret the huge tattoo that travels from my neck right down to my bum. That butterfly lady now looks at me, mocking. I wish I could rewind to that time, pre tattoo, when my back was bare. Tell myself to wait. The tattoo reminds me of the tattoo artist I would rather forget. But I can’t forget whose hands my tattoo is by, the hours I spent under his needle, and how I felt bullied into getting it in the first place.

I started getting tattooed when I was 22, later than most, I was always overthinking, worrying about what I wanted, where it should go, and who should do it. Since I started writing about tattoos, apparently I have become an expert on them – I have presented documentaries, I even edited a tattoo magazine  – yet I still made a mistake. The advice I gave to others, I didn’t follow myself. The back is that huge piece of canvas that shouldn’t be wasted – or so I tell people. It is prime real estate for a custom piece of art by a tattoo artist that you love, whose work you will forever wear with pride.

However, somehow a quick chat about possible ideas with [the tattoo artist] accelerated at a rapid pace and I was booked in for a backpiece. I travelled all the way to Berlin for my first session. An epic eight hours of linework, travelling back on the plane was agony. And something about the whole experience didn’t feel right. I went with it anyway, ignoring that nagging feeling in my stomach. But then every time he messaged about a follow-up appointment, I felt trapped. I couldn’t bear to spend even an hour being tattooed by him. Knowing what he had said about other girls’ bodies while in my presence, talking about their “saggy tits” while he tattooed my bum. I felt vulnerable and exposed. It made me wonder what he might be saying to other people about my body…

It got to the point where we were no longer speaking, due to a couple of antagonistic emails that made me no longer feel comfortable with the situation. I’d had a total of three sessions with him, and although the linework was mostly done and the shading started, it was nowhere near complete. That huge unfinished tattoo haunted me for years. At times I could forget it was there. But then I’d catch a glimpse while at the gym or naked as I stepped out of the shower. The tattoo I was supposed to love the most was mocking me.

At times I could forget it was there. But then I’d catch a glimpse while at the gym or naked as I stepped out of the shower. The tattoo I was supposed to love the most was mocking me.

So I called on my friend Google. I wanted to know the politics, is it okay to get a tattoo finished by someone else? I typed in: “getting a tattoo finished by another artist” and immediately fell down a Reddit hole, then stumbled across a film, with different tattooists talking about the “tattooist’s moral code”. “For me, it’s disrespectful to the artist,” said tattooist Jess Yen. “Out of respect, I don’t like to finish someone’s work.” And Phil Garcia agrees that you must get permission from the tattoo artist who started it. “A tattoo artist puts their heart and soul into it, and if someone else finishes it, it’s just fucked up.”

So at first, I considered someone else finishing my back with trepidation. I know that tattoo artists have a code, one that can be extremely intimidating for the customer. But a year or so after I first started the journey, a tattoo artist offered to finish it for me and we did a couple of sessions. They fixed her flyaway hair and added some colour to the monarch butterflies, but my heart or my head weren’t in it anymore. But since they did that session, I have been mulling over the issue: who owns the tattoo? And is it really okay for someone else to finish a piece started by the hand of another?

“If you feel uncomfortable with your artist, don’t feel like you need to carry on getting tattooed by them. It’s your tattoo and your body,” my tattoo artist told me reassuringly. “I’ve been there too with my backpiece. Unfortunately, I ended up feeling incredibly uncomfortable getting tattooed by the artist. A few different things happened and I didn’t really want to get it finished by them. It’s a real shame as the tattoo is beautiful – and it’s something I was so excited about at the start – but now I really don’t like talking about it. To the point where I’ve been recently thinking about getting it blasted over. It goes to show that actually your artist plays a huge role in the tattoo, even after it’s finished. It’s made me take extra care in how I treat my customers and also how I can make the experience the best it can be.”

I have sought comfort that others have been there too – started huge tattoos by someone they perhaps wish they hadn’t. Tattoo artist Myra Brodksy started getting tattooed by the same artist that I did, in Berlin in 2015. She had ten sessions with him but stopped getting tattooed for various reasons. “He moved to Birmingham after my tenth session. My back piece was halfway done then. I did not know he was planning on moving and he never told me when we started. Of course, I was not ready to travel to Birmingham to get tattooed. He didn’t even stay there for long. A few months later he moved to California, then to France. It was literally impossible to get the tattoo finished by him. In the beginning, he was very nice to me. But after a couple of sessions he turned into a miserable nervous wreck. While I was getting tattooed I listened to his problems and soon he would take things out on me.” Myra still likes the design and placement of the piece, but is now looking for someone else to finish it for her.

While I was getting tattooed by Dolly at No Friends Tattoo Club in Brighton the other week, she told me she too had to stop a huge back piece after just two sessions. “[The tattooist] started it four years ago,” she told me. “Everything was okay during the first session, but during the second, he climbed on top of me and tried to finger me while he was tattooing me. I yelled at him, gave him no money, left and cried. Now every time I look at it, it makes me angry. I went to him to get his best work, I didn’t get that as he was clearly distracted. I work in the industry, so I am lucky I have tattooer friends who will finish it for me.” She advises anyone in this position to seek out someone else to finish the piece – even if there is only one more session to go. “If I am taking on someone’s work, I always ask why,” continues Dolly. “You can change your perspective on a tattoo if you work with a new tattooist to help you reclaim it. It’s like going back to a city that holds bad memories. If someone came to me with an unfinished tattoo that holds bad feelings, I’d go the extra mile to try to change that for them. It should never feel like it’s your privilege to get tattooed by someone.”

What Dolly said really got me thinking. As customers, we’re often made to feel that the tattoo artist’s vision is sacred, that it would be sacrilege to get someone else to take over. But where does our own bodily autonomy count in that? After all, it is a tattoo on a body – your body. A tattoo that is paid for by you. “At first, I was apprehensive [about working on tattoos by other people] because I had a really traditional apprenticeship and was taught that you should never touch someone else’s work,” Guen Douglas, of Taiko Gallery in Berlin, told me when I asked her about this dilemma. “But the more I thought about body autonomy, I realised that no one owns the tattoo on the body of the client but the client. If you buy a beautiful expensive handmade vase and decide to doodle all over it, take chips out of it or just smash it, the ceramicist is allowed to be sad that you ruined his or her artwork. But ultimately it has been paid for and the object belongs to you. Do what you will with it – but that doesn’t mean that you can replicate it and sell it again.”

“With the rise of the black out bodysuit, I remember the first time I saw a client had blacked out a small piece of mine,” Guen continues. “I was really hurt at first, then I realised I have my photo, I was paid for my work. Surely I wouldn’t prevent a client from evolving and transforming in a way that makes them happy.”

During

And now, I finally feel ready to embark on my journey again – galvanised by words of tattoo artists I admire and respect. I want to turn my backpiece around. I want to own it all over again. Fall back in love with it. Believe it when people tell me how beautiful it is; work with someone I trust implicitly. So I met tattoo artist Tracy D – who works at Modern Classic in west London – to chat about it. She has tattooed me three times already. She’s gentle and understanding and I adore her style.

“I try not to get involved in politics, there are always two sides to a story and at the end of the day, it’s unfortunate that there is an unfinished piece,” Tracy told me when I asked her what she thought about finishing someone else’s work. “I know it’s hard for me to look at an unfinished piece on my own body between sessions, I can’t imagine how it would be to have no finish point in sight.” And so, she agreed to take the reins, bring my butterfly lady back to life. We are one session down, and she has worked magic already. The face has been reworked. And over the coming months, we will add more butterflies and some colour.

IMG_6112

I am now excited again. I am motivated to get it finished, to work with Tracy on our shared vision. Please follow my progress on Instagram @alicecsnape. I was overjoyed to see your comments after my first session, and so many people messaged to say they have been in a similar situation and didn’t know what to do. If that’s you, know that you’re not alone. Get the tattoo you want, by the person you want to do it. Reclaim something that has bad memories. Never, ever, feel like you must continue with an artist you’re not happy with. You are the customer, and the customer – as some say – is always right. Especially when it involves YOUR body.

END NOTE: I contacted the artist who started my back and told him I was writing this piece. He has no hard feelings and wishes me the best with my journey.

In response to tattooing’s growing #metoo movement, we have set up a private group on Facebook to share stories and find support, you must request and be approved to facebook.com/groups/tattoometoo

Interview With Igor Puente

We chat to 25-year-old travelling tattoo artist Igor Puente, about his style, how he got started and his future guest spot plans…

IMG_7666
When did you start tattooing? How did you begin? I started tattooing  six years ago  in my home, as I couldn’t find anyone who wanted to have me as apprentice in Madrid. In the beginning it was quite difficult, but I worked hard and studied art the first three years, which turned out to be the perfect combination to become a professional tattooer.

IMG_7628

What inspired you to become a tattooist? I wanted to be creative in my work, and I thought that tattooing was the best way to do that. Sometimes my clients come to me for one piece of my art and they give me lots of creative freedom, to me this is like the paintings or sculptures in the Renaissance period. People back then had art on their walls and now people have it on their skin.

IMG_7625

How would you describe your style of work? Has it changed over time? Right now I’m into creating mutated animals with lot of eyes and heads, and if the customer lets me do it, then I like to use red .I really love animals, so for me it’s amazing that I get to create lots of animals. When I started out I loved horror stuff and black and grey, but this changed when I saw the work of tattooer Eckel. I couldn’t shake the beautiful drawings out of my mind and that was when I decided to work in a more neo-traditional style.

You tattoo a lot of animals, do you enjoy making these? What would you love to tattoo? I really love animals! My first career choice was to become a vet, but I decided to choose something much more creative. Animals are my favourite thing to tattoo. If the animal is also red and has lots of eyes than I am in heaven!

IMG_7627

What influences your art? Are there any artists you love? I am influenced by everything, from nature to films, TV series and books. I love a lot of other artists and they influence my everyday life. Eckel, of course is for me the master, but I also admire Alex Dörfler, Antony Flemming, Adrian Machete and many many more.

IMG_7665

Do you have any guestspots or conventions planned? Yes lots of them and I am every excited!
23 November – 22 December  10 Thousand Foxes Tattoo, New York
5-9 December Mystic Owl in Marietta, Georgia
16-20 January Tattoo Addicts, Bilbao Spain
24-25 February Brighton Tattoo Convention

A tattoo artist’s response to the Tattoo Fixers debate…

Everyone has been talking about it… you know, those designs that “tattoo fixer” Sketch has traced and passed off as his own on the Channel 4 programme Tattoo Fixers… so we got tattoo artist Antony Flemming to give his opinion on Sketch and the Tattoo Fixers… #fucktattoofixers

Print for sale for £10

Print by Antony Flemming, for sale for £10, check Instagram for info.

 

“Now, I have to be extremely careful writing this, as Channel 4’s legal team are a tad better than mine, or anyone else in this industry for that matter. So what I am about to say is factual and backed up with evidence. I will not speculate or stray from the truth.

“Firstly I want to talk about tattoo shows in general. Normally, tattoo shows in the UK come and go – and whether we like them or not, they don’t really affect the industry. The artists on the shows are normally at an OK to good standard and the tattoos shown are of a passable quality and generally up to an average standard. With the exception of a few, who are talented, such as the guys on London Ink.

“But… Tattoo Fixers is an absolute abysmal representation of the UK t7attoo scene and I shudder to think that the public thinks these guys (as stated on the show) are “three of the best artists in the UK”. Quite simply, in my opinion they are not. Now of course, art is subjective and there will always be people who think they are, but I honestly think if you asked the guys on the show, they would agree they are not the three best artists in the UK. And if they actually believe their own hype, then really that says it all.

Ohh shit

 

“The reason I am so concerned about this show is because they are deceiving the public, innocent people that actually don’t know any better. A TV company comes to them and says: ‘Hey, do you want a free tattoo by one of the best artists in the country.’ I mean damn! Of course they are going to say yes – if they are uneducated about the tattoo industry. But as  I’m sure you’ve seen from the customers that have been publicly upset about their experience and finished tattoo, this has not been the case.

“I have been upset with certain elements in the tattoo industry before, but I have never spoken out about anything, because to be honest, who cares what I think? But Tattoo Fixers is something different, it’s exploiting people. And it’s damaging our industry to a point where people assume that the guys on that show are at the very top of UK tattooing, and it’s simply not the truth.

“I think for me, as an artist, the main thing that I have an issue with is ‘Sketch.’
Again, as I’m sure you have all seen, he has been stealing artists’ designs. Line for line tracing. I don’t mean just stealing ideas, because of course, every idea has been done and not many ideas are truly original. I’m talking about tracing a one-off custom tattoo drawn  for a customer.

“I get it, when you are just starting out, everyone copies their favourite artist to an extent. I mean we are all still inspired by people, whether it be in the tattoo industry or not.  But you very quickly learn to find your own path and everyone cringes when you think of a few tattoos or drawings you did that was a little too close to the guy or girl you wanted to be.

“But Sketch… He doesn’t cringe, he doesn’t seem fazed by the fact he is ripping off people’s original designs. He just shrugs his shoulders and seems to think its ok. After posting the comparison between my tattoo and his rip off, he messaged me.

Tattoo on right by Antony Flemming and left copied by Sketch
Tattoo on right by Antony Flemming and left copied by Sketch

 

“At first it seemed like a genuine apology, and I was taken by surprise, as all I’ve seen online is him saying things along the lines of: ‘I don’t have time to draw my own designs’ and ‘I have a family to feed and a life to lead.’ But after the initial apology, he went on to justify why he had stolen my design. He said that the customer had come in with the design and he couldn’t just turn him down, and send the guy to World of Tattoos where I work, because he has a family to feed.

[12874079_1169929703064435_1641715177_oedit: since this article was first published, it has come to light that this neck tattoo is on Sketch’s old apprenctice, making his reason a lie]

“No fair enough, you don’t have to send the guy to another shop. But you can, however, redraw the design so it is an original. I think Sketch seems to think I work in a private studio and I don’t understand the average walk-in customer. What he doesn’t realise is World of Tattoos is essentially a highstreet walk-in shop, as many of my customers will vouch for.  Our team and I deal with these customers everyday. Someone will walk in with a print out of a tattoo they want, and generally this is how the conversation goes: ‘Ok cool! That’s a great idea. We will redraw that for you, so you have an original design and book you in.’ Now I know for a fact that 99 out of a 100 people won’t even bat an eyelid, and that one other person isn’t worth jeopardising your career over. It certainly isn’t worth the backlash this has caused. So to be honest, that excuse does not wash with me.

“But if that was his excuse, then surely posting tattoos with the caption: ‘custom design’ attached would suggest the customer didn’t bring in that design at all and he is actually deceiving his customer. An Emily Rose Murray piece, which has been copied by Sketch, even won an award at a convention! Sketch went on to say that he credited Emily, but when called out on it, he lied about not having a Facebook page and the post being a fake, well actually until the post got deleted, it came from his shop’s business page on Facebook…
10623778_1166790476711691_3264062385848056271_o

 

“After Sketch’s ‘apology’, I gave him some advice… I told him the best thing to do, is concentrate on his tattooing rather than being a ‘celebrity’, stop going to clubs and making ‘special guest appearances’. Sit down and draw, better yourself. Come out of this with a bit of respect. If people see you are actually trying, you may rid this stigma. I also told him to publicly apologise to all the people he has stolen from. If he did that, what can we say? Other than, fair play. Well done, you’ve openly admitted you messed up and you want to do better. He can only gain some respect from the tattoo industry.

Screen Shot 2016-03-16 at 10.52.08

Screen Shot 2016-03-16 at 10.52.27

“But guess what…? He asked me to keep the apology between us and didn’t say a thing about it publicly, then made his account private. If he had done these things, I would have left the issue and deleted my post. Alas all I saw publicly about it was Sketch almost laughing in my face, telling people on Twitter, he doesn’t know why he is getting hate about it as 90% of artists do it. And he said it was two years ago? That’s a lie. Remember Instagram lets you know when you’ve posted something, and it was less than a year ago, as were all those other rip-offs…”

12595984_1168970589827013_211285509_n

“And I think that’s it. I think that’s why people are so annoyed and disgruntled. Everyone has had their designs stolen by different people, everyone knows it, but for the most part when people are called out on it, they know they are in the wrong and admit it. But Sketch hasn’t done that, he just comes up with excuse after excuse and isn’t doing a damn thing about it. It is also infuriating to see Channel 4’s legal team and spokespeople silencing any whistle blowers (I expect a cease and desist order in my emails any moment now). Instead of confronting the real issue, I also saw a spokesperson from Channel 4 saying they had licensed the designs from artists to be used. Perhaps they did for some, but I know for a fact they didn’t ask Brian Thomas Wilson (@the_noble_mountain) or Mitch Allenden (@sneakymitch) I also found a rip off of a Crispy lennox piece this morning that won another award…

“I also wanted to briefly mention the fact Sketch is so open about buying his first machines on eBay and starting to tattoo from home. I think it sets a dangerous precedent when it comes to impressionable youngsters that perhaps want to become tattooists.  I feel that kids who don’t know any better will pick up a cheap machine and think it’s OK to tattoo from home, risking the possible spread of infections such as Hepatitis. Not to mention scarring people for life.

“It’s simply becoming a joke. I’m not sure what the answer is. Writing this is a good way to vent but realistically unless it goes viral to the masses, I’m simply preaching to the choir. I feel that the industry needs a voice in the public, something people can actually see, and something that can show the average Joe that actually tattooing can be incredible. Something that shows the real side of tattooing, the working 12 hours a day to come home and draw until 2am in the morning, the not going out with your friends for most of the year because, ‘ah sorry mate, I’ve got to do a drawing,’ the relationships we’ve lost because we have locked ourselves away in our drawing rooms. Don’t get me wrong this isn’t a woe is me sort of thing, I know we have the best job in the world, but when a TV show portrays it in a way where it looks like we are rock ‘n’ roll stars not having to do any work, it bugs me, and especially when the little work they do, is actually a rip off of all the hard work real artist do, then that is a line well and truly crossed.

“I could go into many other things about the show and my opinion regarding health and safety and other issues that are cropping up every day but (editor) Alice has told me to keep this at around 700 words and I’m pretty sure I’m already well over that!”

What do you think? Have you been watching the show?