Tagged: art

Art Love: Douglas Hale

We’re obsessed with artist Douglas Hale after discovering him on Instagram. He creates clever collages that play with imagery he has found, colour and symbolism. Hale uses contemporary graphic styles to produce fantasy landscapes and unusual profiles. His artwork creates beautifully strange scenarios and often features well-known faces…

FKA Twigs

FKA Twigs

Harem Aria

Harem Aria

Secrets

Secrets

Diana Ross

Diana Ross

Dawn Richard Album Art

Dawn Richard album art

Head to douglashale.net to view more

Jessica Gutteridge Illustration

 22-year-old Jessica Gutteridge is a student and illustrator from York, UK. We chatted to Jessica about her dark gothic film inspired drawings and her tattoos…

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Inspired by Things&Ink Jessica created a tattooed Tiger Lily just for us… 

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Do you have a background in art? How and when did you start drawing? I’ve been drawing all of my life, but up until I was seventeen I wasn’t very good at it. I took graphic design, illustration, fine art and photography at college, where I was able to develop my drawings to a stage where I could draw a realistic figure. I applied for a fine art course at university because I knew there would be no boundaries to artwork I made. I’ve found with fine art they really push you to not do illustration, so I keep my university work very separate to the illustrated prints I put out into the world. Weirdly I never though I wanted to be a full time artist even with taking all those creative subjects, only until I created my online store Jgdrawings in 2014.

What inspires you? I absolutely love everything gothic, mythical and mystical, especially in films! I’d say film culture is my biggest inspiration, along with the tattoo world. I’ve always loved films and especially the old ones like Beetle Juice, Lost Boys, monster squad…anything before 1999. When I started illustrating my family and friends always said my designs would make great tattoos, I guess that was what made me realise my style of drawing and where I find inspiration from. I tend to always be attracted to colourful pieces of art and tattoos but always draw black and white pieces and get black and white tattoos!.

beetlejuice smaller uality

What medium do you use? How do you create each piece?  I always use pen or black ink to draw my illustrations, but as of this year I’ve started to branch out and create art using other mediums I love, such as acrylic paint, watercolour and embroidery. When creating a piece I start making shapes using pencil to get a composition/scale going, then I use pen for all the finer details. A fine marker for lines and then usually a 0.2-0.5 ink pen tip for the detail and dots. I love crossing dotwork with watercolour, you get the fine cluster of detail from the dots with the wash of colour poking out! Everything I do is hand drawn and then I edit it on photoshop. I’ve started also doing needlepoint and sewing little characters, it’s a medium I touched on at university and really enjoyed.

What kinds of things do you draw? I draw whatever I’m inspired by, whether that be a character from a film, to flowers, animals, mandalas, palmistry bits. I follow popular culture and if anything pops up that speaks to me, I go with it. Yesterday I sat on a plane watching Peter Pan and needed to draw a Tiger Lily character, that same day I read through the Love copy of Things & Ink and needled to draw myself some lovey dovey bits! I am always open to anything so custom projects are perfect, I’ve drawn logos, website bits, present prints, cards and family portraits for customers and its great!

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Describe your style, has it changed? In drawing I’ve always used pen. My style is still quite gothic with the characters I draw, the black and white print but just of late I’ve wanted to branch out with new content that I’m getting into. I want to make more pieces with colour, I love the shades of acrylic paint I have so really positive, bright illustrations would definitely be a huge change.

Do you admire any other artists, do they influence your work?  The artists I get inspiration from are feminists such as Louise Bourgeois and Sarah Lucas, but when it comes to me physically drawing I get my inspiration from tattooists. Instagram is a great platform to view art constantly, keep up to date with my biggest inspirations in the tattoo world such as Alex Bage, Cassandra Frances Arianna Fusini, James Armstrong, Thomas Bates, Mister Paterson. Obviously there are so many more, but every time I see a new upload I just want to grab my pens and doodle all day. Definitely yes, I’d say they influence my work in the sense I want to also get to their level of mastering a craft, or more so style.

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Can you tell us about your tattoos? What was your first, do you still love it? How do they make you feel?  I have three in total, a big leg piece right on the shin, a cobweb on my shoulder and a pair of plastic Halloween fangs on my arm! The fangs were my first tattoo and I absolutely love it, it reminds me constantly of my favourite time of the year. I got it when I was 19 and it’s still in great condition, it was the perfect time for me to get a tattoo and I love to show it off. My tattoos make me feel great, like I have a style of art which I am passionate about forever on my skin.

Do you do commissions? Where can people buy your art? I certainly do! My art is all available on my big cartel Jgdrawings, where I sell pre-made art prints, custom one off prints, t-shirts, tote bags, embroidery pieces and stitched dolls. For commissions and any other enquiries I am always reachable at jessicalgutteridge@gmail.

Morg Armeni Solo Art Show

Our Italian contributor Ilaria Pauletti attended the opening night of artist and tattooist Morg Armeni’s first solo art show in Rome. Ilaria chatted to Morg about the art she has showcased and the process behind it… 

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Morg’s gallery of artwork title ‘Morgasmatron_redemption through delight’ has been curated by Marta Bandini and Elettra Bottazzi, at Parione9 in Rome. The exhibition displays some of her most recent works and some of her deepest emotions.
In fact, Morg portrays her journey through life, love and suffering, while giving the feminine figure a new role.
The skills in detailed paintings and the refined technique allowed the artist to play with different materials: oils on canvas but also on wood and thin paper.I think every person could relate to one piece more than to one other, but they were all connected to me, from the least to the most recent.

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How do you feel when you start a new painting? And when you finish it?
When I start painting I feel like I’m in a round room with many doors that I can open, behind each of them is a world of meanings and symbols for me to use. It’s the feeling of having infinite possibilities.When it comes to the end I feel like a mother taking care of her child. If everything I have created is in its right place, I feel at peace but I am also inspired to create my next piece.

What piece of work, that you have shown in the gallery, best represents you?Probably the work that represents me and how I am now is The Creator. Undoubtedly because it is the last oil work I’ve painted and also because it touches the issue that I want to always keep in mind. We are the creators of our present, and we can go beyond our difficulties or the feelings of fear of sadness that limit us. We can become again our sacred temple of love, for ourselves and for life, creating our present and, consequently, the future in the most natural and harmonious way.

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Do you find painting therapeutic? I find that facing your own ideas and convictions, represented in a figurative way, through painting, often puts me in front of sides of myself that I would not otherwise see. The hours I spend in solitude painting, often means I realise that I have some unresolved issues that I need to work on. This is very therapeutic for me. Often, looking retrospectively at my paintings makes me see more clearly the emotional situations that I’m going through and my growth, or at least the direction that I’m pursuing.

Springtime #3_LR

How important is to be yourself and get literally naked for art?
I think it’s everything, but I also believe that it is a time consuming process. Initially, when your painting technique is immature, you need to  take inspiration from the great masters and sometimes imitation can distort your own style and nature. With time we can break away from this and this is how we find our true selves. I believe this is the most real art expression.

Morg’s solo show is at Parione 9 until 17th April

 Photos by Diana Bandini

The Art of Oleg Dou

Oleg Dou a Russian artist who uses photography as a medium for his work, creates sad yet beautiful pieces of art. Oleg concentrates on old classical facial shapes mixing them with real world objects to create multi-textured works which often shock and produce fearful responses in his audiences. 

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Sketch for the “Sometimes it is sad”

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Sketch for the Butterfly

unicorn

Unicorn

bird

Sketch for The Bird 

pet

Pet

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Paper 2

Illustration: Melly Em Clark

24-year-old Melly Em Clark is an full time illustrator from Lincoln, UK. We chatted to Melly about her art based around themes of feminism, fashion and body positivity… 

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Inspired by Things&Ink Melly created a tattooed babe just for us… 

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Do you have a background in art? How and when did you start drawing? It’s hard to remember when I started drawing as it feels like something I’ve always done! I was encouraged from an early age to be creative by both my parents and my schools-school provided great projects and my parents always took me to creative activities outside of school, so I’ve always been motivated to make things. While I struggled in other subjects, art always felt fun and something I was confident doing- it was only when I was nearing my GCSEs that it occurred to me that I could make art for a living. I studied Illustration at the University of Lincoln and graduated in 2013, and last May I took the plunge into full time self employment! While at times, I feel limited by Art being my only strength, my love for drawing is still strong and I still find it incredibly fun!

What inspires you? Content-wise, I am inspired by inter-sectional feminism and pop culture. There are many feminist artists, writers and creatives that I look up to, and strive to be like-this is always a drive of mine when creating new work. Like most people, I’m constantly devouring films, books, television and social media, and can find inspiration from any and all of these. Style wise, I love 20th century fashion illustration by artists such as Rene Gruau and Lucia Lerner. While I don’t agree with a lot of the messages portrayed in mid century advertising, the vivid colour schemes and sense of playfulness are always something I try to recreate in my work. Contemporary artists I admire are Jon Klassen, Grayson Perry, Johnny Hannah and Meg Hunt.

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What medium do you use? How do you create each piece?  My work is predominantly digital-I start by hand drawing each piece, taking time to draw each section separately and arranging them together in Photoshop. Then comes the process of colouring in the piece digitally. I used to paint every piece by hand and simply edit in Photoshop, and while now I work in digital techniques, I still like to keep the texture of paintings, and include a lot of hand painted textures in each piece. As I have a tiny studio, working digitally works better for me, but I still like to crack out the paintbrushes once in a while and I love supporting artists that continue to work in traditional mediums.

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What kinds of things do you draw? This can really vary- most of my work focuses on themes of body positivity, but I’ve also made pieces based around themes like baking, fashion trends and inspirational quotes. I try to keep my work feeling positive and playful, whatever the content. I design prints to sell in my Etsy store, but my ‘bread and butter’ comes from custom artwork, which can vary from family portraits to logo design, so my drawings can differ daily!

Your illustrations focus on body positivity is this something you like to advocate? Body positivity is something very close to heart. Like many people, I’ve spent many years hating my appearance, and my general outlook on life has improved since learning to love myself. As I can struggle to articulate my thoughts into words, I started to create artwork that expressed a body positive theme-my first ‘bo po’ illustration was a piece entitled You Don’t Need Abs To Be Fab. Once made, I posted it online and the reaction was bigger than I could have expected. Since then. I’ve aimed to make art that helps people feel better about themselves, even if only in a tiny way. I know so many wonderful people who advocate a body positive lifestyle, and I’m definitely inspired by them. I think we all deserve to feel great about ourselves and love our bodies, and it’s important to me to get that onto paper.

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Can you tell us about your tattoos? What was your first, do you still love it? How do they make you feel? I have eleven tattoos in total, my first was just before I turned 21. To symbolise my Irish heritage, I got a small claddagh design on the inside of my wrist. Since then, I’ve embraced the idea that tattoos don’t have to have a story behind them, and have covered myself in tattoos with no tale or theory behind them. Over three years, the quality of my first tattoo isn’t great and I would love to have it reworked-it’s a simple line drawing and I would love for it to be more intricate and colourful. My biggest tattoos are floral designs, but I have a few other pieces, including a kraken taking down a ship, heart finger tattoos, a stag, a fox, a kewpie, and an Adventure Time inspired tattoo, all of which I’m still head over heels with!

Do you do commissions? Where can people buy your art? Most of my custom artwork operates via my Etsy store where I have listings for personalised portraits, business design packages and invitation design, as well as my pre-made art prints. Alternatively, I can be reached at mellyemclark@gmail.com for commission enquiries!

Follow Melly on Twitter, Instagram, Facebook and Tumblr for body positive art work… 

Things&Ink present: THE ARCHIVE

Things&Ink present:
THE ARCHIVE
THURSDAY 31 MARCH 2016 6pm-late
at THE CIRCLE, 21 NOEL STREET, LONDON, W1F 8GP

 An exhibition of Things&Ink covers turned into original works of art by people who have graced the pages of the magazine over the years…

Things&Ink is delighted to announce The Archive, a group exhibition celebrating more than three years, and 12 issues, of Things&Ink by inviting artists who have contributed to the magazine to turn back issues into original works of art. Opening on Thursday 31 March, and running for two weeks, at The Circle, in London’s Soho, to raise awareness for The One Love Project, with profits from sales being donated to the project that helps under-privileged children in Pushkar India.

The original face issue cover The original face issue cover, published in February 2013 The Face Issue decorated by Abbie Williams The Face Issue decorated by Abbie Williams

 

The Archive will showcase the breadth and variety of artistic talent within the  tattoo community. With more than 120 contributing artists from across the globe, each of the covers will be auctioned off in a silent auction that will run across the course of the exhibition, with bids starting at just £6.95 – the retail price of the magazine.

Never afraid to approach taboo subjects such as DIY and facial tattoos, Things&Ink have published 12 issues to date and each has had a specific theme, covering art, love, history and even fruit. Turning tattoo media on its head and moving away from a more sexist model, Things&Ink promotes body confidence and self acceptance by featuring inspirational people such as tattooed bearded lady Harnaam Kaur. Its aim has been to celebrate tattoo history, give inspiration through high-end photo shoots and provide commentary on current tattoo culture, The Archive will celebrate this by bringing together everyone who has featured on its pages.

The Modification Issue, decorated by its cover star Grace Neutral The Modification Issue, decorated by its cover star Grace Neutral

 

Each contributing artist has been sent a back issue at random, and there is no brief. They simply have to turn the cover of the magazine into an original work of art by using a medium of their choice.

The exhibition will run from Thursday 31 March until Sunday 17 April, and the artwork will be on display at The Circle for the course if it. There will also be a flash day on a date to be confirmed, with tattoos by two of Things&Ink’s favourite cover stars Grace Neutral (The Modification Issue) and Emily Johnston (The Horror Issue).

The Launch Issue, decorated by Nina Waldron The Launch Issue, decorated by Nina Waldron

 

The archive event is going to be the first time that all of our favourite artists we have ever featured have participated in an exhibition together and I cannot wait to see what our front covers become after they have been transformed into original pieces of art.  The Things & Ink journey wouldn’t have been anything without the help and support of all the amazing contributors and we are eternally grateful.” Keely Reichardt, Project Manager of The Archive

LIST OF EXHIBITING ARTISTS: Cally Jo, Grace Neutral, Jondix, Bob Done, Rik Lee, Ashley Love, Shane Ivezic, Susanne Konig, Frederico Rabelo, Lianne Moule, Guy Le Tatooer, Mike Tea, James Hate, Robert A Borbas, Saschi McCormack, Antoine Larrey, Tina Lugo, Deno, Flo Nuttall, Rachel Baldwin, Brian Wilson, Emily Johnston, Claudia de Sabe, Drew Linden

PLUS many more artists to be announced…

The Love Issue, decorated by its cover star Rachel Baldwin The Love Issue, decorated by its cover star Rachel Baldwin

Caitlin McCormack: String Sculptures

Philadelphia artist Caitlin McCormack creates beautifully delicate sculptures out of string which are inspired by fossils and animal skeletons. On her website she describes how she makes these art works:

The act of stiffening intricately crocheted cotton string with glue produces material that is structurally similar to delicate bone tissue. The string implemented in this process can be viewed as the basic cellular unit of fabrication, and by utilizing media and practices inherited from my deceased relatives, I aim to generate emblems of my diminishing bloodline, embodied by each organism’s skeletal remains.

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Follow her on Instagram for more enchanting art work

The Art of Jana Brike

Latvian artist Jana Brike creates oil paintings that explore notions of innocence and coming-of-age narratives.

Her inspirations for work has been as diverse as: folklore fairytales, children book illustrations, imaginative soviet animation films and supernaturally realistic classical painting; the colorful forbidden rare secret imagery of the western pop culture surrounded by mystical, almost religious tone for the soviet children; the terrifying war and deportation stories that her grandparents, and their little brothers and sister witnessed as small children; pompous alienated eerie atmosphere of the catholic church ceremonies in the Latvian countryside, and the breathtakingly beautiful ballet performances in the opera house, where she was taken since the age of two, as well as others. – all the bitter-sweetness and irreality of the every day.

The main focus of Jana Brike’s art is  the internal space and state of a human soul – dreams, longing, love, pain, growing up and self-discovery.

sailor'swives

Sailor’s Wives

aphroditeandkitten

Aphrodite with Kitten

theendofthelastunicorn

The End of the Last Unicorn

paradiseofsharedsolitude

Paradise of Shared Solitude

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Gardener and the Centre of the Universe

Mike Dargas

German artist Mike Dargas creates realism pieces with oil on canvas that show captured moments of intense intimacy and closeness.

In his portraits, Mike is not limited on certain types. He portrays young and old, beautiful and dark, fragile and strong people. They are lost in thoughts, show inner conflicts or transmit a unique or even holy calmness. The perfection of his technique seems to seek for the perfect image, like he was searching for the soul within each single one. With his works Mike Dargas challenges us to take a deeper look, to understand the nature of human being and to question our own emotional perception.

mark

Free Fallin

markkkk

Nothing Else Matters 

mutual

Mutual Trust

black

Blackened

Interview with Myra Brodsky

Editor Alice Snape recently got tattooed by Berlin-based Myra Brodsky, 27, aka spinsterette on Instagram, while she was guesting at Seven Doors in east London. Alice couldn’t resist asking Myra some questions while under the needle… 

Tattoo artist Myra Brodsky and editor Alice Snape at Seven Doors in east London Tattoo artist Myra Brodsky and editor Alice Snape at Seven Doors in east London

 

“Myra’s work is heavily influenced by art nouveau and the Victorian age – the periods of art that I am drawn to… so I couldn’t resist getting a tattoo by her while she was over in London. I picked a moon and hand from her flash, and conducted this interview while I was getting tattooed… just imaging the buzz of the needle as you read.”

Alice: “How long have been a tattoo artist for?”
Myra:
“I started tattooing in late 2008, after studying visual communications at university. My parents were always very anti me going into tattooing, but my father has now passed away and my mother has moved to Spain, so they are not part of my life anymore and are not aware of what I do. My parents were very religious and this is probably where their attitude came from. I was born and raised in a very conservative, jewish family.”

Design tattooed on Alice from Myra's flash Design tattooed on Alice from Myra’s flash

 

Alice: “What do you think drew you to tattoos then?”
Myra:
“It was really actually by accident that I came into tattooing. I never planned it, I never had the wish to become a tattoo artist. My best friend started to tattoo, and I thought that seemed kinda fun. So she immersed me into the tattoo world, she had all the gear at home, and I started tattooing too. At first, just for fun – it was never big business or starting something serious. I did shitty little tattoos on my own body, but never thought it was something I could make a living from… I thought my parents would hate me and turn against me.”

“What did you do for a job at this time?”
“I worked for an ad agency. I found it really boring.”

“When did you start tattooing properly, as a job?”
“I actually started tattooing when I was still at university too, I used to have to do 12-hour days. I was still working at that agency and attending university and I was already tattooing. It was a lot to do. I found it easy as I didn’t have the wish to meet up with friends in my spare time. I was dedicated to my work, being productive was great.  Now I need tattooing for my living.”

MyraBrodsky-handtattoo

 

“Do you think that is something that is hard being a tattoo artist? Would you want to change it or be something else?”
“Yeah. I mean being self employed is hard in general. I hate that. I hate doing my taxes, I am really bad at counting, I cannot count at all! If I had the choice I would be a magician. My father comes from the casino business and when my sister and I were still young we used to go to Las Vegas pretty often. My sister and I grew up watching shows like David Copperfield. I admire those magic shows, even if it is an illusion, I love it. I wish I could do that.”

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“Do you think that has a big impact on your work?”
“Totally. I love all that imagery surrounding all those magic things. I also believe in magic powers. Whenever I have a problem I call my fortune teller instead of going to the doctor. They tell me different things, I can ask her anything. When I was planning my tour through Europe I asked her which shops would accept me. In London, she said there would be a chance that only one shop would accept me and now I am here at Seven Doors.”

“Do you plan to live in New York?”
“I want to move there and work Red Rocket tattoo in Midtown.”

“Do you think that is part of the beauty of being a tattoo artist being able to travel around?”
“I think it is a good thing. I know a lot of people who aren’t into travelling, but I am because I don’t really feel comfortable in just one place. I get bored so easily. I think it is a fun game  to have to challenge yourself to act like a local in so many cities. I like that kind of game.”

MyraBrodsky-butterfly

 

“What is your favourite city you have been to so far?”
“New York. I like London too. You cannot really describe New York in words. It is just perfect.”

“How would you describe your style as a tattooist?”
“I would say I  don’t really want to put a name on that. I can only say what inspires me and what I use as reference. These are actually images from all of the great eras from the past, in art history. I know a lot about art history. Most of the things I take are from art nouveau and the Victorian age and Edwardian age. Art Deco is also nice but it is too geometric for my kind of thing. I rather like organic decoration elements, because you can always take them and change them for every part of the body.”

“Do  you like doing bigger pieces as well?”
“I prefer doing bigger pieces. But I don’t get to do many of them, I think because I’m not in one place all the time.”

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“What would be your favourite thing to tattoo? If you could do anything on someone’s back what would you do?”
“I think it would be a scene out of a classic novel or play. Maybe a play by Shakespeare or a novel by Kafka. Anything that is already existing, that I could adapt. That is what I like, because I think it is timeless.”

“How would you like your style to progress in the future?”
“I am planning on starting more big pieces with more detail, more history behind them. More details and meaning in general.”

IMG_1800 Myra at Seven Doors

 

To view more of Myra’s work and to see where she will be working next, follow her on Instagram @spinsterette