Tagged: art

Short documentary, Johny Midnight

Beautiful short documentary following Johny Midnight, a south London based artist, as he completes a painting, from start to finish, of Battersea Power Station.

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Johny’s gallery/studio is in Balham, south west London, gallerymidnight.com

Midnight from James Stittle on Vimeo.

Director: Andrew Grayshon
Cinematography: James Stittle, shot on Sony FS7 using Canon Lenses
Editor: Olli Abbott

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The Tattoo Flash Colouring Book and Interview with MEGAMUNDEN

The Tattoo Flash Colouring Book created by MEGAMUNDEN, and published by Laurence King, is filled with a vibrant and varied collection of tattoo flash for you to colour in. Inspired by  traditional style flash sheets and tattoo imagery, it’s a celebration of the tattoo world and its history. It’s perfect for tattoo lovers who love to unwind by exploring their creativity. 

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We chat to 35-year-old Brighton-based illustrator and creator of The Tattoo Flash Colouring Book Oliver Munden, AKA MEGAMUNDEN, to find out more about his book and what originally drew him to tattoo art…

Do you have a background in art? I followed the fairly typical route of doing art and design at school, then a foundation course at college, and a graphic design course at university. This gave me a really broad understanding of design and my first job was at a graphic design studio. It was here I realised I wanted to follow a career that focused on illustration. I’d drawn all the time from a very young age, so it made sense that I came back around to focusing on that.

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What kinds of things do you create? As a lead designer at Ilovedust, I create anything from tequila bottle labels to graphics for restaurant interiors, book covers to huge murals and everything in between! As MEGAMUNDEN, I focus generally on tattoo inspired artwork but that changes from project to project. I get bored doing one style all the time, although I do always come back to a tattoo-inspired aesthetic.

I’ve created two colouring books with Laurence King Publishing, both with a tattoo theme. I’m currently working on a deck of Tarot cards with them too, these have a tattoo theme and we have other projects under discussion, so watch this space.

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What inspires you and what inspired the book?  I took a trip to the States before making the second book and I collected tons of photographs and various other trinkets to inspire me.

The first book was a 50/50 split between Japanese and Western inspired tattoo style artwork. I wanted the second book to be more Western focused in its source of inspiration. I wanted it to be decorative yet bold and graphic. I wanted patterns to be woven into the visuals. I’m really into the old sailor style tattoos, and they’re a big trend right now. I looked at many recognisable tattoo icons, including vases, flowers, anchors, gypsy girls, ships, snakes, tigers, and tried to give them all my own spin.

What medium do you prefer to work in? I hand-drew most of my first book but at the moment I tend to work digitally using a Cintiq drawing tablet. It allows me to draw more complex things quickly, although the second book took even longer than the first despite having less pages! It’s just that much more complex in design and I like to think it’s a much more consistent and considered collection of tattoo flash. All there for people to colour if they wish!

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What drew you to the world of tattoos? The way designs impact you when you see them, like when you see a amazing tiger head tattoo and it stays with you. So many fields take influence from the world of tattoos, for example snowboard riders want their design to be easy to see when their board is flipping, so bold tattoo inspired visuals work nicely for that.

Skulls, snakes, spiders and flowers all resonate with me. My father has been keen on keeping reptiles and amphibians all his life, and that definitely rubbed off on me. I think all of that has a lot to do with the icons within tattooing it’s just so inspiring.

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Can you tell us about your tattoos ? I have a full Japanese sleeve on my left arm and my right arm is a collection of more sailor style pieces that I’ve got on my many travels and work trips. I’ve been to the USA a lot and had stuff done there, but I’ve also got a couple of pieces from Lisbon and Barcelona. Dan Frye does a lot of my tattoos when I’m at home in Brighton – he’s ace!

The Tattoo Flash Colouring Book created by MEGAMUNDEN and published by Laurence King is a must for tattoo lovers and available to buy here.

Embroidery artist Jessica So Ren Tang

Here, 25-year-old embroidery artist and warehouse production worker  Jessica So Ren Tang, from San Francisco, tells us all about her beautiful hand-stitched pieces and the inspiration behind them…

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“As a child I knew I wanted a career in the arts. Throughout school I learned and experimented with various mediums, I started embroidering and playing with fabric and thread in my senior year of college in preparation for my senior exhibition. I graduated with a BA in Studio Art at Mills College in Oakland, CA.”

“I had semester-long assignment which involved playing with different materials and. for one of the experiments. I made a cup noodle container. I quickly found that styrofoam was a poor sewing material, so I began to replicate a cup noodle container with fabric instead. I enjoyed the softness and texture of embroidery in my sculpture pieces and I continued looking for other objects to replicate. I was more interested in sculpture but disliked the bulk clay and similar mediums had.

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“I continued to embroider because I loved the flexibility it gave me, as well as its rich history of being women’s work. In the future I want to explore more fibre art and sculpture and keep pushing my skills in fabric and thread.

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“I draw inspiration from memories of my childhood and my experiences of being an Asian American woman. For my object series, I look for items that I have bought or used that have Asian/American significance and use. Specifically, I look for Asian snacks and containers that I have used or seen in my childhood. Replicating objects in fibre is my way of exploring my Asian American identity – it is a way for me to replicate the duality of being too Chinese to be American and too western to be really Chinese.

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“Initially, it was not my intention for my pieces to have connections with tattoo art. Replacing the skin of suggestively posed Asian women was intended to obscure the girl’s identity, in an attempt to address this Asian American dual identity experience. the girls’ facial markers are removed but replaced with an Asian pattern, still retaining an Asian identity but non-specific to her ethnicity. But the style of pattern on the girl has specific origins to an Asian culture. I look for a variety of Asian patterns but so far they are mainly of Japanese and Chinese origins. Although I am looking to expand to different Asian patterns in my future pieces.

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“My girl series was inspired by Ikenaga Yasunari’s paintings of women and textile patterned clothing. The female forms help to emphasise the feminine medium that is embroidery, but it is also a familiar image that I express myself through. I create a little piece of myself through each girl, in the hopes of creating a tangible object that encompasses my Asian American experiences.

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“The colours in the patterns help to highlight a figure but to pull back and flatten – sort of like a silent wallflower girl. The facelessness of the women is to suggest a general Asian identity without pinpointing a specific nationality. Extending the pattern to the entire body was more aesthetically cohesive and balanced. Having the pattern on just the face drew too much attention to the head when I wanted the entire figure to be emphasised.

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“My object series, depending on the size and complexity, range from a week to a little over a month to be finished. Each mini girl takes about 50 hours of stitching and 100 hours for the larger girl pieces, as everything is stitched by hand.

“My works are currently not for sale for a variety of reasons. I still have a small body of work due to how long it takes me to complete one piece and exhibiting would be difficult if I started selling, I’m still attached to my pieces and I’m hard pressed to let them go, and I don’t have much free time outside of my day job and selling would take me away from working on my art. Of course, many of these reasons will eventually be solved and I do plan on selling my work.”

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View more of Jessica’s work on Instagram: @jessicasorentang

Jak Nola

By combining sacred geometry, erotica, and ethereal psychedelic visions, artist Jak Nola reveals a world as unique and capturing as her own appearance portrays. Swathed in layers of tattoo, her tongue bifurcation, tattooed eyes, and scarification render her own body an art work in progress.

While visiting Australia, she catches up with Fareed to talk about her art, tattoos, and how to go about attaining a free mind.

*this article contains a graphic image of a tongue bifurcation.

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Hey, Jak. So, tell us about your life in New Zealand.

I was born in Napier, but I’ve lived all over the south and north island.  Out of all the countries I’ve travelled to, New Zealand is by far the most beautiful; the lands here are powerful.

I’m a vegan that’s been creating art since I can remember. I have played guitar for about 16 years, so music is a huge part of my life. I only play for enjoyment though. I love building things, such as tables out of drift wood, anything out of old instruments, usually guitars. And I’ve also found a passion for creating jewellery.

So, my life is generally me doing all the above while traveling. I can never keep still, I love exploring new environments as much as I can, because I’ve found that new information stimulates my creative ideas profoundly.

What is the motivation behind your body modifications?

The motivation behind my body modifications… the human body in my eyes, in a sense, is a walking canvas, so I’d feel a fool to live this life without expressing my own in a way I find visually appealing.

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Because of your striking tattoos you’re subject to a lot of positive and negative appraisal through social media. What is that like?

It appears people who tend to write negative comments, are either just bored, dealing with their own issues, or heavily indoctrinated…it’s easy to attack people behind a screen, but most wouldn’t do it in person… so I don’t take any of it personally. As for the positive comments, I appreciate them immensely and take them gladly to heart.

Okay, so, let’s break this down, can we can safely say you’re currently in a third permutation of a body suit?

Yup roughly third one, some areas less, some more. I started with traditional Celtic/tribal, all except one a design of my own, all terrible though! But that’s all part of it, I learnt, as with everything. Then eventually I gained a body suit and modifications rather fast, still not how I wanted to express myself. So now I’m in the process of covering everything, with a full body concept of blacks, whites and scars. A process that will take a lot of time and endurance but it’s a true vision of my body, for myself.

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One thing that will stay will be my full back piece, from the top of my neck down to my ankle it says “Maybe Logic”, which is from my most influential author, Robert Anton Wilson. His words have inspired this idea of reality being perceived more in an ambiguous sense, which for me is far more fun and confusing. I think to be subjected to one ideal obviously limits the mind’s exploration of its experiences.

In saying that, I do enjoy the idea of there being a “truth” to this whole experience, but I’d imagine it to be something we couldn’t conjure up with the instrument we have for processing (human brain). Maybe. Plus, being stuck in a linguistic construct doesn’t help that exploration anyway. Many writings as such, along with psychedelics, have heavily influenced my creations.

In what way?

Pure psychedelics have widened my perceptions, given new ideas, understandings and depths to my creative expressions. I take them with respect, they are not something I would abuse. Through psychedelics I learn, love, laugh and just enjoy life as I usually do but in new ways.

And while we’re on that topic, you create art on many mediums, such as painting, jewellery and tattoos, could you tell me about each?

I’ve drawn since I was very young, along with playing music. I’m self-taught in almost everything I do. My art has transformed immensely over the years due to life experiences and psychedelics. Generally, it’s a combination of geometry and sacred symbols, or sex… as I have a passionate love/hate for it. I’m aware of the immense positive and negative aspects to it.

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I started teaching myself tattooing around the age of 15, but over the years I have learnt different techniques with different artists around the world which I am grateful for. Most of my art is done on a thick paper because its best for me to travel with. I’ve been trying to do art on a canvas over the last few years but it’s much more difficult for me, it’s always worth it once I’ve finished though.

I’ve been making jewellery for a few years now, usually when I’m traveling I’ll find precious gems or pendants and make something with them. It’s very therapeutic.

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With my tattoos, I like to somewhat connect with the person, and I only do tattoos that I enjoy doing. In my mind, it’s an art form, not work. I love doing mandalas and geometric designs with dots. Although I’m always keen to learn new ways of tattooing, so I have no idea where that path will take me

 

Written on one of your paintings is ‘At the peak of every orgasm is a truly free mind.’ Could you elaborate on this?

I’ve written this in a lot of my art, it’s one of the truest statements in my mind. When you reach the peak of an orgasm, there’s no stress, no frantic thoughts, no worries, it’s just you and that peak of bliss. A free mind from all of life’s daily, cluttered thoughts.

instagram : jak_nola

facebook : facebook.com/jak.art.nz

online store : www.etsy.com/shop.jaknola

 

The Art of Filip Hodas

24-year-old 3D artist Filip Hodas based in Prague, creates mesmerising beautiful and surreal art. Digitally crafted, Hodas transforms the earth’s landscapes with bursts of pastel colours, billowing smoke and dreamy textures, his textural collages feature enchanting crystals and animal skulls – we just can’t get enough! 

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Sonia Kolner Illustration

24-year-old Sonia Kolner is an illustrator and retail worker based in Oakland California. We chatted to Sonia about her dark illustrations, what inspires her and her tattoo collection… 

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Inspired by Things&Ink  Sonia created this illustration just for us…

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What medium do you use? How do you create each piece? I use mainly crowquill for my pen and ink work. I also work on printmaking from time to time, mostly consisting of lithography. I create each piece digitally and traditionally. The end result is always fully traditional, however I like to collage digitally beforehand. It makes planning a lot quicker and I can scan/scale elements easily. I am committed to the idea of being a pro at Photoshop slowly but surely.

What do you like to draw? I love drawing anything anatomy related, eyes, patterns, distorted or conjoined things. I also find comfort in drawing nature such as flowers, and of course snakes and bats.

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What inspires you? Really, really good music. I would say a lot of creative people whether it’s other artists, musicians, skaters, writers, etc. Also, any other unique beings who have their own style, tastes and opinions that I find to be inspiring and good to converse with. A few of my close friendships inspire me, as I find myself getting into unexpected deep conversations with them about life, death, trust, and everything in between. Often what inspires me as well is other people’s stories. I always treasure when someone trusts me enough to open up about their suffering and or other personal things. Because it’s an extreme challenge, those small moments inspire me and I hold them dearly. Other than that I would say last but not least, nature, animals, and old school Japanese art. The list could go on!

How would you describe your style? Organized chaos. Visually and emotionally.

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Are there any other artists that you admire, do they influence your work? Of course. My current favorites are Suehiro Maruo and Junji Ito. I love both artists work because of not only their talent, but also the psychological twists to their pieces and stories. I enjoy art that’s intriguing and leaves me wondering. I never liked comics, but Junji Ito’s Uzumaki series is gory, emotionally haunting and nothing short of brilliant. Besides them, about two years ago I used to have a long list of artists, but now I find I get most of my inspiration from old books, music, and certain conversations.

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Can you tell us about your own tattoos? I have quite a few so I’ll just talk about my two most recent ones that I drew and designed that mean the most to me. I got conjoined Japanese Noh Masks in June, done by Arielle Coupe. In September I got a chrysanthemum done by Michael Deschenes. The tattoos are on the same forearm, one in the front and the other in the back, close to the elbow. Both of them are super talented and translated my drawings onto skin seamlessly. I’m planning to get a snake that sort of intertwines itself among these two current tattoos.

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What drives you to create work that draws upon the motifs and the style of tattooing? Pen and ink stippling/hatching style is my driving force. I like how much dedication and patience it takes.  I never used to think that my work drew upon tattoo motifs, until anyone who saw my work would asked me if I either a) Would design them a tattoo, or b) If I would consider being a tattoo artist. That’s when I started to notice a pattern and blackwork translates quite easily into a tattoo these days.

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Do you do commissions? Where can people buy your work? Absolutely. You can contact me through my website and we can chat. www.soniakolnerillustration.co. You can purchase my work on Society6 https://society6.com/soniakolnerillustration