Tagged: artist

A rose is a rose is a rose

Our guest writer Katie Houghton shares five of her favourite rose inspired tattoos…

 While June may be home to ‘National Corn on the Cob Day’, and you’re god damn gutted that you missed out, June also happens to be the month of the rose, and we’re all over that. A natural emblem of love and passion, roses as tattoos have been one of the most constant designs since ink touched skin. While some signify death, some eternal love, some balance and some signify the relationship between a sailor and his favourite bird (mother dearest), we know that rose tattoos are an anything-kind-of-game, and we’ve decided to find five of our favourites.

 Harriet Heath/Lone Rose Tattoo

 harriet heath 1

I love the plump attitude behind all of Harriet Heath’s work and designs, and the name Lone Rose Tattoo was too good an opportunity to miss on a list of rose tattoos. The tattoo above has sass, it has slant, and the little rose touches on the head band give the whole piece a cute and continental pop that gives her portrait work a recognisable edge.

Tommy Oh!

tommy oh 2

I don’t know a lot about Tommy Oh!, but I don’t think I need to. Provocative and full o’ spunk, his blackwork is bold, it’s brazen and now I want spider webs on all edges. Standing out due to the thickness of leaf, location and line work, Tommy’s work is unapologetic and pricks like a bloody thorn.

Emily Malice: Parliament Tattoo

 emily malice 3

If you’re familiar with the work of the stunning Emily Malice, you’ll know that she’s both saint and sinner combined. Generating provocative work, and bold statement tattoos alongside simple custom designs, Emily’s able to add a firm pop to a botanical rose piece like above that remains feminine, but still has grit and chew.

 Jenna Hayes Tattoo: Hand and Dagger

jenna hayes 4

Give Jenna a rose and she’ll give you a snake. One of the more traditional artists on this list, I think it’s not only the subtle colour work on this piece that stoods out to me, but the blend of hard edge and soft flora. Clearly able to master thick lines with an honest consistency, Jenna Hayes has got me dreaming of pythons and bouquets.

Sophie C’est La Vie

sophie 5

Sophie, you had me at origami. You also had me at elephant origami (with a rose shaped peony for kicks). A tattoo artist that knows colour craft and consistency like the back of her hand, not only does Sophie generate beautiful pieces (from fauna to flora) that fuse great tones, these origami pieces are creative, they’re pieced together perfectly, and can even be converted to koala should you fancy.

The Art of Alicia Rihko

27-year-old freelance illustrator and designer Alicia Rihko lives in Spain where she creates digital pieces focusing on neon pink and black line work…

13566983_10208570163790272_2240499424254617339_n

I create everything digitally with a graphic tablet, and my work changes according to my tastes, but there are many things that inspire me. When it comes to my work I always start looking for locations, and pictures of places that I would like to be or know more about. And so I start to collect ideas. Music influences me a lot too, I always work with music on. In the end everything is mixed together, and my work is the result. 

I can’t tell you which illustration is my favourite, usually once I have finished drawing, I stop liking it. But the one I did of Freddy Krueger, is very different from all the others. It’s the craziest idea I’ve ever had, as I’ve used an existing film character, with one of my girls. Yes, it’s my favourite!

I don’t like the pink at all, it is far from being a colour that I love. But I found that it fits very well with the aesthetics of my work, and that it gives even more personality to the piece along with the other colours.

PINKMOTEL_

FREDDY_

MESSAGE_

DISTRACTION_

Short documentary, Johny Midnight

Beautiful short documentary following Johny Midnight, a south London based artist, as he completes a painting, from start to finish, of Battersea Power Station.

Midnight

Johny’s gallery/studio is in Balham, south west London, gallerymidnight.com

Midnight from James Stittle on Vimeo.

Director: Andrew Grayshon
Cinematography: James Stittle, shot on Sony FS7 using Canon Lenses
Editor: Olli Abbott

IMG_4726

IMG_4721

IMG_4727

 

Embroidery artist Jessica So Ren Tang

Here, 25-year-old embroidery artist and warehouse production worker  Jessica So Ren Tang, from San Francisco, tells us all about her beautiful hand-stitched pieces and the inspiration behind them…

Screen Shot 2017-02-12 at 20.54.36

“As a child I knew I wanted a career in the arts. Throughout school I learned and experimented with various mediums, I started embroidering and playing with fabric and thread in my senior year of college in preparation for my senior exhibition. I graduated with a BA in Studio Art at Mills College in Oakland, CA.”

“I had semester-long assignment which involved playing with different materials and. for one of the experiments. I made a cup noodle container. I quickly found that styrofoam was a poor sewing material, so I began to replicate a cup noodle container with fabric instead. I enjoyed the softness and texture of embroidery in my sculpture pieces and I continued looking for other objects to replicate. I was more interested in sculpture but disliked the bulk clay and similar mediums had.

JessicaTang-CupNoodles-2013

“I continued to embroider because I loved the flexibility it gave me, as well as its rich history of being women’s work. In the future I want to explore more fibre art and sculpture and keep pushing my skills in fabric and thread.

Screen Shot 2017-02-12 at 20.55.22

“I draw inspiration from memories of my childhood and my experiences of being an Asian American woman. For my object series, I look for items that I have bought or used that have Asian/American significance and use. Specifically, I look for Asian snacks and containers that I have used or seen in my childhood. Replicating objects in fibre is my way of exploring my Asian American identity – it is a way for me to replicate the duality of being too Chinese to be American and too western to be really Chinese.

JessicaTang-ChineseBowl-2014

“Initially, it was not my intention for my pieces to have connections with tattoo art. Replacing the skin of suggestively posed Asian women was intended to obscure the girl’s identity, in an attempt to address this Asian American dual identity experience. the girls’ facial markers are removed but replaced with an Asian pattern, still retaining an Asian identity but non-specific to her ethnicity. But the style of pattern on the girl has specific origins to an Asian culture. I look for a variety of Asian patterns but so far they are mainly of Japanese and Chinese origins. Although I am looking to expand to different Asian patterns in my future pieces.

Screen Shot 2017-02-12 at 20.53.50

“My girl series was inspired by Ikenaga Yasunari’s paintings of women and textile patterned clothing. The female forms help to emphasise the feminine medium that is embroidery, but it is also a familiar image that I express myself through. I create a little piece of myself through each girl, in the hopes of creating a tangible object that encompasses my Asian American experiences.

Screen Shot 2017-02-12 at 20.55.08

“The colours in the patterns help to highlight a figure but to pull back and flatten – sort of like a silent wallflower girl. The facelessness of the women is to suggest a general Asian identity without pinpointing a specific nationality. Extending the pattern to the entire body was more aesthetically cohesive and balanced. Having the pattern on just the face drew too much attention to the head when I wanted the entire figure to be emphasised.

Screen Shot 2017-02-12 at 20.54.19

“My object series, depending on the size and complexity, range from a week to a little over a month to be finished. Each mini girl takes about 50 hours of stitching and 100 hours for the larger girl pieces, as everything is stitched by hand.

“My works are currently not for sale for a variety of reasons. I still have a small body of work due to how long it takes me to complete one piece and exhibiting would be difficult if I started selling, I’m still attached to my pieces and I’m hard pressed to let them go, and I don’t have much free time outside of my day job and selling would take me away from working on my art. Of course, many of these reasons will eventually be solved and I do plan on selling my work.”

JessicaTang-GIRL03-2016-hi.res

View more of Jessica’s work on Instagram: @jessicasorentang