Tagged: Australia

Exhibition: Their Heart on Their Sleeve

Celebrated Australian visual artist Stormie Mills has teamed up with award winning photographer Frances Andrijich to present an exhibition that celebrates tattoos and the reason why people choose to get inked.

Their Heart On Their Sleeve - Stormie

A collaborative exhibition by Frances Andrijich and Stormie Mills

Opens 2 – 17 November

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49 Stuart Street Northbridge WA 6003 (08) 9228 4111

Their Heart On Their Sleeve - Elle

While people have been opting to get ‘inked’ since prehistoric times, this number is rapidly increasing in Australia, yet reasons remain the same. It is the need to feel unique, fit in or stand out, a silent expression of a moment in time. 1 in 5 Australians has one or more tattoos with a further 1 in 5 of those getting their first tattoo aged mid 30s or older.

The idea of creating portraits of these individuals has inspired a very special collaboration between internationally renowned visual artist Stormie Mills and award-winning photographer Frances Andrijich. Now for the first time they bring their crafts together in a series of unguarded moments.

Frances has captured the essence of each subject through her lens. Stormie has then taken these images and painted a representation of the subjects’ internal portrait to create a striking work that connects the outside with the beauty within.

Their Heart On Their Sleeve - Spencer

“Their Heart on Their Sleeve” is an intimate insight into humanity from the perspective of ten people who until now were nothing more than strangers to one another before a love of art and a photoshoot brought them together.

From a University Lecturer to an award-winning Mixologist, an Architect, FIFO worker and Furniture Maker, the one common thread these people share is the fact they have become a human canvas, choosing to carry a piece of Stormie’s artwork with them wherever they go.

Tattooed Silicone Art Gallery

Posthumously preserving tattooed skin is a great way to appreciate tattoos without the need for animated human flesh holding it all together. But if the thought of having dead human skin framed and on display in your living room is a little too macabre for your liking then Melbourne’s Thing Gallery has you covered.

Thing Gallery commission tattooists to work on hyper-real silicone hands that they then exhibit and sell online. Have you ever wanted a unique tropical piece by Sam Kane or some black work by Hannah Pixie but live on the other side of the world? Thing Gallery have been busy curating hands from artists living in all corners of the earth, like Or Kantor in Israel, Poland’s Edek, and Oozy in Korea.

It’s a unique opportunity to own real tattoos as pieces of art disconnected and distinct from the human body.

Below are some of the first hands uploaded to their gallery. Be sure to sign up to their mail-list to be among the first notified when new hands become available, or keep an eye on their Instagram page for updates and images of awesome works of art.


By Charley Gerardin (Melbourne) @charley_gerardin By Charley Gerardin (Melbourne)


By Nina Waldron (Melbourne) @goatlumps By Nina Waldron (Melbourne)


By Elizabeth Huxley May (Melbourne) @elizabethhuxleymay By Elizabeth Huxley May (Sydney)


By Sam Kane (Melbourne) @samkanetattoo By Sam Kane (Sydney)


By Mark Jelliman (England) @marktattooist By Mark Jelliman (England)



Lea Katz Illustration

19-year-old Lea Katz is a resident artist based in Melbourne, Australia, soon to be living in Bavaria, Germany. We chatted to Lea about the beautiful women she draws and how tattoos make her feel about her body…


Inspired by Things&Ink Lea created this illustration just for us…

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What medium do you use? How do you create each piece? I work digitally and traditionally. For my digital paintings, I use a graphic tablet and Photoshop. When I work traditionally, I usually rely on pencils, ink and sometimes watercolour. I also love mixing my drawings with other elements to create a collage-like look. I have some gold paper for example, that I combine with my drawings, sometimes I use photos from magazines for that and on other days, I just take whatever I can find and glue it to my sketches.
When I get to work, my usual process is to start out with a very messy sketch that I refine until I’m happy with it. Once that’s done, I begin to work on details to achieve a semi-realist look on certain parts of the artwork (like the face, when I draw a portrait), when I’m finished with that, I start bringing in flat shapes and lines and in the end, I combine it with different scans (in digital paintings), older drawings and photos.

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What kinds of things do you draw? I love drawing portraits, but I also enjoy drawing flowers, nature and birds. Every now and then I also do some typography, but I really need

What is it about women that makes you want to draw them? I guess it’s something that I do since I’m a kid, so it’s almost like a habit now. I love women, I love being a woman (most of the time, at least) and women get so much shit so often, that I just want to celebrate women and femininity in my paintings. I draw them as queens, strong, proud and independent, cover them in gold and all things fabulous.

What inspires you? Huge inspirations for me are art history and music. I’ve always been a little art nerd and a huge fan of art nouveau and surrealism, which are two big influences on my work. Music is a big part of my life, I always listen to music, I love singing (even if I’m a horrible singer. Doesn’t stop me though) and there are always songs that just make me want to catch the vibe of it and put it in a painting.


How would you describe your style? I’d say my style is a mixture of semi-realism, art nouveau, graphic design and sometimes surrealism. It’s basically a huge collage of styles that I love and try to combine into one piece of work.

Do you admire any other artists, do they influence your work? Definitely! Frida Kahlo, Alfons Mucha, Gustav Klimt, Cindy Sherman, Man Ray and Hannah Höch are people that never stop inspiring me. I love Frida’s self-portraits, Mucha’s girls and Klimt’s golden paintings. Cindy Sherman’s photography is simply fascinating to see, as well as Man Ray’s and Hannah Höch’s dadaist collages.

Can you tell us about your tattoos? I just got my first tattoo in March this year when I visited Amsterdam so I don’t have too many yet. My first tattoo was a beautiful little heart by Angelique Houtkamp, as a souvenir that reminds me of one of my favourite cities. Next, I got a flower on my wrist and after that Frida Kahlo from her “Wounded Deer” painting, which is a piece of art that has a lot of personal meaning to me. And since this Frida was tattooed in a more traditional style, I decided to get another one. This time, full on classic Frida as we know her. It was also my first tattoo in Australia, done by the amazing Marian Machismo.


How do tattoos make you feel? Have they made you feel differently about your body? Tattoos make me feel great, they make me feel like a badass and I’m happy that they give me the ability to carry things that I love with me wherever I go. They definitely changed a lot about how I view myself and my body. I, like probably every person who had to go through puberty, have a lot of insecurities, I’m unhappy with that part of my body, this could be thinner, this patch of skin has too many freckles, blah blah blah. You probably know what I mean. Covering myself in art that I love changed the way I look at myself. I don’t look at my arm and worry about it being too fat or too whatever anymore, I look at it and see my beautiful tattoos and feel incredible. In fact, I’m happy for every inch of skin that I have because it’s potential tattoo-space.
Do you have any future tattoo plans? Definitely. My next appointment is in September, with Clare Hampshire from Hot Copper Studio here in Melbourne. And I have a lot of Australian artists on my list that I need to get a tattoo from before I move back to Germany in January.

Do you do commissions? Where can people buy your art? I do! I love doing commissions. I sell prints, shirts and a ton of products with my drawings on it via redbubble and I’m always open to sell my original, traditional drawings.

Interview with Rachie Rhatklor

27-year-old tattooist Rachie Rhatklor works out of Blue Lady Tattoo in Melbourne Australia and creates beautifully fierce tattoos. We chatted to Rachie about the strong women who inspire her and her own sassy women tattoos… 


How long have you been tattooing? I’ve been tattooing for eight years now.

How did you start? What did you do before? I was living in Auckland, New Zealand at the time. I took a gap year after high school working at a cafe. I really wanted to start tattooing, so I quit and focused on drawing and painting flash for months and months. When I felt like I had some what of a portfolio to show (looking back now it was so bad), I approached as many tattoo shops as I could find. I was shit scared and the tattooists I spoke to were definitely intimidating.

Eventually one guy, Clint Jones at Blue Lotus Tattoo, told me that he couldn’t pay me and he already had an apprentice, but that I could hang out a couple of days a week. I showed up everyday and worked my ass off and eventually the other apprentice was let go. It was a fairly old school apprenticeship. We didn’t use pre-made needles, Clint made them every morning and taught me how to. I would do all the cleaning, emails, scrubbing tubes, setting up and breaking down, draw all his tattoos and stencil them by hand and more, plus trying to squeeze in learning what I could. That apprenticeship was tough as hell but I really appreciate it all now. That’s how it should be.


Do you have a background in art? Art was my strongest subject in school for sure. I didn’t really care about anything else at the time.

What drew you to the tattoo world? Drawing came naturally to me and I had some outside influences like some family members and friends who were getting tattooed. It always fascinated me, it’s one of the oldest cultural traditions around. I also wanted to be able to make a living off of what I loved to do, and I was really drawn to tattooing because of every other challenge it involves. There’s a lot to learn, it never stops either.


Describe your style, how has it changed? I would say it borders on traditional because of the way it’s put down – bold lines and simple shading and colour. But I’m trying to push different images, using references from sources other than traditional flash and where I can, from my own head.

What do you like to tattoo and draw? I think my absolute favourite subject to draw is women. Every aspect is always different, the hair, the face, I never get bored with them, they’re always fun to tattoo. I like to draw tough, sassy ladies and anything that ties into that theme.


What inspires you? Strong women, I am lucky to know so many of them! Especially my mum who had the hardest childhood and still managed to raise three kids, work full time and now rides a Harley! She’s a big inspiration, which is why I think I like to portray strong women in my artwork. Also, vintage playboy, cars, movies and beauty advertisements, old tattoos, nature, classic hip hop & soul, 90’s girl grunge bands and my boy Jordi who is the hardest working person I know and influences me everyday.

What would you love to tattoo? I love tattooing from my flash of course, ladies, man’s ruin themes etc. I still enjoy traditional flash too. I think as long as there’s people wanting to get tattooed I’m happy to do anything.


Do you have any guest spot or conventions planned?  I’ve just come back from a guest spot in New Zealand at Two Hands Tattoo. No other plans set at this stage, but I would love to get over to the States, Asia and back to Europe in the next couple of years!

Can you tell us about your own tattoos? Most of them are from trades with good friends I’ve been lucky to have worked with over the years. You guys rule!

Interview with Tan Van Den Broek

27-year-old tattoo artist Tan Van Den Broek works out of Dark Cloud Electric, a private studio in Fitzroy, Melbourne, and creates beautifully colourful neo-traditional tattoos. We chatted to Tan about her love for hard working bees and a dirty olive colour pallet… 

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How long have you been tattooing? It’ll be my sixth year of tattooing this August, I completed an apprenticeship over three years in two separate studios. I’m currently working in a private studio in Fitzroy, Dark Cloud Electric, with Dean Kalcoff.

What did you do before? Before tattooing I was at university completing a Bachelor of Creative Arts in Drama. Performance and art have always been an important part of my life, so it seemed fitting to do a degree in it. While studying I was waitressing (classic part-time actor job) and continued to waitress over the weekends while apprenticing. I would work five days a week at the studio, weekends waiting tables, drawing every other moment.

How did you start? Straight after I graduated uni, I applied for an apprenticeship in a local tattoo studio that was just opening up. He already had an apprentice, who had a fancy tattoo nick-name and lots of Kohl eyeliner, but I dropped by the studio with my folio of work anyway. He set a two year apprenticeship for me, I spent the first six months just observing and cleaning before I was allowed to tattoo.


Do you have a background in art? Yes, I was a really quiet child and so I escaped into drawing imaginary worlds and what was around me; lots of flowers, animals and vegetables! I grew up on a organic vegetable farm, and both my parents are avid gardeners. I took on life drawing classes and later completed my drama degree doing as many visual art subjects as they would allow me to do. I stayed in most nights during my adolescence drawing, I guess nothing much has changed.

What drew you to the tattoo world? Music and my sister. Most of the bands I was listening to when I was younger had tattoos and their cover artwork always made me start brainstorming my first tattoo ideas.

My sister got her first tattoo under age over new years eve. She lied to our parents saying it was semi-permanent and that the pigment would fade away after a year. After a year rolled by and more tattoos were added, my parents clued on. Every tattoo she got, I just kept thinking that I could’ve drawn that better for her and made her happier.


Describe your style, how has it changed? My style is neo-traditional but more on the bold, colourful traditional side. I like bold lines balanced with finer details.

Initially I wanted to be strictly a traditional tattooist, I loved the work produced by Andrew Mcleod and Jaclyn Rehe (still do) and loved the aesthetic. Tattoos that look like tattoos. Bold and badass. Vintage photographs of men and women adorned with ropes, ships, butterflies, women got me going! I quickly discovered I would over complicate my traditional drawings and I could not restrict my colour palette. I liked soft pastels and dirty olives. Neo-traditional was a better fit.


What do you like to tattoo and draw? Easy! Animals, flowers and Birds! Lately I’ve been tattooing lots of Native Australian flora, which can be a challenge but I LOVE the challenge and the colours of our flowers.

What inspires you? Beautiful gardens, climbing roses, old buildings, lakes, lead-light windows, crystals, Scandinavian towns, autumn leaves, caves and good coffee.

What would you love to tattoo? Monkeys, I love their expressions. Big cats, toucans/horn-bills, fishing birds, flowering fruits and more native flowers.


Do you have any guest spots or conventions planned? I’m heading back to Hobart for a week in June, then my next convention will be New Plymouth NZ Tattoo & Art Expo in November. Then Three Eyes Convention in Adelaide in February 2017. I’m currently planning a trip for Aug/Sept, fingers crossed I’ll be heading to United States or back to Europe. I miss Vienna and Göteburg.

Can you tell us about your own tattoos? Sure, my left thigh, left sleeve/hand and left side of my neck was tattooed by my amazing co-worker Dean Kalcoff. My sleeve is inspired by my love of Art Nouveau and 1920s fashion. I’ve got a big orange rose on my neck, my hand has another rose and a Mike Pike Teacup machine. My left thigh has a rabbit being constricted by a snake.

My chest was tattooed by Emily Rose Murray, fuck I was lucky to jump in on a last minute availability! That piece makes me feel really beautiful, big soft peony roses and a little bee. I have three bees tattooed on me (so far), I love their meaning of female strength, hard work, self sacrifice and the importance of teamwork for a greater good.

I have four tattoos from my dear friend Clare (Clarity) Hampshire, one is a vintage nurse with red poppies for my G’ma who served as a head nurse here in Melbourne during the second World War treating the returned soldiers and my G’pa who passed due to WWII PSTD. I have only one matching tattoo with my best friend Jen, it’s a little teapot with the words “Tea For Two” We always catch up over a cuppa, and it’s helped us get through the more difficult times in our lives. Tea just seems to help, you know?


You, Me & Bones

27-year-old Waan Pivasiri is a candle maker and creator of You, Me & Bones in Melbourne, Australia. We chatted to Waan about what inspires her creepy and cute candles… 


How long have you been making candles? You, Me & Bones’ third birthday will be at the end of April!

How did you start? What did you do before? It started as a hobby; I wanted to gift my friends one off hand-made products rather than things that are mass produced in a factory. I was a front end web developer at the time and after a year or so, I went part time so I can focus more on candle making. Then a year after that I went full time on You, Me & Bones!

Do you have a background in art? Not really, however, I’d like to think I’m pretty creative. I used to draw, paint, sketch and all that but I don’t think I was ever really good at it. I like all things crafty and I like making’things, I’ve been dabbling a little in cross stitching and well as pottery and I’m loving it!

What is the process behind each one? How do you make them? I brainstorm ideas of what I’d like to make then my sculptor Dan create a master for me and we go ahead and create molds off the cast. Sometimes we have to remake the cast if, say the candle won’t burn down nicely, etc, but most of the time it’s perfect. I then make candles out of the mold! The best bit is the first time you unmold your new design. I get super excited!


What inspires you? Everything I create or want to create are the things and people I am fascinated with and would like to have in my own home. I find dolls so creepy but I just can’t pull away from them. I have a small collection of random doll parts but I have them tucked away so I don’t see them because sometimes they just weird me out so much. I know, it doesn’t make sense, but things that don’t make sense inspires me.

 Can you tell us about your own tattoos? Apart from my shoulder tattoo (which is also my favourite – done by Lee Stain from Inktricate), all my other tattoos are kind of hidden. They are mostly on my the front and sides of my thighs – I feel like they would hurt the least so I get tattooed there. My sculptor Dan Danckert is also a tattoo artist at Killer Bees Tattoos and he did a beautiful Victorian doll head candle on my thigh. I also have a lot of candle and cat tattoos on me!

Where can people buy them and do you do commissions? You can find my products on my webshop. You can also check out my Instagram for updates and the like. Unfortunately I normally don’t have time for commissions but it never hurt to send me a nice email to ask about it!

Interview with Sasha Mezoghlian

26-year-old Sasha Malvina Mezoghlian lives and works in Balmain, right in the heart of Sydney at her studio The Darling Parlour, alongside her husband Moses (a.k.a Dave). We chatted to Sasha about her love for all things floral and how she began tattooing…

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How long have you been tattooing? This will be my seventh year of tattooing but I really feel it’s only the last few years that I have been finding my feet and knowing what I really love and really want to tattoo!

How did you start? What did you do before? I started dating this guy and he had been tattooing for a few years. I had no desire to tattoo and felt like I would never be able to even if I wanted to. I had a dream to be an athlete and after a bad injury I was told I could never do that again! My life turned directions so quickly and my partner suggested that I could maybe start tattooing. It sounds easy enough but I had no idea how hard it would be and I feel in love with it straight away!
Tattooing has been the only job I have ever done. And I think of it as a total gift! (I married that guy early last year, best thing I ever did).

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Do you have a background in art? I struggled at school a lot, being dyslectic and having trouble reading I naturally focused more on the art classes and the physical elements in school! But again I wasn’t one of those kids that picked up a pencil and was amazing! I have had to work really hard at making my designs ready to put on skin.

What drew you to the tattoo world? I suppose if I really think about it, it’s the element of freedom and passion that fascinated me and it was something that I just really wanted to get good at!

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Describe your style, how has it changed? My style now would be girly traditional, botanical and illustrative. But it’s forever growing and changing and I feel like I keep adapting my style. It has changed a lot in the last few years and it has just come with practice and experience and knowing what I like to tattoo. Also my customers always have the best ideas!

What do you like to tattoo and draw? I love anything floral, colourful, bright bold and eye catching! Also anything cute!

What inspires you? Nature, the amazing people I work with, my heritage, my amazing husband who is the smartest man I know! My family and trying to live a spiritual path. Oh and coffee!

unnamed (7)What would you love to tattoo? Flowers everyday!

Do you have any guest spots or conventions planned? I’m planing to go to back to Melbourne soon and hopefully Brisbane. If all goes to plan I hope to go visit my beautiful friends in Norway again! Which is where is all started for me.

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Can you tell us about your own tattoos? Most of my tattoos have been done by my dear friends and people I have met over the years travelling with my husband including a goldfish on my left arm by my good friend Shiryu from Japan, a whale by the amazing Deno from Madrid Spain, a diamond with wings from my old boss Pero from lucky 7 tattoos Norway and  a watermelon and lemon fun times by my good friend Leonie New from Mans Ruin in Melbourne.
All of my tattoos have so many memories and I remember where I was and what I was doing and they mean so much to me! I am incredibly blessed and feel so lucky and grateful to be tattooing and to have a job that I love so much.

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The art of Frances Cannon

Frances Cannon is a 23-year-old artist and student from Melbourne, Australia, we chat to her about her body positive illustrations and what inspires her…


Do you have a background in art? I have been drawing ever since I was a kid. It was fairly obvious to me from an early age that I wanted to study art and become an artist! I have just finished my Bachelor of Art (Fine Art) and I hope to study more and keep growing and expanding as an artist!

What inspires you pieces? I am inspired by humanity. Whether I draw about the body, emotions, relationships, life/death, dreams – everything revolves about what it is to be human. I am currently involved heavily in the body positive movement as well as empowerment of women and a lot of my art that I post online focusses on that subject.

What message are you hoping to spread? I want people to see my art and feel connected. To feel warmth and happiness when they see it and to know they are not alone in their experiences.

Do you consider yourself a member of the body positive community? Absolutely! I had a lot of trouble loving my body when I was growing up, but over time I have learnt that hating myself takes way to much energy and that loving myself is so much easier and makes life SO much better! I definitely recommend.

What medium do you use? What types of things do you draw? What medium I use depends on whether I am working from home or from my studio. My apartment is very cramped and doesn’t really have space for big works of art, so I usually do ink drawings or small watercolour paintings. When I have a studio I expand to doing big drawings in charcoal, or big watercolour or gouache paintings. I draw naked ladies a lot (though I do draw other things as well). The naked form is something I find truly beautiful and I find it empowering to draw bodies similar to my own.

Do you have any tattoos? What do you think of tattoos in general? Yes I have many! My current favourites are a tattoo of the character from The BFG, a book by Roald Dahl (my favourite childhood author). Another favourite is one of my own drawings of a girl hugging herself (a little reminder to love myself and my body). I love tattoos (especially black line-work tattoos) and I plan on getting lots more!


Interview with Alexis Hepburn

Tattoo artist Alexis Hepburn, 22, works out of Gold Coast Tattoos in Queensland Australia, where she creates beautifully dark and traditional tattoos. We chatted to Alexis about her dark style, inspirations and tattoo collection… 

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How long have you been tattooing? I started tattooing a little over two years ago.

How did you get started? Listening to heavy music in my teens, I guess I always had the influence around me and from the people I looked up to. I begun to draw traditional tattoo flash when I was 16 and would ritually draw everyday. My best friend in those years was working as a shop hand for Jed Hill in Ballarat. A couple of years down the line I took a trip to Ballarat to catch up with Jed and get a tattoo.. However he put a turn on things and threw me straight in the deep end. “You’re not going to get a tattoo today, you’re going to do your first one” he said, and the crazy ride of learning to tattoo started from that moment.

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Do you have a background in art?  I never formally studied art in university or anything, however my family has always been very artistic and encouraging of my practice. I grew up watching both my mother and father paint leisurely, and both my grandparents on my mother’s side were artists also. I grew up going to their exhibitions to see their abstract oil paintings and textile hangings every few months or so. Norman, my grandfather, was also the Dean of Arts at the Victorian College of Arts.

How would you describe your style? It’s difficult to pin point it in a word, so to put it plainly I guess I utilise the structure of a traditional tattoo. The subject matter isn’t strictly traditional however, you could say it has a grim or folky spin to it.

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What inspires you? As much as I am constantly overwhelmed by work from other tattooers, I generally take more inspiration from outside the immediate tattoo world. I love looking at old illustrations in books or on post cards. I love old wood carvings, vintage erotic art, browsing antique and vintage stores, and all things strange. If I’m painting leisurely or at my own accord I often find myself taking inspiration from the music I’m listening to, translating the lyrics into a visual. That’s my favourite way to paint.

What do you like to draw and tattoo? More than often I’ll find myself drawing girls, and I love doing anything with flowers, moons, cats and skulls. Anything dark and kinda spooky is always enjoyable.

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Is there anything you wouldn’t tattoo? I’m sure there would be more if I thought about it deep enough, however I would never tattoo anything discriminatory. No tolerance for racism or sexism. That and I will probably never be willing to attempt a photorealistic portrait!

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Can you tell us about your own tattoos? All of the tattoos I have on my body are in black and grey, there isn’t a single drop of colour. Up until I started tattooing all of the tattoos I had were on my legs and torso, and although I have built up a collection on my arms now I’m hesitant to ever go past the wrist or collar line. Some of my favourite tattoos I have are by Luke Braniff, Octoriver Daniel, Heather Bailey, and Drake Sheehan. Although one of my favourite experiences getting a tattoo was getting tattooed by Bev Robinson (aka Cindy Ray)! I feel very fortunate to have met such an inspirational lady.

Love your body with Laura Vudé

 Laura Vudé is a 25-year-old Australian artist, photographer and plus size model. We chatted to her about being a body positive advocate, her style inspirations and the tattoos on her body…


How did you get into modelling? I was photographing people and realising my selfies were killer and wanted to have people take my photo because I’m super vain. I’m only half joking. Then people on my tumblr started to respond to them, so I started collaborating with Melbourne based designers like Lunasea Creations last year and realized that it made me feel so positive and like I was doing something worthwhile so I continued from there. It also helped being surrounded by beautifully creative folk.

Do you have any tips for readers for loving themselves? Or not giving a crap about what others think? I get comments most days which are so kind coming from women who are so happy to see a fat beautiful person (because yes, we exist.) and for so long I felt the same way. Try and surround yourself with people who make you feel on top of the world. Who don’t put you down and who honestly make you believe you are worthy of love, kindness and push you to not only better yourself but help you strive for what you are after. I am so, so fortunate to have such an incredible network of close friends who are as body positive and are all differing sizes and willing to talk about it.


Photo: Michael Brock

How have you become body confident? Honestly through taking a lot of selfies. I used to do a lot of self portraiture back in 2009 when I suppose I started to really feel beautiful and I really liked my eyes. Then a few years later once iPhones were a thing, I found myself taking more and more images. I started taking pictures of myself in lingerie because I hadn’t seen anyone who looked like me in lingerie anywhere. The internet responded well and was mostly women responding to them and it felt like something special. The body positive movement on tumblr really helped me become more confident as well, just seeing other plus size women flaunting their beautiful selves was very inspiring.

What does plus size mean to you? Do you consider yourself plus size? I do consider myself plus size, curvy, fat, whatever you want to call me I’m fine with. It took a lot of time but when you break it down they are just describing words and it’s the inflection the person uses, is really how it will always be taken.


Photo: Lucy Dickinson for 35mmstyle

How would you describe your style? 50% mesh, 20% lingerie goddess, 25% pastel princess, 5% goth.

Where do you get your inspiration from? Sounds super cliche but I’m inspired by my friends and the queer community. Im inspired by femmes wearing pastel lipstick and outrageously high platforms. I’m in love with colour and will usually look to be one of the more colourful folks in the room.


Photo: Hana Haley for Alexandrea Anissa Lingerie

Can you tell us about your tattoos? Okay I’ll go feet, up: On my ankle I have “me” in a heart to remind myself that I’m the best by my friend Kyle. On my left calf I have an avocado and avocado tree surrounded by mountains because my favourite thing is avos. Which was a stick and poke done by Grant.

My right thigh has a pin up named Audrey, who isnt actually based on Twin Peaks Audrey but it kinda just turned out that way. I’m pretty into it. By Kat Weir at Fox Body Art in Collingwood, Melbourne. My left thigh has a pink jacket with the words “it’s like the rules of feminism” written around it- a Mean Girls quote. Mean Girls was important for me as a teen, which was one by someone at Third Eye Tattoo in Carlton, Melbourne but to be honest was a bit of a jerk who almost mispelt feminism on my body. What an ass.

Above that I have another new pin up who’s still in the very beginning stages. Chris drew me a chubby witch and I had to have her. Whilst I was in New York I got a beautiful fern by my friend Moritz and it’s one of my favourites. Keeping New York close to my heart.

Just this week I got a hand holding lavender and baby’s breath flowers done by Amelia at Berserk Tattoos, who’s a doll, whilst a friend of mine was down from Brisbane.


Which was your first? Do you still love it? My first professional tattoo was my pin up, done at Fox Body Art in Collingwood Melbourne by Kat Weir. She’s a super talented, sweet babe and I’m so happy with how my pin up turned out. My first tattoo ever was a home job by a friend of a friend. I had just moved out of home and was feeling super free and felt like having femme written on my body was very important for my own identity. Still is.

I love all of my tattoos. I love my body. Even if I end up disliking some at some point I’ll remember the time when I got them and that’s part of the great thing about tattoos. They show a significant or not so significant decision in your life. It’s a beautiful mark.

Do you have any tattoo plans? Not too many because I somehow have gotten four tattoos in the past month! I do want to get a cute girl power tattoo at some point though, something really simple with basic line work.


Photo: Michael Brock