“I make very well-tailored custom suits and dresses and my customers wear them,” interview with tattoo artist Ogi

Tattoo artist of seven years, Ogi (@ogitattooer) currently works at Bk.ink studio in Seoul, Korea. We caught up with him to find out about his journey into the tattoo world and unique take on tattoo design…

How did you become a tattoo artist?

Korea doesn’t have any educational institutions related to tattoo education because tattooing used to be illegal. That’s why I reached out to tattooists on Facebook, I was interested to see if they could give me a tattoo masterclass. Among them was @bk_tattooer. I was able to learn tattoo from them and it was this opportunity that enabled me to become a tattooist.

What made you want to become a tattooer?

From a very young age, I loved drawing and it just came naturally to me. Due to the obligation of Korean men to join the military, I had to join when I was 20 years old. It was a time when tattoos were illegal and people with tattoos were not common. But, the military was a place where a variety of people came together and I was able to see many people with tattoos.

It was the first time I was able to see a tattoo up close. I found it really interesting that the canvas was not paper, but the human body. I was instantly fascinated by the uniqueness of the art, which was different from the art I’d seen before. At the same time, I thought, “Oh, I think I can do it better if I could do it.” From then on, I dreamed of becoming a tattoo artist.

Did you have a background in art?

I graduated from art school and majored in video design at a prestigious university. At that time, I also worked as a lecturer at an art academy for college entrance exams.

Do you have any tattoos – can you tell us about them?

I have a tattoo with a harmonious design of a statue shedding tears and a rose. It’s my first tattoo. It’s meaningful to me because it is my first tattoo, but the meaning behind this design also has a lot of meaning.

When I was in high school, I practiced drawing sculptures for 10 hours a day in order to get into the art college of my choice. This was very difficult for me. However, I endured this difficult time and was eventually able to go to the university of my choice. This tattoo expresses these things. The statue in the tattoo design represents the statue that I used to practice my drawing from. The image of the statue shedding tears represents the hard work I have done to prepare for college entrance exams and, finally, the rose represents me achieving my goal.

What was the first tattoo you did on someone else?

The first tattoo I did was for a friend of mine, a tattoo of the artwork ‘Cow’ by Korean artist Lee Jung-seob. I made the tattoo with the intention of transferring the work of a very famous Korean artist to my friend’s skin. Although I did not have a high level of skill in tattooing as I had only practiced tattooing on my leg before then, I am still satisfied with the result even now. 

How would you describe your style?

For my tattoos, the most important thing is a design that flows along the muscle line of the area of the body that it’s being tattooed on. At the same time, geometric elements are used to create the beauty of blank space.

I wanted to differentiate my work from the existing traditional black and grey tattoos, with dense colouring on the skin – a style that I sometimes feel is too much for me. In this way, my customer’s unique skin colour can be brought out and harmonises well with the tattoo. It’s a style of black and grey tattooing with an understated richness and sexiness.

What do you like to tattoo?

I like tattoos of any theme. Rather than saying what motifs I like to work on, instead I like doing huge-sized tattoos that can be designed to suit each customer’s different muscle lines and body shape. To put it simply, I make very well-tailored custom suits and dresses and my customers wear them.

What inspires you. Do you have any artists you admire?

I respect a tattoo artist named Oscar Akermo. I think he is the first artist to express tattoos that are understated yet rich. They follow the flow of the human body, which I think is the most important thing when creating a design. I have been greatly inspired by him.

How can clients book in with you?

They can access my work through social media – Instagram and Facebook, and they can contact me through my email (ogitattooer@gmail.com). 

Do you have any guest spots planned?

Currently I have guest spots scheduled in Frankfurt, Stuttgart, Düsseldorf and Munich in Germany.

Is tattooing underground or becoming more mainstream nowadays in South Korea?

The number of people who have an open mind about tattoos is gradually increasing, and many people are getting tattoos. More and more current Korean celebrities are seen with tattoos, too. Originally in Korea, hair dye, body exposure, and especially tattoos were regulated even for celebrities. However, these things gradually began to change one by one as public perception changed, and the same goes for tattoos. So, I think tattoos will become more and more mainstream.

What’s been your proudest moment so far?

The answer to this question comes to my mind immediately without me even having to think about it. The moment is when I see my clients happy after getting a tattoo from me. All of these moments are precious and the proudest ones for me.

Make sure you follow @ogitattooer for more amazing black and grey tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Interview with tattoo artist Hussein Mistrah

Tattoo artist Hussein Mistrah (@hussein.mistrah.tattoos) works in Detroit, Michigan after emigrating from Lebanon earlier this year. Having made a name for himself in a short space of time, we caught up with him to chat about his journey into the tattoo world and his goals for the future…

What made you want to become a tattoo artist?

As early as second or third grade it became clear to my teachers and fellow students that I was destined to excel in art. I can recall when I was about 8 years old my district had a contest that required the children to draw inside of a Picon Cheese container (similar to Laughing Cow here in the United States) and I won.

I later found tattooing and went on to attend university in Lebanon and obtained a Fine Arts Degree. I enjoyed sculpting the most but became proficient in many other mediums as well. The transition to tattooing full time came easily as I was able to make a career of creating and sharing my art with others.

What’s your earliest memory of tattoos? Did you want them as a child?

Tattoos were not common in Lebanon when I was young. I can remember drawing on my friends with a pen when I was about 13 years old. Shortly after entering university I found myself in a tattoo shop by chance and immediately became determined to pursue the craft. I have always been more interested in tattooing others than having them myself.

How long have you been tattooing for? How did you train to become a tattoo artist?

I have been tattooing for 12 years and I’m primarily self taught. My college education set a solid foundation for my work and I was able to apply that knowledge to ink on skin. There weren’t many tattoo-specific resources available to me in Lebanon, but today I enjoy learning from other talented industry professionals when I attend conventions.

How would you describe your style of tattooing?

I specialise in black and grey realism and aim to achieve a specific balance of light and dark in all of my work. My preference in terms of subject matter include figures of Greek mythology, historical sculpture and portraits. When tattooing portraits I prefer to incorporate female subjects. I feel the eye is consistently drawn to the beauty of a female face which adds spirit and soul to my artwork.

Do you prefer to work on flash or custom tattoos? How do you work with your clients on designs and ideas?

My work is exclusively custom and I spend the majority of my time on larger scale pieces. When a client approaches me I begin with the primary subject matter of their preference and expand upon it to create a cohesive and proprietary composition.

The day preceding an appointment I spend time organising my ideas and setting the groundwork which allows me to spend more time with my young daughter. I always give my clients freedom regarding placement and size, however I find it necessary to organise the major components of the canvas to best fit my style and technique for the most dramatic result.

How can clients book in with you? Do you have a waitlist?

In order to best accommodate myself and clients I have found that booking in short segments is most effective and flexible. I open my books every three months and use Instagram exclusively for scheduling. I don’t maintain a waitlist but interested clients can reapply in the next three month cycle.

Can you tell us about your seminars, what do these involve?

I’ve had the privilege to present five seminars in Lebanon and two in the United States to date. I will be hosting my third US seminar in November 2023. Teaching other industry professionals presents a unique opportunity to focus on my personal techniques in a way that gives black and grey tattooers a new perspective. I place emphasis on balance, contrast and saturation with smooth transition and shading.

Do you have a favourite convention or place you’ve tattooed in?

My favorite convention is Tattoo Planetarium in Paris, France which I have attended twice in 2019 and 2022 respectively. This convention gave me the opportunity to meet several of my idols face to face and the calibre of work is extraordinary.

Can you tell us about some of the awards you’ve won? Do you have a moment you’re most proud of?

When I emigrated to the United States I attempted to enter the Motor City Tattoo convention only three weeks after my arrival. They initially couldn’t accommodate me on such short notice but I was ultimately given a small booth and was awarded Best of Show for Black and Grey work on the final day. It was not only validating for me but my first step towards achieving the American Dream.

How does the tattoo scene differ in Lebanon and Michigan?

Tattooing in Lebanon is not prominent however it has grown as an industry since I began in 2011. Previously it was considered taboo but in recent years it has become more mainstream.

In the United States tattooing is obviously well established. I have found potential clients are willing to wait for appointments when they understand the quality of work they will receive.

What do you think about the tattoo world itself?

Looking back on the experiences and opportunities the tattoo world has given me I have to
admit that if I was given the opportunity to start over I would choose this career again and again.

Tattooing has given me the means to support myself and my family but is more than just a job and I truly enjoy being able to make a living through my hobby.

What are your hopes and plans for the future?

I aspire to be recognised as an elite artist and become an esteemed member of the professional community. I have been lucky enough to meet some incredibly talented artists and hope to be among them someday.

Make sure you follow Hussein Mistrah (@hussein.mistrah.tattoos) for more incredible tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“It’s awesome to think that people can have my art on their skin for the rest of their lives”, interview with tattoo artist Tati Ferrigno

Tati Ferrigno knew she would follow the path of becoming a tattoo artist as soon as she started learning. Working out of her private studio in São Paulo, Brazil, we chatted to the artist to find out more about her art…

How long have you been tattooing and how did you get into it?

I have been tattooing for three years but before that I used to work as an illustrator and graphic designer for about 15 years. I created a famous line of children’s characters for stationery products called “Jolie” in Brazil during this period.

I had a successful career as designer, however, I still had the dream of becoming a tattoo artist. The pandemic was the best opportunity to make this dream come true because I had time to study it and once I started, I knew I would follow this path.

What inspired you to become a tattooer?

I’ve always felt an attraction for the rebellious visuals of tattoos and the empowerment it brings to women.

I felt amazed by the idea of bringing my art to this world and doing exclusive illustrations for clients.

It’s awesome to think that people can have my art on their skin for the rest of their lives.

Do you have a first memory of tattoos?

Yes, I do! My very first memory of tattoos was when I saw a woman with a blue butterfly on her thigh. I believe I was six at the time. It caught so much of my attention because I already loved to draw and I realised we could have drawings on our skin, I was amazed by that!

How would you describe your style? Do you prefer colour or black and grey?

My style is fine line and whipshading. I love to work with thin needles because I can explore more details in the art. Black and grey has my heart but I also like to apply soft colours on some tattoos.

We love your pet portraits. Do you have one that stands out in your mind?

For sure, I do! There’s one pet portrait with a white cat and a Shitzu dog. I love the composition, the little bell flowers and the depth of the cat’s eyes. It’s certainly my favourite one.

What do you like to tattoo and draw? What inspires you?

My preferred themes are feminine figures, botanicals and animals. I love to draw goddesses and empowered, feminine women. Since I was a kid I have had this bond with feminine heroines. I used to draw the female cartoon characters I saw on TV – I definitely love it.

What’s your favourite, making or getting a tattoo?

Getting a tattoo is exciting but I feel awesome tattooing my art on people’s skin, so I prefer to make tattoos for sure.

What are your hopes for the future?

I have so many goals I want to achieve! Some of them are to have my work known internationally and participate in international tattoo conventions.

What’s been your proudest moment so far?

Tattooing abroad as a guest artist in my second year as a professional tattooer was certainly something very exciting for me. It also brought my work more recognition.

Make sure you follow Tati (@tati_ferrigno) for more incredible tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Catching up with tattoo artist Owen Paulls

We last chatted to Owen Paulls (@owenpaulls) in 2017 (read his first interview) when he was tattooing on the road. We caught up with the black and grey tattoo artist, who now works out of his private studio (Owen Paulls Tattoo) in Brighton, to find out what he’s been up to for the last six years...

How have you been since we chatted in 2017?

Great thank you! Hope you have all been good too. I’ve been traveling all over and seen some cool things…and ink!

You’ve been tattooing for almost 10 years, how does it feel to look back on where you started? 

I don’t really know to be honest! I’m certainly more involved with the industry than I imagined was possible when I started, and there’s so much to learn along the way. The perimeters are always shifting and evolving in the tattoo world, so I guess I feel humbled to think of surviving it for 10 years! 

Where do you hope to be in another 10 years?

I hope to be in the same creative mind space and to be focused on how I can keep improving. I really hope I never lose the drive to improve my artwork, in tattooing or painting! 

What tattoo projects have you been working on? 

There’s been more larger scale work in my diary as of late. I think the last time we spoke I was on the road, so I was mostly doing tattoos that had to be completed in one or two days max! Since then I’ve been able to play the role of a resident artist in a few studios and take on larger pieces over a wider time scale.

It’s been really challenging but a great push in learning how to construct legible sleeves, front and back pieces.

What’s really been getting you excited?

Well firstly, the progression of our industries artistic side over the past, I think three years or so? It’s amazing to watch such rapid evolution of an ancient thing. On a more personal note, I’m so excited and thankful for the trust in creating more surrealism and Disney mashup tattoos. 

You mentioned in our last catch up that you were going into a more surrealism style, has this been the case?

I always wanted to do a little more realism that wasn’t so routed in real life or just a copy from a photo. I really enjoy being asked for portraits too, don’t get me wrong, but I love sci-fi or adding a little element of whimsy, flow and direction where I can. I’m still developing this style and trying to learn from other artists, who do this mix really well. At the moment I’m working on a few Disney projects which will see the characters collide with the real world in some way. So super excited for that! 

You also mentioned you would ‘probably make the move to colour work’, how has this gone? What changed?

Honestly nothing really changed, apart from the brief pause we all took in 2020! I’m still interested in adding some colour elements but I’d have to stay somewhere long term to really polish this aspect of my work. Right now with traveling and shows, black and grey is the better choice for me and allows me to showcase the desaturated Disney work that has helped me carve a bit more of a tattoo identity over the years. 

You were on the road, where’s been your favourite place to travel and tattoo?

It’s hard to pick just one place! I spent nearly two years traveling full time on the road and saw so many amazing places. I really love Italy and Florence especially. It’s so beautiful and relaxing there and in the same breath, I love Colorado for the mountains and nature. Probably because it’s a wilder, more rugged version of where I grew up! NYC and LA of course are beasts of their own, and I do love the busy hustle of city life. I’m tattooing in Germany later this year so maybe that will be added to the favourites list too! Who knows! 

Any experiences or stories that stand out? 

I remember being in literally the coldest weather I have ever experienced in Ottawa, Canada a few years ago. I thought I liked snow until then! There was a storm and snow stacked against the buildings around four feet. Every pavement and road was pure ice! I was there working a tattoo show and spent nearly the whole thing inside a set of three interlocking buildings with sky bridges, to escape the cold! You’d have to be tough to live there I think! 

Oh and almost getting hit by lightning in Florida! I was walking to the shop in the rain when it struck the traffic lights two metres in front of me, taking out the whole block. The loudest sound I’ve ever heard in my life, I’m very lucky to not have been crispified! 

How’s the tattoo scene changed since we spoke in 2017? 

Change wise, aside from the rapid artistic boost that 2020 seemed to inspire, I’m thankful to see the industry start to become more inclusive. I know there’s still a way to go just like every industry, but we have started the journey and it’s nice to see artists becoming more comfortable to express themselves in their art and/or tattooing. 

What’s been your proudest moment in the last six years?

One of my proudest moments has been recently, when I was asked to attend a few tattoo shows, based on my paintings alone. I’ve been working hard on my paintings for a few years on my days off and it’s very validating to be recognised for this. I’ve also had the chance to be part of some really progressive and highly talented teams, like the Empire Inks crew and the FYT artist line up. Not trying to push anything when I say they have the best approach to artist sponsorships and give back at every opportunity. I’m very grateful to be involved with them! 

How did you find the lockdowns, were you able to be creative?

I was still in Hollywood during the lockdown, so we really only had one long one over there. It was tough to be taken away from my career plans, mid stride but I understand this was the same for so many creatives and I do appreciate the safety aspect involved there. 

I set myself up with a painting and designing schedule, working 10-7, like a regular tattoo day, four or five days a week. I’d just finished a set of classes at LAFFA (LA institute of fine art) and was really keen to get to practice more. Obviously this was more paint time than I had anticipated but I believe it kept me sane and kept the wolf from the door bill wise! I’m aware I have been very lucky though and know this wasn’t the case for everyone around the world. 

On a final note I want to say thank you to everyone who supports my art and tattooing. I’m always looking to expand my skill set and learn what I can to improve. I’m thankful to have done a catch up with you and hopefully we can do another in a few years! 

You’re more than welcome! Make sure to read Owen Paull’s first interview with us and follow him on Instagram for more incredible tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Tattoo artist Grigorii Butrin’s masterclass on photograhing tattoos

It’s never been more important to get an amazing photo or reel of your freshly made tattoo. Not only are you a tattoo artist but you also need to be a social media manager and photographer too. To help you capture your art in the best way, realism tattoo artist Grigorii Butrin is sharing his top tips…

Black and grey realism is a style that remains one of the most popular trends in the world of tattoo culture to this day. Grigorii Butrin (@butrin.tattoo) is a talented artist, many would say he’s up there with the best tattoo artists working in this style.

Grigorii conquered the world’s tattoo community with his realistic tattoos consisting of striking contrasts, complexity and detail. They bring the image to life so that it looks 3D on his client’s skin. His sense of detail, light and composition makes his work different from others in the industry.

Gregorii’s tattoos are known in many countries, they have been frequently appreciated by judges at international tattoo conventions around the world. Grigorii Butrin is a member of several professional teams and clearly understands how to make black-and-grey realism truly spectacular. It’s this understanding of the craft which has gained him hundreds of loyal clients across the globe, and allowed him to give master classes to other artists. He’s also collaborated with world-known brands and giants in the tattoo industry – he’s a tattooer on the rise.

Looking at photos of his work from a professional standpoint you can see how he scrupulously works on photographing his tattoos. According to Grigorii, “this is very important, because it is not enough to make a high-quality tattoo, it is necessary to present it correctly to the audience.”

“Practice shows that you need to photograph tattoos immediately after the session. The reason for this is very simple: in 90% of cases, the creator will never see this tattoo again, and there is no point asking clients to take photos later, because they will not be able to do it correctly.”

Grigorii Butrin shares his recommendations in photographing tattoos to his colleagues:

  1. Do not turn off the light in the studio completely, dim it. To illuminate the work itself, use a light together with a polarising film – this makes the picture more natural, especially if you are photographing a miniature tattoo. Many tattooers prefer to photograph the work with a single light source, which makes the photos gloomy due to the lack of background.
  1. In the case of using several illuminators, glue the films to them in the same way, in accordance with the instructions. If the lights are not synchronised, then they will have to be turned over in order for them to work correctly. Cut the film according to the size of the luminous surface of the lamp, do not allow non-polarised light to get into your work.
  1. On your phone, use the first three settings for the final edit of the photo: Exposure, Shine, Light areas. They have the least effect on image quality. You can also adjust the Saturation. In order to increase the set of processing tools, I recommend installing photo editing applications.
  1. Remember that the photo will only show what was projected by the lens into the phone’s memory. If the photo is highlighted and if the whole tattoo is flickering with highlights, then it ‘s not possible to restore what did not get into the phone’s memory, when you took the photo no matter what subsequent processing you do. That is why you need to use polarising filters. Processing will only correct some flaws, but will not change the image itself in any way. Take high-quality photos initially.

Find out more about the realism tattoos Grigorii makes in our interview with the tattoo artist.

We’re always talking to amazing tattoo artists, check out our latest interviews.