Interview with Céline

We first interviewed Céline in 2014 (read the post here) since then she has had many more tattoos and is currently working on a body suit with Guy Le Tatooer. We caught up with Céline to find out more about her tattoo journey and what inspires the project… 


What inspired you to work so closely with one tattooist to create your body suit? I’ve had different approaches since I started my journey. For a long time I collected tattoos from a lot of different artists: Jondix, Gotch, Cokney, Sway, Burton, Mikael de Poissy, Rodrigo Souto, to name a few. But I don’t see the point anymore. I think meeting Guy le Tatooer certainly changed my whole perspective on tattoos and on how I wanted to be tattooed. I never thought I would get that much work from Guy but after spending time with him my vision evolved and in the end it just made sense to give him full freedom with my body suit.

How did you decide to create such a huge project with Guy? Who approached who? Well, it just happened. Things were not supposed to be that way,  I approached him in the first place to get a full back done. I guess he saw the potential of what we could do together and I think he pretty much knew right from the start the kind of direction he would take. But the project is in constant evolution. Every time we meet we discuss new ideas and ways of developing the project. We went from creating one piece to a full body project. Guy is now reorganising most of my existing work to create a cohesive look. It’s a neverending concept.

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Do you let him have creative freedom or do you both generate ideas? We both generate ideas and discuss everything. We don’t need to talk that much though, we are on the same page. And he obviously has all the creative freedom he wants.

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Do you worry that when it is complete you will lose a part of your life, that the journey will be over? Or will you be satisfied and feel a sense of achievement? There is no way I could get tattooed as much as I do on a permanent basis. It has to be temporary. Getting tattooed is not a hobby. And even though it should remain fun, it’s definitely not an insignificant process. Getting a body suit is a huge transformation for the body and mind.

I absolutely love the journey, I think it’s an incredible experience but I can’t wait for it to be over! I enjoy every minute of it but the more I do it, the more difficult it becomes. The pain is harder to take and I think harsher. Over all it’s mentally exhausting.

It’s a long process to see my final idea come to life. So I think I will definitely feel a sense of achievement and satisfaction the day I consider it’s finally over.

How did you make the decision to cover/change your existing front piece? I think the idea came up after Guy redesigned my chest piece. Like I said Guy is reworking every area of my body in order to create a cohesive look, which involves covering and/or blasting some old tattoos. We are basically creating a new look together. That’s the main idea. We don’t see tattoos as a permanent thing, even a tattoo can evolve. I think my chest piece is a great example. Phase two of my project with Guy is a full leg sleeves concept.

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Do you worry about offending artist’s work that you are covering? A journey is a series of destinations. Nothing is final. So, no I don’t worry about offending anyone at all.

How often are you getting tattooed, how long is each session? I started getting tattooed seven years ago but the last three years have been the most intense. I get tattooed once or twice every month. To give you an example I had a total of 16 sessions in 2015.

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What are your future tattoo plans? I suggest you follow my Instagram account to see what’s next…

The Blackwork King

We are in awe of the dedication and time spent to create this piece. This blackwork project on tattoo artist Punctum Kay, Austria was created by Gerhard Wiesbeck.

Tattoo artist Punctum Kay designed all of the main black work himself.  Gerhard Wiesbeck tattooed the whole body, but he only designed the psychedelic dot work chest portion of the suit.

What do you think of black work? Incredibly powerful or wasting valuable tattoo space?

Image from news.bme.com