The Coven girl gang

We met up with Sapphire, founder of The Coven, an online membership for female founders and freelancers, to find out more about her girl gang, her tattoos and inspiration.

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What inspired you to set up The Coven? What’s the ethos around it? Do you have any membership requirements or rules? 
When I started, my first ever business (a flower studio) I went from being around lots of people all of the time to working by myself. I don’t think until you are in a situation where you work by yourself all of the time, you realise just how isolating it can be. I was battling such conflicting feelings – I was so excited to be running a business and so desperate for it to work but, on the hand, I was also extremely lonely.

This isolation inspired me to build a virtual platform to bring women from across the UK (and now the world) together, so that you’d have somewhere to log in, a place to go to break that isolation and make you feel supported even when you’re sat by yourself.

We don’t have any requirements, we are a Coven not a clique – we are for those who need us, as long as you identify as female and are happy to follow our only rule, which is to be nice, then you are welcome through our virtual doors.

How is it different from other clubs? How do we join? It’s funny, I get asked this question a lot now. When I started The Coven, there wasn’t much else like it, I knew of two other membership platforms who also targeted female founders, one of which was in America. Fast forward 15 months since launch and they are everywhere.

Our main difference is that absolutely everyone is welcome, we have been all about community over competition since day one. And we encourage our members to adopt the same ethos. What’s so beautiful about The Coven is that there are women from hundreds of different industries, all following different paths – we aren’t targeted at a particular industry or a particular type of person. We just want to support those who need it, we are for the people who believe in the power of community and want to be a part of something magical.

Another difference, one that isn’t as obvious, is that I work on The Coven full time and I have since day one. I’m heavily involved, even now we have a team, in the running of the business. I chat to members via email every day, reply to posts in our FB community and often jump on accountability calls to find out what a member has been doing that month. Many platforms take your money and leave you to it, I care about every single one of my members, I see them as people and not money signs.

We have a waitlist, you can add your name to the list to join us. We reopen doors on 1 October and will let in only 500 members, act fast!

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Saph, tell us a little about your background, where you grew up and where you live now? What do you love about it? With a name like Sapphire people always expect me to have an exotic background but I was born in Crawley, West Sussex – you can’t get any less exciting. I moved around a lot when I was younger we lived in various places in Sussex, West Sussex and Surrey before moving to Essex when I was nine.

IMG_5204I went to Thailand at 19, tried New York at 23 and then moved to Ibiza at 24, which is where I’ve been living for the past eight months. I’ve actually made the decision and taken on a flat back in Essex near my family. It was a really difficult decision to make, I’d gone through a real bout of loneliness in Ibiza (loneliness seems to follow me!) as I didn’t manage to make very many friends. Once again it was difficult because I had all these people telling me how amazing it must be to live in Ibiza and how lucky I was but… a beautiful view isn’t always fun if you don’t have anyone to share it with. I looked at moving to London but the prices are extortionate and I craved being close enough to my family to have Sunday roasts and see my friends. The flat has literally been signed today, so I’m back to being an Essex girl for at least the next year or so!

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Tell us about your tattoos and piercings. Are you planning more? I am covered in tattoos, all of which are extremely random. Tattoos to me, are like memories and I tend to get them as a spur of the moment thing to look back on… this is sometimes a good way to do it but has lead to some hilarious regrets.

My first tattoo I got on my first girls holiday to Magaluf. I absolutely hated the place, maybe if I’d gone to Ibiza I’d have got a classier tattoo. One drunken night led to me getting a chinese symbol on my back. It says courage, to remind me to be brave. The first thing my mum said when I got home was ‘wow, Chinese symbols, they were tacky even in the ’90s’. Every time someone asks me about it, it makes me laugh, although for a while I regretted it, now it just makes me smile.

My second tattoo covers the bottom half of my left arm and is of two very detailed red roses, a completely random idea at the time, wasn’t a particular lover of flowers but I went on years later to own my florist, so it ended up making sense.

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Another funny one… I am a HUGE Bill Murray fan and have been for years. During my time in Thailand, my friend said he was going to get an ‘I love Nicholas Cage’ tattoo and so I ran off to get a Bill Murray one. Into my local tattoo shop, shoved down my shit drawing of what I wanted and got inked right then and there. I marched back to the cafe where we all hung out, next to my little wooden hut to proudly show everyone. Turns out he spelt it wrong. It says Bill Mummy. F*cked it.

They aren’t all funny, some are cheesy. When I had a huge and very messy break-up just a few days before my and ex partner had booked to go travelling around Asia together, I was absolutely shattered – both because we’d broken up and because it meant the trip I’d planned for eight months was cancelled. I couldn’t bear to go alone so I said f*ck it and booked a one-way flight to New York and found an apartment to rent. While there I nursed myself back to full happiness and got a tattoo of a broken heart with the American flag in it to remind myself of how strong I am and how much fun I had.

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What are your hopes for the future? My only personal goal is to be happy, I want to live a life that makes me happy almost every day. Too many people wish each day away, whether they are waiting for summer or counting down to a holiday or imagining how things will be better if only X thing changed. None of us know how long we’ve got (I have another tattoo that says life is short!) and when our time will be up. I want to enjoy whatever time the universe has planned for me.

The Coven is a whole other story, I’ve got targets and plans coming out of my ears. In 2020 we are expanding, we already have members in 16 countries around the world but we are planning to expand our events worldwide.

You can sign up to The Coven waitlist (which opens tomorrow, 1 October) at thecovengirlgang.com

Shaded: Maidstone John

‘Shaded’ is an on-going interview series created by 22-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.

Maidstone John is a 25-year-old Cantebury-based freelance illustrator and tattoo apprentice who conjures up gnarly magic from the comfort of Three Crows Tattoo. As part of Things and Ink’s ongoing interview series ‘Shaded’, the master of morbid etchings tells us of his past-life as a fruit picker, his current obsession with medical journals and how he’s working hard towards producing “bigger and busier” work.

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Can you talk me through your relationship with tattoos? I got my first tattoo at The Brighton Tattoo Convention when I was 18. I got a portrait of my mum on my forearm, and it’s still one of my favourite tattoos to this day. My Uncle was a biker, and I’d always hang out with him and his friends who were all heavily tattooed at the time. Its always been my plan to be covered before I reach 30, and so far It’s going pretty well! I’ve always been lucky enough to have a lot of friends in the tattoo industry. I was over the moon when my buddy Chris got me a full-time job as a shop boy at a tattoo shop! At the time, it was never my intention to tattoo, but I would always draw and the boss would let me display my prints and drawings in the shop. I would often get asked if I was apprenticing, but I would always say no and tell people that it wasn’t for me. I left the shop on good terms after two years and moved on to Canterbury where I got an early morning job on a farm picking fruit and doing odd-jobs. Three Crows Tattoo in Canterbury was in the process of opening when I moved, and I would pop in whenever I could to help paint the walls and frame all of the flash. I told Adam, the owner, what I had been up to and that I planned to put a portfolio together over the next year or so to apply for an apprenticeship. There and then, he offered me an apprenticeship!

What’s the most valuable piece of knowledge that you’ve gained since the start of your apprenticeship? It’s kind of hard to explain, but I would personally have to say that gaining an understanding of the tools for the job at hand has been incredibly valuable. You have to take into consideration the area of skin you are working on, what needle grouping and voltage to have set-up and, of course, the high level of hygiene for the customer and everyone else in the studio.

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What attracts you to black-work and etching? I have always worked in that style from day one. Craig Scott, Dan singer and Richard Sayer got me drawing in the first place and were always such strong influences, and it wasn’t until I discovered guys like DuncanX and Liam Sparks that I ever thought it would be possible to adapt that style to tattooing. I have always loved and appreciated every style of tattooing, but I personally think that black tattoos just look so strong, and as for the etching, I just want to be able to stand out and offer something a little different.

Can you tell me about your own tattoos? I wouldn’t say any of my tattoos have any particular meanings behind them. I’ve been tattooed by a fair few people now. My legs consist of a lot of apprentice tattoos by my friends when they were learning. I recently tattooed myself a few times too. My buddy Dan Frye has tattooed some of my favourite pieces of mine. He recently tattooed a solid, black spider caught in a traditional web right in the ditch of my knee. I’ve mainly been getting tattooed by Philip Yarnell recently though.  We are currently in the middle of finishing off my front, which includes a huge bat across my chest and shoulders.

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What is currently inspiring you? I am currently very inspired by old medical journals, as well as monster toys from the 80’s. I have a never-ending collection of books and curiosities. I’m pretty obsessed. Me and my pal Dan Carrington have some pretty gnarly collaborations in the works that involve murder and suicide victims, so keep your eyes peeled!

Have you tattooed anyone yet? I’m currently in the process of filling up my friends’ legs with as many small designs as we can possibly fit, including cover-up work and blast over’s, which I love to do. One of the first tattoos I did on him was this tripped out Mickey Mouse, the other being this devil moon. Both tattoos took me so long to do. I was in the shop by myself for one of them which was a struggle when it came to packing the black in. I was just so lucky and grateful for my trooper of a friend who let me do what I had to do.

Despite the struggle at the time, its all healed up better than I could ever have imagined. I was never nervous as such when tattooing, it was more excitement which was just as bad at the time because it still made me a little shaky, but that shortly disappeared. I am now up to tattoo number seven and I am happy to say I have defiantly gained a lot confidence and picked up a lot of speed in a pretty short gap. I still have such a long journey ahead of me but I am so determined to reach my goal and get to a point where I am clean and consistent enough to move on to bigger and busier designs.

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Who inspires you artistically? I would have to say Dan Santoro, Daniel Higgs and Duncan X predominately – as well as everybody else at In To You. At the moment, I am so inspired by Jack Ankersen and my buddy Lice4Life when it comes to tattooing and printmaking: out of the box and out of this world. They both produce very unique and exciting stuff!

How do you see your work evolving? I’m just forever going to strive to get my line-work, blackwork and shading to the point where it is as clean and consistent as possible. At that point, I would like to focus on bringing back some of my more detailed and complicated designs. I will always be putting out flash and illustrations for records. I enjoy that side of things so much! I equally want to keep pushing that too.