Empowering mastectomy tattoo by Lianne Moule

Back in August, we spotted this absolutely stunning mastectomy tattoo by Lianne Moule, who works at Immortal Ink in Chelmsford, after she shared it on Instagram. So we got in touch with Lianne to find out more about the process, we’re sharing the story here to mark Breast Cancer Awareness Month.

“Around four years ago, Liz was diagnosed with a rare form of cancer: sarcoma. The type and size of the cancer dictated that Liz’s only real option was a mastectomy with delayed reconstruction. The process must have taken a huge amount of strength and courage but I’m so grateful she allowed me to be a small part of her inspiring journey.

“Having never had a tattoo in her life, I am awe-inspired that she found me to request a mastectomy cover-up. Liz emailed the studio and told us about her situation and what she wanted to do. When I met Liz for her first consultation, she was very nervous. But she bravely told me her story. When she was diagnosed and told she would lose her breast, she was overrun by emotions. She even said to the consultant that she would rather die than lose her breast. She was aware that even though it seemed a dramatic reaction, her emotions were all over the place and she genuinely felt that. All of a sudden, she was aware of the fact that she felt her breasts gave her femininity, she questioned whether or not she would be able to love her body afterwards.

“Liz told me that throughout every stage of her diagnosis, surgery and aftercare, she was given so much support by the different departments – every team would explain what would be happening to her body and what the options were for her in the future. She decided to go ahead with a nipple graft onto the reconstructed breast, but at this point in the surgeries, she still didn’t know what she wanted to do with her body.

“When Liz was looking at the option of getting tattooed nipples, she came across some pictures of some flowers over mastectomy scars. Liz told me many times that she would never have had a tattoo if it hadn’t been for this journey she has been through. When Liz’s breast was taken away, it was replaced with what she calls ‘a lump of flesh’ – she said it never felt like her breast. With these feelings, Liz said she wanted to make it ‘her own’. Having a beautiful picture on it would make it finally hers, after having many operations without choice, she could finally make a decision to do what she wanted with it.

“Every time I tattoo a breast cancer survivor, it is always about reclaiming their body. It’s the decision that they get to finally make about their own body, to get closure of their experience. Having their bodies cut and poked and prodded and tested without really having a choice, it’s empowering to finally make a decision.

“Liz’s tattoo is one of my favourite pieces of artwork, she looks beautiful and I really hope she feels it. It’s detailed and colourful and I forever hope it gives her confidence.”

Research shows that one in seven women in the UK will develop breast cancer at some stage in their lifetime. October marks Breast Cancer Awareness Month. It is so so important to check your breasts (if you need help with this head to coppafeel.org). 

 

Inked Girls: The sexualisation of women with tattoos

The female body is sexually penetrative in its very nature. The skin forms a protective layer, but this can only protect so much. The argument that our skin should not be blemished is a prominent one. Tattooing a woman’s skin is a way of reclaiming it, in its purest form it is naked and sexually accessible, and tattooing is a way of gaining control. It is power. However, some might suggest that the act of tattooing is, in fact, tarnishing it.

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Perceptions of tattooed women have always suggested sexual promiscuity and over-confidence, and over time this has become a negative way of viewing these traits. We still view female confidence with an irrational disdain. By those who aren’t within the tattoo community, tattoos are often associated with masculine men, sailors and bikers. It’s certainly how my parents view them. They’re for tough guys. Feminine tattooing breaks these boundaries and The Tattooed Lady performing in freak shows personifies the shock, or horror, of tattooed women in society.

Albert Parry, author of the 1933 book Tattoos; Secrets of a Strange Art, describes a rape case in late-1920s Boston in which the prosecutor, on realising that the woman he was defending had a tattoo, dropped the case. The judge and jury released the two men who raped her on the grounds that they had been misled by the butterfly on her leg. The defendant herself was put on trial, and her tattoo was seen as evidence of her guilt.

This seems to be a theme throughout the history of tattoos on women. Judgement and sexualisation are part of the process. Whether this is due to society’s ideological restraints on women, or whether the act of getting tattooed is depicted as a practice meant for “those at sea and criminals” alone, is uncertain. What is clear, however, is that in the world of two minorities – those with tattoos and women – face criticism at the hand of others.

It is rarely considered that women don’t get tattooed in order to challenge traditional feminism, but instead to enforce it. Common themes in female based tattoo art are butterflies, flowers and gentle animals; symbols of rebirth, and fertility. Instead of defying their sexuality, women can enforce it.

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Tattooing is a fantastic way for women to reclaim control over their bodies, but even the freedom they gain from their tattoos can be culturally written over. For instance, who hasn’t been told that they were, “such a beautiful girl” prior to having their tattoos and who hasn’t faced the implication they are ruining their body? These comments, although sometimes well-meant, once again take away the attempt at personal freedom and expression by the female involved. According to the Sociology MA thesis of A. Ellerbrok, “While 65% of the male tattooees indicated that their family members have reacted positively to their tattoo(s), only 36% of female tattooees indicated the same.”

Women have pioneered the use of tattoos to reclaim their bodies from traumatic experiences, including disease and abuse. Recently, women recovering from breast cancer have sought tattoos, both to create a new aesthetic for mastectomy scars and to express the devastating effects of the disease. Tattoo artist Sasha Merritt, based at Dragonfly Custom Ink in San Francisco, recognises the importance of tattooing in the healing process for women who have mastectomy scars and advertises a special rate for survivors.

The concept of the wild female is underpinned by the implicit understanding that to tattoo one’s female body with apparent ‘male’ body art, in regards to imagery, size, or location, is to take part in an irreversible act of destruction in relation to femininity. The attitude that a woman is “desecrating her beautiful body by marking it with something that’s not feminine” is stated by a participant in an interview conducted with A. Ellerbrok for her thesis. Another said, “Honestly, if I see a woman with a lot of tattoos I think oh my god what was she thinking, she barely looks like a girl anymore”. The latter participant was a woman.

The sexualisation of female tattoos has always been embedded in these stereotypical concepts, and has once again become a hotbed for debate. With the rise of Suicide Girls, and the origin of feminine tattoos being with circus performers, it’s clear that tattoos on women are heavily sexualised: the small costumes and flaunting of their bodies has secured this. After all, the tattooed lady wouldn’t be so shocking if you couldn’t see her tattoos.

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It’s interesting to note, however, that not all women baring tattoos are flaunting them intentionally. For instance, within the fetish community women with tattoos are common, but that is a separate part of their personality not a requirement of their job, perhaps just a reflection on the subculture itself.

An overview of the literature on female tattooing and sexuality suggests that the tattooed female is both interpreted and performed in the context of a highly sexualised media and advertisement-saturated society. According to radical feminist Joan Jacobs Brumberg in An Intimate History of American Girls (1997) we live in “a culture of unrelenting objectification where women’s bodies are used to sell everything” – even children’s toys such as the tattooed Barbie doll. This reflects the extent to which the sexualised female tattoo has become a normalised consumer image within mainstream society. Despite this image, tattoos are still associated with negative sexualisation, for example, the slang term for a lower back tattoo is the Tramp Stamp.

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The clearest example of the sexualisation of women bearing tattoos is the popularity of Suicide Girls, the online forum dedicated to those who live an alternative lifestyle. The website is now a worldwide phenomena; there are a huge number of paid models and an even larger number of paying subscribers, they sell merchandise and are a massive, successful company in their own right. What started off as a way of connecting is now a business, and they have grown from 200 models in 2004 to a huge 2,000 models in 2012 [update: there are now more than 3,000]. Everyone wants to be a Suicide Girl. They highlight the alternative lifestyle, and the beauty of a feminine and often tattooed scene. Sadly, the site chooses to highlight their differences with erotic photo sets, perpetuating the image of the tattooed lady being the easy-to-screw lady. What began with the intention of celebrating the uniquely beautiful has turned into a standardised erotic website with pictures of tattooed women. They tried so hard to be different that they set a new bar for conformity.

Words by Kelli Savill, first published in The Face Issue of Things & Ink which was published in 2013. Mannequin tattooed by El Bernardes, Dominique Holmes and Inma. Photos by Kristy Noble.

An ode to Carbs

We adore carbs in all their various forms: crisps, chips, pasta, noodles, pastry. We think about them all the time. And we’re pleased to see that there are a lot of people who love them as much as we do, so much so that they have chosen to immortalise their carby passion in ink. Here’s a round-up of our fave carb tattoos… 

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@hayleyblackwoodtattoo

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@fakeskintattoo

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@slonenkotattoo

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@melgracietattoo

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@lucybluetattoo

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@jillhollingsworthtattoo

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@keelyglitters

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@j00lie

Hmm, now we’re hungry. Share your carb – or any food really – tattoos with us on Instagram #thingsandink 

The Tattooed Glam-Ma

We first met Mo Deeley, the self-proclaimed tattooed glam-ma back in 2011 at the London Tattoo Convention. The following year, we spent a day in her life up in Yorkshire. We told her story in our second print issue. Meet her here…

Photos: Heather Shuker

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I started getting tattoos in the late ‘80s after my divorce, a whistling worm on my ankle and two smaller ones on my shoulder blades, but never anything more than that. The bigger ones I have now were started in May 2011, when I went to my local tattooist to have the small ones on my back covered up. At the consultation, I explained that I was unsure what I wanted, but if I was a little bit younger I would have a full backpiece with a theme.

I honestly thought I was too old to get a full back tattoo. I’m 56-year-old grandmother. However, Tef the tattooist told me I should do as I want and it doesn’t matter at all about age – I should follow my heart. And so he started work on the back tattoo, which just seemed to creep over my shoulder and onto the front of my shoulder.

_MG_0189This was never enough and I kept thinking of different ideas, which we sat and discussed together. Then I started getting tattooed every weekend, I absolutely loved it. I also became very friendly with Tef the tattooist, which always helps, and I completely trust him.

I suppose my tattoo inspiration comes from happy memories of my childhood and, in a profound way, the loss of my dad spurred me on to keep going. I just thought life was too short. My Audrey Hepburn tattoo I got in memory of my dad, as we played Moon River at his funeral and I think he fancied her a bit.

 

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I’ve got six children, and my son who’s 20 still lives with me, so he gets very spoilt, he’s my baby – I even bought him a full sleeve for Christmas, he loves tattoos too. At first, my daughters were against the idea of me getting so many tattoos and kept telling me I needed to stop. But now I think they are quite proud that I am who I am. They were very quick to state, “That’s my mum” when we retuned from London to find Things&Ink were looking for me on Facebook

I had been at the London Tattoo Convention with my Husband, Paul, and I felt like I was being chased by the paparazzi. I’m a nan of 18 being followed by photographers from the USA and everywhere. I had been to a smaller event in Liverpool, but that was when I didn’t have as many tattoos. People would look at me, but nothing out of the ordinary. But when I was at the London Tattoo Convention – it was mental, I couldn’t sit down anywhere without people asking for a photo with me. I felt like Cheryl Cole [this was in 2011]. This reaction took my breath away. Paul spent most of the convention carrying a rather fetching handbag and vanity case for me, so I could oblige people who stopped me to look at my tattoos and pose for picture. I loved every minute of it. It was my photo taken by Things&Ink at the convention that has turned me into a bit of a celeb and won me a subscription to the magazine – which I adore [We had a competition to win a subscription to our print mag, we got got people to pose as it they were on the cover of the magazine and Mo won! Of course…]. I have never won anything before, and I couldn’t believe how many comments the photo received on Facebook.

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After that, I got invited down to London for the Things&Ink launch party. As soon as I saw the Things&Ink launch issue cover, I knew I wanted it tattooed on me. I was just unsure how to incorporate it into a design. I told Tef my intentions and we set to work on a design. I think 2012 was an amazing year in my life and I tried to incorporate this into my tattoo. I also have a Yorkshire terrier to represent the amazing time I had at Rockalily vintage salon – they have a salon dog called Ellington – even there I was treated like royalty. I feel like it is a place that I just fit in, with my vintage styling and tattoos showing. I am also adding a wallpaper pattern to the tattoo, which reminds me of my best friend Pat – she has just put up some new beautiful patterned wallpaper and has the best taste in interiors. Pat’s home is lovely and full of vintage knicknacks, which I love.

_MG_0086-2 (1)My grandkids, all 18 of them and another on the way, live very near to me, and sometimes my granddaughter comes in to see me when I am getting tattooed, she loves showing me off as her nan. Don’t think any of her friends have a nan quite like me, and they all seem to find it quite cool. My grandchildren call me Glam-ma and always bring their friends to meet me – they all say they wish their nan was more like me.

I live in a small mining village, Maltby in Rotherham, and seem to attract a lot of attention – some nice comments, but mainly stares from people who don’t know me. People I grew up with accept me as I am, I have never really been one to conform to other peoples idea of “normal.” My husband says I’m a prototype not a stereotype.

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I love big and bold clothing mainly in a ’50s style, I am also looking into collecting more garments from the 1940s. I have followed every fashion trend since my teens. Tartan, shoulder pads – the works. I love shoes and they used to be my overriding thoughts, but shoes have now been replaced by tattoos. I think about ink all the time.

I like to spend time with my family and friends, and I am quite lucky that Pat likes a lot of the same things I do. We can spend a whole day trawling vintage fairs and second-hand shops. I also often pop and see my daughter in the fish and chip shop she works, she recently won the Guiness world record for being the fast chip wrapper, so she’s a bit of a local celeb too. It must run in the family.

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My life in a nutshell – born in a sleepy mining village, married very young to a mine-worker, with whom I had five children, which kept me very busy. I think I only ever really wanted to be a mum and love having my kids around me. I divorced in 1989, went a little bit off the rails I think. But my second husband, Paul, put me back on track. We have been married for 17 years now and have a son together. Paul’s my rock, he’s so placid compared to me, so we’re the perfect fit. He treats me like a queen and I love him with all my heart. During our marriage, we have travelled around a bit, but we always end up coming back to Maltby, it’s our home. We ran a pub together in Scotland, but I missed my family too much. Home is where the heart is and I am a very content and happy lady, even if some people think I look a little out of the ordinary. ❦

Interview with blogger Pale Ginger Pear

We’ve been following Cara, AKA Pale Ginger Pear, on Instagram for a while. She talks openly and honestly about illness (she has lipedema and lymphedema), being fat and tattooed. We caught up with her to find out more – spoiler alert, she loves Disney tattoos as much as we do.

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076B09ED-0C9C-4FA7-9FA2-F67A696A679FTell us about your tattoo collection. When was your first? My first tattoo was a tiny roll of film on my left shoulder, it was done by Tyree Patrick of Big Nerd Tattoos – he is the only person I have been tattooed by. I had it done in the fall of 2002 shortly after finishing schooling for photography. Pretty quickly after that I added a camera to the right shoulder.

In 2006, I added some CD artwork. Then I took a few years off from getting inked. Before adding my gluten-free baking logo to my right wrist in 2013 (I am a celiac). July 15, 2014, my mom’s birthday (five years after she passed), I got a Wicked Witch and Flying Monkey from her favourite movie on my left arm in her memory. I remember thinking the Oz tattoo was big! In typical Ty fashion, he started talking to me about my next tattoo while tattooing me. The idea of an Ursula and Cruella half sleeve formed – which eventually evolved into my Disney Villain sleeve. As we were wrapping up the Disney Villain sleeve, he asked “what next?” I mentioned that the only other thing I liked enough for years was The Muppets. Next thing I know I was scheduled to start the thigh piece the following month. 

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What do you like about getting – and being – tattooed? I love getting tattooed. I enjoy the pain as crazy as that sounds. I jokingly call it “ink therapy”. Ty has been a sounding board during many sessions about all the crazy DMs and offers I receive (one guy even asked to buy my pubes). Ty has also been great at helping me ramble about possible ways to grow Pale Ginger Pear.

I love how being tattooed makes me feel. I know my tattoos are pretty amazing so it’s an easy way for me to brush off people staring at me. In my head I justify it to myself that they are looking at my ink not my fat arm.

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Do you have any more tattoo plans?  The Muppet thigh piece isn’t complete yet. There’s a spot above Swedish Chef beside Bunsen that I feel there is room for another Muppet. There will be some touch-ups and background added too, for sure. Other than finishing that, I don’t really have any plans for more ink. I like the contrast of one arm inked and the other pale and freckled. As much as that drives Ty crazy to be “unbalanced” and not take advantage of all that great “real estate”. We have talked about doing a pear with a tattoo on it but I can’t picture where it would be placed. 

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You are very open on social media about your illnesses and your size, do you think instagram transparency is important? How do you hope to inspire others? I think transparency is important to a degree. I keep my kid and my dating life (for the most part) off of my IG. I don’t feel they factor into what I’m trying to show about lipedema/lymphedema. It’s nice to have somethings about my life as mine that can’t be judged and picked apart. I already judge myself enough for being a single mom, I don’t need strangers adding to my self doubt. I also don’t post my weight as I don’t feel the actual number is going to change anything for the person reading it. People carry weight differently so my number might look different on other people, but it doesn’t change my conditions.

I hope to inspire people, especially women with lipedema and lymphedema, to embrace their body as it is. There is no reason to not wear the little black dress while wearing your compression stockings or showing off your large upper arms, thanks to lipedema.

Can you tell me what having lymphedema and lipedema means, and how it affects you day to day? Lymphedema is where the lymph fluid flows down but, in my case, doesn’t flow back up from my lower legs properly. The lymph flow pools in my lower legs causing swelling. I wear compression stockings daily to keep the swelling to a minimum. If I don’t, my legs feel super tight, almost like they can explode. Lipedema is when fat cells absorb lymph fluid, damaging the cells causing it to not react to diet or exercise like typical fat cells. Lipedema is a dull constant ache. It also is very sensitive to the touch and bruises easily. It hurts if I try to sit in a tight seat where the arms can’t be adjusted.

When were you diagnosed? I was diagnosed in 2008 with lower leg lymphedema. It wasn’t until about 2016 that I was told I had lipedema as well. Then it wasn’t ’til 2018 that I found out lipedema was the cause of my bigger upper arms. I had originally been told that it was just hips/thighs/buttocks. Lipedema is more frustrating to me because there isn’t much relief for it, short of liposuction to remove the damaged fat cells. But most US insurances don’t cover the cost of the liposuction as they view it as cosmetic.

Does it affect you getting tattooed? Lymphedema areas can’t be tattooed, which is why my Muppet piece will be just on my thigh. Cuts or injections are to be avoided as lymph fluid will leak out of the opening and can be difficult to heal. Before I started my thigh 6D8DD8B4-E490-466B-9EFC-5CED267A500Dpiece, I reached out to some specialists in lipedema asking about tattoos. They had no real information or studies on it. Basically, the replies back were: “Not really sure, but if you go through with it, update us afterwards.” It wasn’t until mid-summer last year that I realised I had already tattooed on lipedema damaged area with Ursula. It made a lot more sense looking back at how Ursula was harder to heal and seemed to be “too wet.” My thigh has been really tender during the actual tattooing. My skin puffs and pinks up in the lipedema areas pretty quickly and makes it more difficult for Ty to see the saturation of the ink. It also seeps lymph fluid, which can be annoying.

4C5C3166-DE34-4E48-82BC-9F11F8FF1D62Healing the thigh has been interesting. There is a very fine line of just enough ointment to keep it from being dry and cracking and too much that keeps it too wet that doesn’t allow it to scab over. The lymph fluid can cause some deep scabs which are really painful and sore. Ursula and The Muppets have been harder to heal than any of my other tattoos but not bad enough that it keeps me from completing my vision.

There are a lot of fat shamers online, how do you respond to haters? I tend to ignore the hate. I believe that they are just hurting, so they want people to hurt with them. There’s been a time or two that I’ve responded if I felt I could explain something in more detail to them. 

What made you start blogging and instagramming as Pale Ginger Pear? I started my IG (and website) as the result of a bet with someone very dear to me. “Schmidt” had felt that I would get a lot of followers due to dressing well for my size/shape and having a story to tell. I thought he was crazy. We playfully bantered back and forth about it. February 11 2018 I decided to start PGP Instagram to prove him wrong and for the longest time I thought I was. I remember hitting 50k and his reply was: “So no followers…”

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I often hear women say they don’t want to get tattooed on the parts of their body that they hate, but to me, tattoos are about owning your body and feeling happier in your skin in a way you can control, do you feel that too?  I NEVER used to show my arms. I hated how different my upper arms were in comparison to my forearms. But now I get so bummed when it starts to get cold again and I have to cover up my arm. I used to hide my legs and rarely wore dresses. Now I find myself picking out skirts or dresses, so when people talk to me about my tattoos, I can show them the Muppet thigh piece. My ink has helped me embrace my size and condition, things that I can’t really change. I feel more me with the brightly coloured ink than I ever did before. 

We feel that too. Follow Pale Ginger Pear on Insta and check out her blog.