Tattoo Convention Archives

July 29, 2022July 27, 2022

Tattoo conventions are back

We’ve definitely missed going to tattoo conventions over the last couple of years. We love finding new artists, the buzz (excuse the pun) and of course getting a new tattoo or two. But do the tattoo artists working at conventions feel the same?

We spoke to some of the artists at this year’s Vancover Tattoo and Culture Show to find out if they love tattoo conventions as much as we do and they share some top tips for those who haven’t been to one yet…

Rachel Hofer @rach.tattoos, NEW EDGE INK COLLECTIVE™, Vancouver

I love tattoo conventions because I get to see all different kinds of artists and get inspired. Going to conventions really makes me feel part of the industry. It’s also a chance for me to promote my business to a diverse group of people.

Saying that working at conventions is quite chaotic! Not being in my normal work space or having limited equipment and supplies makes it difficult to stay organised.

I don’t mind the loud music and crowds of people though as it keeps it exciting.

When I work a convention I sometimes I book people in but generally I prefer walk-ups, as it’s hard to know how long something will take so I usually stick to doing flash.

If you’ve never been to a convention, expect lots of people and lots of art. There are usually shows on the stage and contests for various tattoo categories.

I’d also recomend that you:

Eat before you go unless you like $15 hotdogs!
Bring cash as most vendors don’t have debit/credit machines
Plan ahead if there is a specific artist you want to get tattooed by as they may be very busy.

Matt Chaos @mattchaos_ttt, Black Circle – Tattoo Coven, Montreal and Lyon

For me conventions are more about connecting with artists I like the work of. Tattooing there isn’t the best obviously, it’s far from my comfort zone! But it’s a great opportunity to meet friends and artists from all over the world who are at the same place for a few days.

Conventions also help me to promote my work in new cities that I have never been to before.

The biggest challenge is breaking away from old habits while you tattoo.

There are a lot of people to talk to; it’s all about communication, as you have to be everywhere at the same time. Artists need to be fast and ready to go.

I used to work in a private by-appointment-only studio in Montreal so, I prefer to book in advance for conventions. Knowing what I’m doing each day better fits my flow. But sometimes I keep half a day to fit people in who want a flash design.

I think conventions for tattoo collectors are a good way to meet and discover artists from all over the world. It’s the opportunity to book in with someone who lives on the other side of the planet.

For young artists it’s the best way to show your art to a lot of people in one place, it’s like social media but in real life.

Nathan Ross @discopotatoes , HandCrafted Tattoo & Fine Art, Edmonton

I love that the culture of tattooing becomes so alive at conventions. They showcase so much talent, including those that are outside the medium of our craft.

There are painters, musicians, entertainers and unique retailers – everywhere amazing things are being created in all forms to make an impact and inspire.

Over the years you learn to balance and juggle the challenges of working at conventions.

You overcome the struggles of working on a client while talking to potential clients, as well as applying a stencil or tattooing in front of multiple peers and people! There’s some adjustment needed to work the long hours, it’s important to eat properly throughout the show.

This piece titled “Night Owl” was done at the Vancouver Tattoo and Culture Show

Personally I love booking large scale pieces for multiple day sittings. But, I’m torn because having a custom flash board always means you can consistently tattoo your patterns and engage with the community.

For those who have never been to a convention consider this; “Instead of worrying about what you cannot control, shift your energy to what you can create.” These shows help you gain inspiration in multiple ways no matter who you are or what stage of life you’re in.

Do you love going to tattoo conventions? Let us know!

April 3, 2022August 4, 2022

Interview with The Tattoo Journalist

Tattoo enthusiast Adriana de Barros, The Tattoo Journalist is an author, editor and photographer covering all things fine art and tattoos. Her unique interviewing style sets her apart, making her work with legends of the tattoo world a must-read. In this exclusive interview we chat to her about her career, tattoos and the future of tattooing…

How did your fascination with tattoos begin? As a child, I remember seeing postcards and books with tattooed 19th-century women and circus performers from “Freak shows.” Outcasts drew me in because they were different.

I would have been heavily tattooed as a teenager with old-school sailor tattoos like swallows and other designs, if it hadn’t been for my severe pigment allergy. As a result, I had to wait a few decades longer for inks that were more natural and suitable for sensitive skin.

Which genre of tattooing are you drawn to the most? I enjoy all types of blackwork, from abstract to illustrative. Anything done well in black ink, positive or negative space — I’m drawn to the simplicity and ancient qualities of black ink and how it remains relevant and modern.

An inside look at the first issue of “Ta’too,” featuring Daniela Sagel’s artwork.

When did you get your first tattoo? Do you still like it? I got my first piece approximately five years ago, and it was a little heart in a less prominent location to allow me to test my response to the ink before getting a larger piece. Although the tattoo has sentimental meaning, I would not call it as attractive on an aesthetic level; I prefer more solid art like my backpiece.

Do you consider yourself a tattoo collector? No, because I prefer to have a single flowing piece of art on my body. It took eight hours to complete an ornamental floral work on my back, and I’ll finish the ribs, shoulders, and arms in time. As a collector, the only thing that comes to mind is tattoo books, which I acquire for study and collection.

An interview with legend Freddy Negrete at Hollywood’s Shamrock Social Club.

Do you prefer being tattooed at conventions or an artist’s studio? I’ve had both, but I prefer a calmer, quieter setting with more one-on-one interaction with the tattooist. As a spectator or member of the press, I enjoy conventions because they allow people to see tattooing on a larger scale and meet international artists. However, event spaces are challenging to navigate for artists or clients; it is a hectic environment.

The Tattoo Journalist’s photographs of Freddy Negrete.

What is it about tattoos do you think that makes them so appealing? When they were underground, it was their edge and mystique. With the increased availability, I feel that the permanent-ink factor on the skin may be a lifelong commitment that empowers you. It becomes more than a decorative item; it imbues you with a traditional, spiritual sense.

It has the potential to transform you positively so that your inner sentiments become visible on your outer; you become more yourself.

The debut edition of “Ta’too.” Cover art (head tattoo) by Gordoletters.

What inspired you to write your book Ta’too? Its goal is to offer an alternative to mainstream publications by being transparent about the tattoo community, the art, the history, and the human side of the narratives, rather than following internet trends. The first edition featured avant-garde tattooists ranging from Makoto to Oscar Hove.

The second covers tattoo legends from Charlie Cartwright to Kari Barba based in the United States, individuals with 30- to 40-year careers who paved the way for the rest of us. Younger generations frequently overlook them, and I believe they deserve to be featured and told their stories, which speak volumes about the industry’s growth.

The third will be completely different, focusing on raising tattoo awareness in other parts of the world.

On the left is a painting by tattoo queen Kari Barba, which appeared in the second annual of “Ta’too.”

You’re the editor of Scene360. Can you tell us more about this publication? On December 1, 2000, I launched Scene360 as a digital arts and film magazine. It merged several art disciplines into a single publication that did not exist on the internet at the time.

It piqued readers’ interest right away. Film festival coverage (SXSW, Cannes), interviews with painters (Gary Baseman, Helnwein Gottfried), photography (Carl de Keyser, Kavan the Kid), and poet profiles were among the early highlights.

Scene360 was developed with the help of various contributing editors and writers. We included graffiti and tattoos, and as readers expressed interest, we added additional features. For the last decade, tattoo art has been one of our specialties, and Scene360 has shifted its focus entirely to tattoo content. It was nothing more than a natural occurrence.

Lyle Tuttle, the father of modern tattooing, during the Santa Rosa expo in 2019.

What moment in your career, so far, are you most proud of? That’s a difficult one to answer. Having previously worked as a graphic designer and web developer, it took around 15 years of hard work to be recognised for a Webby Award for Best Art project in 2015 without any financial assistance or ties to a large firm. The majority of online ventures require funding to succeed. I didn’t have any; everything was self-sufficient. It taught me that I could achieve what seemed impossible.

The second happened not long ago, when I was at the Santa Rosa expo and had the honour of meeting legend Lyle Tuttle for the first time. I became engrossed in the moment, listening to his stories and absorbing his historical knowledge for hours. Sadly, he died a few weeks after we met, but that day stayed with me; he showed me that I was on the right track, that tattooing would be my life’s purpose. I am highly grateful to Lyle!

Shane Tan’s tattoo art, one of the Scene360 interviewees.

Do you have a favourite tattoo artist? Responding to this will send me to hell. I’m not going to name my favourites, but they include Maud and Gus Wagner, Sailor Jerry, Ed Hardy, Horiyoshi III, Chris Garver, Gakkin, Shane Tan, Hanumantra, and Makoto.

Is there an artist you’d love to interview? Ed Hardy.

Kari Barba during her 1982 first convention, held on the Queen Mary in Long Beach, California.

Which female tattoo artists do you admire? Along with Maud Wagner, who is credited with being one of the first female tattoo artists in the Western world—a pioneer and true inspiration—I love Kari Barba, who committed her work in the 1980s to promoting gender equality and has remained a tattoo force ever since.

The development of a bodysuit by Shane Tan.

The tattoo world is constantly changing; where do you see the tattoo industry going in the next 10 years? I believe we are in the midst of a new tattoo renaissance. East Asia is reviving—Japan, China, Singapore, and South Korea. Growth will occur in the West as well.

Creatives tend to feed off one another; if one region of the world excels, it pushes other areas to improve. Even though there are many tattoo artists today, the ones who will survive in the long run will be true artists with quality expression, composition, and technique.

In terms of a personal wish for the future, I hope that ink technology advances so that coloured pigments appear opaque and bright on darker skin tones.

Follow The Tattoo Journalist for more insightful interviews with tattooing legends.

March 1, 2020March 12, 2020

Getting a sternum tattoo – at a convention?

Lucy Edwards writes about what it’s like to get tattooed in a sensitive place while at a tattoo convention… would you?

Body confidence is something I feel I have never truly had. For as long as I can remember, I have been very critical about the way my body looks and it’s only now, after a good few months working with a fantastic therapist, that I have slowly started to experience the odd uplifting day where I don’t think about my body image at all.

Last year however, I went through a lot of emotional distress because of my lack of body confidence. That summer I continued to wear long sleeves and trousers throughout the hottest of days because the thought of exposing any part of my body was absolutely terrifying.

Little did I know that one particular experience from last summer would be my catalyst for learning to appreciate my body that autumn. It was a moment when my passion for tattoos spontaneously interrupted my fear of exposing my body. I had (without thinking it through) went ahead and booked in to have my sternum tattooed at, of all places, a tattoo convention.

Tattoo convention

Anyone who’s been to a tattoo convention knows that they are public. You are basically being tattooed in front of potentially hundreds of passers-by and while it may be no big deal for some, for people like me it can feel really intimidating.

I booked a floral piece with @battag82 from @tattoosatdabs to be done at Tattoo Tea Party in Manchester. What I had failed to realise was that I would essentially be topless in front of lots of people. What I had done, was convinced myself that there would be a curtain for me to be tattooed behind and that once it was done, I would emerge, exhilarated from the new-tattoo buzz and ready to enjoy the rest of the convention.

It wasn’t until the start of my appointment that I realised there was no curtain and that the table was smack bang next to a walkway near the entrance to the whole convention. It was happening very quickly and before I knew it, I was being handed kitchen roll and tape to cover my boobs. As I walked to the toilets, I felt a wave of fear overcome me and my face started to get hot, what on earth had I done? So many people were going to see an area of my body that I wanted to keep private, how was I going to deal with this?

In a daze, I headed back to where Tag had set up. We began the process of stencilling and it was at this point that I realised I was very lucky. Tag was extremely kind, he acknowledged that I had unknowingly chosen to do something a little scary and made every effort to make me laugh and feel relaxed. If it wasn’t for his professional and relaxed attitude, the experience may well have become a horrible one, but instead, it was one of the most empowering moments of my life.

As I got comfortable on the bed and we started the tattoo, I noticed many people came to watch the process happen. People smiled at me and gave me a thumbs up, I even had a lady tell me how brave I was and that the tattoo looked great. They were welcome comments from kind strangers and I had never felt more weirdly at ease. Tag joked that I must have felt like I was sunbathing at a carboot sale, It made me laugh, this was the only sunbathing I’d ever experienced and it was teaching me that more people are kinder than we may first think.

When my tattoo was done, I was left with a stronger case of post-tattoo buzz than I’d ever felt before. Sure, I felt a little bit of post-panic shakiness, but I also realised that the happy emotion I was feeling, was actually empowerment. I had for an hour and a half, kicked my anxiety and body image issues to the curb.

Thanks to an amazing tattoo artist, I’d been able to feel positive about my body for the first time in forever and I realised that there was a possibility for my negative mindset about my body to change. I gained the confidence to attend therapy and I had a permanent reminder over my heart – a little bunch of flowers that let me know every day that appreciating myself, as I am, is possible.

Words: Lucy Edwards, a 20-year-old tattooed university student, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.

September 25, 2019

OUR PICK OF THE ARTISTS TO WATCH OUT FOR AT LONDON TATTOO CONVENTION 2019…

Here at Things&Ink, tattoo conventions are our favourite place to be – it’s like being in a tattoo bubble, all under one roof, united by our passion! And we can spend hours searching for tattoo artists, and looking at their back catalogue of work. So we’ve compiled this round-up of some of our favourite artists who are attending the London Tattoo Convention this year. It’s such an amazing chance to meet the tattoo artists from all over the UK and across the globe who we have been coveting work from and liking on Instagram – the convention is our chance to see their work in the flesh, in all its inky glory, and maybe even get a piece for ourselves…

Artists chosen by T&I editors Alice Snape and Rosalie H urr.

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@aimeecornwelltattoo
“I adore Aimée Cornwell’s tattoos, a style she calls ‘Fantasia’, they are like works of art on skin. She is on my dream list of artists I would one day like to collect work from.” Alice

@abell.tattoo
“I love Ashleigh Bell’s warm colour palette, which screams autumn, and her bold solid lines. The way this flower fits the space and works with the body is glorious.” Rosalie.

@dashuai_ma
“Dashuai creates beautifully ornate and detailed pieces which glow with mystery and luxury. There is so much emotion and power within the expressions of the tattoo subjects and the colours are to die for.” Rosalie.

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@guendouglas
“Guen Douglas works at Taiko in Berlin and she is one of the first tattoo artists I fell in love with. She tattoos the most exquisite faces and is also queen of the cover-up.” Alice

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@deboracherrys
“Debora is known for her female faces which often have hauntingly blank stares inspired by the horror genre. However she also extends her repertoire to animals including snakes, and other mythical influenced objects like the hand pictured.” Rosalie.

@jentonic
“The master of combining the female form with fauna. I love the subdued ochres, the curling leaves and how her pieces are often displayed on chests and in between breasts. Just stunning.” Rosalie.

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@liviatsang
“Livia Tsang works in Toronto, Canada, so I have never had the chance to meet her. But her work is just so beautiful. I don’t yet have a watercolour style tattoo, but Livia makes me want to get one – I think they look gorgeous next to more bold, traditional work, I like the contrast of styles.” Alice

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@ninmesarra
“Lorena Morato has been on my inspirational female tattoo artist list for years. Her tattoos always blow me away, I love her rich yet muted tones, the florals she choices and how she takes her inspiration from ancient mythologies.” Rosalie.

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@lydiamadriid
“If you’re looking for beautiful women and outstanding blackwork, Lydia is your artist. Her compositions with the wisps of hair, oh-so painful white highlights that pop, and the adorable freckles, make her women irresistible.” Rosalie.

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@saraosacorazon.art
“Sara Rosa takes illustrative style to the next level with her tattoos. Using shading, dots and lines to add dimension and depth, her pieces come together in a triumphant tableaux – glorious!” Rosalie.

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@makkalarosetattoos
“Urgh just look at this face! I could spend hours stalking Makkala Rose’s Instragram. I mean, just wow!” Alice

The London Tattoo Convention opens this Friday until Sunday at Tobacco Dock in London, you can get tickets from thelondontattooconvention.com. Who are you most excited about meeting?

March 28, 2018

Yoga on my Skin

Yoga On My Skin is a collective show curated by Rossana Calbi and Giulia Piccioni, in collaboration with Parione9 Gallery, Rome. On Saturday 24th February Yoga On My Skin came to its natural location: The Other Side of the Ink, the Roman convention dedicated to the art of female tattoo artists.

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Spiritual stability comes from the experience of a calm and clear state.

Yoga On my Skin is a project born from a collaboration between curators Rossana Calbi, Giulia Piccioni and Parione9 Gallery. The project traveled to amanei in Salina and reached Parione9 Gallery in Rome, a gallery that is always very interested in tattoo art.

Yoga is a sacred science. It is a science because it bases its principles on specific affirmations on the human nature and universe, it is sacred because it represents the interior path of the individual to gain awareness of his own divine self.

yoga on my skin (3)

In the middle of this inner path, there are asana, body positions according to the yoga discipline. Asana are postures, and asana is the art of using the entire body with a physical, mental and spiritual attitude. The structure of an asana is not changeable because each asana is a piece of art. In the Yoga Sutra, Maharishi Patanjali stated that when an asana is perfectly done, there is no duality between body and mind, spirit and soul. According to yogi T.K.V. Desikachar through yoga the mind and senses are directly connected to the consciousness and they are not perceived as separated or disorganized.

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The project consists of two asana for each chakra (from Sanskrit wheel or disc). The asana are selected according to the physical appearance of the posture and the relevance of the specific chakra stimulation. There is no asana for the seventh chakra because no postures directly stimulates it.

Yoga teacher and psychologist Giulia Piccioni embraced Rossana Calbi’s curatorial idea with the technical support of studio d’arte Candeloro to set up an exhibition that is a physical and mental experience.

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Art work is by Nicoz Balboa, Genziana Cocco, Cecilia De Laurentiis, Cecilia Granata, Marta Ierfone, Marta Messina, Roberta Kinney, Anita Rossi, Maria Grazia Tolino.

The next stop for Yoga on My Skin will take place in an abbey, in Italy. Find out more about the original location and the future projects here.