Tagged: tattoo

Interview With Chris Green

We chat to 24-year-old Chris Green, who tattoos out of Redwood Tattoo Studio in Manchester about his love for anything out of the ordinary, his guest spot plans and his own impressive tattoo collection…

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When did you begin tattooing? I’ve been tattooing full time for three years since finishing my apprenticeship, so I still feel very new to everything!

What inspired you and what drew you to the tattoo world? I grew up playing in bands, drawing and writing music. I came to realise that there wasn’t much chance of  me making a living in the music industry and what little money I did have I spent on getting tattooed. I think I needed a career that was still creative, but one where I could be my own boss and work for myself. Tattooing was perfect, I just wish I had thought of it sooner.

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How would you describe your style, has it changed? My favourite style of tattooing is traditional and that’s what I started with. I love tattoos that actually look like tattoos so I try to keep the traditional structures of tattooing in my work whilst showing my love for classical art in my designs.

What would you love to tattoo? What do you particularly love doing? I feel as though I’m quite lucky, as people ask me to do some amazing pieces already, but my favourite things to draw are probably ladies, animals and anything out of the ordinary or a bit weird. I’ve also been enjoying working on big projects like backs and fronts recently, I’d love to start more!

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What inspires your work, do any other artist influence you? I’ve always been mostly inspired by classic art – the Renaissance and baroque periods in particular. I spent some time in Italy and Greece last year and I was fascinated by the architecture and sculptures. I came back to England with tons of amazing references and spent the rest of that year trying to include stories and mythologies into my work. I’m always looking for new inspiration and often find it in the most basic everyday things. Of course, a bunch of tattoo artists also inspire me too!

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Do you have any conventions or guest spots planned? Conventions and guest spots aren’t my strongest points (and by that I mean I don’t really do them), but I would love to start travelling more. I did my first guest spot a couple of months ago at Jayne Doe in Essex to see how much I’d freak out, and I did majorly (mouth full of ulcers, ate half a slice of toast over three days). Everybody was nice there and I became good friends with Becca who owns the shop so I think that helped. I’ll be making regular(ish) trips back there, next being in October. I’ll be at Salon Serpent in Amsterdam in September and hopefully working the next Brighton convention. Also I’m in the middle of figuring some dates out for a few spots in America next year.

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Can you tell us a little bit about your own tattoo collection? I’ve been lucky enough to get tattooed by some great artists (probably forgot a few) such as Eckel, Mitch Allenden, Dan Molloy, Cassandra Frances, Ashley Love, Alex Bage, Lars Uwe and Lauren Sutton and Dale Sarok who I work with. I’ve pretty much always given each artist complete freedom so I have all kinds of subject matter. Lars has tattooed probably the majority of my body and I imagine he’ll probably tattoo what’s left, which scarily isn’t as much space as I thought.

Interview With Charline Bataille

25-year-old tattoo artist Charline Bataille, works at Minuit Dix in Montreal, where she creates bright, freaky, fluorescent, sometimes even ugly tattoos. We chat to Charline about her love for colour, her oversharing nature and the space she takes up in the tattoo industry…

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How long have you been tattooing, how did you start? I’ve been tattooing for less than two years! I’m a newbie! I started learning by myself and met with other queer tattooers to exchange knowledge and tattoos.

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Can you describe your tattoo style? What sorts of things do you create? I think my style is very tender, vulnerable and emulates spontaneous drawings. I love to use colours! I love it everywhere – in my paintings, in my house, my make up, my clothes. I create weird impossible flowers, creepy cute animals and angry fat babes looking unapologetically hairy and hot! I love to tattoo a mix of cute and freaky! I like wonky lines and weird freaky colours, and I even like when my tattoos are ugly and disproportionate. I want to queer what tattoos look like. I know there isn’t only one way to tattoo and I want to break down the good/bad dichotomy! When I draw my tattoos, I always collaborate with my client. To me, their agency is very important.

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How do you feel as a queer woman working in the tattoo industry? Have you been faced with obstacles or criticism? You mention on your Instagram that you try to create a safe space for your clients, how do you do this and why is it important? It’s strange to me that I have taken this role as outspoken feminist tattooer because I don’t feel I am any good at putting my ideas into words, I much prefer to use images! I mentioned in an interview that a lot of people couldn’t have access to the tattoo industry, because of systemic oppression, and therefore, will find ways to learn and create in safe spaces. In response to this interview, I got a lot of messages, a lot of them calling me a stupid cunt but also a lot of them respectfully disagreeing and pointing out the danger of tattooing at home without proper knowledge. I don’t think I need to explain how apprenticeships and traditions are considered sacred and are needed. So I made a lot of people angry suggesting that it is possible to break tradition safely and that, in a general way, misogyny, fatphobia, cissexism and racism were too present in tattoo shops and made those spaces at best unpleasant and at worst unsafe for a lot of people.

First, there is way too little conversation about cultural appropriation in western tattooing. White tattooers still tattoo colonial imagery and sexual caricature of indigenous women on other white people. They don’t understand how important it is that tattooing didn’t originate in the western world. Consent forms in tattoo shops still force people to disclose their HIV statuses and even refuse services on that basis. It is illegal, intrusive, discriminatory and potentially dangerous to force HIV disclosure. If tattooers would take the time to reach out to their local organisation for and by people with HIV, they could offer a much fairer and safer service.

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I tattoo almost only queer and trans people and a lot of them are women. Every one of my clients has a horror story to tell; from a tattooer telling a fat woman that he didn’t understand why she would want a tattoo on her hip, to tattooers telling brown people their skin is too dark, to blatant racism or sexual harassment. I have often been horrified and heart broken hearing their experience. Being queer and tattooing mostly queer and trans people, I know that there is a really complicated relationship with the body that makes those obstacles even more meaningful. Our body is a place where it is hard to claim ownership, it’s also a place that is described as “wrong” or “bad” by science and cissexist society. It takes constant work to take back control over your body and I know tattooing is one medium to achieve that. It’s really important to respect people’s pronoun, to discuss boundaries and to respect their bodily autonomy and to be tender and present when they trust you with their body.

I think there is room for the tattoo practice and community to be tender, vulnerable and sensitive. I’ve never been in a tattoo shop where I felt comfortable until Minuit Dix! A queer owned tattoo shop that supports queer / women/ trans / poc owned companies and individuals. That is conscious of safe practices, reducing waste, uses vegan ink, gender neutral consent forms that do not force or shame HIV disclosure, in a WHEEL CHAIR ACCESSIBLE space. Working there has really made it possible for me to offer a nice and cosy space for my clients to get tattooed. It is also a space where I can be a queer femme with mental illness and have my workspace respect my limitations and honour my identity. I am working next to @katakankabin and @cammy06 and I have learned so much from @murieldemai_tattoo. I am so lucky.

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It says on your Instagram that you are an oversharer, what do you mean by this? I describe myself as a “over sharing queer femme” on my profile because I don’t draw a line between my professional life and my personal life or my activism. I don’t draw a line between my tattoo practice and my overall art practice, to me, all of this is one! On my Instagram (my only platform to share my tattoos and art) I often talk about my mental illness, my medication, my body image, my sexual trauma, my asexuality, my love life, what makes me sad and what makes me proud.

I do it because it helps me, because I love people to be able to relate and be reminded that I am far from alone, but I also love to see that it helps people working through their own trauma and experiences and feel like the stigma is possible to overcome. I am very sensitive and I have no filter! I think this part of me also makes me a better tattooer. It’s my way of telling people that they can also be themselves and I will be real with them at any moment.

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Etienne Steffen: Bluttiefdruck

In this interview German born tattoo artist Etienne Steffen talks about his latest art project, performance and work: Bluttiefdruck

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Etienne tattooing at the exhibition

Can you tell us about your project and performance? During my project Bluttiefdruck I combined my method of dry point printing with tattooing. I tattooed eight of a series of nine dragons – each one a whole sleeve. After each sleeve was finished I replicated the image of the tattoo onto a life-sized zink plate using a tattoo machine. Afterwards the image on the plate was printed onto handmade paper.
The performance was a combination of the previous techniques and mediums. The fusion was the next logical step. The ninth and final dragon of the series was tattooed on a participant using solely water instead of ink. The outflowing blood caused by the perforation of the skin was caught on a white piece of linen. An impression of the ninth dragon appeared. I coined this technique Bluttiefdruck.

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The impression of the ninth dragon – Bluttiefdruck

How long did the performance take, how did the participant cope with the pain? The performance itself took about two hours. The participant took the pain very well. The pain was equivalent to getting a regular tattoo, due to the same process just replacing ink through water.

The Nine Dragon Scroll by Chinese artist Chen Rong from 1244 served as the main point of reference in this nine-part series. What was it about the dragon scroll and Japanese tattooing that fascinated you? It was always a reference when it came to dragons. I believe I have seen its influence in a lot of East Asian art whether ukiyo-e, sumi ink painting or horimono. So to me this project is also a homage to the nine dragon scroll. With regards to Japanese tattooing, I like the idea of a complete body suit concept with the back as the centre piece. Not to mention the fluidity in the background which carries the motives and connects them.

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The participant and her finished tattoo after the performance

How has the exhibition been received? Most people that come to an exhibition are there because of the event, and the exhibition itself serves as a vehicle. The project and performance was very niche, to be able to understand it fully you needed specific knowledge of Horimono (carving or engraving) and dry point printing, so not everyone understood what exactly was going on. But there were quite a few close observers that really took the time to understand what the project and the performance are about – these were astonished and appreciated what they saw. On the other hand, someone in the tattoo industry, who I respect very much, said that they ‘hate everything it (the film) stands for and it has nothing to do with the art of tattooing’ – apparently my project polarises people.

What inspired you? Japanese woodblock prints have served as reference for most of Japanese tattooing and Horimono, and there is already a connection between printing and tattooing. I’ve been obsessed with the idea of combining Japanese tattooing with dry point printing since I started “tattooing” metal plates. To me it just felt natural to connect the two. When I realised that horimono could also be translated as engraving it made even more sense. After a long process of distilling different ideas the project became clear during one of my many travels to Japan to get my backpiece.

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Four of the nine dragons in the series

What were you hoping to achieve, what message are you spreading? I want the people to see a certain subject through my eyes. To make the connections that I can see visible to others that might not see those parallels. To interpret traditional concepts and mediums (of art) in a new way. To put things into a new context. This project is about pushing boundaries. In today’s cultural landscape everything is about aesthetic -everything is superficial. In Bluttiefdruck I visualise the process. I had to disconnect the process from a more permanent motive, to span an arc between Japanese tattooing/horimono, European printing/drypoit and initiation rituals of ancient African cultures. My work is about discurs.

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One of the tattooed dragons created for the exhibition

What do you love about tattoos? I love so many things about tattoos! They’re simple and complex at the same time. On the one hand you have the simple exchange- I produce something someone else likes, they buy it and we’re both happy. Then there is the aspect of craft, no matter how good my design is I have to be able to tattoo it in a proper way. On the other hand some of the most beautiful and meaningful tattoos are not well crafted at all and because of that they send a stronger message than a good tattoo ever could. As a professional tattooer I also think it’s fascinating that as soon as the tattoo is finished it has no more monetary worth. It can not be sold anymore but it is still valuable for the wearer. No matter how good or bad a tattoo is, no matter if it is meaningful or just jewellery it marks a certain point in your lifetime. But what’s most appealing to me is that there is more to tattooing than meets the eye. The process of tattooing and receiving a tattoo is spiritual to me.

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A close up of one of Etienne’s dragons

What the below video to see the Etienne’s performance and the creation of Bluttiefdruck:

Spin A Yarn: Hannah Mackie

27-year-old Hannah Mackie is a yearn dying sorceress and volunteering development manager from Didoct, Oxfordshire. We chat to Hannah about her tattoo collection, running her own hand dyed yarn business HeyJay and her love for nature…

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When did you set up your own company? Two years ago.

What inspired you to do so? I am completely obsessed with knitting and collecting irresistible yarns. The ultimate dream would be to one day have my own bricks and mortar yarn shop so I can talk yarn and knitting with lovely people all day and never have to have a ‘proper’ job again, but that’s a big scary thing that requires a lot of start up funding! So I started playing around with dyeing yarns and selling them as my own little slice of living the dream outside of my 9-5 and it went from there!

How does this fit around your job? It only just does at the moment! I spend evenings dyeing or photographing skeins to list on my website and sort out any orders that might have come in. I can sell at events and festivals on weekends so it’s just about fitting it all in! I try to keep a Sunday here or there free for doing nothing for the sake of my sanity and neglected knitting projects!

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What is it about knitting that you love so much? I find it so therapeutic and satisfying to make tangible lovely things. I love making gifts for friends and family – in an age where most people I know have the stuff they already want, I can give them something special that they won’t be able to buy anywhere that has had time, thought and love put into it – that has so much more meaning than ‘I spent two minutes ordering you a thing off Amazon’.

Can you tell us about the process behind your yarns? It’s completely random! I don’t write my recipes down, I just make it up as I go along so a lot of my skeins don’t get repeated – only the ones that I can remember how to do and tend to sell! It’s quite freeing to just wing it with colour and see what comes out. So far the results have been well received!

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Where can people buy your yarn, do you do colour commissions? I sell online at www.heyjayyarn.com and in person at events/festivals – details can be found on the website. I have done commissions for subscription boxes and smaller commissions if people just can’t find what they’re looking for or want a bigger batch of one colourway.

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Can you tell us about your style and your tattoos? Go colourful or go home! Life is too short for boring colours so my hair has been an array of brightness for a few years now and my arms are covered in watercolour tattoos all done by the incredibly talented Jason Adelinia. They’re all based on nature as I wanted to have beautiful designs and where better to source inspiration?

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Your tattoos are seemingly symmetrical, is there a reason behind these? Do any of them have any special meaning to you? I’m a bit obsessive about symmetry so I always get two at a time, one on each arm so it all balances! My first pair were to cover some scarring on my forearms – I’ve struggled with mental health since I was a teenager – and I wanted to have something to look at that I could be proud of instead of being constantly reminded of some of my darker times. Since those first designs I’ve been totally hooked on completing two full sleeves piece by piece. I’m so proud of my beautiful ink and they really help me feel good about the way I look and how my skin looks which hadn’t been the case before. I don’t get too hung up on designs so some of them don’t have a great deal of meaning, I just want pretty nature things!

Careers: Tattooed Art Director & Blogger

We chat to 28-year-old Ayden Millar an art director and lifestyle blogger from Glasgow, about the projects she has worked on, running her blog and her tattoo collection…

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Can you tell us about your freelance work for film and TV? I’ve worked freelance in the film and television industry for around seven years now! I’m self employed, and literally every day is different. I could be on a job for six days or six months, and go from making props and designing fake graphics one day, to arranging special effects and dressing sets the next.

How did you get your current role or previous roles? Did you study or did you fall into it? What sorts of things have you been involved in? The past seven years have absolutely flown, and although I still feel quite new to the industry, when I look back on my CV I’ve definitely accumulated a whole load of different jobs over the years. From kids telly to sketch and comedy shows, feature films and adverts, music videos, and quite a lot of horror/murder dramas (I seem to end up working on a lot of them, worryingly). The designer who employs me on a regular basis was the production designer for some really great British films, including This Is England, Neds, and The Magdalene Sisters. So I do always get really excited when he calls me up with details of a job, because I know the script will always be something really good and gritty we can get our design teeth into!

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What do you enjoy the most about your job?I love the fact that every day is different. I love the buzz of working with and meeting loads of people from different walks of life. And I really love seeing all of our hard work up on the big screen. It’s scary at times being your own boss and not knowing where or when the next job will be, and I suffer from extremely bad anxiety which I’ve been on medication for for a numbers of year now. But despite the fear of the unknown, my work brings out the best in me and makes me thrive. I work with the most open minded and supportive people! And although it’s stressful at times, my confidence has gone from strength to strength over the years, and I hope that can continue.

How does this coincide with your blog, or the other way around? I can sometimes have days or weeks off between jobs, so during this time I’m really able to focus on my blog and get writing and planning lots of new content. Sometimes it does suffer when I’m on a long TV job, working 8am-7pm can often frazzle my brain by the weekend and I don’t have time to write as much as I’d like to. I rely on Instagram and Twitter lots to keep in touch with my readers, let them know what I’m up to, and also keep up to date with reading some of my favourite blogs too.

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What sorts of things do you blog about, what inspires you? What can people expect to see? My blog is essentially a grown up diary, a mish mash of thoughts and photos and general gal chat! Some weeks I’ll write about cruelty free beauty, and others I could be visiting a new food place in town or exploring the outdoors in Scotland. I tend to just write about whatever is going on in my life at that moment in time, and one time a reader said that my posts felt like sitting down with a girlfriend on the phone or over a cup of coffee and having a good old catch up and laugh about life. That meant so much to me, and I do hope it’s the way I come across. There are so many beautiful, polished blogs out there these days – all gorgeously curated and edited with flawless professional photography. Pretty much like magazines! I think they’re amazing, but I must admit my blog doesn’t really fall under that category. If you’re down for a giggle and some honest life musings (with the odd selfie and puppy/cat picture thrown in for good measure) then I’m your gal.

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How would you describe your style, how do your tattoos fit in with this? I have quite an eclectic sense of style, I like to be fun, colourful and comfortable! I pretty much dress the same was I did when I was a moody 16 year old emo kid, but with a bit of added sass. My tattoos are probably a fashionista’s nightmare, they clash with anything and everything that’s colourful and/or patterned. But I don’t care in the slightest, I’ve never been one for the minimalist look. Plus, glitter and a few sequins go with everything, right?

Do your tattoos make you feel more confident, or help you to see your body differently? I definitely feel more comfortable with my body now than what I did 10 years ago, pre tattoos. They feel like a part of me. To the point that I often forget I have any until somebody mentions them or asks me a tattoo related question! They make me feel empowered and illustrate the story of my life, the places I’ve been and the people I’ve met along the way. Well, some of them do – a lot of my tattoos I got ‘just cause’. Just because I like biscuits is a good enough reason to get a Jammy Dodger tattooed… surely!?

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Any future plans either tattoos, work or blog posts? Tattoo wise, my arms are full now so I’d like to continue adding to my legs (especially my feet which I KEEP putting off). I’ve not had any new tattoo ideas in a while, so I won’t get something for the sake of it, I’ll wait until a little bit of unexpected inspiration hits me one day and then I’ll get booked in for something. I’m currently on the last week of filming a six part crime drama for the BBC called Shetland, so after this I’m gonna take a month or so off. I’m going on holiday to Ibiza, have some plans to redecorate my flat, and look forward to spending time catching up with friends and family. I’ve got a few blog post ideas up my sleeve too, so I’m excited to have some more free time over the next couple of weeks to get typing to my heart’s content.

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Interview With Tattoo Artist Hannah Flowers

We chat to 27-year-old Tasmanian tattooist Hannah Flowers about her travel plans, the beautiful women she creates and what inspires her…

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Where are you based? I’ve been on the road for most of this year, which has been amazing and inspiring, but living out of a suitcase can become tiresome. So I’ve recently decided to settle in London, for a little while at least! I also have some upcoming trips to Scotland, Ireland and America planned too.

How long have you been tattooing? Around six years, hopefully there are many more to come.

What drew you to the tattoo world? I was a broke university student studying fine art and was intrigued by the idea of receiving actual money in return for my art.
Even though I didn’t actually make money the first couple of years, I fell in love with the medium and can’t imagine myself in any other job.

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Has your style of tattooing changed? What do you love to tattoo? My style of tattooing is ever changing and I imagine it will always be so. Mostly because there is always something to improve on, but also my taste has changed a little over the years. I think I try to emulate what impresses me the most. Before I really started tattooing I was mainly trying to draw realism because I thought it was impressive, but then when I started tattooing and realised how god damn hard it is to make clean lines and solid colour! I became really impressed with traditional work and started doing more things along those lines, at the moment I try to mix the two styles together a bit. My style has changed but my favourite subject matter seems to remain the same – ladies and animals all day everyday!

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We love the women you create, are these inspired by real life women? Or perhaps fictional characters? Thank you! Mostly they are not so much inspired by individual women or characters, (unless a client asks them to be) but more by femininity in general. I often start by choosing what feeling/meaning/theme I want them to portray. Some of my favourites themes are the femme fatale, the sad girl, and the girl with a secret. I tend to make up little stories for them as I draw them, and try to put a little heart and soul into each one.

What inspires you? Are there any artists that influence your work? I’m inspired by all kinds of things, quite often banal everyday things like a certain colour combination (lately peach and olive green does it for me) or the way the light is reflected off a friends face, then I may lose track of what they’re saying, because I’m an absent-minded weirdo!
But to list some more solid things that inspire my general aesthetic; Art Nouveau, Art Deco, Pre-Raphaelite art, pop surrealism, medical illustrations, film noir, gothic architecture, burlesque, the femme fatale, pulp art, natural history illustrations, cats and of course other tattooers (too many to name).

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Can you tell us a little about your own tattoos and your style? I sometimes wish I had the foresight to plan out a body suit, or at least a sleeve, but it’s too much fun to collect different styles and bits and pieces! So I’m very much an indecisive patchwork of styles. I’m lucky to have some amazing works of art, some funny jokes with friends, a couple of people’s very first tattoos and then some other unmentionable trash I might get around to lasering one day to make room for more bits and pieces!

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Do you have any conventions or guest spots planned? My next guest spot will be will the lovely people at Semper in Edinburgh, I’m also doing the Galway Tattoo Show, the London Tattoo Convention, a guest spot at Grit and Glory in New York and possibly the Calgary Tattoo Show.

Collab: Convicts and Tati Compton

Tati Compton is an L.A based stick and poke tattoo artist with some serious adventure stories about her days travelling the world in a van and busking. New York based digital media brand Convicts collaborated with Tati to create a profile and original video exploring her art, outlook on life and love of cuddling…

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I really like tattooing naked ladies and kind of cultish things. But people know me for my delicate wrist work and stuff. Stick and poke is really organic feeling. You can tell that somebody has made it with their hand, it has a really personal feel to it. Once it’s on your skin it feels like it’s been there forever. So, my style is hand poked.

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Dude, I worked every job under the sun forever. I’ve painted houses. I’ve been a housekeeper. I’ve been a bartender. I’ve been like all that stuff. I was managing a vintage clothing store and I had a breakdown at lunch one day and was like ‘I can’t fucking do this anymore. I’m just going to go crazy. I have to do something else.’

When I quit, I saw that there was like a niche for tattooing small tattoos at a cheaper price. Mostly for girls who were too intimidated to go into a tattoo shop and ask for a tiny tattoo and pay a lot of money. I was like ‘I can do that.’

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Read Tati’s full interview here and watch the video below to find out more about her tattoos…

For more music, art, style and travel videos check out Convict’s Instagram and Facebook.

Careers: Tattooed Vegan Baker

We chat to 25-year-old Lizzie, a Vegan Baker from London, about running her own business Heart of Cake, her tattoos and style…

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How old were you when you got your first tattoo? I was 19. I’d always loved the idea of tattoos, but I had no idea what I wanted and ended up going for a walk-in somewhere in central London. I got half a tattoo because it was all I could afford at the time and shamefully it’s still half a tattoo to this day.

What is it about tattoos that you like so much, what influenced your decision to get tattooed? I’m a creative person and I appreciate creativity in others. Although I can draw, I don’t draw my own tattoos because I love that every artist has their own style. Just like when I work I need my creative freedom, when an artist is given a brief and they create something you couldn’t even imagine, that’s what makes tattoos and art special. Tattoos are a form of expression and I’ve always been the type to express myself physically.

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Can you tell us about your tattoo collection, is there a theme? My tattoos are all very girly and food related. There are lots of reds and pinks involved, I love anything that reminds me of chocolate boxes. There’s also a heart shaped theme running through my leg tattoos (I think there’s about 37 individual hearts on me) which I’m going to continue over my body eventually. I have a slight obsession with hearts! The majority of my tattoos are done by Julia Seizure and I luckily recently got a couple by Jody Dawber which I’m still in absolute awe of.

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Do tattoos make you see your body differently? Do they make you feel more confident? Tattoos have been a huge part of my self acceptance. Up until about 19 I was always covered up, I never got my legs or arms out even on the hottest days because I was so incredibly insecure. Getting tattooed gave me the confidence to show some skin because I wanted people to see my super cute tattoos. Being tattooed has definitely helped me become the more body confident person I am today.  If you don’t like a part of you, then why not get cute art on it to help you love and accept it?

How do people react to your tattoos? People usually get really excited when they see my tattoos because they’re pretty different to what they must usually see. I’ve had people literally squatting around me trying to get a closer look and telling their kids to come and look.

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How did you start your own business, how did this come about? I started my business a year or so after graduating university with a degree in Film and Television, which unfortunately turned out to not be my passion in life. I’ve always had an interest in baking and since going vegan I’d noticed there wasn’t really a great selection of vegan cakes out there. My business came about mid 2016 and I pretty much winged it from the start, learning to ice layer cakes from YouTube tutorials and supplying local cafes. Now I make tiered wedding cakes and crazy birthday cakes. I sort of fell into it but it’s honestly the most rewarding and best feeling doing something you love for work. Most of the time it doesn’t feel like work, unless I have a 15 hour day and sometimes there are tears, but you get used to it.

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What do you love about your job? I love that I have so much creative freedom. I get so excited about making cakes I can’t sleep sometimes and I love that people see my creativity and trust me to make them basically whatever I want. I also love that I can offer vegans or people with allergies great tasting cakes or things like macarons that they can’t usually have or find easily. Seeing customers reactions when they see my work is a very rewarding feeling and that’s what keeps me going.

What is a typical day like for you? A typical day for me is waking up early and writing out my daily schedule. I love writing a list! A cup of tea and I’m off, I’m always doing something baking related or replying to emails and admin. The joys of working for yourself! On my days off I usually go out to eat with my boyfriend, we go to the cinema a lot and sometimes binge watch TV series with our cat, Baby.

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Your job is pretty creative does this spill out into other areas of your life, like your fashion style? I’ve always been a very creative person, it runs strongly in my family. I love anything a bit different or that stands out from the norm and I guess I reflect that in the way I present myself. I’ve had pink hair for about eight years now and before then I’d always felt way too normal in my own body. I love wearing huge sparkly earrings or giant pom poms and anything that’s a bit odd, while also supporting these small creative like minded business who make them. I’m just attracted to exaggerated or over the top things and I like to show that in my work and through myself.

Mental Health Hearts By Callum Glover

23-year-old tattooist Callum Glover works out of Black Craft in Wakefield and Secret Society in Hartlepool and Brighton, where he creates blackwork tattoos. We chat to Callum about the hearts filled with positive messages, that he tattoos to raise money for mental health charity MIND and his own struggles with mental health…

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I got into tattooing after I had  been to college doing non art related courses and after working poorly paid jobs with little job satisfaction. I had been tattooed a few times with pretty poor tattoos before I started tattooing. But I just loved getting tattooed, so I remember going to get tattooed by a guy in his house (cringe)! This guy happened to become my best friend, he showed me a tattoo machine, asked if I’d like a try, so I did, I tattooed a small tribal design on a piece of fake skin made out of rubber. The tattoo was awful, the machine was cheap but I was hooked from then on. I’ve never been good at keeping quiet or staying still, or being told what to do, and with tattooing I saw an opportunity to do something that I’d be happy doing for the rest of my life.

So I looked and looked for around two years for an apprenticeship, all the while improving my art work, trying to find my style, which I’m still doing! I found my apprenticeship and the rest is history as they say.

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What drew me to the tattoo world was properly experiencing the tattoo world. I remember being an apprentice not knowing if I could make it as a tattoo artist, wondering if it was for me or if I fit in. Until I went to my first tattoo convention, as soon as I entered my mind was set to rest, I remember thinking this is it, this is my world, it’s where I feel at home.

Tattooing helped me so much, I could have turned out so differently, due to the struggles I’ve been through, but it’s been there for me and gave me something to get lost in. I’ve done a lot of tattoos, a lot I’m super proud of, but the ones that mean the most to me are the mental health heart tattoos I do.

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I remember where the idea came from, I myself have severe depression and anxiety and I’ve suffered for years. It’s ruined so many friendships and relationships in my life and it’s took me to some dark places. I remember having a really bad few days, where I just shut myself away, I was bitter and nasty, I thought I was a lost cause. Until I managed to drag myself through, with the help of a friend.

In the moments that followed, I decided I didn’t want to get to that point again, not only that, but I wanted to help others. So I designed a bunch of hearts, with positive messages inside. It is sometimes hard to take help from a person, and it’s usually the best option to help someone else to help themselves.

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That’s what these tattoos are, my customers come and pick from my designs or we create a personal message for them together. That way when they feel low they have a permanent reminder from themselves that ‘it’s okay to not be okay’ and ‘you are enough’.

If I was hoping to spread a message, then I think the message would be ‘you are not alone’. No matter how you feel, you are not on your own, help someone help you, reach out, seek help. I want to share love and positivity with every single one of these tattoos. Every single one I do helps both my customer and myself with the daily struggles that mental health issues bring.

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I believe that we can all do more to help those in need, show love, show compassion and show understanding. Just listen, any of these things could save someone’s life – I know from experience. So I’d say the best way to help is to pay attention, notice the signs and just be there for that person.

Interview with Gaston Tonus

25-year-old guest writer Jessica Miorini chats to Gaston Tonus, an Argentinian tattoo artist based in Germany, as she gets tattooed in his private studio. Between a thigh piece and a Fritz-Kola, they chat about his unique graphic style, his inspirations and his background as a tattoo artist…

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It’s a long way from Argentina to Wiesbaden, both physically and culturally. What brought you here? Here, in Europe, I believe I can express myself better. People give me the freedom to tattoo these crazy things on them and this gives me the greatest satisfaction.

What made you want to become a tattoo artist? I first approached tattooing as I wanted to get tattooed myself. This was 20 years ago in Argentina, where I started to build my own machines and experiment with them. You’ll have to imagine a completely different industry, where there weren’t too many machines available and still a strong stigma attached to tattoos.

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How would you define your style? I would define it as graphic blackwork. It’s also sketchy and dark, but it has something more personal to it.

Among graphic tattooers, your artwork has a distinctive identity. What is your style most influenced by? The work of other tattoo artists, especially here in Europe, has definitely had a big impact on my art. My stylistic influences come from a lot of different places, from painters and cartoonists, like Caravaggio, Dürer, Mark Ryden, Alberto Breccia and H. R. Gige, to film directors, like Kubrick, Lynch, Cronenberg and Hitchcock. Music also plays an important role, there are bands that take me to a dreamland, like Tool, A Perfect Circle and Deftones, among others. I tend to mix all these different inputs together and translate them into tattoos.

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 Your works include traits of both surrealism and dark naturalism. Where do you draw your inspiration from? I find inspiration in almost all things, from nature, dreams and places, to people and buildings. I love tattooing animals, I’m a vegetarian as well, and I’m deeply inspired by nature, plants and birds, as well as manmade objects. I like to mix them, merge animals and faces, and come up with some strange and crazy combinations.

 Do you prefer to tattoo your own flash or enjoy the whole custom-made process more? Most of the time I prefer to tattoo my own pieces, as I invest so much energy and time in drawing them. But if the client’s idea speaks to me and we’re like-minded, it can turn into something even more beautiful, as this exchange of ideas and thoughts can spark my creativity even more.

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What are your favourite pieces that you’ve tattooed so far? I put too much of myself in each single piece to choose one. They all have a unique history or meaning, which will end up being completely different from my clients’.

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Finally, how has your art evolved and what further direction do you see yourself taking in the future? When I started, almost 20 years ago in Argentina, there weren’t many styles and techniques to choose from. You had magazines full of mainly tribal and traditional tattoos, and that’s what I started tattooing. With time, I started to draw more, I studied graphic design and decided to focus on my own artwork.

I never stop, I love spending my time drawing all day in my studio to make better tattoos every day. I keep pushing myself to improve and always keep an eye open for new things that might tickle my imagination. I always hope I will get to know new people, make good friends all around Europe and keep sharing experiences and good times with clients and colleagues.