Apprentice Love: Lucy Alice

Here at Things & Ink we like to share our love for finding new tattooists and support those who are making a name for themselves in the industry. Lucy Alice is a tattoo apprentice and true cat lady, who tattoos out of Cat’s Cradle Tattoo Studio in Rawtenstall, Lancashire UK. 

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How long have you been tattooing and how did you start your apprenticeship This is a super long story, so I’ll just attempt to keep it short and sweet. I’ve been tattooing just over a year now at Cat’s Cradle. I have had a few apprenticeships here and there before this one though. I started an apprenticeship when I was 18 and had another after that, but unfortunately both didn’t work out due to other commitments. I’m 24 now so it’s been a long journey but totally worth it. When you want something this much, you have to work for it and accept that it’ll take some time.

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What inspired you to become a tattoo artist? I’ve always been into art, since I can remember. I’d spend my Saturday job money on paints and sketchbooks every single week without fail. I never knew what career path I wanted to take until I was 17. We have two hair salons in the family so it was almost compulsory to go into the hair business. It was only until a customer asked what I’d like to do eventually, when my colleague said she could see me being a tattoo artist. So here we are!

How does it feel being a woman in the tattoo industry? To be honest, I haven’t had too much experience whilst tattooing. I’ve been extremely lucky with my clients, they’ve all been amazing. So that side has been great so far. Whilst apprenticing at other studios, I do believe woman are treated differently. I get told far too often that I’m too nice and therefore get taken advantage of frequently. I’m really lucky to be in a studio now in which I feel equal and taken care of. And let’s not leave out tattooed women in general! The looks we get, the amount of people that grab your arm to “take a closer look”. Not forgetting the “what about on your wedding day?” speeches from the older generation.

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How would you describe your style? This is always a difficult one for me. I’d say traditional with a little crazy spin. I love drawing faces on anything! Using wacky colours for animals that aren’t technically that colour (*ahem* pink). I draw a lot of cute bits and bobs but still love old school traditional. Muted colours mixed with brights are my favourite colour palettes.

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What inspires your tattoos? Are there any artists that you love? My cats. End of. I say every day that I just flipping love cats! I currently have five so they give me a lil’ inspiration now and again. My all time favourite artist is definitely Jemma Jones from Sacred Electric. I get tattooed by Jemma when I can and have followed her work for years. She inspires me on the daily and she’s just a lovely person in general. Some other artists I absolutely love are Harriet Heath, Gemma Carter and Kelly Smith.

What do you love to tattoo and what would you like to do more of? I absolutely LOVE tattooing cats. Big cats, small cats, they’ll all do. I also love tattooing cherubs, babies, moons, clowns, lady heads, any animals. Basically if it’s cute, I wanna tattoo it!

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How does tattooing make you feel? Including the tattoos you create and the tattoos you have on your own body. It’s a crazy feeling when you really think about it. The fact that people enjoy my work enough to have it on their skin forever. It’s incredible. The pieces that I have on my own body make me feel so much more confident. I’ve collected pieces by all of my favourite artists and couldn’t be happier with the outcome. I love that when I get tattooed, people recognise pieces by different artists. It’s nice to know that they have perfected their own styles enough to distinguish it amongst others. That’s what I’m aiming for.

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Interview with Anka Lavriv

30-year-old Anka Lavriv owns and works out of Black Iris Tattoo in Brooklyn, New York, where she creates beautifully delicate illustrative style tattoos. We chatted to Anka about her style, inspirations and her distorted female figures… 

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How long have you been tattooing? I’ve been at it on and off since I was 15, but I have been tattooing full time for about three years. Opening our studio Black Iris Tattoo last December was so life changing and taught me so much, it still feels pretty unreal.

How did you start? What did you do before? I didn’t have a traditional apprenticeship, so it took me a while to get to the point where I was able to build a personally acceptable portfolio and feel confident enough to get into a shop. A friend of mine got a tattoo from John O’Hara (who is now my business partner at Black Iris) and that friend put us in touch. I interviewed at the shop he worked at and basically begged the owner to give me a chance! Before that interview I bartended in Manhattan and Brooklyn. I also did illustration work on the side. I still worked at the bar part time through my first year of tattooing as I was building a clientele but it took me a little while before I felt comfortable enough to go into tattooing full time.

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Do you have a background in art? I am originally from Ukraine and my mom was an artist and font developer in The Soviet Union, so we had a bunch of art supplies and books when I was growing up. I was always interested in drawing and drew obsessively at times, but I never imagined I’d be able to make a living out of it. I am self-taught and don’t have any formal art education.

What drew you to the tattoo world? I’ve always been drawn to mediums that are lasting and non-erasable – ink, ballpoint pen. Tattooing is the ultimate form of this idea of permanence for me. When I know I don’t get a chance to make a mistake and start over, I get into a hyper focused state – I love the feeling of it. Tattooing is a craft that needs constant practice. I’m really grateful for coming up through the industry in such an interesting time when tattooing is a lot more accessible and socially acceptable.

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How would you describe your style, has it changed? When I was starting out, I didn’t have the execution skills, but I did have great imaginative concepts that came to me very freely. As I got to practice more and more, I started catering to my clients and now I’m trying to find the balance between producing work that is relevant while staying true to my aesthetic.

What do you like to tattoo and draw? I mostly draw distorted female figures adorned with symbolic and natural elements. I use female characters to tell a particular story or to just to give the image a certain feel. I love to tattoo animals ( cats cats cats!), botanicals, anything organic. I’m always down for a good old 17th century type of etching design too.

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What inspires you? My emotional state plays a huge role in the creative process. I like to think of inspiration as a reaction to the outside world and my inner experiences, sort of a filtration system. It can be anything really, for the most part other people’s work in any medium that emotionally affects me. The sensation I get from a particularly effecting piece of art becomes a part of me. I think about how it makes me feel and then draw based on that feeling. It’s pretty different with tattooing cause I mostly do custom design work and it’s more of collaboration process. I take my clients’s idea and illustrate it in my style.

What would you love to tattoo? And what would you refuse to do? I love tattooing animals, anything that involves mashing concepts together and my own drawings. I usually refuse to do small symbols, lettering is definitely not my thing. I wouldn’t tattoo anything offensive.

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Do you have any guest spot or conventions planned? I am guesting in Denver CO October 4-6 at All Sacred Tattoo and Portland OR at Scapegoat Tattoo (November 4-6). Hoping to get to Europe soon. I will be posting my travelling plans for 2017 on my Instagram pretty soon.

Can you tell us about your own tattoos? Most of my tattoos are done by my friends and I pretty much always get their flash/available designs. I’m happy that I was a wuss in my early 20s and didn’t get a bunch of bad tattoos so now I still have some good space available to get work done from the artists I admire.