Tagged: tattoos

Interview with Tan Van Den Broek

27-year-old tattoo artist Tan Van Den Broek works out of Dark Cloud Electric, a private studio in Fitzroy, Melbourne, and creates beautifully colourful neo-traditional tattoos. We chatted to Tan about her love for hard working bees and a dirty olive colour pallet… 

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How long have you been tattooing? It’ll be my sixth year of tattooing this August, I completed an apprenticeship over three years in two separate studios. I’m currently working in a private studio in Fitzroy, Dark Cloud Electric, with Dean Kalcoff.

What did you do before? Before tattooing I was at university completing a Bachelor of Creative Arts in Drama. Performance and art have always been an important part of my life, so it seemed fitting to do a degree in it. While studying I was waitressing (classic part-time actor job) and continued to waitress over the weekends while apprenticing. I would work five days a week at the studio, weekends waiting tables, drawing every other moment.

How did you start? Straight after I graduated uni, I applied for an apprenticeship in a local tattoo studio that was just opening up. He already had an apprentice, who had a fancy tattoo nick-name and lots of Kohl eyeliner, but I dropped by the studio with my folio of work anyway. He set a two year apprenticeship for me, I spent the first six months just observing and cleaning before I was allowed to tattoo.

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Do you have a background in art? Yes, I was a really quiet child and so I escaped into drawing imaginary worlds and what was around me; lots of flowers, animals and vegetables! I grew up on a organic vegetable farm, and both my parents are avid gardeners. I took on life drawing classes and later completed my drama degree doing as many visual art subjects as they would allow me to do. I stayed in most nights during my adolescence drawing, I guess nothing much has changed.

What drew you to the tattoo world? Music and my sister. Most of the bands I was listening to when I was younger had tattoos and their cover artwork always made me start brainstorming my first tattoo ideas.

My sister got her first tattoo under age over new years eve. She lied to our parents saying it was semi-permanent and that the pigment would fade away after a year. After a year rolled by and more tattoos were added, my parents clued on. Every tattoo she got, I just kept thinking that I could’ve drawn that better for her and made her happier.

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Describe your style, how has it changed? My style is neo-traditional but more on the bold, colourful traditional side. I like bold lines balanced with finer details.

Initially I wanted to be strictly a traditional tattooist, I loved the work produced by Andrew Mcleod and Jaclyn Rehe (still do) and loved the aesthetic. Tattoos that look like tattoos. Bold and badass. Vintage photographs of men and women adorned with ropes, ships, butterflies, women got me going! I quickly discovered I would over complicate my traditional drawings and I could not restrict my colour palette. I liked soft pastels and dirty olives. Neo-traditional was a better fit.

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What do you like to tattoo and draw? Easy! Animals, flowers and Birds! Lately I’ve been tattooing lots of Native Australian flora, which can be a challenge but I LOVE the challenge and the colours of our flowers.

What inspires you? Beautiful gardens, climbing roses, old buildings, lakes, lead-light windows, crystals, Scandinavian towns, autumn leaves, caves and good coffee.

What would you love to tattoo? Monkeys, I love their expressions. Big cats, toucans/horn-bills, fishing birds, flowering fruits and more native flowers.

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Do you have any guest spots or conventions planned? I’m heading back to Hobart for a week in June, then my next convention will be New Plymouth NZ Tattoo & Art Expo in November. Then Three Eyes Convention in Adelaide in February 2017. I’m currently planning a trip for Aug/Sept, fingers crossed I’ll be heading to United States or back to Europe. I miss Vienna and Göteburg.

Can you tell us about your own tattoos? Sure, my left thigh, left sleeve/hand and left side of my neck was tattooed by my amazing co-worker Dean Kalcoff. My sleeve is inspired by my love of Art Nouveau and 1920s fashion. I’ve got a big orange rose on my neck, my hand has another rose and a Mike Pike Teacup machine. My left thigh has a rabbit being constricted by a snake.

My chest was tattooed by Emily Rose Murray, fuck I was lucky to jump in on a last minute availability! That piece makes me feel really beautiful, big soft peony roses and a little bee. I have three bees tattooed on me (so far), I love their meaning of female strength, hard work, self sacrifice and the importance of teamwork for a greater good.

I have four tattoos from my dear friend Clare (Clarity) Hampshire, one is a vintage nurse with red poppies for my G’ma who served as a head nurse here in Melbourne during the second World War treating the returned soldiers and my G’pa who passed due to WWII PSTD. I have only one matching tattoo with my best friend Jen, it’s a little teapot with the words “Tea For Two” We always catch up over a cuppa, and it’s helped us get through the more difficult times in our lives. Tea just seems to help, you know?

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Fashion Pearls of Wisdom: Public Property

Our columnist Natalie McCreesh aka Pearl, is a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she’ll be talking about the stir visible tattoos can cause…

Us Brits are a predictable bunch, first sign of a little sun and we are stripped down to our shorts and vests before you can say ‘ice cream van’. Every year the warmer weather seems to jump on us out of nowhere- no warning until one day you are walking home from work in your faux fur coat as everyone else passes you in flip-flops. Lament as I did in my last column about winter clothes hiding our tattoos; I had forgotten what a stir tattoos can cause. In true Brit fashion I jumped at the chance to go to work today without my woolly tights on, legs bare and if I’ll admit a bit cold! I was walking around enjoying the vitamin D when I heard it ‘look at those tattoos’! The girl actually gave me a sheepish smile as she realised she hadn’t been as discreet as she might have though and I couldn’t help but laugh. But it did bring back to me the reminders of how other people find our tattoos to be something of their business. Suddenly my skin that had been protected by jeans and thick jumpers was exposed and public property.

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This got me thinking about who we get tattoos for and how we control who sees them. Back, torso, bum these are all quite private areas which we generally conceal on a daily basis. For me anything above the knee is generally hidden away from sight unless I consciously choose to wear something like shorts or a backless dress. I am fully aware that if I chose not to cover my tattoos I will draw attention, wanted or not. As I’m sat writing this in the park a guy comes over and asks if he can look closer at my arm/ back tattoos – I’m wearing a vest top. I say sure and we have a quick chat about whether they hurt and where I got them done. He says I’m a ‘tattooed wonder woman’ and bids me farewell. The more visible tattoos I get the more I have to consider how I control my body. I’m not sure I’m ready to be in position where I can’t choose to hide my tattoos, not yet anyway. I salute those who do.

Rock n Roll Soul: Emma Inks

Emma Copland is a 28-year-old Scottish charity support manager and blogger living in London. We chatted to Emma about how she started her blog emmainks.com and her tattoo collection… 

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When did you start blogging, how did you get into it? I had a secret blog that was a scrapbook of my life but it was October 2014 when I officially started Emma Inks. The combination of living in London and my passion for travel meant friends were always asking for recommendations so I started promoting my posts, hoping that other people might find my ramblings useful too.

What kinds of things do you blog about? My blog is a reflection of me so it is a bit all over the place with posts on: London life, travel, vegetarian food, style, beauty and any other random thoughts I have.

How would you describe your style? I am not one to follow trends; I just wear what makes me feel comfortable, which often includes lots of leather, ripped denim, vintage rock t-shirts, black, and leopard print. I often end up looking like I have just been thrown out of an American dive bar. My style is mainly influenced by rock music, movies, Cher and people I see on the street.

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What inspires you? I am inspired by many things, but mainly travel and people who are not afraid to be themselves. I love people who make their own path instead of following the crowd or doing what is expected of them.

Do you have a favourite designer or artist? There are so many talented artists; a few of my current favourite tattoo artists include Kirk Jones, Kelly Violence, Dani Queipo, Henbo, Rebecca Vincent, Cally-Jo, Hannah Pixie Sykes, and my gorgeous friend Nikki Nairns. They are all high on my list of people I would love to be tattooed by.

When did you get your first tattoo? Do you still love it? I got my first tattoo just after turning 18. It was bought by my two best friends before I went on my first solo backpacking trip and was a meant to be a heart/thistle representing our friendship and my Scottish roots.

These days it looks more like a club stamp I have not washed off and has a scar right through the middle of it after I broke my wrist snowboarding. It is definitely not a piece of art, but it reminds me of an amazing time in my life, being young and reckless so I don’t think I will ever get it covered.

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Tell us about your tattoos? I started getting tattoos at 18 and went with the tribal style which was common at the time. I had my aforementioned club stamp on my wrist and a hand drawn sun on my back within the same year. The back tattoo was meant to represent my backpacking trip around South-east Asia, Australia, and New Zealand, though I still like it I am thinking about getting the Buddha in the centre covered up as I don’t want any religious symbolism in my tattoos.

When I was a poor student I couldn’t afford new tattoos but I did plenty of research and started to get into more traditional, colourful pieces. I got my anchor by Frank Paradiso in Tattoo Peter, Amsterdam’s oldest tattoo shop. I loved the style and vibrancy so much I got my second traditional tattoo by his colleague, Bill Loika, at Brighton Tattoo Convention. You could tell Bill has been a tattoo artist for years as my swallow inking was super speedy, yet beautifully executed.

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A year later I promised myself that I was just going to look at the artwork at the same convention but after seeing Adam Cornish’s flash I couldn’t resist and got the rose on my shoulder.

The most recent piece was done by Harry Harvey at Vagabond in East London, the arrow was my idea but Harry took it to the next level and I was so pleased with the final design.

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Do you have any future tattoo plans? I definitely want many more tattoos, I know that I want to continue with a few more traditional pieces on my right arm but I also want to start on some more detailed blackwork on my left leg. I would have more right now but unfortunately money is in the way of my grand plans.

Do you consider yourself a tattoo collector? Yes, I would say so. I love having a range of art by different people on my body.

What reactions do your tattoos get?  I have had a mixture of positive and negative reactions to my tattoos. I think mainly people are just inquisitive so I really don’t mind answering their questions, even though they often get repetitive. The one which I get asked all the time that does get on my nerves is “What does your boyfriend  [who has no tattoos] think?”. It kind of implies that my body is not mine to do what I want with and also that tattoos make me unattractive. It is never meant with malice but usually has an undertone of disapproval. People’s reactions don’t really bother me as I love my tattoos, and that’s all that really matters.

Interview with Arianna Settembrino

Our Italian contributor Ilaria Pauletti chatted to Arianna Settembrino, who works out of her personal studio Skinwear Tattoo in Rimini about what inspires her and how she sees today’s tattoo culture…

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You were one of the first women to stand out in the tattoo world, not just here in Italy but in the world. How did you get to where you are now? I’m very proud of what I have become. My path, somehow, has always been characterized by great commitment and great sacrifice.
I am very self-critical, but very determined. When I was young, I can remember, being given the chance to work in a studio as an assistant/apprentice, and how I devoted all of myself to this job, making the most of everything I was required to do by my mentor.

If you weren’t a tattoo artist, what would you be doing now? Another great passion of mine is education. I would definitely like to work in the school environment, with particular attention to adolescents. I strongly believe in the value of rehabilitation and recovery- I would have probably worked on a project of rehabilitation and reintegration of young people when they leave juvenile detention centres.

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Do you believe that every tattoo artists chooses their tattooing style based on the characteristics of their own personality? It is absolutely true! The style of a tattoo artist and the characteristics of their work are an external representation of their character and of their essence. I would say that on one side we choose the style, and on the other one, the style chooses you.

Who and what inspires you? Is there any recurring themes in your art?
My sources of inspiration have always been tied to classical iconography of traditional tattoos, with bits of Victorian style and religion thrown in. I’ve definitely found my identity and style, and my own self-discipline and awareness have helped me to do this. I love anything form of art that is very graphic, futurist and Gothic or the brilliant works by Bosch- these intrigue and enchant me, even the music.

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What has changed since you started tattooing? What would you like to change and what would you never want to change? It has changed a lot. The tattoo world reflects significantly the society in which we live in and nothing is as it was then.

Tattooing has evolved so much, especially where technology and equipment are concerned. Social media has elevated tattoos to new heights, and more and more people are getting tattooed because of it. But on the other hand tattoos being so available has generated the false belief that a tattoo is easy- people think they’re cool and simple to create. It takes respect and awareness to be a good tattooer, nowadays no one respects the art or their customers. There are so many ‘famous’ tattooers that do not always know the meaning of ethics and professional conduct, and tattoo their face and hands with a carelessness that leaves me astounded. It is an already saturated environment, and in a way it is so widespread that it has lost value. This job is not for everyone, you have to earn it!

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Do you have a personal mantra that you live by?
My personal mantra is “I am present”. I use it every day, not just at work as I need to keep in touch with myself and stay centred.

What do you think of people who call themselves tattoo collectors? What I think of today’s tattoo collectors is that many of them are hurrying to fill up every little blank space, getting tattooed only by those branded and trendy tattooists. Their collection is not a true representation of a story, it hasn’t grown over time, with no life experiences instead it is a mere status symbol- a pre-packaged design. A visual impact that really makes me sick.

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 If we think of the first tattooed people, years and years ago, we understand that tattoo was seen as something wild, forbidden but fascinating. Considering this, how do you see the future of tattoo culture? If once tattooed people were seen as freaks and people paid a ticket to the circus to see them up close, well, today I would say that we have gone the other way. Today is just the non tattooed person to be something exceptional. It is both good and bad, nowadays many people are getting tattooed because everyone else has one! I hope the future of tattoo art will be positive and that it will flourish, I hope that quality will win against quantity.

Nicole Leth: Sex and Ice Cream

23-year-old Nicole Leth is an artist and designer based in Kansas City, Missouri. We chatted to Nicole about her self love journey and her new store which will celebrate the work of hard-working female creatives… 

How would you describe your style? My style is Katy Perry meets Marilyn Monroe meets Jeremy Scott meets Yayoi Kusama meets tween girl in America all wrapped up in a Miami in the 1970’s colour palate.

What inspires you? I am inspired by day to day life and everything that goes along with it. When I first started designing I pulled a lot of inspiration from past relationships and break ups and now I like to view my work as an autobiography or visual diary where I can talk about things I’m experiencing and going through as a 23 year old woman in the world today. I like to translate these ideas and emotions through traditional textile processes, imagery from my diaries, and colour play. I guess to sum it all up: I’m inspired by the notion that everyone has a valid and important story to tell regardless of their age or gender.

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When will your new shop open? How have you made this happen? Do you have a background in retail?  Ah! My shop is opening on May 6th! ( Eeeee! I’M SO EXCITED!) I’ve been working my way up in retail jobs for the past four years and just recently quit all my other jobs to do Sex + Ice Cream full time. How did I make this happen? Hard work. No bull shitting. I don’t take days off — when I was working my other jobs I would work there for eight hours and then come home at night and work on my own stuff for eight more hours, fall sleep on a pile of sewing supplies, wake up and do it all over again.  I think that sometimes people underestimate what it means to be an artist, let alone have your own business, and make it work. I think its super important to set goals for yourself and be your own support system.

What can people expect to see in it? I’ll be selling my pieces that I’ve designed over the years. Everything that is for sale on my online store you’ll also be able to buy in my shop! I’ll also be selling one of a kind items that I’ve hand sewn and hand painted the fabric of. Also, I’ve brought in a lot of work from some of my favourite brands and artists from around the world! Lots of ceramic pieces, zines, handmade panties, patches, pins, and all that jazz. I like to think of it as a badass collective of work made and designed by extremely talented female makers.

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Are there any artists that you’ll be collaborating with? I think collaborating is one of the most important and stimulating parts about being a practising artist. I’m working on a million different projects: doing surface design on clay pieces from ceramic artists, creating handmade candles in candle holders with a candle girl, working with photographers and video graphers to produce digital work, and with writers on zines!

On your website you say that your garments are your personal diary, what do you mean by this? I mean it in both a very literal and theoretical way. A lot of my pieces have imagery or doodles that have been scanned directly from my diary pages and printed on the fabric. Other pieces I literally treat as my diary and hand draw, write, or paint on the fabric to record what’s going on in my life, what is exciting me or making me sad. Designing garments is a way for me to express my words in a visual way.

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Do you see yourself as a feminist? Yes.

How do you hope to empower and inspire other women? I chose to start designing and creating clothing because I had gone through a bad break up and wanted to do something to empower myself and reclaim the person I knew I was. That was a pivotal, breakthrough moment for me and led me to discover something I was truly passionate about and a future that I wanted for myself. Most importantly, it made me realise how I strong I could be on my own, for myself. I think every women should feel that way — like they are capable of attaining anything in the whole goddamn world. I think the thing that a lot of women connect to in my work is the way I tell stories openly, without shame.
Recently, I’ve also been doing a lot of community work with young women’s organisations. I’ve done a few empowerment workshops where I tell my story, talk about relationships and ambitions, and create shirts with the girls.

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Is self love and body positivity important to you? Is it something you want to share? Yes. Its one of the driving forces behind my work and the stories I tell.

Can you tell us about your own self love journey? My self love journey has been a long one with lots of ups and downs. My childhood was filled with endless crash diets and gym memberships. At my thinnest I’ve weighed 120 pounds and at my heaviest I was over 200. I’ve been in relationships that were so tormenting I lost 50 pounds and I’ve been put on medicines that made me gain it all back. It was hard to have a healthy and accurate relationship with my body because it felt like something that was always changing and that I had no control over.

It took years and years and years but over the past two years especially I have developed an intense love and acceptance for my body. It feels really good to finally be content. I think its important to realize and understand that your body is something that cannot be labelled. That your health and self love is not something that can be determined by someone else. That your body is the one thing that has been with you since the beginning and helped you get through every hardship you’ve endured. That your body is beautiful and perfect as it is at this very moment in time.

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Can you tell us about your tattoos? Which was your first, do you still love it? My first tattoo is a big feather that turns into birds on my lower back. My father passed away when I was 17 so it was something I got for him. Since then, I’ve gotten a lot of tattoos — all of which have personal meaning to me. My tattoos act a lot like a diary as well — I get them to record exact moments in time, experiences, feelings that I never want to forget. I have a portrait of my cat Sprinkle on my forearm (she was the first pet I ever adopted on my own, she’s handicapped and the most loving cat I’ve ever had). I have a few matching tattoos with people who I love. I have a diamond tattooed on my ring finger (my love for myself will always be the most important, I will always belong to myself). I have tally marks on my hand counting how many people I’ve truly been in love with in my life (right now there are two, I hope to add more to it someday).

Interview with Katie McGowan

29-year-old Katie McGowan, works at Black Cobra Tattoos in Little Rock, Arkansas and creates insanely bright neo-traditional tattoos. We chatted to Katie about how she got started in the industry and how she loves those who express themselves through tattoos… 

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How long have you been tattooing? It’ll be six years this month!

How did you start in the industry? What did you do before?  I grew up drawing and having in interest in art. When I was little, I used to draw cartoons that I watched on TV. Mostly characters from Rugrats and the Simpsons. I would try to make the characters look exactly like how I saw them on TV. Then once I was in high school and college, I would draw portraits of my friends and try to study the details of their faces and bodies. Art had always been my hobby in a way. I drew a lot outside of school, but hadn’t taken any art classes until college. My freshman year of college was when I started hanging out at my local tattoo shop. I loved studying foreign languages as much as I loved art, so my major at the time was Spanish. After begging for a job at the tattoo shop, I started working there as an apprentice hopeful at the age of 19. I stayed in college for three years, but eventually dropped out to pursue a tattoo apprenticeship. My first year of tattooing was in 2010.

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What drew you to the tattoo world? The energy that you find in a tattoo shop and at a tattoo convention can be quite magical. It’s this unapologetic environment where people can embrace their bodies, express themselves through art, and say “fuck you” to society’s expectations. I love this. I love the concept of a person having control of their body and life in such a way that if they want to pay to have it altered permanently, they can. To me, that’s empowering. Also, I love having a job where I can cuss. A lot!

Describe your style, how has it changed? What do you like to tattoo and draw?
I have respect for all genres of tattooing, but I’ve always had a particular fascination with traditional and neo-tradtional tattoos. I love tattoos that look like tattoos. I find them to be charming and eye-catching. I also love a tattoo that will age nicely and look rad from now until you’re playing bingo in the retirement home. Traditional style tattoos stand the test of time. I would describe my style as traditional-ish, somewhere between traditional and neo-traditional. I try to use interesting colour palettes, and I feel like my colour choices often times make my tattoos identifiable as being done by me. I tattoo lots of mandalas, lady faces, and other imagery with bold line work and fun colours. I’ve also been tattooing lots of geo-animals which is really fun!

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What inspires you? I’m inspired by confident people. People that come in and get large, visible tattoos and don’t care how they’re perceived by others, that’s impressive to me. I’m also inspired by hard working tattooers that crank out killer work on the daily. Matt O’Baugh, who owns the shop that I work at (and was my partner on season six of Ink Master), is a good example of a hard working tattooer that inspires me. I’m also inspired by the young tattooers that are coming into the industry hungry to prove themselves. Females tattooers are a huge inspiration to me too. I love all of the female tattooers that are doing lots of feminine, coloruful, traditional-ish tattoos and making that style of tattooing more relevant and accessible. That is incredibly inspiring to me. I was so honoured to get to meet and hang out with Shanghai Kate at her shop in Austin, Texas. Talk about an inspiring female tattooer! She’s a trailblazer and a bad ass for sure.

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What would you love to tattoo? I would love to tattoo anything that represents my style. Mandalas, roses, lady faces, any sort of traditional inspired imagery. Anything I can incorporate bold lines and fun colour palettes into, I’m down!

Do you have any guest spot or conventions planned? I’m working the Evian convention in France in October this year (I’m so excited!), and I’m working on locking down dates for guest spots and other conventions before then. I always post on my Instagram when I travel, so if you follow me on there, you’ll definitely know where I’ll be at!

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Can you tell us about your own tattoos? I have a mixture of meaningful tattoos, silly tattoos, and stuff I wanted just because I thought it was cool at the time. I got my first tattoo ten years ago, which is crazy to think about because it doesn’t seem like it could have been so long ago! I don’t have a favourite tattoo on me, but I especially like my traditional rose with “don’t call me Shirley” in a banner on my forearm.

Inkluded Launch New Online Store

Here at Things&Ink we are big fans of the Inkluded blog founded by freelance journalist Beccy Rimmer. So when we heard Inkluded launched a brand-new online store, we had to share it!

We’ve teamed up with Inkluded to give you the chance to win a T-shirt! Check out our Instagram for more details.

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Inkluded have created a clothing range in which every design has been drawn by tattoo artists. Inkluded has worked with five UK tattoo artists, Hannya Jayne, Dan Metcalfe, Mike Love, Clare Lambert and Kat Winifred, who have all designed something from scratch for the launch range.

Founder of Inkluded, Beccy Rimmer, said: “At Inkluded, we’re passionate about showcasing and sharing amazing tattoo art. This country’s creative tattoo scene is fast-growing and flourishing with talented artists, remarkable artwork and innovative styles – we thought it was time tattoo enthusiasts had one online place from which they could buy tattoo products and fashion.”

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Inkluded was set up with a strong mission, to raise awareness of exceptional tattoo art through blog posts, art exhibitions and by creating an artistic community that people can feel included in. As well as browsing the new products, readers can meet the artists through a series of interviews published on the blog.

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A selection of limited edition T-shirts and vests (prices from £15) are available from www.inkluded.co.uk/store.

Photographs by JustJodie Photography

Jessica Gutteridge Illustration

 22-year-old Jessica Gutteridge is a student and illustrator from York, UK. We chatted to Jessica about her dark gothic film inspired drawings and her tattoos…

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Inspired by Things&Ink Jessica created a tattooed Tiger Lily just for us… 

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Do you have a background in art? How and when did you start drawing? I’ve been drawing all of my life, but up until I was seventeen I wasn’t very good at it. I took graphic design, illustration, fine art and photography at college, where I was able to develop my drawings to a stage where I could draw a realistic figure. I applied for a fine art course at university because I knew there would be no boundaries to artwork I made. I’ve found with fine art they really push you to not do illustration, so I keep my university work very separate to the illustrated prints I put out into the world. Weirdly I never though I wanted to be a full time artist even with taking all those creative subjects, only until I created my online store Jgdrawings in 2014.

What inspires you? I absolutely love everything gothic, mythical and mystical, especially in films! I’d say film culture is my biggest inspiration, along with the tattoo world. I’ve always loved films and especially the old ones like Beetle Juice, Lost Boys, monster squad…anything before 1999. When I started illustrating my family and friends always said my designs would make great tattoos, I guess that was what made me realise my style of drawing and where I find inspiration from. I tend to always be attracted to colourful pieces of art and tattoos but always draw black and white pieces and get black and white tattoos!.

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What medium do you use? How do you create each piece?  I always use pen or black ink to draw my illustrations, but as of this year I’ve started to branch out and create art using other mediums I love, such as acrylic paint, watercolour and embroidery. When creating a piece I start making shapes using pencil to get a composition/scale going, then I use pen for all the finer details. A fine marker for lines and then usually a 0.2-0.5 ink pen tip for the detail and dots. I love crossing dotwork with watercolour, you get the fine cluster of detail from the dots with the wash of colour poking out! Everything I do is hand drawn and then I edit it on photoshop. I’ve started also doing needlepoint and sewing little characters, it’s a medium I touched on at university and really enjoyed.

What kinds of things do you draw? I draw whatever I’m inspired by, whether that be a character from a film, to flowers, animals, mandalas, palmistry bits. I follow popular culture and if anything pops up that speaks to me, I go with it. Yesterday I sat on a plane watching Peter Pan and needed to draw a Tiger Lily character, that same day I read through the Love copy of Things & Ink and needled to draw myself some lovey dovey bits! I am always open to anything so custom projects are perfect, I’ve drawn logos, website bits, present prints, cards and family portraits for customers and its great!

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Describe your style, has it changed? In drawing I’ve always used pen. My style is still quite gothic with the characters I draw, the black and white print but just of late I’ve wanted to branch out with new content that I’m getting into. I want to make more pieces with colour, I love the shades of acrylic paint I have so really positive, bright illustrations would definitely be a huge change.

Do you admire any other artists, do they influence your work?  The artists I get inspiration from are feminists such as Louise Bourgeois and Sarah Lucas, but when it comes to me physically drawing I get my inspiration from tattooists. Instagram is a great platform to view art constantly, keep up to date with my biggest inspirations in the tattoo world such as Alex Bage, Cassandra Frances Arianna Fusini, James Armstrong, Thomas Bates, Mister Paterson. Obviously there are so many more, but every time I see a new upload I just want to grab my pens and doodle all day. Definitely yes, I’d say they influence my work in the sense I want to also get to their level of mastering a craft, or more so style.

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Can you tell us about your tattoos? What was your first, do you still love it? How do they make you feel?  I have three in total, a big leg piece right on the shin, a cobweb on my shoulder and a pair of plastic Halloween fangs on my arm! The fangs were my first tattoo and I absolutely love it, it reminds me constantly of my favourite time of the year. I got it when I was 19 and it’s still in great condition, it was the perfect time for me to get a tattoo and I love to show it off. My tattoos make me feel great, like I have a style of art which I am passionate about forever on my skin.

Do you do commissions? Where can people buy your art? I certainly do! My art is all available on my big cartel Jgdrawings, where I sell pre-made art prints, custom one off prints, t-shirts, tote bags, embroidery pieces and stitched dolls. For commissions and any other enquiries I am always reachable at jessicalgutteridge@gmail.

Careers: Tattooed Visual Merchandiser

We chat to 23-year-old Stefaine who works as a visual merchandiser at Tiger UK  in Canterbury, Kent about her beautiful traditional tattoo collection and her love for all things interior design… 

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I begged for my first tattoo for about a year. I was the youngest in my group of friends outside of school, they all had tattoos and at sixteen I was desperate to get my first one.
I went into a shop in Margate,my dad was childhood friends with the owner. I remember walking in, it had wall to wall tradition old school designs. I picked a classic swallow. I think as I aged and I became more aware of the tattoo industry, especially through Instagram. I’ve since had it blasted over by the incredible Philip Yarnell, With a sombre looking cowgirl and I love it!

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My mother was the first person to really open my eyes to tattoos, I distinctively remember her coming to my year six sports day with a fresh tattoo and thinking ‘this strong, beautiful woman is my mum and she has tattoos, what a badass’.
I feel tattoos have enhanced the love I have for my body. Every time I get tattooed I’m able to make a lifetime connection with an incredible person and artist. I started getting tattooed at a stage where your mind can very easily be warped by not always positive influences. Allowing outside negativity about my body is something I’ve always struggled with but as I’ve aged, with each new tattoo I’ve found an acceptance.

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I have a real eclectic collection of work on me by some truly amazing people. Almost all of my tattoos are traditional/neo-traditional and mainly all in colour. Although I wouldn’t change that, I am always quite envious of people with all black work, it’s definitely a style I want more of going forward.
My good friend, Amy has done a majority of my work, we started as soon as I turned 18 and it’s been a pleasure seeing her grow in popularity and really push her distinct style. We recently put my beloved pooches portraits on my skin, I feel like it really helped me heal the grief I had in losing them.

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I met Harriet Heath last year, I loved her style from day one. The last pieces she did for me was a kewpie Frida kahlo on me and a lucky black cat with a good luck swastika on the inner of my leg. She’s an amazing person and I really want more from her this summer!

Right now I’m between having day sessions to complete my woodland leg sleeve by Becca and finishing my knee by Aaroné Realmao. I feel very fortunate to be tattooed by these people. I’m always in awe when I see Aaroné free hand on designs. I think you have to put a lot of trust in someone to do that and it always pay off. I’m already thinking of what I want him to do once we finish my knee, his lady faces are stunning!

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I started working at Tiger in 2014. Tiger is a Danish variety design store, it’s been dubbed the poshest, brightest, happiest pound shop in the land but it’s so much more than that. Tiger is a name play on ‘tier’, which is Danish slang for 10 kroner, the equivalent to £1.10. I was a Christmas temp for two of the company’s busiest months before being given a part time weekend job. I then began working my way up to a full time position as a visual merchandiser. I really do love my job and the team I work with are like a slightly dysfunctional second family to me.

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I didn’t have any previous experience in retail or merchandising, I had worked in the nightclub industry for three years prior, although I loved that social scene at the time I knew I wanted something more creative. I’ve always had an eye for interior design. Visual merchandising at Tiger is like no other, the foundation of what you’re working with is very minimalistic, so the products speak for themselves.
Visual merchandising has given me the confidence boost I needed to pursue bigger goals, so I’m looking to do a silver smith course during the summer. It’s something I’ve wanted to do for a while so I’m excited for things to come.

At Tiger, merchandising involves the constant rotation of stock around the store to keep it ‘fresh’, in order to do this we group products by relevance and by use. In the summer we focus of children, so kids arts and crafts and toys will dominate the front of the shop. The development of planograms for tables and window displays are a critical part of being head VM, it’s really exciting to see the new products coming in for the monthly kamp! It’s definitely my favourite part of the job. We try to keep in mind what’s current right now, moustaches were a really big deal last year so our designs were focused on that. We use emotional attachment and retro music to build a positive shopping experience. To us customer experience is key.

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Right now I’m responsible for stationary, adult/kids hobby and professional art. I’m a DIY fanatic, I thrive off creative ideas on how to use products not always how they’ve been intended for. We have such a high turn over of products, that displays need re-merching weekly. I find if i have a product that’s a slow seller, it often is down to placement, which is my job to recognise and change.

There’s no real dress code for work, we’re given a black t-shirt with our logo on it. Clothing has to be practical as there are some very manual aspects of my job. My go to outfit is a long sleeve black midi dress, with tights and boots. I’m quite reserved about all of my tattoos being on show, Canterbury is diverse but is still predominately middle class and being a young woman with a lot of visible tattoos I sometimes, rarely though, encounter sour opinions. I’m lucky though, Tiger embraces individuality and is probably the most laid back retail chain you’ll find on the high street. I’ve always said if I need to cover my tattoos, I’m happy to do that but I’ve never been asked to.

The end of last year I took the plunge and had my chin tattooed by my lovely friend, Kamila. It was a huge decision for me which I definitely didn’t take lightly. Its completely dotwork and it’s just so beautiful. I’ve had super positive feedback from customers, I get ‘that must of really hurt’ a lot and they’re always surprised when I tell them it didn’t, a little pinchy around the jaw but nothing too bad!

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The most important thing to consider when getting tattooed is will this burden my pursuit for my dream job. I’ve always tried to live by if it makes you happy, do it. Sadly happiness doesn’t pay the bills every month! I think if you’re driven and passionate, I’d like to think your employer will look beyond being tattooed and see it doesn’t change your values or your work ethic. Society is changing, a lot of companies are realising there is a wide demographic they can appeal too by having (I hate to say it) ‘alternative’ looking employees. For a lot of high street retail , Topshop, Lush etc it’s ‘cool’ to be quirky and you’re more likely to get an interview if you have that edge about you.
That being said I feel there is still a bit of a shock factor when you see face tattoos, it won’t always be that way I’m sure but until you’re 100% certain of you career pathway I’d say hold off on anything that could hold you back. I don’t want to be defined by my tattoos, I want to defined by being a good person and a hard worker.

Careers: Tattooed Wholesale Manager

We chatted to 28-year-old Jenna Needham who is wholesale manager for Motelrocks.com about her beautifully dark tattoo collection and her role within the fashion company… 

How old were you got your first tattoo, what was it? Do you still love it?Shamefully I was 13 when I got my first tattoo. I bunked off school to go at get it at a local place called ‘Dodgy Kevs’. Of course that wasn’t the actual shop name but its how we all locally knew it and since me and my friends all got tattooed there so young I’m pretty sure you can guess why!

I went in and picked my favourite Chinese symbol off the wall (that was big in 2000) and had it put on my butt!  I had to have it there to hide it from my mum, he just sketched it free hand with a biro and away we went! I can’t say I’m a massive fan of it now but for comedy reasons (and the fact no one ever sees it) it doesn’t bother me too much. It means tiger in case you were interested!

What drew you to tattoos, did anyone influence you?
From a young age I was into a more alternative scene and so naturally from that point I saw more people with them. Not that I think tattoos are bound only to the alternative scene but I was definitely more exposed to them in that environment at that time.
I can’t really remember what it was that first attracted me to tattoos though to be honest, no one in my family has them but I was always drawn to them and the way the art looked on skin.

Can you tell us about your tattoos? I can tell you there’s not enough of them!
My tattoos are just a random collection of my likes and memories really. I have a few that I’ve had done that mean something to me and people close to me, some while travelling to remember a time or a place and then some which are just a memory of me getting tattooed by someone I admire and perhaps a point in my life.

When I got tattoos when I was younger I didn’t really think about what I wanted and getting a tattoo was just walking into a shop and picking something off the wall. Now it’s like having an artwork collection on my skin that I can see everyday. I remember when I first started to find peoples whose work I loved like Thomas Hooper and just being so excited to be able to put their designs onto me and finally finding people’s work that was in the style I like. My favourite thing to do on Instagram is find new tattoo artists, I think its amazing that now it’s so much easier to find so many amazing artists across the globe.

Are there any artists you admire?
Too many! I pretty much admire all tattoo artists. Being a person who is unable to draw I appreciate all their amazing skills.
Of course everyone I have been tattooed by I have the utmost admiration and appreciation for which is why I want their art on my skin and that includes, Raph Cemo, Grace Neutral, Rebecca Vincent, Jack Ede, Tiny Miss Becca, Aaron Anthony and Jemma Jones just to name a few!

What are your future tattoo plans?
I really want to get my back done and my arm completed in the near future but I don’t actually have anything booked in right now.
I never really focus on an area I just seem to know where something is going to go when I have it and so my pieces are generally just scattered around.
A few of my current dream people to get tattooed by are Guy Le tattooer, Sway, Thomas Bates, Kelly Violence, Thomas Hooper and Ryan Jessiman.

How did you get your current job? What did you do before? Did you study for it, did you work your way up?
I was living in Wales at the time, I’d moved there for my boyfriend  and although I absolutely loved my time there and the people I’d met, when we broke up I felt I needed a fresh start. My friend at the time had just moved to Bristol and we were obsessed with shopping on Park street it was full of independent shops, vintage and clothes you definitely couldn’t buy in Newport! We were shopping in the Motel store and I noticed they were advertising for an assistant manager position in that store and I just thought why not! Got the interview a week later (which I actually don’t think I performed that well in) and just got on so well with the two girls who were interviewing, they called me back a few days later and said they wanted to offer me the job. At the time everyone thought I was mad because I was moving to a flat with rent three times more than what I was paying and a salary that was half of what I was currently earning but something just felt right and I guess it was the universe telling me I was making the right move.

When I started with Motel in 2007 it wasn’t that well know or big and one of the girls from the shop used to model for the website which only had a handful or products on it then we started to get more PR activity around our clothes including celebrities wearing the brand and everyone just started to notice Motel more and more. No one was doing printed dresses like Motel were at that point and so we were way ahead of the game!

From assistant manager I became store manager, then the website started to boom so they moved me over to work on that, managing the in-house buying, promotions etc. I was also already helping them with the wholesale trade shows in Berlin, Las Vegas and New York during that time so then when they eventually decided to open a London showroom and offered me the chance to work on the wholesale team I jumped at the chance.

What is a typical day like for you?
So I basically sell the collections that Motel creates to other boutiques and stores that buy third party brands. At Motel we sell 12 collections a year which pretty much means I am selling product all year round (as well as an additional swimwear line we now do!).
I deal with all our international agents/distributors, all of our UK key accounts and any boutique smaller accounts where we don’t have an agent servicing that area.

The best thing about my job is the variety of things I do really. I might have the wholesale manager title but I’ve been with the company so long I can’t help but get involved with other areas of the business and share my ideas! I’ve helped create a promotional street team family for Motel, I organised the recent Grace Neutral collaboration we did, ran the clothes show, designed a print, helped organise events and held sample sales as a few examples!
Mainly though on the run up to the ranges I spend time with design and production and we all discuss requirements and needs for future seasons, we go over any upcoming collections in sample form and will go through pricing and design to make sure the range is completely as we feel it should be.
Selling the range I am speaking with customers, maintaining relationship and meeting their Motel needs while also trying to source new relationship with potential new customers.
I work on exclusive designs with some of my customers and bridge the gap between all the agents and Motel helping them meet their customer needs to.
Its definitely not a 9-5 role but I’m fortunate that I love my job and that’s why I’m so passionate about it.

How do you dress for work, do you show off your tattoos? I’m pretty lucky that fashion is possibly one of the easiest sectors to work in and wear whatever you like.
I of course wear a lot of Motel anyway and I try and do this for meetings especially. Generally anything black, grey and a shade of in-between!
I don’t purposely get my tattoos out but I don’t hide them either. So long as it’s not a cold day I will happily have my tattoos on display for meetings, the office or any trade show we do!

What kinds of reactions do you get? From work colleagues, family and the general public. 
I think my mum has the typical parent reaction and worries about how many I have and if I will still like them in the future, like I say no one else in my family has them so I’m slightly different, but that said she often tells me she’s proud of me for being vegetarian and having tattoos. She’s happy that I express myself and stay true to me.
I generally get a really good reaction to my tattoos from the general public, work colleagues and anyone I might have in for a meeting. My hand is the most commented on, I guess because its the first people see a lot but I’ve never had any negative comments said to my face. I of course have had to challenge a few “what about when you’re older” comments like most!

What advice would you give other people considering their careers when getting tattooed?
I personally think that you shouldn’t let anyone tell you what you can and can’t do to your body. That’s the skin you have to live in and if you want to decorate your home, your body then you should. A tattoo doesn’t define who a person is or change their skill set or mind and therefore it shouldn’t change the jobs that you can to do. That being said there are still jobs/companies/careers out there which feel tattoos which can be seen in the working environment are not professional, so I guess at that point you have to make a choice on what’s more important to you and perhaps think more carefully about placement of what you want done. It still shouldn’t stop you though, there are plenty of ways to keep expressing yourself but just maybe avoid the hand, neck and face area.