Tagged: tattoos

Pastel Paradise: Lemon Freckles

Toni or Lemon Freckles is a 30-year-old illustrator and blogger from Sheffield who lives in a pastel paradise of pink hair, her pugs and girl gang inspired drawings. We chatted to Toni to find out more about her fashion and artistic style, how she became a blogger and her tattoo collection… 

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When did you start blogging? How did you get into it? I originally started blogging around 10 years ago under a different name but Lemon Freckles is around five years old I think. At the time I was working full-time in mental health and in need of a creative outlet, blogging seemed like something I was able to do while working full-time, I didn’t really think anyone would ever read it.

What things can people expect to see on your blogA mixture of things, I like being able to share what is happening in my world; from my latest cute find to things that inspire me. I want Lemon Freckles to be a positive place, full of colour and silliness.

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Do you have a background in art? No, my degree is in mental health but I have always been a doodler. After 10 years of working in the mental health industry, I decided to take a step back and reflect on what I enjoy doing and last year I enrolled in a year long course in design. A few months ago I went self-employed full-time and it has been one of the best decisions I have made.

What inspires you? Colour and my ever so slight obsessive collecting of cute toys from my childhood. I want to bring back a little bit of that magic I left at the school gates sometime between the late 80s and early 90s. I am a firm believer that just because you’re an adult, it doesn’t mean you have to act like a grown up.

What things to do you like to draw? The more colour the better in my eyes. I love doodling toys and making characters out of everyday objects.

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What medium do you use? Pen and paper, Illustrator, whatever is to hand.

How would you describe your style, both in art and fashion? I think they are both the same, eclectic. It’s all in the detail, from the Polly Pocket earrings to the denim jacket covered in patches, the more cute the better!

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Can you tell us a little bit about your tattoos? Of course! I actually only got my first tattoo last year, which was a pug (a forever reminder of my two furry pug babies, Doug and Lola) and since then I have got three more; a My Little Pony, a Lefton, Miss Priss Kitty tea pot and a sewing related one. Sam Whitehead of Blind Eye Tattoo Company in Leeds has done all of mine and also has the same love of cuteness that I do, which makes her wonderful to work with.

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Do you think they have to have meanings? Nothing deep and meaningful I’m afraid. I get tattoos of things I love, things that make me happy and of course, the more colour the better.

Do you have any future tattoo plans? I’ve got one later this month actually, a Roly-Poly doll, which will be going on my arm. I’m wanting to get my full arm covered in cuteness over the next year, much like my style, eclectic and cute.

The Art of Kaethe Butcher

Kaethe Butcher is 25-year-old illustrator based in Berlin, she creates beautifully simple line drawings that explore themes of sexuality, relationships and the body. Kaethe has created an illustration titled ‘Washing out the Realisation’, especially for Things&Ink inspired  by the newly released Horror IssueWe chatted to Kaethe to find out more about her style and what inspires her… 

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Do you have a background in art?
If you ask whether anyone in my family is an artist then no. Once my mother told me that when she was young, she wanted to do an apprenticeship as a porcelain painter and I guess she was talented, although she wanted more practise. But in the DDR (German Democratic Republic, a former state) it was difficult for her and she gave up painting. I studied. I studied fashion design at university but we didn’t draw much on the course, in the first term we had a nude class. I guess that it trained my eyes to see more aesthetic things.

 

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Photograph of Kaethe by Robin Kater

How would you describe your style?
Erotic artwork that is melancholic and mournful.

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What inspires you?
Mostly through my own heavy heart and mournful thoughts. Melodies and song lyrics inspire me. I also pick out quotes from books when I am reading, or perhaps a movie scene or little details will inspire me. Like Moonrise Kingdom or Tomm Moore’s superb and lovely animation movies – just the colours or scene compositions. Also thoughts from people around me are very important!

What medium do you use?
Pencils from 2H to 8B, fineliners and eddings and copic markers, I want to use crayons again soon.

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Which has been your favourite piece that you have created?
AURYN is my favourite piece currently. And ‘We Don’t Talk About That’ is my most important one for myself.

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We Don’t Talk About That

Are there any artists you admire? Do they influence your art?
Yes! Takato Yamamoto, Vania Zouravliov, I  enjoyed the Vania artbook that I got from a friend so so much!. I also love Egon Schiele.

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Where can people buy your art?
Original artwork can be found on my Bigcartel shop. Prints and other stuff like mobile phone cases, t-shirts or totes you’ll find on Society6 and on Juniqe.

Can you tell us about your tattoos? 
I have two! On my left shoulder I have the white rabbit illustration by John Tenniel from Alice in Wonderland, and on my right thigh I have one of my own sketches. It is of a girl and a little rabbit from behind . All of them are just black line work.  I have wanted a third tattoo so bad for a really long time – a sleeping lion illustration from a Grimm fable book.
I mostly like tattoos which emphasize the character of a person or have a little story or thought behind – nothing spectacular but something. I don’t like those old-fashioned, pin-up, rockabilly style tattoos very much or those IT tattoos – even if they’re looking super good. They just bored me.

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Interview with Tattoo Artist: Charlotte Ross

Tattoo artist Charlotte Ross is currently travelling around the UK guesting at different studios. We chatted to her about her tattoos that resemble paintings, her love for birds and her own tattoo collection…  

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How did you first start tattooing? When I was studying at university we had to do a work placement course. Having the opportunity to create our own placements, I managed to organise mine in a tattoo studio. I would help out, clean, ask questions, watch the tattooists work. By the end of it I didn’t want to leave! The owner of the studio asked to see my portfolio and then offered me an apprenticeship. I then began my apprenticeship in my final year of uni.

Do you have a background in art? What did you do before? I have six years studying art after leaving high school. Two years at college and then four years doing my BA Honours Degree in Fine art at university all before starting tattooing. I have now been tattooing over seven years.

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How would you describe your style? I find it hard to describe my own work. I get put in the ‘watercolour tattoo’ bracket, but my work isn’t quite as soft as most watercolour tattoos are. When painting I don’t just use paint. All my art is done with layers of watercolour paints and pencil. So I can build strength where it is needed which gives a nice contrast between strong and soft areas. I tend to just say I do ‘painterly’ tattoos.

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Have you always worked in a watercolour style? How did this develop?  I feel like I’m just at the beginning of it developing. I’m at the point where I love the subjects I am getting and I’m confident in my tattooing ability, but I can see my work evolving and I’m excited to see how it grows.
Even though my work isn’t traditional there are still fundamental rules in tattooing that I still apply, so that my customers get a nicely healed tattoo. I have spent a lot of years doing a bit of everything in tattooing, which I believe every tattooist should do. And this has taught me the importance of lines, using the skin tone and contrast between light and dark. It’s that understanding that has helped to translate my paintings into tattoos.

What inspires you? Nature inspires me. I grew up in the country with a gardening family. So I’ve always been surrounded by nice gardens filled with lovely flowers, fields and animals.

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You draw and tattoo a lot of animals, are these your main inspirations? Birds are my main love/inspiration. I love everything about them and have since I was young. If there is ever a moment where I don’t have something to draw up for a tattoo and I’m feeling uninspired, I’ll turn to researching birds to paint. I look at anything from  bird books, to watching bird documentaries, or I turn to my own birds! Having domestic birds that I can closely watch and photograph is the greatest thing to keep me productively painting. My two birds are the best!

Is there anything you would love to tattoo? More birds! I would love to have some budgie tattoos to do! But birds and flower tattoos and I’m happy!

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Can you tell us about the tattoos on your own body? I have quite a few pieces that I love and quite a few I’m not so bothered by! I wish I was a little more patient when I was younger, so I have a couple laser projects! Some of the ones I absolutely love are, my portrait of my dog Max, done by Marcus Maguire. My countryside rib piece including birds, rabbit and a wee mouse was done by Sarah Carter. I have a portrait of Marc Bolan on my thigh by Emma Kierzek and I love the side of my neck which is a rose with a locket in it by Steve Vinall.

The Female Tattoo Show: Street Spotting

Last Sunday, team Things&Ink headed to the 5th annual Female Tattoo Show in Leamington Spa. We love a good convention and can never resist doing some tattoo and style spotting while we are there…

Name: Ellis Arch
Age: 24
Lives: Tamworth
Job: Tattooist

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Girl by Jemma Jones

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Indian head by Bailey

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Fruity head by Kim-Anh Nguyen and shell by Cassandra Frances

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Japanese head by Nick Baldwin

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Sleeve by John Anderton

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Foot by Ethan Jones

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Name: Sally Hume
Age: 22
Lives: Rugby
Job: Administrator

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All of her tattoos are done by her good friend Han Maude, who was tattooing at the convention.

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Name: Josie Davis
Age: 20
Lives: North Devon
Job: Body piercer

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Chest by Lucy Roadhouse

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Arm by Lucy Roadhouse and Hannah Williamson

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Heart by Lucy Roadhouse

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Alzheimer’s: A tattoo to remember

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58-year-old Rita Stonecipher has been diagnosed with early-onset Alzheimer’s, a disease which damages the brain leading to memory loss, difficulties with thinking, language and problem-solving. As Rita experienced gaps in her memories and trouble completing sentences she decided that it was time to immortalise her son, Tanner, with a portrait tattoo.

Tanner fought in Iraq and on returning home suffered post traumatic stress, he later committed suicide after running into trouble with the law and turning to alcohol for comfort. Rita hopes that the tattoo will keep the memory of her son alive long after she forgets his name

Watch the video below to hear Rita’s story:

Image from Times Free Press

Sick Girls Official

Our guest blogger is 34-year-old  Southsea creative Alanna Lauren, founder of RubyxRedxHeart. She chatted to Natalie Watts and Fox Xoft founders of Sick Girls an online store which sells creepily cool  prints and accessories, about how they met, what inspires them and their tattoos… 

Tell me a bit about yourselves! How long have you gals known each other and what was the inspiration behind sickgirlsofficial.com?

Fox: We’re both freelance illustrators from Toronto, Canada who graduated from OCAD University in 2012. We weren’t friends right away though. Eventually we bonded over Keyboard Cat, because remember that used to be a thing?

Natalie: We met in second year, some bogus computer class, it was supposed to teach us how to make a website, but clearly I learned nothing.

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Fox: SadGirls started off because I used to be really into making zines at the time and Nat and I had a graphic novel class together and liked each other’s work. We decided to do a zine based on bad ass babes.  I think we were vicariously living through our work and creating the world we actually wanted to inhabit, because in reality we were VERY poor, eating A LOT of ramen, while our tears bled the ink on our mountains of school assignments. Fast forward to three years later and basically we just got our shit together and shifted our medium from viewable art to a wearable product with a similar intent.

Can you tell us about your tattoos? 

Fox: I’m in love with Alex Snelgrove’s work. She did the black woodcut flowers on both of my arms. Last month she did a woodcut Pegasus on my hip because I’ve been obsessed with Greek mythology for as long as I can remember. Those ones are amazing, but I’ll always have a soft spot for the stick-n-poke on my ankle done by the talented Open Entity, which is a drawing of the welcome mat on the door to Hell that Natalie drew as flash art. Because Nat is MLC (Major League Complainer) and has that WAH tattoo, I started calling her “Wahwah” or “Wahtalie” a while ago and it stuck.

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Natalie: I have one tattoo I had done when I was 18 somewhere in Oshawa that is of a Welsh Dragon and then two that are stick-n-pokes. One of them was done by Open Entityand of just ‘zzz’ on the back of my arm, and the other on my ankle by a guy I was seeing – which is probably my favourite one – of the letters ‘WAH’… because I like sleeping and complaining.

What’s in a name? Who came up with sickgirlsofficial.com and what does it mean to you?

Natalie: I came up with the name Sick Girls one night while we were drawing, the name describes our style of art and ultimately it’s just who we are… I like the idea of being an outsider, and I like illustrating really gross shit. I am very shy, and have a hard time expressing my thoughts; I’m also a huge mumbler. I like the idea of being able to express myself through my illustrations. Sick Girls is a unisex brand, but definitely caters towards more females who want it to be known that they aren’t just your average girl. Pretty flowers and kitties? BORING! Slime and barf coming out of your eye sockets? Now that’s more like it!

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What took you down the patches and pins route to showcase your designs?

Natalie: At first we didn’t have any patches or enamel lapel pins, for our first pop-up shop we began making Sculpey candy pins and necklaces, which were entirely handmade. I was also producing ShrinkyDink pins, which I still make today, but is time consuming and labour intensive. Once we started getting noticed on Instagram and making more sales, it was hard to keep up with producing all handmade items, so we started designing lapel pins and patches that we can get mass produced.

Fox: Patches and pins are great because they can add personality to a plain old bag or denim jacket. You can customize or make a statement on articles of clothing you already have. It’s great because everyone has their own collection that tells a story or says something about their personal aesthetic. I have my own pin collection on my bag, and I’m stoked every time I add a new pin because it’s another brand/artist I admire.

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sickgirlsofficial.com has a strong message for women. What does it mean to be part of the ‘sick girls club’?

Natalie: For me, it’s just not really giving a fuck, like what you want, even if it’s not the norm. I mean I like drawing stuff that gets me excited, and I get excited by drawing gross shit. I’m happy that other people enjoy it too.

Fox: We’re all about being tough, never giving up and in general not giving a fuck if other people tell you you’re not good enough. We’re “sick girls” because we don’t have a “typical girl” image to promote. Being ‘girly’ or ‘feminine’ isn’t a fault by any means, but we’ve always balanced the feminine imagery with things that were gross, disgusting, and visceral. Even though “girls” is in the name, the brand is unisex though obviously some products cater more to the ladies.

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What does the future hold for sickgirlsofficial.com?

Fox: We’re working on the wholesale game right now. We’re still selling products individually from our online store, but we’re starting to sell wholesale to shops worldwide. So far our merch is available in stores in Toronto and Ottawa and few cities in the USA. Next THE WORLD.

Natalie: I’d really like for Sick Girls to take off, I think in order for that to happen we just need to keep creating as much as possible. We’ve been discussing some collaborations with other companies, as well as working with a large design label, which will be using one of our products on their next spring/summer line. We seem to be getting more and more interest from stores to stock our products each month. It’s crazy to see how far we’ve come in less than a year, I think things just seem to be getting better with each passing month and can’t wait to see what happens!

Apprentice Love: Roxy Ryder

We spotted the work of apprentice Roxy Ryder, 24 on Instagram and instantly loved her colourful, bright and cartoon-like tattoos. We chatted to Roxy to find out more about her life as an apprentice at Alchemy Tattoo Studio in Wigan, Manchester where she works.

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How did you get your apprenticeship? What were you doing before? I asked in the studio I was getting tattooed in at the time around three years ago and started by handing out flyers. I started my apprenticeship at Alchemy Tattoo Studio in Wigan, a friend of mine recommended me and it went from there. I’ve been tattooing as an apprentice for little under a year. The artists have made me feel right at home. Even if it is an all guy studio and I get a little bullied now and then!
Before working in the tattoo industry I worked in retail, I did this whilst building up a portfolio. Spending most nights drawing and painting.

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What do you like about it what do you dislike? I love that I get to do something I love everyday and stay creative. The guys I work with are awesome and getting to meet lovely people on a daily basis is great. The only thing I dislike about tattooing is feeling nervous before a tattoo and self doubt.

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Do you have a background in art? I have always been into art and crafts from a young age. I spent a lot of my childhood doing different crafts which followed through into school. I then studied a BTEC National Diploma in Art and Design at college as I always had my heart set on doing something with art. I then found my favourite medium to work with. I have been spitshading with watercolour inks for a couple of years now, trying to get better!

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How would you describe your style? I’m not too sure how to describe my style but I love to do bright bold designs. The majority of my designs are usually pretty cute and girly. Very colourful for someone who wears all black everyday!

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What is a typical day like for you? A typical day for me is coming into work and doing my little jobs around the studio. I usually prepare most of my designs a couple of days before so I have time to study a colour scheme and change any bits. That way I can make sure I am fully prepared and myself and the customer are happy with the design. I spend the rest of the time watching and learning from the other artists I work with and making brews! If it’s a quiet day I will spend my time drawing new designs and painting. I love to do commissioned paintings in my spare time but if I’m not doing those I love to watch a good B-Movie or a Horror!

How did you feel doing your first tattoo? I did my first tattoo on myself, it was a little moth on my lower leg. I was so nervous and it took me ages but because it was on myself it wasn’t too bad.

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What inspires you? So many artists and tattoo artists inspire me. Seeing how hard people work and how much talent they have makes me strive to be better and paint and draw more.

What things do you like to tattoo and draw? Everything I draw is always pretty bold and bright. I love drawing and painting cartoons. Most of the time people commission me for cartoon pieces, which is always fun to do! It all depends on the mood I’m in but I have lots of things I love to draw and tattoo! My faves are anything bright, cute and girly! I love doing spacey stuff, aliens, UFOS and rockets are super fun! Robots, little bloody weapons, kewpies, tropical, nautical designs and kawaii pieces. I love horror so I would love to start doing little horror pieces too.

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Can you tell us a bit about your own tattoos? I still have so much free space for tattoos. I currently have my lower legs and arms tattooed with a few others dotted about. My most painful tattoo has to be my palm. I decided to have a brain tattooed on it! My first tattoo was a ship on my foot. Most of my tattoos are pretty traditional. I have so many artists I want to get tattooed by so I’m saving my space at the moment!

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Flavia Carvalho: Transforming Scars

Brazilian tattooist Flavia Carvalho has been tattooing women who have encountered domestic violence or have had mastectomies. The marks caused by abuse and cancer are there for life, even though the scars will fade, the memories will always be visible.

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Flavia is transforming these scars into beautiful tattoos, for free, so that women can reclaim their bodies, find closure and love themselves again. Flavia’s project has been running for over two years , and is named “A Pele da Flor” which translates as The Skin of the Flower, taken from the Portuguese expression “A flor da pele” meaning deeper than skin. Flavia explains that “women are like flowers and deserve to have our skin protected and embellished.”

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Speaking to the Huffington Post Flavia explains how the project started:

It all started about two years ago, when I worked with a client who wanted to cover a large scar on her abdomen. She told me that she was at a nightclub, and when she turned down a man who approached her, he stabbed her with an switchblade. When she saw the finished tattoo, she was extremely moved, and that deeply touched me. I was suddenly struck by the idea of providing free tattoos to women who were left with scars following domestic violence or mastectomies. Each tattoo would act as an instrument for empowerment and a self-esteem booster.

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Images and quotes Huffington Post

House of Butterflies

Justin Taylor and Charlie Lane  are the creators of House of Butterflies, a small online business that sells framed butterflies, moth and beetles. The couple set all of the specimens themselves from their home in Maidstone, Kent. We chatted to Justin and Charlie to find out more about their arty adventures… 

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How did you start House of Butterflies? What do you create?  The House Of Butterflies started from an idea we had at a craft fair, where Charlie was selling prints and original artwork. We thought it would be fun to do something together, we both share a common interest in taxidermy and art so thought why not combine the two. The framed butterflies idea came from Justin’s grandparents house as they have a small collection of framed butterflies hanging in their hall way. We both thought how great they look and wondered if we could make something along the same lines. We sat and researched the idea for a month or so before finally taking the plunge and having a go.

What inspires you? The inspiration for our boxes comes from the idea of preserving something beautiful. They are inspired a lot by the seasons, nature and by things we really like.  We find when we sit and talk about ideas we tend to inspire each other. We try to choose the butterflies or moths first and then try to match the background to them rather than the other way around. The art in general is inspired by the outdoors; gardens, plants and animals.

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Do you have a background in art? 
Charlie: Yes, I studied at Maidstone UCA and have a degree in print making. I learnt a lot about etching and I helped with adult courses in a print making studio. I have done a lot of commission work for small businesses, band logos and for special occasions. I spent a couple of years in the tattoo industry working in a couple of small studios.

Where do you source your items from? We source all of our specimens from a entomologist based in the UK. He sources all of his specimens from butterfly farms abroad, people hear “butterfly farm” and usually think how terrible. When actually they are the most ethical way to source specimens, they bring employment to poor areas and stop the practice of wild collecting which has had a devastating affect on some species. Finding an ethical source and supplier was a big thing for us, a lot of time and effort went in to finding the right supplier with the legitimate source.

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How do you create them? What is the process? The process is a fairly long one and takes time and patience, we had a few disasters at the beginning. We are completely self taught when it comes to the setting of the butterflies and it was a total case of trial and error. Internet videos make it look easier than it actually is.

The process starts by having to relax the butterfly, moth or beetle as they arrived to us in a dry/closed state. The specimens go into a relaxing tub which has a mild chemical solution in it. The chemical solution breaks down the enzymes in the specimens body making it pliable again. The specimens stay in the relaxing box until the reach this state, once there you can remove them and start the setting process. Opening the specimens is always the most fun part as you get see the true glory of what your setting. We pin the specimen to a setting board, which is a board with a small channel down the centre to hold the specimens body in place when you spread the wings. Then we very carefully pull the wings into the position we want using tweezers and then with strips of wax paper pin the wings so they are secure. We then leave them to dry out again for a number of days, depending on size. Then we unpin the specimen and then you have a set specimen, which is always very rewarding.

The vintage frames we stain ourselves to give them that old look, then we add the vintage artwork and add specimens we think work well with the artwork.

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Where can people buy pieces? Do you do commissions? We have a small Etsy shop where people can buy from us, we update regularly with new items as we like to keep a good variety of pieces on there. We can be found on Instagramwhere with have a direct link to our store.

We take on commission work and our always up for a challenge, whether it be artwork or a specific butterfly or a combination of the two, we will always try our best to accommodate.

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What are your plans for the future? We are hoping to keep going and maybe expand more, we do a lot of craft stalls, especially in the winter months leading up to Christmas. The big plan is to have a small high street shop where people can come in and browse.

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How did you meet? How long have you been together? We met through a mutual friend who Charlie was tattooing, she thought we would get on well, turns out she was right. We had a few dates, realised we shared a lot of common interests and thats about it, and people say romance is dead! We have been together now for two years.

Can you tell us about your tattoos?
Charlie:
My tattoos are a mix of things that remind me of all the places I have lived across the world as a kid, and pattern work that I’m really into. I like the geometric and dot work tattoo styles as it is how I myself draw. I like the work of Vana Chanelle, who has tattooed me a few times, along with Dan Frye who done a stunning traditional style Indian bride on my arm. I have tattooed myself a lot.

Justin: I’m a big fan of traditional style tattoos and love fat lined pieces. I have a lot of skateboard related tattoos as it used to be my favourite past time. I have a bit of a mix of black and grey, traditional colour and pattern work. I have my good friend Ben Griffiths to thank for a lot of my work, also Dan Frye and his partner EJ Miles.

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The Art of Chris Guest

Chris Guest is 36-year-old painter living in London, he creates large-scale oil paintings featuring tattooed people. We chatted to Chris to find out more about his style of work, the people he has painted and the workshops he runs… 

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Do you have a background in art? I studied illustration at Bournemouth University, and at Brunel College in Bristol.

How did you learn to paint? Other than studying illustration at uni, I’m an avid reader of art technique books, plus I do a lot of life drawing (although this isn’t painting, it does help you see things properly). With painting, you just have to practice like mad, that’s the only way to get any good – nobody picks up a paint brush for the first time and paints the Mona Lisa – you have to put the time in to develop your skills. When I first picked up oils, my paintings were awful! I also think it’s very important to constantly learn from your mistakes, I always try to think of ways that I could’ve made my work better.

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What medium do you use? Mostly oil, although I do draw with pencil and charcoal a lot as well. Oil feels so nice to work with and is so forgiving, once you know how to use it properly. I love the history of oil, and the fact that it hasn’t really changed much in hundreds of years (pigment mixed with safflower oil). Despite all these acrylic paints you can buy, they still can’t make anything better and they’re nowhere near as nice to use. I like the idea of producing some watercolours in the not so distant future too.

Can you tell us about the exhibitions you are involved in? I will be exhibiting some pieces at this year’s London Tattoo Convention, so please check it out if you’re coming! Seeing art framed and well lit in real life is so much better than on a computer screen, as you really get to see all the brush strokes, and the scale of the work, and get an idea of what the artist was trying to convey. As well as originals, I shall also have prints available.

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How would you describe your style? The way I paint is quite classic in style and technique, similar to 18th century painting, but a modern subject matter, painting tattooed people. Obviously my work is quite realist, but you only need to get within a metre of it to see its quite brushy up close!

Who have you painted? Several tattooed models, probably the most well known being Cervena Fox. I’ve worked with Cervena on numerous occasions now, and feel we’ve built up a good working relationship. When we talk about what I’m looking to achieve for my next body of work, I always find Cervena gets my ideas, and really helps them come to life. When you’ve built a good working relationship and your models know you, you’re both a lot more relaxed, and it feels more like friends hanging out, rather than a work thing.

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Do you paint from photographs or real life? Both actually – there’s nothing better than painting from life, and I always find the results are more pleasing, plus its more fun. Although sometimes you don’t have the luxury of having someone sit for a four hour session, or if you’re looking to paint someone outside in a street, for example, you have to work from photos.

How long do the paintings take? Sometimes paintings just seem to work, and they feel finished and complete after a few hours. Other pieces sit in my studio for months and then get revisited, so it’s really hard to put a time scale on it. Also, due to the nature of oil paint, you have to leave a layer to dry for a few weeks before you can paint over it, so if you’re impatient, its probably better to try something else!

Do you do commissions? Of course – best thing to do is drop me an email at mrguest@hotmail.co.uk to discuss your ideas!

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Where can people buy your art? I have prints and art cards available on my website store. If it’s originals you’re after, best thing is to email me for availability, prices etc. I’ll have originals for sale at the London Tattoo Convention. I also put my work in several group shows in galleries every year, a lot of them happen to be in the US though!

Can you tell us about the workshops you do?  I currently teach a ‘painting a head from reference’ workshop, in several tattoo studios, mainly in London, and a few around the UK. It’s a great way to learn some basic techniques, as I go through colour, materials, values, stuff like that, to help you achieve good results with your painting. It doesn’t matter if you’ve never picked up a paint brush in your life, or you’re the next Rembrandt, it’s more about taking part, having fun and producing your own painting. If you’d like to attend or perhaps host your own workshop, best thing to do is drop me an email at mrguest@hotmail.co.uk for more information.