Fidjit’s story

Managing editor Keely Reichardt approached tattoo artist, Fidjit over Instagram in July 2015 after spotting an ambiguous statement posted late at night.  Fidjit chose to remove the post not long after it had gone live, but Keely decided to reach out to her, to find out about the life-changing event she had hinted at…

The deleted post described the language used against her in a recent court case… Fidjit is a rape survivor and endured a horrific court ordeal where the defendant was found not guilty. With only 5.7% of rape cases ending in a conviction for the perpetrator, Fidjit wanted us to share her story to make people aware of court proceedings and your rights as a victim. 

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“I started going out with my ex boyfriend when I was fifteen years old. We briefly broke up when I was twenty but then we got back together. Just before I turned twenty-one, he raped me.

“He had never been violent in any way before, he showed no warning signs. It happened in April 2011. I would like to keep the intimate details of what happened to myself, it’s too personal to share with everyone. There was an argument which resulted in him raping me. Immediately after it happened he broke down, burst into tears and repeatedly apologised, it seemed like he went into some sort of shock – as I did too. I didn’t cry or move or speak, I remember feeling very numb, I couldn’t process what had just happened, I just sat and listened to him crying.

“For a long time afterwards I was definitely in denial. We spoke together about what had happened, he never denied what he had done and always took full responsibility. I was in denial and so confused about what had happened that I phoned the Samaritans a few days after. I explained what had happened and they told me I had been raped and that I should contact my local Rape Crisis centre. My ex boyfriend drove me there himself and he threw up in the car park; the fact that he had taken me there got brought up in court later, but was completely ignored as he said he was just trying to be a good boyfriend. I also saw a nurse. My ex spoke to a couple of his friends about what had happened. One of his friends told him what he had done was wrong and he stopped speaking to him. The other friend told him I was his girlfriend and that it doesn’t count if you’re in a relationship?! These two friends ended up as witnesses in court. I had also spoken to one friend over the phone, he knew something was wrong and ended up guessing what had happened, I told the police about him being the first person that I had told. They said he would be my witness. They never even contacted him and he was not involved in the trial.

“Months passed and I still hadn’t told anyone else, and I continued to tell myself that it hadn’t happened but my behaviour began to change. I became incredibly withdrawn and I stopped going to my flat (which I shared with my ex) and would go to my parents every night and stay there for as long as I could until I had to go back to my flat to sleep. My parents and I are extremely close and we tell each other everything. They could see that something was bothering me. Sometimes I’d phone them with the intention of telling them what had happened but I would hang up. I knew that the second I told them everything would change forever. My best friend would be my best friend no longer, he would be my rapist. And I knew that I would have to let his mother know what her son had done, and that’s something I could never think about doing. I knew it would change her life as well as mine and his forever. I feel like because of our history I was protecting him far too much at this point.

“I carried on living at the flat until September 2011, five months after what had happened. My ex was still living there too, we weren’t together but we were just kind of going through the motions. We were still sleeping in the same bed and he was still apologising every day. The friend I had told on the phone finally convinced me to tell my parents. I was spending the night at my parents’ house and something came on the TV that just made me blow up. I became incredibly upset and was screaming about it. My dad said that this behaviour was not normal and I needed to tell them right now what was going on.  I remember saying I didn’t want to and he guessed right away what had happened. It is the worst thing I’ve ever had to tell them. This is probably one of the hardest things I had to deal with after my rape; I’m the one who has to tell everyone, including my family, about this horrible thing that had happened.

“I told my parents I didn’t want to go to the police, I refused to, and I didn’t want his mother to know. I decided to move to London as I was living in Scotland at the time. I quit my apprenticeship and sold all of my furniture and I took an overnight bus down. My ex and I still kept in touch and still spoke about what had happened all the time. It was horrible, it was like torture, it just never goes away. It still doesn’t go away.

“About a year later I moved back up to Scotland and this is when I read something that really woke me up. I read an article about rape victims, written by rape victims. It was basically about the importance of reporting these things to the police as without more people coming forward it’s hard to change things –and things definitely need to change. The main thing that made me want to report it at the time was reading about the possibility of him doing this to somebody else. I had not thought about that possibility before. I went to the police station at 11pm and I knew I had to do it immediately or I would change my mind. As bizarre as it sounds, I spoke to my ex before I went to the police to tell him that I had to do something about it and I told him about the detrimental effect it was still having on my mental health. He told me he needed to, “man up” and take responsibility, and that if I needed to go to the police then that’s fine. It was a very different story when I actually went to the police and did report it.

“I had my statement taken at the police station. They take a statement from you multiple times and you have to go back many times to confirm/review your statement. Mine was not recorded, it was written down by someone and every time I reviewed it there were mistakes in it which I had to correct. They were also very specific about what I was allowed to include in my statement and what I wasn’t allowed to include. For example, he had told me why he had done it, he had told me he didn’t feel like I was “his” anymore. I was told it was irrelevant. It was many weeks after I had given my statement that I finally received a call telling me that he had been arrested and let out on bail. He refused to give a statement and just repeated “no comment” to any questions he was asked. I feel it’s important to add here that he is a middle class, wealthy, white man with his own expensive lawyer; he is basically untouchable.

“The witnesses were then both questioned . They both gave statements and both of their statements said that he (my ex) had gone to them and told them he had “gone too far”. Both of their stories matched each other’s and more importantly both of their stories matched mine. I think this is a big factor in why this made it to court. It is incredibly difficult for something to go to court because if they think that there is not enough evidence they will not take it any further. This does not mean by any means that anyone is innocent, it just means that they don’t have enough evidence for a conviction. They never made any attempt to contact my witness.

“I finally received a call saying that they had enough evidence and it was going to be taken to High Court. There were several months of waiting and he (my ex) had one hearing in which he plead not guilty. I feel I was really naive at this time and I genuinely thought that he was going to take responsibility for what he had done like he said he would.

“We got a court date for June 2014. In the time I was waiting I had to review my statement a number of times again with the Procurator Fiscal. I also had a meeting with someone to ask how I would like to appear in court. There are options that can be given to the witness; you can sit behind a curtain to give evidence, you can do it via video link, or you can be in the stand as normal but you can have a support person sitting with you while you are there. I went for the third option as I really wanted to face him. I thought that if he saw me speaking he wouldn’t be able to lie. I also had a meeting leading up to this time about the kind of things they were going to try and use against me in court. I was told that they were going to try and say that what had happened was part of some weird sexual game.

“The court date finally came. I was petrified of taking the stand. When you arrive in court as a witness they take you to a small private family room. You and whoever has come with you sit in there until you are called. In this instance the court was closed while I gave my evidence and then open for the rest of the trial, so my parents weren’t allowed to enter while I did my part. I know that this seems silly now but no one had told me that my ex would be in the room as I gave my evidence; the way they had described a closed court to me would be that it would just be me, the jury, the judge, procurator fiscal and his lawyer in the room. I wasn’t even aware that he (my ex) was in the room until I was asked to point him out. It threw me off and made me panic. The entire experience of being in the stand is hideous. I told the court what had happened and then I was questioned by the defence lawyer. I was shouted at and called a liar and a silly little girl. He said that I should have forced him off of me, and that if this had really happened I would have ran to the police station immediately. He smirked at me every time I spoke and he called me manipulative. When he asked why I hadn’t fought him off I replied, “I was terrified”. He laughed at me and said, “terrified of your own boyfriend?” I stood there crying whilst trying to defend myself but each time I tried to answer back the Judge would tell me to stop talking.

“The case ran for three days in total. The first day was my evidence and one of his witnesses. The witness on day one said that my ex had told him that he had gone too far and that yes, rape is what they were talking about. The witness solidified my story and both of our stories matched. So far it was looking quite promising that we would get a good result.

“Day two the second witness spoke. In his original statement to the police he had the same story as me and the first witness, however when he was on the stand he said that he had been forced to give that statement and that he takes it all back. He said that the Government were trying to use my ex as an example and then he started crying and saying he wanted to go home to his mum! I thought that this was great because surely he wouldn’t be taken seriously. After that, the police officer who took his statement took the stand to confirm that yes, those were the witness’s own words, he was not forced to say anything, and that he came of his own free will. Again I thought that this was a good thing because surely the Jury in a court would listen to the police officer who took the statement over the witness who was clearly lying. I was wrong.

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“On the third day my ex took the stand. This is where I feel things are more disappointing than I can possibly put into words, and I know that this is an incredibly common thing that happens in rape cases. My ex was asked, “how are you today? Tell me about your family. You went to a good school didn’t you? You are working hard towards getting a degree aren’t you?” He was told that he was a good member of society, a gentleman, and even told that he was dressed very well for the trial. I was looked down upon when I gave my job title, I wasn’t asked what school I went to, I wasn’t asked about my family and I wasn’t told that I was a good member of society. Nothing derogatory was even said to him when the procurator fiscal was questioning him. When he took the stand he smiled politely, didn’t get upset, spoke of me as if I was someone to pity, kept referring to me as his “girlfriend” and then going, “oops, sorry I mean ex girlfriend.” He had been incredibly well prepped by his defence lawyer. His attitude and ability to lie in such a cold way upset me more than anything.

“Once everyone has taken the stand the procurator fiscal and defence lawyer both make speeches to the Jury to try and help them make a decision. The Judge also gives a speech to the Jury. I feel like it’s important to mention that the Judge for my case was an older man. From the minute I entered the court I felt unfairly looked upon by him. In his speech to the Jury he said that me and my ex were in a, “dedicated and loving relationship that had lasted for years, so could this really be true?” He also said that the Jury were not allowed to take into account the second witnesses statement as he is saying he did not say those things, so it has to be written off completely. The Jury were told that there were two people in the room when this incident happened. If they cannot be 100% sure that this happened then they can not find the defendant guilty.

The Jury’s verdict was not guilty.

“The second that this verdict is found I was completely on my own as far as professional support goes. I had a support person who sat with me throughout the whole procedure and she literally vanished as soon as the verdict was given. I didn’t see her again.You are left to just go home and get on with things.

“If I was to try and give any advice to rape victims, I would say to please try and take care of yourself as soon as you can. Open up to people closest to you, this can be hard but it’s harder to stay quiet. Rape is something that stays with you for the rest of your life but it certainly doesn’t have to define you. Unfortunately you can fall into patterns of self harm; I got involved with a hideous person after this who was heavily abusive. I didn’t realise that this was a form of self harm because I was so miserable about what had happened. It is never your fault and it doesn’t make you “damaged goods”. There is still so much stigma around coming out as a victim of rape but I don’t understand why. You haven’t done anything wrong and it should be no reflection on you or your character. The more people speak out then hopefully the more changes can be made in the way rape cases are dealt with by the criminal justice system.”

For anyone who has experienced sexual violence, Rape Crisis is an organisation with centres in Scotland, England and Wales. They offer support and  information about where your nearest centre may be if you need urgent care: rapecrisis.org.uk/centres.php You can also call the national helpline number: 0808 802 9999  / Scotland: www.rapecrisisscotland.org.uk and a Scottish helpline: 08088 01 03 02

 The Women & Girls Network are an organisation based in London who offer counselling services, advocacy support and telephone counselling. All information can be found on their website: www.wgn.org.uk and they also have a phone number which deals with practical support: 0808 801 0660. If you are in need of emotional support and an anonymous space to talk call: 0808 801 0770.

#100hands NMMC

The 100 Hands Project, curated by our editor Alice Snape, forms the centrepiece of the exhibition Tattoo: British Tattoo Art Revealed at the National Maritime Museum in Cornwall, which runs until January 2018. Here Alice talks about the innovative installation and what it means for contemporary tattoo culture. 

It was the stunning work of tattoo artist Claudia de Sabe that made me fall in love with tattoos. From the moment, I discovered her work, I knew I wanted to be heavily tattooed. I wanted to turn my own body into a work of art, become a collector of delicate, beautiful work by an array of different artists. So, of course, Claudia was the first tattoo artist I put on my list when I was approached by National Maritime Museum Cornwall to curate the 100 Hands Projects.

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Curator Alice Snape standing in front of the 100 Hands at NMMC

For me, there is absolutely no denying that tattoos are art, that’s not a question up for debate. Of course, all tattoos are not created equal, some are “good” and some “bad”. Tattooing is another medium and tattoos can be analysed in a way that any other works of art can – watercolours, sculptures, sketches, oil paintings. This means that some are worthy of being housed in a museum. The problem is, of course, tattoos simply aren’t objects that can be put in a frame or housed in a cabinet. They are on the skin of living, breathing people, which means ordinarily they disappear from existence once the wearer’s life is over.

The 100 Hands Project is a way of representing the three-dimensional, living nature of the tattoo. I have handpicked 100 of the best tattooists all working in the UK right now providing a snapshot of the work tattoo collectors are currently getting inked onto their skin, from black and grey and geometric to neo-traditional and colour realism. My selection includes the most respected, talented and popular artists. And they have each created an original design on a silicone arm.

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“For my submission I simply tattooed something that I would love to tattoo in real life, for a customer,” said Claudia de Sabe, when I asked for her inspiration behind the piece she created – a stunning Japanese peony in purple and red. And the reason she wanted to be part of it? “There’s still a lot of misconceptions on tattooing and every exhibition can perhaps be of help in establishing a secure space for this art/craft within the artistic community. Ten years ago, an exhibition like this would have taken place maybe at a tattoo convention for three days, but not at a museum for this same length of time, which is incredible.”

Tattoos are so much more than just beautiful designs, they’re reminders of the unique stories that can be told on human skin. So, bringing an intimate and personal art form into a museum space gives the practice a new, institutional legitimacy and a special kind of accessibility, dispelling outdated misconceptions and showing just what is possible when artists put ink into skin.

And now the exhibition has finally launched, seeing the arms come back together inside the museum is a spectacle to behold. After hundreds of painstaking hours, 100 blank arms are now works of art that have become part of tattoo history. No matter what the inspiration or motivation behind each piece, each work of art has become one to make an installation that  will have an impact on the future of this thriving, creative and magical industry.

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List of 100 contributing artists:

Louie Rivers, Travelling tattooist,  Exeter

Joe Carpenter, Five Keys Tattoo Studio, Norwich

Ricky Williams / The Family Business / London

Jo Harrison UN1TY / Modern Body Art, Shrewsbury / Birmingham

Caleb Kilby, Old Habits / Two Snakes, London / Hastings

Kate Mackay Gill, Private Studio, West Sussex

Jake Galleon, Studio XIII, Edinburgh

Paula Castle, Broadside, Swansea

Meg Langdale, The Burton Tattoo Collective, Leicester

Joanne Baker, Grizzly Art Collective, Coventry

Han Maude, Infinite Ink, Coventry

Antony Flemming, World of Tattoos, Ruislip Manor

Sophie Gibbons, Tommygun Tattoo, Plymouth

James “Woody” Woodford, 1770, Brighton

Pauly, Second City Tattoo, Birmingham

Dexter Kay, King of Hearts, London

Mike Stockings, Legacy Tattoo, Haverhill

Jondix, Seven Doors, London

Olivia Dawn, The Tattoo Company, Wilmslow

Matt Difa, Jolie Rouge, London

Kathryn Kirk, Addiction Tattoo & Piercing, Bangor, Northern Ireland

Tamara Lee, The Circle / Two Snakes, London / Hastings

Aaron Hewitt, Cult Classic Tattoo, Romford

Louis Molloy, Middleton Tattoo Studio, Manchester

Abbie Williams, Lost Time, Peterborough

Amy Savage, The Warren, Canterbury

Araceli Forever, Death’s Door, Brighton

Anrijs Straume, Bold as Brass Tattoo Company, Liverpool

Allan Graves, Haunted Tattoos, London

Neil Dransfield, Oddfellows Tattoo Collective, Leeds

Dominique Holmes, Black Lotus Studio, London

Chrissy Lee, Colchester Body Arts, Essex

Lucy O’Connell, Red Tattoo and Piercing, Leeds

Delphine Noiztoy, The Lacemakers Sweatshop, London

Gibbo, Oddfellows Tattoo Collective, Leeds

Sway, Sacred Electric Tattoo, Leeds

Harriet Rose Heath, Crooked Claw Tattoo, Sheffield

Little Andy, The Church Tattoo Studio, Birmingham

Lal Hardy, New Wave Tattoo, London

Dane Grannon, Creative Vandals, Hull

Hannah Keuls, Good Times, London

Akuma Shugi, Wolf & Dagger, Hove

Ché Crook, Level Crooks, Bristol

Miss Jo Black, Black Inc, Frome

Philip Yarnell, Skynyard Tattoos, Westcliff-on-Sea

Lucy Blue, Cobra Club, Leeds

Clare “Goldilox” Deen, Incandescence, Birmingham

Alex Candela, Black Market, Leicester

Matthew “Henbo” Henning, Redwood, Manchester

Jack Goks, Cloak and Dagger, London

Jelle Soos, Swansea Tattoo Company, Swansea

Matt Finch, Atelier Four Tattoo Studio, Truro

Dan Hague, La Familia, Newquay

Paul Hill, Vagabond, London

Dawnii Fantana, Painted Lady Tattoo Parlour, Birmingham

Kerry-Anne Richardson, Cock A Snook, Newcastle

Chris Jones, Physical Graffiti, Cardiff

Kat Abdy, Cloak and Dagger, London

Touka Voodoo, Divine Canvas, London

Rosie Evans, MVL Tattoo, Leeds

Joao Bosco, Parliament, London

Claudia de Sabe, Seven Doors, London

Emma Kierzek, Aurora Tattoo, Lancaster

Tacho Franch, Follow Your Dreams, Sheffield

Justin Burnout, Ghost House Collective, Derby

Mitchell Allenden, Dock Street Tattoos, Leeds

Lewis Parkin, Northside Tattooz, Newcastle

Mister Paterson, The Fifth Chamber, London

Charissa Gregson, Bath Street Tattoo Collective, Glasgow

Otto D’ambra, The White Elephant, London

Holly Ashby, House of Thieves Tattoo, Birmingham

Fidjit, Dharma Tattoo, London

Deryn Stephenson, Tenacious Tattoo, Sheffield

David Corden, Semper, Edinburgh

Sarah Whitehouse, Redwood Tattoo, Manchester

Fil, Broad Street Tattoo, Bath

Radu Rusu, Atelier Four Tattoo Studio, Truro

Ella Bell, Dust’n’Bones Tattoo, Plymouth

Ashley Luka, The Square Tattoo Studio, Solihull

Danielle Rose, Sanctuary Tattoo, Dundee

Matt Youl, Painted Lady Tattoo Parlour, Birmingham

Liam Sparkes, Old Habits Tattoo, London

Sadee Glover, Black Chalice Tattoo, Swindon

Jemma Jones, Sacred Electric Tattoo, Leeds

Gemma B, Black Ink Rebellion, Newquay

Kodie Smith, Edshead Tattoo Studio, Chelmsford

Billy Hay, Bath Street Tattoo Collective, Glasgow

Henry Big, Rain City Tattoo Collective, Manchester

Freddie Albrighton, Immortal ink, Chelmsford

Daryl Watson, Painted Lady Tattoo Parlour, Birmingham

John Anderton, Nemesis tattoo, Seaham

Hanumantra, UN1TY, Shrewsbury

Just Jen, Den of Iniquity, Edinburgh

Iain Sellar, The Black Lodge, Bristol

Olly Streeter, La Familia, Newquay

Cally-Jo, New Wave, London

Sophie Adamson, The Projects Tattoo, Plymouth

Loz Thomas, One By One, London

Kayley Henderson, Northside Tattooz, Newcastle

Tasha Pollendine, Physical GraffitiCardiff

 

 

 

Briar Rose Tattoo, south London

We couldn’t resist a trip to south London’s Hither Green, when tattoo artist Tiggy Tuppence invited us down to her brand new (and Disney inspired) tattoo studio Briar Rose. It’s the most perfect place to get tattooed and she’s thought of every last detail, including an antler chandelier that reminded of her Beauty and the Beast‘s Gaston… 

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What inspired you to become a tattoo artist? I worked in the games industry, but I hated being in an office environment, it felt static and uncreative. I’d been thinking about tattooing as a career as I felt that it would give me the creative freedom I needed, and the opportunity to be around people I might fit in with more. I had a tattoo artist friend, who told me that it would be too hard, that I’d have to quit my job and work for nothing for years, which was a bit disheartening, so I never felt like I would be good enough  to become a tattoo artist. However, I was offered an apprenticeship by Kamil in north London because he had seen my work and  liked it! That was a huge confidence boost! I quit my main job to pursue tattooing, and  took on a part-time job in GAME to support me. It was the best thing I ever did, and I’m so glad I didn’t give up. 


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Where does your inspiration come from? I’ve had many different creative backgrounds, I grew up sewing with my mother, watching Disney as well as every other cartoon going, and drawing every day for fun. I left school at 16 to do a National Diploma in Fashion Design,  then I went to university to do a degree in computer games design. I’d always wanted to go into concept art for films and games, as this was the sort of art I loved. My drawing style reflects that, my work isn’t typically ‘tattoo-ish’. I’ve always worked digitally, working with a Wacom tablet and Photoshop for the last 14 years, and I love to incorporate all different colours into my work – I love colour! My inspiration comes from this rich background, and my love of cartoons, games, films, digital artists, and traditional artists. 

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What are your favourite subjects to tattoo? I love tattooing cats, animals, nature, flowers, birds, wildlife. Yeah, I really love tattooing cute animals. I grew up in rural west-country so I’ve always been into nature and local wildlife, living in London I miss this aspect of my home so tattooing animals is my happy place. I also love tattooing any sort of pop-culture stuff – Pokemon, Disney, Studio Ghibli, stuff from games like Okami, Portal, and Final Fantasy, and many others too.

Your new studio is “unapologetically Disney inspired”, why did you decide to do this?  I didn’t decide to make my studio Disney inspired, it just happened.  After I came up with the name Briar Rose it just all fell into place. I loved that I was able to come up with an original shop name, and I figured there probably aren’t too many tattoo shops like this. I just buy things as and when I see them, and before you know it I have an entire shop (and home) full of Disney!

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Even down to the antler chandelier, that reminded me of Gaston, the rug in the hallway was inspired by the magic carpet from Aladdin, and the wallpaper in the main studio area made me think of The Jungle Book. It’s not officially Disney but each little element has been inspired by it as that’s just how I am! I really did put my heart and soul into making this place. I’ve got a lot of compliments on it, many of my customers have said they’ve never been in a tattoo shop like it before. I like to think I have something magical here.

Favourite Disney film? Man that is the hardest question and it comes up all the time. I ask most people what theirs is (apparently I attract other Disnerds here too) and then of course I am always asked this question back. Can I give a top 5 in no particular order? Aristocats, Robin Hood, Moana, Sleeping Beauty, and Tarzan! It feels horrible having to choose. I love them all.

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Describe your studio in just three words… Whimsical, Warm, Welcoming

How did you pick the location? What kind of clients do you hope to attract? And what can they expect from their experience? I wanted a shop that was in a safe, friendly area, as I know that many of my customers who are female would have to carry cash with them. I don’t want people to feel like they have to look over their shoulder when finding my shop. I’m in the process of getting a card machine as well, which I hope will help that. Also for first-time customers, who are already feeling nervous, I think it’s just nicer to show up to a place that’s easy to find, and where you feel comfortable. This was really important to me, I want people to have a lovely experience, and then go home and feel like they’re always welcome back, even if it’s just for a chat or a coffee.

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In the studio, I’ve tried to provide all sorts of things to help people feel welcome and looked after, I like to take care of people. I’ve bought all different coffees and teas for my fancy coffee machine, I’ve got phone charging ports in the waiting area, complete with Android/iPhone and USBC cables, there is wifi, customers can choose their own music if they like by playing it through our fancy Sonos speaker. Whatever makes their experience comfortable, as they’re often sitting with me for many hours at a time.

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What has been your most favourite tattoo you have ever created, why? I think the one that takes the top spot will have to be a cat portrait I did. Her cat was called Diamond who had the most impressive resting bitch face, which we managed to capture in the tattoo. As an extra bonus, this girl emailed me after her appointment asking if I’d like to meet up some time, it was the most awesome thing ever and she is now one of my best friends, we talk literally every day. Love you Kerri! 

Tiggy11How do you like to work with your clients? The shop is by appointment only so clients will email me with their ideas and organise a consultation, I think it’s important to get to know your client before drawing something for them, to get those extra personal touches into the design, but I know this isn’t always possible. 

I’ll always draw up my client’s designs before they come in so they can see and make changes, I feel like the work is a collaboration where I’m the art director! But it’s important for people to be able to have some amount of say on what lives on them permanently. I’ve also become friends with quite a large handful of my past clients as well, which is wonderful. This is the best job!

Visit www.briarrosetattoo.com, or follow Tiggy’s studio on Instagram @briarrosetattoo

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Grace Neutral chats Needles and Pins

From the illegal underground tattooists of South Korea to Brazilian women challenging social stereotypes, Grace Neutral’s productions with VICE offer an edifying shift away from the usual fetishizing of tattoos by using them as a conduit to highlight the often contentious social and political realms of each wearer.

Grace chats with writer Fareed about her experiences in front of the lens for VICELAND’s 2017 series, Needles and Pins, and what it’s like to be an ambassador for contemporary tattoo culture.

(This is an abridged version, the full piece will be published in INKED)

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Photo courtesy of VICELAND

Hi Grace. So, you were tattooing at Good Times and then suddenly you’re a media personality at VICE media. Can you tell me how that happened? Well, I was lucky enough to be approached by i-D a few years’ back to write an alternative Christmas speech about beauty, which received a great response.

i-D then made a film about me and my outlook on tattooing which also went down really well. It was after my i-D series ‘Beyond Beauty’ that VICE asked me to work with them.

And how has that journey been for you thus far? I started making films with VICE at the start of 2016 and we wrapped up the first series of Needles and Pins by the end of the year! It has been one amazing year, that’s for sure!

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Photo courtesy of VICELAND

Let’s talk about the shows. It’s so refreshing to have someone from the tattoo community represent contemporary tattoo culture in an intelligent and socially and politically charged manner, unlike other mainstream shows that often debase the art form. What are you hoping to achieve with these shows? Basically, what I wanted to achieve with these shows was super simple: I wanted to tell a true story about tattooing, and offer people a proper insight into how the art form came to be the big industry it is today.

I also wanted share some of the cultures and techniques that helped evolve the art. Just like you say, mainstream shows on tattoos seem to only fetishise and poke fun at tattooing. I got sick of this – and decided I’d have to do it myself 😉

What is the extent of your role in these stories, is it limited to presenter or are you actively searching out stories and utilising your knowledge and networks gained while tattooing? There must be so much involved! I am not a TV presenter, it has never been a goal of mine. I simply got offered a once in a lifetime opportunity to learn more about my craft.

Being in front of the camera and guiding the audience through my adventures was definitely something I had to learn, but because I am so passionate about tattooing it was natural for me to quickly form relationships with a lot of the people we filmed.

For me, it’s all about finding the stories. I was very involved in the development and making of the show. For example, I knew and suggested some of the contributors you see in Needles and Pins.

What’s the most interesting thing you’ve learnt, whether about yourself or anything else, over the course of the shows? I have learnt so much from every single place I have visited. But the one common theme that strikes me is that that tattooing is such an amazing way to build friendships and communities. I feel so lucky to be part of the global tattoo family.

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Photo courtesy of VICELAND

Most memorable moment for you? The most memorable moment filming the series was riding around LA on quad bikes with Venice Bad Boys.

Most interesting thing you’ve discovered about tattoo culture? In one episode of Needles and Pins we go to New Zealand to learn about Maori tattooing and Maori culture – and this was the most interesting discovery for me. The Maori people are so beautiful – and its history is so intertwined with tattooing, nature and magic, it was hard not to fall in love there. It is definitely a place I will return to continue my tattoo journey and education.

Has the show received any criticisms? To be honest, I haven’t heard any bad comments about the show.

Obviously there has been the odd internet troll calling me a ‘freak’ because of the way I look, but I have heard it all before and I’m very good at shielding myself from any negativity comments.

All the feedback about the show has, so far, been really positive – and I’m over the moon about that!

Grace Viceland

Photo courtesy of VICELAND

If you could do a tattoo show about anything or anyone, what would it be? The one I just made for VICELAND!

Would you agree that the normalisation of tattoos – great for reducing stigma and allowing autonomy over one’s body – has also created a new ‘beauty’ industry / ideal? Tattoos becoming less about expressing spirit and individuality and more about acquisition: the purchase of social capital and of ‘beauty.’ Yes for sure, I think the majority of tattoo artists (well, at least the ones I know and work with) understand how sacred it is to tattoo, the energy you share with that person is so beautiful, and sometimes, even life changing.

It’s been something that I have been conscious of for a long time – and I love that more and more people (not just tattooers, but also the people who get tattooed) are realising this as well.

And lastly, what have you got planned for 2017? 2017 is all about tattooing, travel and having a fucking good time while I do it!

Grace Neutral

Photo courtesy of VICELAND