Amber Carnegie, Author at Things&Ink

September 13, 2015October 5, 2015

Music Interview: Atreyu

Californian Metalcore legends Atreyu have just completed their first UK tour in nearly 5 years – following a lengthy hiatus, the band were playing a couple of intimate warm up shows at smaller venues prior to appearances at the Reading & Leeds festivals. Our guest music blogger Robert Moody caught up with the band at their sold out Nottingham show:

(From the left: Brandon Saller – drummer and vocalist, Dan Jacobs – guitarist, Robert Moody – our guest blogger, Alex Varkatzas – vocalist and Travis Miguel – guitarist.)

You’re playing much smaller venues for these warm up shows than you would normally play – how has that been on the tour so far?

Alex Varkatzas: No venue too big, no venue too small!

Brandon Saller: They’ve been a blast, it’s what we came from so it’s awesome to have an opportunity to do something like that. Sweating on kids, getting kicked in the face, it’s a good time!

And after this you’ll be playing the bigger shows at Reading and Leeds Festivals, how much are you looking forward to those?

Brandon Saller: I’m stoked, I really love the UK and their approach to festivals, they’re such big events and you get to see so many friends, it’s going to be a really good time.

Any other bands in particular you’re going to try and catch while you’re there?

Brandon Saller: I’m not sure if they’re on the same day as us but I’d like to see Beartooth, they’re doing a tour with us later this year in the States. Stoked to see Bring Me The Horizon, stoked to see Pvris, stoked to see Ghost…

Travis Miguel: Be good to see our friends in Metallica…

Alex Varkatzas: Yeah we haven’t played with Metallica for a couple of years so it’ll be good to reunite!

Thinking about your new album, the songs we’ve heard so far have had a varied sound, almost encapsulating the styles of the band over the years. With that in mind, how would you describe the band’s sound now, and what does the rest of the album have in store?

Brandon Saller: I feel like this album has a lot of the spirit of our youth, combined with a lot of the things we’ve learned along the way…

Alex Varkatzas: It’s the spirit of our youth combined with the maturity of our years.

Brandon Saller: Exactly – it’s an Atreyu fan’s record, to be honest.

Several members of the band have always had a lot of prominent tattoos and artwork, even dating back to your early days, would you mind sharing some of the inspiration behind what you’ve had done and telling us a little bit about what motivates the tattoos you get?

Brandon Saller: Personally, I’m not that big on the deep meaning behind my tattoos, I’m a lot more about the art. Several of my tattoos do have meaning of course, this key (below) was a gift for my wife for our 2^nd anniversary, I’ve got tattoos for my Mom and Dad…but for the most part, a lot of my tattoos are because I’m appreciative of the art.

Alex Varkatzas: Yeah when I was younger, I was very appreciative of the art, but now I take the art and twist it in my own mind to make it personal. I just got a really large thigh-piece of an English Bulldog fighting a Cobra (below), and that’s because I have an English Bulldog and I love her…and I fucking hate snakes! So for me that’s about conquering fear.

You’ve travelled around the world with the band, are there any particular places that have inspired you or stuck with you after you’ve visited them?

Brandon Saller: I’m a huge fan of the UK, Japan, Australia…

Alex Varkatzas: Which has some of the best tattoos, I think. I think everyone in Australia has really good tattoos. I really like Italy, I’d love to get tattooed there.

Brandon Saller: Alex has just recently started tattooing, so he’s probably a bit deeper into it now than the four of us are. But it’s always helpful to have someone who knows where the good tattoo places are, wherever you go!

And have you found that it’s given you a new appreciation of the art, now you’ve experienced the other side of it?

Alex Varkatzas: Absolutely. It’s hard. It takes years to learn the craft – so you appreciate it so much more. It’s awesome.

As you mentioned, you’re heading back to the States for the tour with Beartooth, which is really the band’s first ‘normal’ tour since the break – does this mean the band is going back to the touring lifestyle now or is that just a one off?

Alex Varkatzas: It’s more that, as long as it’s fun, and it makes sense, we do it. So we might do this tour and then just cancel everything after it! I don’t think we will, of course – just as long as it’s fun.

Brandon Saller: We just want to take as much of the ‘job’ aspect of being in a band out of the equation, and just enjoy every second of what we’re doing. We’ve scaled back a bit, we might be touring a little less, but we’d definitely want to get some packages together and then perhaps to a few shows here and there as well.

And are you finding the touring experience any different this time around?

Brandon Saller: I think we appreciate it more now. For us it’s been great, the energy at our shows has been pretty fucking crazy.

Alex Varkatzas: We’re touring in a smarter manner these days, not just taking every single show that comes our way. The way we see it is that it’s a lot easier to get through some sprints, than it is to run 10 miles. So we can just put more effort into it. So for me, if I know I’m only going on tour for a couple of weeks, I can just go all out. If you’re going out for 3 months, you can’t do that. Plus it’s not so much fun when you’re just doing the same thing every day, so we just come out here, really push ourselves, give the cliché 150%. Then I feel more engaged with it and I think the audiences are more engaged. A good way to describe it is like the NFL season in America – it’s only 16 games, every game counts.

Dan Jacobs: We want our touring career to be like the NFL season and not the Baseball season which is way too long!!

Well we know the London show in April delivered on that so if it’s half as good tonight we should be in for a hell of a time!

Brandon Saller: It should be great, it’s been sold out for some time I think, I think the kids are excited and we’re excited too.

September 4, 2015

Music Review: Atreyu

Our guest music writer Robert Moody continuously trawls the country for live music. In this post he reviews Atreyu and Shvpes who played a sold out Rescue Rooms in Nottingham last week.

The ‘Sold Out’ signs were on display at The Rescue Rooms on Friday night, as Metalcore pioneers Atreyu descended on the venue as part of their first full UK tour in nearly 5 years. Following a lengthy hiatus, the band had torn apart The Underworld in Camden back in April of this year, and were now playing the similarly sized Rescue Rooms as a warm up show for their appearances at the weekend’s Reading & Leeds festivals.

The sole support for the evening came from Birmingham quintet Shvpes, who wasted no time launching into an energetic set to get the crowd warmed up. Shvpes are an interesting band to critique – having previously been known as Cytota, they have been touring for several years now and feel like a familiar name. Yet the band are still very young as they played their first shows when most of the band members were under 18. Because of this where many bands have had time to hone their craft in the confines of smaller venues, this band have done so in the limelight, often supporting much larger bands. Since bringing in new vocalist Griffin Dickinson just under a year ago, the band have really begun to gain momentum, and watching them tonight it is clear to see why. Griffin commands a great stage presence and has a powerful voice to complement it, notably on latest single ‘State of Mine’. By the end of the set the pits were breaking out and the band left the stage to a warm reception.

But there was no doubt which band had sold the tickets for this show. Atreyu walked onstage to a thunderous applause, and launched into ‘Becoming The Bull’, which like every song in their set was well received. However, it was fair to say that throughout the set, the deeper Atreyu went into their back catalogue the more raucous the crowd became. Such that the intro riff to ‘Right Side of the Bed’ was enough to open up a large space in the packed room. Moments later bodies were flying across the room and as they moved straight into ‘The Crimson’ the room erupted.

As the band revealed to us in an interview before the show, they are not planning on playing live shows as frequently as they did prior to their hiatus, and instead want to focus on giving their absolute all to every show they play. This is firmly evidident throughout the show with drummer Brandon Saller still managing to deliver a great vocal performance during the most complex drum beats. Whilst bassist Porter McKnight even found himself out amongst the crowd towards the end of the set, with them promptly organising a circle pit around him. Lead vocalist Alex Varkatzas seemed slightly more muted on stage, but later revealed that his initial jump into the crowd 2 songs in had not gone so well, so on this particular occasion he was understandably forgiven!

The band’s hour long set covered everything fans expected and had come to see, right down to their cover of Bon Jovi’s ‘You Give Love a Bad Name’. Yet it was pleasantly surprising to see the first of the band’s new songs ‘So Others May Live’ generating a huge reaction from the crowd. By the time the band closed out with the classic ‘Ex’s and Oh’s’ the capacity crowd were in little doubt that Atreyu are not just back, but they are back at their best. Fans of the band can only hope that the decision to the title their upcoming album ‘Long Live’ is as much a reference to the band’s future as it is to their past.

August 27, 2015August 30, 2015

Reading And Leeds Preview 2015

Festivals can be the best opportunities to see bands you never thought you’d see – or discover bands you may never have given a chance. To help you out for Reading and Leeds festivals, we’ve come up with a list of bands who are about to make your weekend. And be sure to keep an eye out for our music writer Amber Carnegie who will be street spotting for our style pages.

Beartooth

If you haven’t caught them on tour in the past year or heard them on the radio, this weekend is your chance to catch Beartooth. They’ll have you dancing around with some of their massive choruses so give them a go. Believe us, we still have dents in our shoes from the last time we saw them.

The Maccabees

We all know and love The Maccabees but with ‘Marks To Prove It’ only released last month this could be one of the first chances you get to hear those new tracks live.

Black Honey

The mysterious identities behind the band that is Black Honey have always let their music speak for themselves. Let them do that and get lost in their seductive pop this weekend.

Queen Kwong

‘Get A Witness’ is the title track of Queen Kwong’s album due out this month. With a renowned live show it will incredible to witness how this transfers to the festival stage.

Alexisonfire

We never thought we’d see Alexisonfire again so of course we’re all on some sort of pilgrimage to witness what could be a rare occurrence.

Echosmith

With an incredible array of influences coming through their tracks, Echosmith are undoubtably ones to watch at Reading and Leeds. They have this sweet pop feel with all the hazy undertones you can get lose yourself in.

And So I Watch You From Afar

If you’ve never given instrumental music a chance before this is the time to embrace it. And So I Watch You From Afar will not only blow your mind but their group vocals will have you singing your heart out at the pinnacle of their set.

To help you make it through the weekend check out our Festival Tips and download the Reading and Leeds Festival app for the best updates over the weekend.

August 25, 2015August 30, 2015

Hevy Festival Diary 2015

Regarded as one of the best small festivals in the UK, Hevy Fest has come back better than ever from its 2013 cancellation. After a smaller but incredible affair in 2014 check out what happened when our music writer Amber Carnegie descended on Port Lympne for the diverse line up they whipped up for 2015.

Thursday 14th of August

Shortly after arriving at Hevy, we soon realised that not only had we brought the wrong tent but that Camp Things & Ink was held together with worn out bamboo, wasn’t entirely waterproof and wouldn’t be around for long.

A fact we learned pretty quickly as the weekend started with some expected thunder and lightening. Lucky for us our lovely neighbours let us throw our belongings into their tents while we helped other drenched campers set up. We then escaped into the larger tents for a good wringing out.

Once we began to resemble ourselves again we headed into the arena to catch the rest of the acoustic stage. Sam Duckworth and Dave McPherson both incited sing-alongs to those who had survived the rain but it was the acoustic set from Jamie Lenman that nearly had us in tears. Reminiscent Reuben tracks like ‘Moving To Blackwater’ and ‘Let’s Stop Hanging Out’ really hit the tone for all of those brought to Hevy this year. Dave McPherson also came back out to join Lenman for ‘I Ain’t Your Boy’ that brought together the camaraderie that you cannot miss at Hevy.

Friday 15th of August

Luke keeping up the caffeine at Hevy

After we assessed Thursday’s damage and sought out breakfast we ventured into the Port Lympne Wild Animal Park. A portion of each ticket sold for Hevy goes towards The Aspinall Foundation, to help protect endangered species, and where possible return them back to the wild. With little else to do before the bands start in the afternoon it’s amazing that you are able to wonder around the park free of charge. You can also pick up an actual meal or even some Kentish Cider if you fancy it.

If that didn’t wake you up, Continents had the task of kicking off the festival from the Main Stage. Despite pretty much baking in the arena the sounds of their upcoming album got people moving and early tracks like ‘Pegasus Pegasus’ began decimating the grass in front of the stage. There is always a place at Hevy for instrumental, post rock bands and Chon certainly proved why. Chon bring movements between the stages to a stand still with riffs that mirror vocal chords in incredible succession. Closing with ‘Perfect Pillow’ with a guitar sequence that will be riddled in your brain for weeks. We highly recommend you check them out.

Even if you’re not into it, Hacktivist certainly got the Hevy party going. If they didn’t have you with ‘Djent In Paris’ then they had us in crowd peer pressure of waving hands to ‘False Idols’. We didn’t know the words but we soon picked them up before we headed to the Third Stage where Heck were destined to make us double check we all still had our limbs. What we were not expecting is the band formally known as Baby Godzilla to induce a stage wide floorshow with the audience as props. Tracks we’d never heard before had the crowd in a frenzy and if you didn’t feel the need to sing along, you’re probably broken inside.

Heck At Hevy

We headed back to the Main Stage for Touché Amore for a completely different feel, the band brought this closer environment as the crowd reached over desperate to shout lyrics. This amazing wave of post-hardcore has this insane ability to unify emotions that were once overlooked or hidden. To have witnessed this at Hevy within a crowd all clearly in touch with every word was striking and completely epitomises Hevy and the love and respect everyone has for the music and its abilities there.

Once we’d all pulled ourselves back together and the iconic intro to ‘Bloodmeat’ kicked in we knew we were in the midst of Protest The Hero. Wilding riffs and lungs you will never quite believe from Rody Walker. With his renowned anecdotes dropping momentum it allowed us a chance to breathe before winding back up into techy sequences and guitars that lick through ‘Clarity’ to see the blur in front of the stage give it one last go.

The Dillinger Escape Plan then called out the sunset with the most unnatural spasms their bodies could muster with ‘Prancer’ opening up the set and the ground. ‘Milk Lizard’s grooving rhythms had us more inclined to dance than to thrash about as the band seemed more and more determined fracture themselves. Although we’ve come to expect this self inflected battering while remaining indefinably tight it’s exceptional to witness every time.

The Dillinger Escape Plan At Hevy

The iconic opening riff to ‘43% Burnt’ ensued madness immediately and carried through to ‘Panasonic Youth’. The crowd completely lost their shit when vocalist Greg Puciato dove into the crowd for ‘Farewell Mona Lisa’ only to immerse back on stage as bodies flung for ‘When I Lost My Bet’. With no time we legged it over to catch the end of Fightstar’s delayed set, seven strings and all. With a feral tent that proved that Fightstar could have headlined a bigger stage they tore out their new track ‘Animal’ with a new synth sound before nailing out titans tracks like ‘Deathcar’ and their first single ‘Palahniuk’s Laughter’. As we held each other up in the swarming stage it was so reminiscent of our swinging emo fringe days that we couldn’t thank Hevy enough for putting something so awesome together.

Coheed And Cambria closed Friday’s live music by playing ‘In Keeping Secrets Of Silent Earth: 3’ in its entirety. Coheed are incomparable, the album a spectacle in itself and it didn’t stop with the album. The encore saw their latest track ‘You’ve Got Spirit Kid’ carry away the audience as the eminent ‘Welcome Home’ took over Port Lympne to show that Hevy is well and truly back.

Saturday 15th of August

Despite some technical hitches the crowd spurred Milk Teeth in some of the freshest sounds that hit Hevy. Their grunge punk rock is something not to be missed and we can’t wait to see them live again. We were then allured into a doomy tent where Hang The Bastard had incited the slugging, aching head-bangs through layers of smoke. And then as if our eyes were deceiving us (they weren’t) a fluorescent pink two piece with a triangle found its way around the Second Stage for HORSE The Band.

HORSE The Band at Hevy

If you had never had the pleasuring of witnessing these guys before Hevy you were certainly in for a treat. Their sweet set of insanity blew Saturday up only to be followed by The Fall Of Troy on Main Stage. They were the second band of the weekend to play an album in full so when ‘Doppelganger’ kicked off we knew were in for unchartered territory. Within the first track they were a band we regretted never getting into. Impeccable guitar work with catchy rhythms had us all dancing. For an album played on its ten year anniversary The Fall Of Troy not only kept everything so incredibly tight but probably gained a lot of fans who wished they tuned in a long time ago.

The Get Up Kids then followed in full album suit, and although it was now getting slightly tiring it is amazing to see so many albums still have the ability to pull in such crowds. ‘Something To Write Home About’ saw people singing word for word with ‘I’ll Catch You’ holding a quiet moment over the main stage as the album closed.

Thrice at Hevy

Headliners Thrice come together like they have never been away. Every track fell into the next and just the intro to ‘Of Dust And Nations’ sparked frenzy. With a varied set list that saw ‘The Artist In The Ambulance’ and ‘Deadbolt’ take off as if it was the early 00’s again the entire campsite was gathered around the Main Stage.

As they closed on 2011’s ‘Anthology’ we couldn’t quite believe that it was over for another year. Hevy have brought us bands in their revival that we could have never expected, what’s for 2016 Hevy?

Did you go to Hevy Fest? What did you think?