Tattoos: 150 years of body art

Susanna Kumschick, a Swiss anthropologist, has curated an exhibition in Hamburg charting 150 years of body art. “I started with skin, because I really think if you are studying tattooing, you need to look at human skin closely too,” Susanna explains. She believes that the tattoo industry has not been represented enough when discussing anthropology in relation to art and design and after much research she “was surprised that it wasn’t actually a subject in art and design museums until recently.”

Thea Duskin, Untitled 2011

Kumschick discusses how tattoos have been represented throughout history in artists’ work, “They were always inspired by the aesthetics, from early on – the human body has been a subject in art for a long time, and so is painting on the body.”

The artist Fumie Sasabuchi adds tattoos to photographs taken from fashion magazines using traditional motifs taken from the Japanese Yakuza mafia. “Tattooing is more fashionable because we show our skin much more than in the past, so it’s more of a communication medium. We should look at them closely, because it depends where you have them on your body – you’re saying different things by the location you choose. It’s normal to have one today but it’s still a statement if you put one on your face, unlike one on your chest or ankle.” The image below was created from a photograph taken from children’s magazine Vogue Angels.

She also looks at how tattoos can stigmatise certain people.  The photographer and filmmaker Christian Poveda spent a year with members of the Mara 18 gang in El Salvador, who cover themselves in tattoos marking the numbers of people they’ve killed or commemorating the death of a fellow gang member.

The exhibition is at MK&G in Hamburg until 6 September 2015.

Blind Tiger tattoo studio

Blind Tiger tattoo studio in Newcastle burst onto the scene in early July 2014 as a solo project by owner and artist, Gabriela Lastra. “Blind Tiger”, was a “speakeasy” during the 1920s prohibition, which promoted mystery and hedonism, inspiring the studio’s unique spirit. This hidden, intimate gem, which differs from its surroundings is a place where friends can come to feel comfortable and share their stories. Its private status gives it the feel of a personal art studio rather than a walk-in shop, placing the quality of work at its heart. Little Si joined Blind Tiger Tattoo in October 2014 as Gabriela’s co-pilot and the studio’s reputation and body of work has continued to evolve and adapt.

Gabriela Lastra’s niche style is influenced by Neo-Traditional veins of tattooing, favouring a dark colour palette and unusual subject matter, along with producing technically flawless black and grey work.

Little Si is fluid, dynamic and personal across the spectrum. He specialises in Neo-Japanese, his bright colours bursting through traditional Japanese mythology.

The studio’s strong resident duo, the industry greats that form its guest artist repertoire, and the homely and relaxed vibe at the studio, along with its support system of loyal clients and friends, mean Blind Tiger Tattoo is becoming an unstoppable force that shows no signs of slowing…


CHECK OUR INTERVIEW WITH GABRIELA AND LITTLE SI

How did you get into tattooing?

Gabriela Lastra (owner): Ever since I was a child, I wanted to grow up to be some kind of artist, not the generic astronaut or fairy fantasy job kids normally have! I was the weird foreign looking kid at school who spent all her time hidden away in the art class drawing at lunch.

I went to college and studied a B-Tech in Art and Design. This was when I started to notice tattoos a lot more and they started to influence my art, but with such little knowledge of the industry, I didn’t think it was something I could do. After college I ran as far away from Sheffield as I could do to Bournemouth, where I studied illustration at university. After three years I came back to Sheffield with a degree and still had the desire to tattoo.

I did my time in a couple of tattoo studios as “shop bitch”, which I think is really important, but torture! In the end, I was lucky to get an apprenticeship at Couley’s Tattoo Studio in Newcastle. I’ve also been lucky enough to have been helped by some good friends and fellow artists along the way, as well as masses and masses of help from my bearded beauty, Greg Scott!

Little Simon Gunn (resident artist):  I was given an apprenticeship in South Shields, alongside one of my best friends, who is also still a tattooist! We learned the craft for around three years on handmade rotary machines and used a single needle for everything. It’s crazy to see how it has all changed!

How would you describe your style?

Gabriela:  This is possibly the hardest question as I never know how to describe my work. I would probably lean more towards “Neo-Traditional” tattooing but I do my own thing with it! I love strange pieces of work, bold lines, the technical aspects of traditional tattooing and having studied illustration… I love incorporating that into my work. Doing my apprenticeship with a bunch of Realism and New-School artists has had a massive influence on me as I can use techniques related to those styles and it’s brilliant to have a completely different set of eyes analysing my work. There are so many styles out there that don’t fit in a category, but I think that’s cool because who wants to follow trends and fit in little labelled boxes? I think it’s important to be artists and not just tattooists trying to fit in a style.

 

Little Si:  I think if I had to put myself into a category it would be Neo-Traditional Japanese. I love tattooing in every style. My roots are in New-School and Traditional veins of tattooing, so I constantly take influence from those in terms of my technique and colour palette.

How long have you been tattooing for?  

Gabriela:  I have been tattooing for three years, including my apprenticeship which really isn’t long. Everything is moving so fast for me with Simon and the studio and I didn’t expect it to at all. I’m very thankful to have Simon working alongside me.

Little Si:  I was 17 when I started my apprenticeship and didn’t start tattooing until I was nearly 20, so I’ve been tattooing around 4 years now.

Where do you get your inspiration from? 

Gabriela:  I’m in love with so many amazing artists! It’s so hard to specify where I get my inspiration from. I’ve recently been tattooed by an amazing artist in Berlin called Daniel Gensch, so he’s my current favourite.  Apart from the many artists I admire, I also love going to see fine art in galleries and I absolutely adore statues!

Little Si:  I’ve always been a huge fan of cartoon, which comes across in my work a lot and feeds into my Neo-Traditional Japanese style. I’m obsessed with Japanese art and folklore, where a lot of my inspiration comes from! I think I’m probably single-handedly funding Amazon with my book addiction. Everything inspires me really, my family is a huge inspiration and support system for me and seeing other artists killing it pushes me to work harder too.

If you weren’t a tattoo artist, what would you be? 

Gabriela: I would hope that I would be doing something related to art, probably an illustrator or maybe just a bum.

Little Si:  Just happy in whatever I did, I hope. I have a long list of things I would do if I wasn’t a tattoo artist, but as long as I was happy,  jobs a good’un!

All enquires can be made to info@blindtigertattoo.co.uk and any studio updates are available on their Instagram and Website 

We love Sourpuss Housewares

Sourpuss based in New Jersey have a whole range of tattoo-inspired clothes, accessories and homewares on offer to decorate your life. They are an independent company with a hands-on attitude and they stock all the things that make them happy!

It was hard, but we’ve narrowed down our favourites from their wide range of super-cool items…

 

Flamingo salt and pepper shakers will add a pinch of  50s American Kitsch to any dining table, or they would look great on a shelf surrounded by fairy lights, aw.

Down the hatch me hearties! This mason jar tumbler is great for taking wherever you go.

Manatea tea ifnuser, this little guy hangs onto the edge of your mug, great for loose tea infusions.

What more could you wish for in life than a pillow in the shape of pizza? Lay your head on a slice of heaven after a pizza-fest…

 

We love the cheekiness of this Jackalope cotton ball holder, adding hilarity and cuteness to your dressing table.

Plus, they ship internationally, yay. Get shopping at sourpussclothing.com

phantasy homes

Hey, my name is Keely and when I’m not the make-up artist for Things&Ink, I am creating kitsch phone covers for Phantasy Phones.

This is my Mexican inspired back piece by Paula Converse:

I also have a fondness for homewares and interiors, and in this blog post I have collated a selection of some of my favourite finds. Tattoos seem to translate well when used in ceramics, fabrics and arty objects for the home, and, it seems, any avid tattoo collector also likes to have their home looking as beautiful as their body art.

Homewares

Katie Spragg creates beautifully illustrated ceramics that would stand proud in any crockery cabinet. My stand-out pieces are the wonderful collection of mugs she creates featuring animal illustrations. £15

I also love the large ‘African Queen’ plate featuring parakeets and some illustrations of Battersea Park. £25 www.katiespragg.com

 

Rockett St George is an online interiors shop offering a selection of homewares, art and gifts. Launched in 2006, they now have three warehouses full of wonderful, unique and curious products, which can be explored on their website.

My favourite item is the kitsch Bear Side Table at £125 its a real conversation starter. www.rockettstgeorge.co.uk

 

Who knew the grandfather clock could look as modern and cheerful as it does with Studio Cloggy? This Dutch-based company offers a contemporary twist on a traditional design, and they do it very well.

With prices starting from £1,377 for a single-colour design, they’re not the cheapest on the market, but they’re worth every penny. www.cloggyclocks.com

 

Find my full article and more hand-picked homewares in Issue 4 The Art Issue