Rosalie Hurr, Author at Things&Ink

August 4, 2016August 4, 2022

Interview with Katie Shocrylas

31-year-old tattoo artist Katie Shocrylas tattoos out of a private studio in Vancouver, BC, Canada and creates mesmerising and bright tattoos inspired by the beauty of nature. We chatted to Katie to find out more about her distinctive style and what drew her to the tattoo world…

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Photo taken by rolydee.com

How long have you been tattooing? I have been tattooing full-time for about four years.

How did you start? What did you do before? I became fascinated with tattooing about a year after finishing art school, while I was travelling and started getting tattooed myself. After my apprenticeship I ended up going back to school for art therapy; I took a bit of a roundabout route but ultimately found my way back to tattooing and haven’t stopped since. Now, I couldn’t imagine doing anything else.

I did a lot of different things before I got into tattooing: I spent four years completing a Bachelor of Fine Art degree, a year travelling in New Zealand, and in the time between then and the beginning of my tattoo career had a variety of different jobs in the service industry. My apologies to anyone who got me as a server, I was always terrible at waiting tables and serving drinks!

Do you have a background in art? I have always drawn and painted, and have an undergraduate degree in visual art specialising in mixed media figure drawing and painting. I also danced semi- professionally until I was 18.

What drew you to the tattoo world? I have always loved the fact that tattooing allows you to make one-on-one connections with other people through images. I think it’s a really unique way to make even just a small difference in someone else’s life, and being able to learn a little bit about their experiences by creating a piece of really personal artwork for them. I am drawn to the directness of drawing directly onto someone’s body; tattoos are aesthetic and I love that they’re a way for people to adorn their skin with images they find beautiful and/or significant – I see tattoos as a movement towards self love and often acceptance and healing. Also, it’s really, really fun and super rewarding to be able to make art for people every day!

How would you describe your style, how has it changed? I always have a hard time describing my style but I suppose I would say I do illustrative, vibrant, somewhat neo-traditional and mostly animal-based tattoos. Over the past few years, I feel my work has become a little freer and more whimsical – my line work has definitely evolved to have a bit more of a sense of naturalism to it. Also, I find myself working with bright colour schemes in a way that combines black and neutral tones to contrast the hyper-vibrant rainbow palettes I love so much. I think my sense of colour is becoming more refined and I’m really enjoying the depth that results from that.

What do you like to tattoo and draw? Animals! Crystals! Anything that grows in nature. I love doing pet portraits, anything magical or whimsical, food tattoos are really fun (fruits and veggies and anything sweet), patterns, ornamentation, anything that combines the real world with an imagined world.

What inspires you? I am inspired by nature, pop culture (especially anything from the 80s), travel, and lots of other artists (tattoo and otherwise, both past and contemporary).

What would you love to tattoo? I really want to do more pop culture tattoos – think X Files, drag queens, iconic musicians, 80s inspired imagery. I’d also love to do more insects, snakes, and exotic as well as mythological animals. I really want to tattoo a zebra, if anyone’s keen!

Do you have any guest spot or conventions planned? I’ll be part of Art Basel again this December with my lovely sponsors Hush Anesthetics! Otherwise I am going to be primarily in Vancouver for the remainder of 2016 as I’ve been on the road a lot this past year and am looking forward to a few months at home. However, I am in the beginning stages of planning some North American and UK guest spots for 2017. I am also planning on heading back to Brighton for the convention in 2017, I was part of the convention this year and had a blast.

Can you tell us about your own tattoos? Half of the tattoos on my arms are cover ups, and my favourite tattoos rarely see the light of day – I’ve got a little collection of animals on my legs (a horse, toucan, squirrel, puppy, kittens – still lots of space on my one leg to fill with more creatures!) Steve Moore is doing a full backpiece for me, we’re two sessions in, I’m pretty excited about that as his work has inspired me since before I even started tattooing.

July 28, 2016August 4, 2022

Interview with Karolina Skulska

25-year-old Karolina Skulska tattoos out of Kult Tattoo Fest in Krakow, Poland and creates wonderful floral tattoos. We chatted to Karolina about the natural world that inspires her and how she started tattooing…

How long have you been tattooing? It’s been two years since I took hold of a machine for the first time. But I’m not sure if my first steps could even have been called tattooing!

How did you start? What did you do before? Before I was studying journalism but after a short time I realised that the work didn’t suit me. During that time I was a customer of Kult Tattoo Fest and was getting tattooed by Edek. One day I noticed that guys from TF Mag (magazine about tattoos which is released by people who are a part of Kult team) were looking for another editor. As a journalism student and tattoo fanatic I was a good candidate. I worked there for few years and was drawing a lot of the time, I was tottally absorbed in the tattoo industry.

Do you have a background in art? I didn’t graduate from art school or academy, but I was always drawing a lot and also taking some drawing lessons. I was doing it for no real reason, but I felt that it might be useful in the future.

What drew you to the tattoo world? Since I remember I’ve felt that there’s something in tattoos that attracts me more than other people. When I was under the legal age I was begging my parents to let me get my first tattoo. Then work in TF Mag showed me this tattoo world from the inside. Doing interviews with tattoo artists was helping me to become more more interested in the craft. I wanted to try the things they were talking about and understand them. Now it’s my greatest passion and job all in one.

Describe your style, has it changed? I don’t think it has changed, my career is too short for big changes. I call myself a tattoo florist, because I love to put lots of flowers into my works, lots of leaves and other botanical aspects. It looks great on all body types as it’s easy to fit the anatomy lines of the body. I use strong outlines but in the same time add small details, I love pastel colours and dotwork.

What do you like to tattoo and draw? What inspires you? As I mentioned, nature is the most inspiring thing for me. In my camera roll I have more photos of botanical elements than food and selfies combined. I love drawing these things, I find a great sense of pleasure from the dots, lines and floral designs.

What would you love to tattoo? And what would you refuse to do? I don’t have a list of stuff I want to do, I simply love all tattoos. Colouring people and using machines is great fun and pure happiness for me, so I just want to do it! I will refuse to do motives that are harmful for other people like racist symbols etc. and I’m also not into religious stuff. I also refuse to make designs that I know will look really bad after a few years, like very small and detailed stuff or super fashionable white ink tattoos.

Do you have any guest spot or conventions planned? This summer I will go to Trondheim for a few guest spot for sure, but as I was travelling a lot last month I’ll probably take a break. Then I’ll start guest spotting with renewed energy next year.

Can you tell us about your own tattoos? Most of them are made by Edek, but you can also find on me works of Piotr Bemben, Bartek Kos, Marie Kraus, Davee, Mazak, Kay Lee. Most of my tattoos were spontaneous and creates in the happy moments of my life.

July 27, 2016July 27, 2016

Exhibition: Exit Voto

Our Italian contributor Ilaria Pauletti chatted to Rossana Calbi the curator of Exit Voto, the latest exhibition at Parione9 in Rome, on until August, 7th…

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More than 100 artists were involved in Rossana’s Exit Voto, and among them are some talented Italian tattooists including Miss Juliet, Diletta Lembo and Morg Armeni.

Everyone of the chosen artists had the task of recreating a holy picture on paper. They were all completely free from any obligation or limitations, Rossana simply choose the theme and the medium.

As you may already know, ex-voto is an offering given in order to fulfil a vow, normally the offerings are given to saints or divinities in gratitude or devotion (hence the Latin term, short for ex voto suscepto, “from the vow made”).
Rossana played with this ancient term to show a way that we can exit or enter the holiness that can be found in the everyday, and a way to explore other’s affinities with the divine.

diletta lembo_santa felicita When did the idea of this ambitious project come to you, how did it evolve to become what it is now exposed in the Roman gallery?
The theme of the representation of holiness has interested me for a long time. In 2011 I curated the exhibition Carpe Viam in Elsa Morante multi-functional complex of Rome, in that case the idea was to understand the artistic representation of holiness along the way. In that project were artists who have also been involved in EXIT VOTO, Marianna Pisanu and Pelin Santilli. Following Virgil’s admonition, carpe viam, I embarked on this journey and last year I decided to work with a hundred artists that could reinvent the holy pictures that I saw in the drawers of my grandmother’s home.

Have you commissioned a representation of each saint, giving total control to the artist or have you given them some guidelines? The only instructions I give when curating an exhibition is the theme, format, and in this case the medium- paper. What interests me and what I think is gripping is the development of each project, I love to see how each artist evolves the theme with different techniques and perspectives.

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When did you decide to include tattooists and not just artists or painters? I do not make a distinction between the arts: cartoonists, illustrators, painters and tattoo artists for me are always just artists. I work without categorising the expression and choices of any artist.

What is your personal relationship with the faith?
I need to believe in something greater than me, I need to do this because I need a warning and above all hope.

And with the art of tattooing?
I was interested in the tattoo world when I was younger. I’m always very curious to see the pictures and study the ties they have with the people. Tattooing represents the evolution of symbols on the skin. Understanding the choices and the need to have a mark on the skin means you understand a lot about the individual and also of the group.

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I personally think that tattooing is an act of faith, about trusting yourself. Deciding to change your body, to explore a feeling or taking control of your body, is an important gesture. What do you think about it? Do you have any tattoos? I got a tattoo of a lily when I was 18, and I never liked the result. The ink exploded transforming the design into something poorly defined. It took me years to trust a tattoo artist again. Well, I chose Nicoz Balboa to cover the tattoo on my shoulder with another lily, that should have been there in the first place.

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What is the Exit Voto that represents you the most? The holy picture that struck me the most is the ‘Maddalena Penitente (Penitent Magdalene)’ by Zoe Lacchei. As I said before I do not give guidance on the realisation of the work, but Zoe Lacchei heard what I was trying to produce with the title. But there are also works that I have enjoyed and that can eliminate the heaviness of my spirit, including the ‘Saint Honoré’ painting by Riccardo Bucchioni.

July 23, 2016August 4, 2022

Interview with Iris Lys

30-year-old travelling tattoo artist Iris Lys is based in Liège Belgium, where she guets at a friend’s shop every month. We chat to Iris about her love for cats, how her tattoos have progressed since she began tattooing and how she wants to create larger pieces…

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How long have you been tattooing? I started tattooing in 2005 and I made my first tattoo ever in 2003, when I was just 17. That was in an awful shop in France, so I don’t count it, I started a real apprenticeship in Helsinki Finland at the end of 2004.

How did you start? What did you do before? I have always loved body modifications and I have always drawn and somehow I just knew it was my thing. I moved to Finland (where my mum is from) a year after I finished school, with the goal of finding a place to start my tattoo apprenticeship. I remember I arrived in Helsinki and found this shop where I got tattooed and I had all of my drawings in my bag hoping I would get the balls to ask for an apprenticeship. I showed them my drawings and they took me on!

My drawings had nothing to do with tattoos when I began, I think my drawings were pretty bad, but I was young and nobody makes perfect drawings from a young age! I had a difficult apprenticeship, as I was a very shy girl who couldn’t speak Finnish very well. So sometimes the language barriers got a bit problematic! I consider myself to be self made, no one really showed me things or helped me understand things and how to get better that’s why I learnt very slowly.

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Do you have a background in art? Both my parents are artists, they always took us to exhibitions and made us draw or do anything artistic. My father was an art teacher for years until he stopped to have more time for his own art, he was a sculptor and amazing painter. My mom also paints, draws and makes traditional Finnish wall tapestry, they both made me love art. I went to an art school in Helsinki for a year too but I wasn’t really into it as I wanted to learn tattooing and I thought learning how to paint wasn’t really my thing which I now regret since I would have learn so much.

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Describe your style, has it changed? I guess I can call my style traditional with a girly/kitty touch. I use a lot of traditional images as inspiration that I try to adapt in cat style like rock of ages “rock of kitties”, pharaoh’s horses “pharaoh’s kitties”, handshake “paw shake”, I like to add funny words to the drawings. I also like to create funny and naughty designs with asses and cats involved!

My style has changed in a way and so has my tattooing ability. I am only now after 11 years of tattooing kind of happy with what I do since I have been travelling so much, living in different countries, working in a lot of shops and learning things from others. I am so much happier and confident now, I always knew I wanted to tattoo and I want to until I am unable to keep a machine in a my hand.

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What do you like to tattoo and draw? I love to draw and tattoo flowers, hands, lady faces and of course cats! I’m always happy to have people contacting me about their cat projects, especially when they have very funny ideas! I like doing other stuff too, I don’t want people to think I’m not able to do anything else than cats or to think I only make palm size tattoos which isn’t right! I like bigger project too and when they have cats in it I am even happier.

What is it about cats that you love so much? I come from a tiny village in south of France where we always had cats and even more cats were coming to our garden, wild ones, I remember trying to catch them very silently to pet them, I have just always loved cats! I started tattooing my first cats a few years back and while I was in Montreal. I started to draw more and more and since people seem to like it I thought this is perfect, now I can make this my thing!

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What inspires you? My big inspiration is my own cat at the moment, I am completely crazy about her, she is my baby! Also sometimes I see funny cat pictures on my news feed that I use as reference.

What would you love to tattoo? I’d love to find someone who would get a full sleeve in a cat theme or a back piece, I want to make bigger pieces. I like doing palm size tattoos but sometimes I miss making bigger pieces, I feel like people think am not into that!

Do you have any guest spot or conventions planned? I’ll be the last week of July at Salon Serpent, few days at Jolie Rouge London in August and will come back to London in November for a week but haven’t figured it out yet. As for conventions, I’ll be at Tox Cit Ink Liège (Belgium), Montreux tattoo convention (Switzerland) both in September, at Nantes tattoo convention in October and should be at Lisbon tattoo convention in December.

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Can you tell us about your own tattoos? My own tattoos are pretty much all about cats, I have many cat tattoos on myself. A few years back I said that the only thing I would get would be cat related and it has been like that since then, but as I have been running out of space this is header to do. I started getting tattooed when I was younger and some of then have been covered, blasted over and lasered, but some still remain unfortunately. The best tattoos I have are all hidden since I don’t show my legs that much anymore!

July 18, 2016

Shaded: Neil Preston

‘Shaded’ is an on-going interview series created by 21-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.

Neil Preston is a 30-year-old Liverpool based tattoo artist working out of Manchester’s One For All Collective. Once a student of illustration, Neil naturally gravitated towards the world of tattooing and has now been producing beautifully bold work that references the timeless nature of traditional tattoo art for the past four years. Here, as part of Things and Ink’s on-going interview series ‘Shaded’, he discusses his style, influences and where he sees his work going.

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How would you describe your style? I don’t like saying I have a style. I do all kinds of tattoos, I just have my preferences. I try to learn all the time and produce the best tattoos I can. I’m currently trying to make my work as simple as possible. I don’t use many colours. I don’t like blue. Lining a tattoo is my favourite part of the process, and I like thick lines.

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What is currently inspiring you as an artist? At the moment I’m into the art of David Hockney and Edward Hopper. I’m currently collecting old Black Flag flyers. Raymond Pettibon did a lot of them. They’re all weird. I like interior design blogs too! I’ve recently bought a flat, so me and the wife are getting the place the way we like it. I think the environment you choose to live in is incredibly important, and how you arrange and decorate a living space really interests me. I don’t believe in any kind of God, but religious art also interests me. Wherever I travel, I always make an effort to visit a church. I especially like the windows.

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Can you talk me through your journey to your current style? There was a lot of trial and error, but I just kept drawing and drawing. A lot of the journey involves not being happy with every tattoo you do. You have to constantly re-evaluate how you draw, and this naturally transfers to how you tattoo. It takes time. If I look back at what I was doing this time last year, I would change so many things, and I can only presume it will be the same next year. I’m definitely not re-inventing the wheel, I just try to produce tattoos that I would wear.

How do you see your work evolving? I don’t really know. It’s only something I can see when I look back. You can see the way you used to draw things, but I don’t really worry too much about that. I just try and do my best.

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What predominantly inspires you as an artist? Predominantly, traditional tattoos. There’s a lot of artists’ work that I like, but I mainly like collecting vintage photos of old tattoos. I’ve got a few old flash books that I always looks through. It interests me to see old designs and wonder who’s they were. Old design are like ancient pieces of furniture: each piece has its own story. I did a tattoo not so long ago that was a design that was brought in by this girl. It was pretty much an exact copy of one of her Grandad’s tattoos. There’s something nice about that.