Interview with Lucrezia

Our Italian contributor Ilaria Pauletti chatted to tattooist Lucrezia about her beautiful tattoos and recognisable style… 

Lucrezia is a Sardinian girl with a colourful heart and sea waves in her hair. Her Sarditional style is getting more and more renowned and here she explains the perfect mix for a tattoo made with love. Among coricheddos (little heart shaped sweets), delicate feminine figures and amulets, she is bewitching the web! You can find her in Milan, at Toy Tattoo Parlour.

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You are a complete artist- a graphic designer, illustrator and tattoo artist! Can you tell us a little bit about your artistic career? It was a quite natural process, you know, I grew up with colors in my hands and I used to leave my marks on every surface. My path as an illustrator and tattoo artist were parallel to each other, they reflected a way more rebellious and emotional side of my studies in architecture and graphic design. My degree surely gave me the basics useful to search the composition and balance in each drawing I make.

What is your first memory connected to tattoos? My first memory is a feeling, I see the tattoo as a very important gesture that helps to fix an emotion and one that is on your skin for you to wear forever. As a tattoo artist,I find that the tattoo is a rite, that binds deeply the tattooer and tattooed during the creation of the piece.

The transformation of a story into a picture and the subsequent transposition of the skin, the pain, the amount of tension and excitement, and an indelible bond that is created with all my clients. These are the things I love the most about this work and I’d never imagined they could become so essential and vital for me.

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How would you define your Sardinian style? Is it a declaration of love for your homeland and the coricheddos (typical Sardinian sweets mostly made of almond and honey)? The sarditional was originally born as a hashtag game on Instagram. Initially, before I started tattooing, I filled my illustrations with little women tattooed with Sardinian buttons and motifs derived from the Sardinian tradition. Beginning my career as tattoo artist, they became my main subjects, executed using the technique of traditional style. The designs were simplified, with thick lines and black shadows, from there I put that Sar-ditional touch. Now it has become a real characteristic of my style, which is to bring to the world the Sardinian tradition, from ‘pavoncelle’, kokkoi, to buttons and coricheddos. And all those jewels that the Sardinian tradition considers to be protective amulets and charms. That’s how the design of a sarditional becomes a real ritual to put on the skin: for Sardinians and beyond!

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What are your daily inspirations, both personally and professionally speaking? Every day, the inspirations are the most varied, most of the time I get influenced by my moods, from the weather and especially by music. This last is crucial because it helps me to channel myself in mental states that may not belong to me and, for example, when I prepare a drawing for a client I can get closer and better identify himself using music.

From Alghero to Milan: how are you living this experience and what are your expectations? Milan is basically adopting and taking very good care of me, I am very good and I also managed to do a lot of experience, getting to know many people and growing especially from the professional point of view. Alghero will forever remain the seat of my roots and going home to do some guest spots is a must for my creativity. Sardinia is a land that offers so much inspiration, and especially its silence and its mystery stimulate creativity in me.

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Corals, beads, women faces filled with love. What are the subjects you prefer to tattoo? My favourite subjects are without doubt the little women, I find them super expressive and I am able to communicate anything through their eyes and hands.
I try to draw every little woman to resemble as closely as possible the client who will wear them forever.  In fact, I generally choose the colours together with the client, also to see what kind of colours and feelings that person sends me, and most of the time I guess right!

Who have you been tattooed by and who is on your wishlist? I have two beautiful surreal pieces made by the great Gabri Pais. Others by my boss Amanda Toy, who has spoiled my skin with bright colours. A piece signed with perfect lines by Paul Colli. A wonderful little woman by Viola Ceina. Another woman who remembers the old pieces of George Burchett, masterfully executed by Marco Sergiampietri. And a super old school tattoo by Alessio Errante.
In my wishlist you will find; Chiara Pina, Nicholas Rinaldi, Giampiero Cavaliere, Carlotta Cawa, Luca Font and internationally Bouits, Danielle Rose, Kirk Jones, Emily Rose and many others!

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Do you have any side projects you would like to tell us about?
I carry on various projects and collaborations, where I leave my mark with my illustrations. I have a newborn project this year, where my illustrations are combined with stories of “Appunti sparsi di una trentenne a Milano”; I often work approaching the magnificent letters of Gabriele Cecere. I always carry forward my graffiti under the name of La*tete, it was all born one evening, many moons ago, out of curiosity and in Milan, thanks to my good friend Nacho. When I have some time left, I also collaborate with the great artist and friend La fille Bertha.

Do you have any future guest spots and conventions planned?
My future guest spot will be in August for Cagliari Tattoo Convention. And then I will be in Rome and Florence within the year. The next dates and locations will be surely posted on my Instagram!

The Art of Q-TA

We’re obsessed with collage artist Q-TA  from Tokyo after discovering their work on Instagram. We love the quirky mix of old vintage style and new modern imagery that art director and graphic designer Q-TA creates… 

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The Art of Henn Kim

We’re obsessed with the dark twisted and fantasy work of artist Henn Kim after discovering her  illustrations on Instagram. Henn’s monochrome drawings tend to feature beautiful yet faceless girls full of mourning, restlessness and a deep sense of sorrow…

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Oh Bones Illustration

25-year-old Brit is an illustrator, writer and musician from London. We chatted to Brit about her dark gothic archaeology inspired drawings and her tattoos…

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Inspired by Things&Ink Brit created this self portrait just for us…

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Do you have a background in art? How and when did you start drawing? I don’t have a background in art at all, I began drawing at university when I was studying archaeology – In the labs we had to draw the artefacts and bones. It was there I noticed that my drawings were good and not going so badly.  I then graduated and moved to Amsterdam to do an MA in archaeology and I started drawing for an hour a day and thought, this is much better than being in a library studying. So I didn’t do the MA and continued drawing instead!

What inspires you? Being an archaeologist inspired me the most because I spent years researching the human psyche and behaviour throughout time. My speciality is death and burial, and I guess that often comes across in my art work. I also love poetry, which inspires my art quite a lot and along with every illustration, I write a poem.

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What medium do you use? How do you create each piece? I use both digital and non-digital. I love using fine line pens and Indian ink to create my work. I like things to be imperfect because that way you seen the human in it.

What kinds of things do you draw? Usually I will draw people, disembodied limbs, plants – anything really. I almost always draw around a poem or song I’ve written, to give some visuals to my other artwork in my music and writing. I like it all to be one big art piece – audio, visual and written.

Describe your style? Tailored, black, kind of like an old fashioned 1920’s boy!

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Do you admire any other artists, do they influence your work? I usually admire artists whose work is nothing like mine! It’s nice to clear my head of anything remotely like my work now and again, so I really like the work of Gordon Armstrong and Robert Saeheng they’re really great. But I also like old school artists like Patti Smith, her word work really inspires me in my own poetry and in-turn in the art I create around the words.

Can you tell us about your tattoos? I don’t have too many tattoos, definitely under 30 but most of them I love, even though some of them are definitely bad prison style ones. I have some plants, pinky promise hands, trouble making pigeons, dead fish, skulls, love letters, words. Everything! My first one was was just a small one on my foot in Hebrew, nothing too interesting!

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How do tattoos make you feel?
My tattoos mean a lot, I’m sure a lot of people say that. Because most of my work is visual, it’s a way that I express myself, so I really do try and add some depth to the things I get tattooed! But sometimes you have so many tattoos there’s only so much meaning behind all of them – some don’t mean a whole lot, but there’s always a good memory behind getting it tattooed.

Do you do commissions? I do commissions, I do ink originals and screen prints for sale on my shop, but I also do a lot of album cover work, tattoo designs and logo designs.

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Where can people buy your art? They can head over to ohbones.com and find my shop that way, I will be stocking up for the summer soon, so there’ll be some new T shirts and badges!

Fashion Pearls of Wisdom: Got Sleeves

Our columnist Natalie McCreesh aka Pearl, is a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she’ll be talking about how getting her arms tattooed was a big deal…

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I never thought I’d get my arms tattooed. It had never been in my plan. But then again when I first started getting tattooed I never thought I’d be even close to heavily tattooed, even when I started to get large scale pieces I never foresaw the next. For me getting tattooed has been a process, my tattoos are something which evolve- a collaboration between my own ideas and those of the artists I work with. Even now I don’t have a final vision in mind, I still don’t know if I will end up with a full body suit or not. I have a very wait-and-see attitude I guess. I know I will get two half sleeves and my sides tattooed to connect my back piece into more of a traditional style Japanese half-body suit. But my legs are a random mix of different styles, do I keep them looking separate or do I sleeve them?  I’m going off the point; the point of having my arms tattooed being a big deal for me.

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I think it’s a huge deal as even though over half my body is tattooed I still don’t feel that I look that heavily tattooed, not from the front anyway. Clothed most people wouldn’t even know I was tattooed. The arms are so visible though, there is no hiding. I have over thought my arms a lot, possibly too much which is why it took me until the age of 34 to have them done. I had also decided that I wanted them to stop at the top of the arm and not go over onto the shoulder and certainly not the chest. So now I have the outline down of my first sleeve, it stops at the elbow and creeps over my shoulder onto my chest. Yeah about that, once my artist had drawn it on, we tried a few different ways of laying it out; it’s just what looked best. I didn’t give it a second thought. Now it’s done it just feels right and I’ve no idea why I was stressing out about it so much in the first place. When I first started to get large tattoos it would take me a while to get used to them, suddenly having something alien on my skin. Now with each tattoo I feel a little bit more like myself with each addition. My sleeve is only half done but it feels like it has always been there.