Stories we wear on our skin
Russian Lisa Smirnova creates beautiful hand embroidered pieces inspired by nature, tattoos and inspirational artists, including Frida Kahlo. Her embroideries look like they have been sketched rather than stitched and the muted and pastel tones add a dream like quality to her work.
Follow Lisa on Instagram for more art
Alexandra Langston is a creative copywriter, editor, and part-time blogger, living and working in Qatar. In this post Alex talks about being a tattooed Caucasian woman in a predominately Muslim country…
There are some parts of the Middle East that are almost indistinguishable from Europe. A huge Western ex-pat community, and the shops, bars, hotels, and events built to accommodate them, plus a booming tourism industry in many places, are a major reasons for this – with Dubai in particular fully embracing Western culture.
Qatar, however, is like Dubai’s little brother: playing catch-up with the economic, architectural, and cultural changes.
When my husband and I moved to Qatar one and a half years ago, we did it completely blind. After plans for a move to Asia fell through, and only a cursory Google of Middle Eastern countries, we applied for a few jobs and Qatar came up trumps. Neither of us had ever visited the region, and we had barely even heard of the tiny thumb-shaped peninsular that is Qatar. So we took a leap of faith, and just two weeks after getting married we had packed our bags, and were on our way to a new life in the desert.
I was terrified. An outspoken, tattooed woman, with a penchant for short skirts and sinking a drink or two; I strongly doubted I would be a good fit for this conservatively Muslim country. Of course I fully intended to respect their laws, religious and otherwise, but I worried about inadvertently offending someone or causing myself problems.
From the very beginning, there was a large amount of pretty uninhibited staring, which I initially put down to being blonde, Caucasian, and female. I quickly realised though that there is a large, mostly male, Indian ex-pat community here too, and that staring is a quite harmless part of their culture.
As it turned out, I really didn’t need to worry about having tattoos at all.
I found that curiosity, above all else, abounds here. It is completely fine to have them, and there is no need to conceal them beyond the expected standard levels of decency, but because tattooing is illegal, and there are no tattoo shops in the entire country, knowledge of tattoos is quite limited.
The most frequent reaction I get is one of surprise, followed quickly by the question: ‘is that permanent…forever?!’ I still get the usual questions about it hurting, even long after healing is complete, and I once had a lengthy discussion about ink entering the bloodstream, but I get the impression that these queries come from genuine interest, rather than judgement – and I have even been asked to model my tats for an amateur photographer!
I’m not sure if it’s the relative rarity of a woman with tattoos, the ever increasing Western influence on the country, or the prerequisite need to cover arms above the elbow and legs above the knee, but so far the consequences of being a tattooed woman in Qatar have been surprisingly minimal.
With more tattoos already planned, I can live with the questions, and I don’t even mind the staring…most of the time.
Amy Rose is a 29-year-old artist from the Cotswold, who creates soft pencilled botanical art in muted tones. We chat to Amy about what inspires her and her tattoos, and she created the piece Winter’s Hand just for us…
Winter’s Hand
Do you have a background in art? The only art course I have done is a Btec national diploma in Fine art when I was 16 and I had no idea what I wanted from it. I have been drawing from a very young age and haven’t stopped ever since.
What inspires you? Mostly I am inspired by botany and the natural world. I am also a trained in florist, so my flower knowledge helps me when I am looking for botanical inspiration. I also get inspired by objects that I collect which can be anything from antique books, framed moths and bugs, bones and other curiosities like that.
What do you like to draw? Anything botanical, animals, insects and oddities. I usually spend hours reading up on certain plants, flowers or animals and finding out about natural habits and behaviours before I start a piece. I have a big collection of natural history books and botanical books that I have collected and inherited from my grandad that keep me inspired.
What medium do you use? I use coloured pencil on coloured paper, normally soft prismacolor. I also like to use black ink but find that with botanical work it looses certain elements when you don’t use colour.
Where can people buy your art? I have a shop on Etsy.
Do you have any tattoos? What do you think of tattoos in general? I only have five tattoos so would love to add to them in the future. I love tattoos, I love how diverse tattoo culture is and how it keeps evolving, there is so many different styles my favourite being botanical black work.
Our guest blogger is hobbyist film and TV series reviewer and writer Harry Casey-Woodward. On th-ink.co.uk Harry will be writing a series of posts in which he will be sharing his opinions on things he has watched…
San Andreas, 2015, Cert 12, dir Brad Peyton
Why do big budget American filmmakers insist on making disaster movies and expect us to be entertained by them? Even worse, why do they ask us to take them seriously? If you wanted to make a movie about the power of the human spirit overcoming disaster, you could make a documentary about real tragedies like the recent earthquakes and tsunamis in Asia. However there has been a pattern of American disaster movies pitting everyday Americans against fictional natural calamities. The problem with these films is that they try everything they can to get sympathy for their everyday American characters. Nine times out of ten they fail through bad writing. San Andreas is no exception.
The only good point I can think of for this film is that it is based on some real geology, or geology I remember learning at school. The San Andreas fault line is a crack in the Earth’s crust which just happens to sit under the west coast of America. Regions that sit over divisions between the tectonic plates (like Japan, to give another example) have suffered horrendous earthquakes because the plates are constantly moving and rubbing each other, causing tremors. On the San Andreas line, the plates are moving apart and a small piece of the American West coast will eventually break off and become an island. This process is depicted in the film, just speeded up. Somebody clearly read about this theory and thought it would make a great movie.
The fact this film is loosely based on some geology doesn’t save it from being a ridiculous farce. For one thing, the hero is a rescue helicopter pilot played by ex-wrestler Dwayne ‘the Rock’ Johnson. Johnson has made a name for himself as a muscle-bound action hero for the 21st century, being cast in such suitable roles as Hercules and the Fast and Furious franchise. So when I’m watching a film with Dwayne Johnson I expect him to play an action hero. I do not expect emotional drama.
Johnson is playing a heroic pilot but he also happens to be a father going through a divorce. In the middle of his emotional turmoil earthquakes of mighty magnitude strike the San Andreas area, endangering his various family members who he attempts to round up and save. So he performs various action man stunts like pulling distracted drivers out of their wrecked cars and even knocking out a looter with his own gun. But there are also scenes where he has long intimate conversations with his wife about their family situation and a previous daughter who tragically drowned. The screenwriters have clearly gone to some lengths to build some family history for the main characters to get the audience interested. But it doesn’t quite work when the male character is a towering body builder and the female’s hair is always beautifully styled despite said woman surviving collapsing buildings and floods. In short, as hard as the actors tried their characters and their situation just weren’t believable.
While watching the film, I was getting confused about whether I should be paying attention to the good-looking everyday disaster survivors overcoming their marital strife or the spectacular, CGI scenes of tumbling sky scrapers and flooded streets. In fact, I always find it worrying when these disaster movies present earthquakes and tsunamis as excuses for epic set pieces to entertain audiences, when the devastation they cause in the real world is all too clear.
I felt the makers of San Andreas needed to decide whether they were making a tasteless exploitation of natural disasters or an intimate family drama. You can’t really do both. Worse still is to turn this mess into some form of American patriotism. The film begs sympathy for American citizens by placing them through grand suffering and destroying their famous landmarks, then emphasising how great they are with the few triumphant survivors. It felt a little like the filmmakers were creating their own 9/11. I’m not saying Americans don’t deserve sympathy for their tragedies, but I can’t help feeling that the amount of effort and money spent on San Andreas could have been used, as I said before, to raise awareness of real natural disasters or even to provide relief for the victims.
It is unclear what the intentions of the makers of San Andreas were, but they have made an action-packed slice of nonsense you can stick on in the background and vaguely pay attention to while you do more important things. You also get to see Kylie Minogue in a very minor role.
Just like tattoos, the things people collect are personal and unique. Guest blogger Amber Bryce decided to explore the ties between the two by speaking with three toy collectors, to see what inspired their collections and how these in turn have inspired their tattoo choices…
“When I was a kid, I would daydream through every Saturday morning ballet class about finding the next thing to add to my collections. These ranged from Spice Girls photos for my fluorescent pink album, to sparkly Pokemon cards and miniature car models. Collecting has always helped my mind to focus in on something and block out the chaos of the world, creating soothing rhythms out of mundane objects.
Still to this day I can’t let go of my collection of Pokemon cards or Spice Girls photos. There’s just something about childhood nostalgias that’s so comforting and aesthetically inspiring. Perhaps this is why toy collecting in particular is so popular, as it allows people to hold onto the fleeting moments of growing up, and the joy such things brought us.
There’s also a very close connection between toy collecting and tattoos. Candy-coloured My Little Ponies, perfectly accessorized Barbies and the tall, bright hair of trolls all prove how the charismatic designs of our childhood toys make the perfect kitsch tattoos.
I spoke to three lovely Instagram ladies about their toy collections and which tattoo or tattoos these have inspired”:
Name: Jenna Greenwood Location: Bradford
I have always been a hoarder and collector ever since I was a child. A lot of the things I have from the 80s and 90s are my original toys that I could never seem to part with. When I was little my mum and dad would recall with joy a toy from their childhoods, and when questioned as to where it was or if they still had it, I would always get the same reply, they’d gotten ‘too old for it’. My brother and I used to be horrified at the thought of getting rid of our toys! I never wanted that to happen, so I stockpiled all my favourites. Now it’s a case of reclaiming my childhood and the simple things that used to bring me lots of happiness. The nostalgia now is lovely!
I only get tattoos of the things that have or do give me great pleasure, I think if it’s a captured happy memory I can never go off it or change my taste. With that in mind, my right thigh is dedicated to my childhood and the things I used to love, so as well as my troll tattoo, there is an emerald for one of my favourite films Return to Oz, a mood ring, a dodo (a childhood obsession) and seaside paraphernalia. It’s not finished yet, but I’m hoping to add a tamagotchi and an ever-lasting gobstopper soon to complete it!
Jody Dawber has done all the pieces on my childhood tattoo. I found her work through Instagram and knew as soon as I saw it she was the one for this piece. Her style is fun and colourful with a grown up twist and I just fell in love with her work as soon as I saw it!
In the future, I’d like to factor in something Sindy and Sylvanian Family related too, but I’m not sure where they’re going to go yet. I might have to start on the other thigh if I keep finding stuff in my parents loft!
Name: Andrea Taylor Location: Adelaide South Australia
I collect lots and lots of dolls! My main collection is of Barbie, though. I always loved Barbie as a little girl, and had so many of them, but when I was in my late teens I got rid of a bunch. About 4 years ago I realised this was a huge mistake and spent a lot of time making a list of which dolls I had had and tracking them down again. It sort of snowballed from there and I’ve ended up with a lot more than just recollecting my childhood dolls.
This has inspired my one and only tattoo, which is of an illustration of Crystal Barbie. It was done by Sarah K at Pink Flamingo Parlour. She already had it drawn up with some other 80s/90s nostalgia and I saw it on her feed so I got in touch after some prompting from friends. It was exactly what I had been envisioning when I thought of my perfect Barbie tattoo.
In the future I’d love to get a 60s Barbie heart on my other thigh as the 60s and 80s are my two favourite decades for Barbie, so I’d like to pay tribute to both of them.
Name: Jessica Reeves Location: London
I collect so many things! Right now I am actively collecting Nevalyashka dolls (Russian roly poly dolls), Sonny Angels, kewpie dolls, Blythe dolls and any vintage toy that catches my eye (usually something that squeaks or moves or plays music in some way). But I also have a pretty large collection of kitsch vintage ceramics – mainly cats and deer – that I have been collecting for about four years now. I haven’t added anything new to this collection for a while but the objects I already own bring me a lot of happiness! I am drawn to many of these objects for their nostalgic value but also their aesthetic just really appeals to me and I love to surround myself with things that make my environment an inspiring, relaxing and beautiful (to me) place to be.
I actually have a few tattoos inspired by my collections! On my left leg I have two fairly large homages to my collection of vintage ceramics. Both of these tattoos contain so many elements that I just adore – cats, deer, sweets and Pearl Jam lyrics! They are so personal to me and I adore them both. On my right leg I have a super-cute tattoo of a Nevalyashka doll, inspired by my ever growing collection of these vintage roly poly dolls and a tattoo of a kewpie doll covered in tattoos. My boyfriend has a matching kewpie, which also makes this tattoo extra-special.
Both the tattoos on my left leg are done by Amy Savage and I chose her for her beautiful use of colours and personality that she brings to the animal portraits she has done a lot of in the past. The roly poly doll is by Rachel Baldwin and I chose her for her awesome cartoon-like style. I love that my nevalyashka tattoo kind of looks like a sticker, it’s just so bold and perfect! The kewpie was done by Luke Kempton and I picked him because he can turn his hand to any idea and style, and he has made some rad tattoos on my boyfriend in the past.
I love how personal my tattoos inspired by my collections are and I don’t see that connection becoming any less powerful in the future. And as my collections evolve over time there always seems to be some new object to commemorate on my skin forever!