Features Archives - Page 101 of 154

August 9, 2015September 14, 2015

Fangs&Ink: Maidstone John

Maidstone John is a 24-year-old freelance illustrator from Canterbury who creates black pen and ink drawings depicting nightmarish ghouls, he has created a fanged female monster, especially for Things&Ink. We chatted to him about what inspires him, his hopes to become a tattoo artist and the tattoos on his body…

Processed with VSCOcam with b5 preset Processed with VSCOcam with b5 preset — The Fang Girl John created for Things&Ink

Do you have a background in art? Yes, when I left school I studied fine art and design at Canterbury college, specialising in illustration and print making.

When did you start drawing? I’ve always drawn from a young age, it all started after school one summer when I broke my leg skateboarding. I was stuck indoors for a good three months with nothing to do, watching my friends going skating and getting frustrated. My good friend Craig Questions would come and visit all the time and I just remember him telling me that I had to focus my mind to something positive or I’d eat myself up. Craig would always visit with these incredible fanzines that he’d been working on, which fuelled and inspired me to draw my own. When the summer came to an end, I was sat in front of a body of work that later on secured my place on the art and design course and the drawing never stopped from there…

How would you describe your style? Black work inspired by old woodcut etchings. I think my work is a real diverse variety from elements of dark satanic reference to bold traditional 1920s tattoo flash.

What inspires you? I would say I’m particularly inspired by old horror films specifically hammer horrors, the devil rides out being my all time favourite. 80s skateboarding, natural history and third world culture. Those who are close to me know I’m an avid collector of antiques, oddities and ephemera, I love 80s toys. Madballs, Boglins, Ghostbusters and any monsters.

How do you choose your subject matter? I normally find a fragment of a idea from a film or a good book and then run with it until I am happy. I’ve recently had quite a few people email me with some really cool ideas for commissions, mostly album covers for bands, clothing and skateboard graphics which is awesome. I am always happy to run with any idea, it doesn’t always have to be a dark and gnarly design.

Are there any artists you admire? Do they influence your work? Most certainly, there is a never ending list of people who I look up to, many of which I am lucky enough to call my friends. Without them, I’m not sure if I would even be doing the things I love right now like drawing and skateboarding. French (Richard Sayer), Craig Questions and Dan Singer gave me the original inspiration and the kick start I needed with their insanely detailed illustrations.

I look up to many different tattoo artists (past and present) from Daniel Higgs and Stoney St Clair to the amazing blackwork by DuncanX and Philip Yarnell. All of these guys have their own quirks and calling cards that to me makes them unique not just as artists, but as individuals. I spend every Thursday at Classic Ink in Herne Bay, owned by my pal John Slack, drawing along side Scott Banks and John has really helped me creatively and they are always filling me with advice and confidence, which I am so grateful for. Some day I hope to learn to tattoo and me and John are doing a little trade soon, which I am really excited about.

What medium do you use? I normally prefer to work with pen and ink, uni pin fine liners are real good, but I’m trying to push myself with my painting.

How long does it take to create a piece? It all depends on the size and intricacy of the piece, but I am getting much quicker these days, I’ll spend around six hours on an A3 sheet at the longest.

Do you have any tattoos? Can you tell us about them. Of course, I’m nearly complete from the waste down and I have some cover up work on my arms but, as of now, I’m in the process of filling my front. I have been tattooed by some really incredible artists and I still have a long list of artists who I long to get some work off. I can appreciate all genres of tattooing but I am particularly fond of traditional black work.

John’s bat by tattooist Philip Yarnell

I have a lot of rad and exciting things coming my way towards the end of this year, if you’re interested in being a part of my journey, find me on Instagram @maidstonejohn…

August 8, 2015August 30, 2015

Tattoos that Change Lives: Realistic Nipple Tattoos on Breast Cancer Survivors

45-year-old tattoo artist Ron Antonick creates nipple tattoos for women who have had breast cancer. Often his clients have had re-constructive surgery or are unhappy with the options offered to them by medical practitioners. We talked to Ron to find out more about his experiences helping women to regain their confidence after breast cancer.

Can you tell us a bit about your studio? I own Sacred Tattoo in Wickliffe Ohio, just east of Cleveland. It is a private custom studio, not open to the public. I am the only artist there.

How long have you been tattooing? I started tattooing professionally in 1988, working at a local street shop before doing a bit of travelling and guest spots around the country and then opening my own shop in 1997.

How did you start tattooing nipples? For the past decade or so, most of the tattoos I did were portraits or photo realism of sorts… so when a friend’s wife was diagnosed with breast cancer, they went to see the doctor together. The doctor explained about nipple reconstruction, where they attempt to create the nipple again or at least a bump of skin for lack of a better term and then have the nipple and areola tattooed to look more natural. He proceeded to show them a portfolio of nipple tattoos done by medical professionals that looked like peach or salmon colour circles but not anything close to what a real nipple would look like. So my friend called me and asked if I would do them for her when the time came and of course I said I would be honoured.

How did you perfect the technique? I started to research it and found some other artists doing them, with very few artists doing them well. I began drawing different types of nipples, sizes, shapes, textures and colour ranges to see what looked most realistic and what fell short. I worked with slight shadows and light sources to give them the most 3 dimensional appearance I could. When I had done enough of these drawings that I considered successful I then started to advertise for breast cancer survivors, that I could tattoo for free in order to gain some experience.

I had no shortage, almost right away, of women who contacted me looking for help and most of them already had been tattooed by medical professionals unsuccessfully and really wanted them to look natural. The only stipulation I put on it was that I expected to take anonymous before and after photos which most had no problem with. I was shocked to find out just how many people this was affecting and that many of the women were so young. I would always make sure to take time to sit and talk with each client before hand to make sure they were completely comfortable with both myself and the process before starting anything.

Do hospitals ever refer patients to you? Yes, it all started with my friend talking to his wife’s surgeon, saying that I would be better suited to do her tattoos, at first the doctor seemed uninterested. He persisted each visit telling him more and then showing him before and after photos of tattoos I had done and before too long he was opening up to the idea. His wife later set up a meeting between myself, her surgeon and his assistant that went very well. I met with Doctor Steven Bernard of the Cleveland Clinic and his assistant Jaquie Frazee. Dr. Bernard was also a part of the team who did the first successful face transplant so needless to say I was very nervous meeting him. I explained what I do, that I have 27 years of experience as both a professional tattoo artist and business owner, I showed them my portfolio and studio. I explained that I use only Fusion Tattoo Pigments because they are all natural organic pigments which are also vegan friendly. In closing he told me he felt that him and his partners clients would be well served by me and he would be referring them to me in the future.

Who was your first client? The first client I had was a woman in her early 30s who drove up from southern Ohio to have her existing nipple tattoos reworked by me. I reworked her tattoos, correcting colour, adding depth, texture and shadows to give it a more realistic and natural appearance and she was extremely happy with the results! I spoke with her during the healing once and after the healing to make sure everything healed well, colours held up and the results remained, which happily they did. I say this because working on scar tissue is completely different than working on healthy skin tissue. It can be damaged much easier than normal skin and sometimes if not careful in the application of the tattoo , the pigment is more likely to lighten or even fall out of the skin completely during healing.

Do you tattoo other things other than nipples? I still do regular tattooing and as rewarding as it is to see a beautiful tattoo on a happy client, it just doesn’t compare to the look of joy on a woman’s face when she sees herself in the mirror for the first time after tattooing nipples on her. It absolutely helps to restore their sense of beauty, self image, confidence and makes them feel somewhat whole again, also in most cases giving them a sense of closure. Now they can move on from the cancer experience and feel comfortable with themselves again. The tattoos help to camouflage scars and in some cases make the breasts look a bit more shapely where they may be slightly misshapen due to surgeries. It feels so good being told afterwards and getting phone calls weeks later telling me that they don’t avoid seeing themselves in the mirror anymore.

Do you do any cosmetic tattooing? I have started getting inquiries about other issues that the doctors and nurses have referred clients to me in hopes of helping them. Some women after being treated for breast cancer never have their eyebrows grow back so I also have started doing these as well as correcting pigment colour on scars. I had a recent client who had hair plugs done in the 90s and since decided he wanted to go with the shaved head look but was self-conscious because he had multiple rows of small round scars that were much lighter in color than his normal skin colour. I matched the pigment and we did a small test area and let that heal to make sure he would be happy with the results before having him shave completely.

How do you match the tattoo to skin colour? As far as matching skin pigments for different women, I just ask them to describe what they had, what they prefer as far as tone, texture size etc and do my best to make it look as natural as possible. I end up doing a lot of mixing pigments to get the right tones for each individual and always keep in mind, as well as tell each client that because of red or pinkness of the skin after being tattooed that there will be a 15-25% lightening in tone once the tattoo is healed and the skin irritation subsides. I also encourage if possible that they make a follow up appointment about two months after to make sure the healing went well, that the tone is correct and if needed do any layering or touch ups that may be needed ,which is all included in the cost. I do both bilateral (meaning both) or unilateral (meaning one) and the unilateral is always more difficult because you are trying to match the existing nipple colour, size and texture but is by no means impossible.

You have mentioned that you do a lot of free tattoos, how does this work? I did quite a few sets for free the first 8-10 months just trying to get as much experience as I could and feedback. Unfortunately I do need to make a living and feed my family as well but I feel good knowing that I am doing an amazing job for less than a third the cost of what most hospitals are charging – and a few hundred less than what most of the other professionals are doing. There are so many breast cancer survivors in need without the means to pay so I put aside 10% of every nipple/areola tattoo that I do and then reapply it to someone who cannot pay. So in short, every 11th nipple tattoo is done on someone in need who can’t pay, which helps keep me feeling balanced. In a perfect world, I would do them all for free.

How long is your waiting list? My waiting list is normally anywhere between a month to two months depending on the season, but I see that filling up more and more as word spreads, as I network with more and more medical professionals and breast cancer resources. People can always reach me via email at ronantonick@gmail.com or my cell # which is 440 226 0069 although it can take a while for me to reply as I am extremely busy.

To find out more visit Ron’s website BreastRenew

August 6, 2015August 30, 2015

Celebrating Frida Kahlo at Haunted Tattoos, north London

Tattoo artist Araceli 4ever presents two tattoo flash days dedicated to Mexican painter, Frida Kahlo, on Friday 7 August and Saturday 8 August 2015, at Haunted Tattoos in north London. To celebrate the life of Frida, Araceli will be tattooing Frida Kahlo designs all day on both days from 12 until 7pm.

Araceli 4ever as Frida Kahlo for Things&Ink magazine, issue 12 due out in September. Photographed by Lola Swan. Styled by Olivia Snape. Make-up by Keely Reichardt. Hair by Nuriye Sonmez. Photo edited by Riccardo Raspa. Earrings by Gypsy East.

A selection of Frida designs by Araceli that will be available.

Two days dedicated to Frida Kahlo, with tattoos by Araceli 4ever

Where: Haunted Tattoos, 159 Holloway Road
N7 8LX London, United Kingdom

When: Friday 7 August and Saturday 8 August 2015, 12-7pm

Email araceli4evertattoos@gmail.com for more information… tattoo designs will be available on a first come, first served basis and booking is not required… simply head to Haunted for a special Frida walk-in.

August 6, 2015August 30, 2015

Anti-racism Tattoos

Austrian tattoo artist Alexander Smoltschnik offers free tattoos to customers from his studio Pride & Glory, on one condition… that the message is one of anti-racism.

Alex has received over 500 enquiries after he posted a message on Facebook offering free tattoos when people booked in before 18th July. With 200 people instantly signing up to get anti-racism tattoos. The designs range from two stick people of different races holding hands and a fist punching a swastika.

By getting a tattoo you’re making a statement. It is something very personal, you wear it on your body, it’s very visible

Image and quote from BBC & Alex’s Studio

August 5, 2015August 30, 2015

Interview with tattoo artist: Hollie West

28-year-old Hollie West, who tattoos at Indigo Tattoo Studio in Norwich, is known for her brightly coloured chubby babe tattoos.We chatted to her about her collaboration with illustrator Gemma Correll and what inspires her work…

How long have you been tattooing? Two and a half years since ending my apprenticeship, which I started at Indigo, after finishing my degree in illustration at the art school in Norwich.

How did you become a tattooist? I was managing a pub after finishing uni, it was a very creative pub where we put on lots of exhibitions and live music so it was fun creatively but I missed drawing and designing. I became friends with the Indigo lot as they were always propping my bar up, the owner (Gema Gold) came across a website I’d set up to get some illustration work and asked me (after a few glasses of wine) if I’d be interested in trying to convert my illustrations into tattoos.

I, of course, jumped at the chance. The next morning I visited Indigo with my portfolio and fortunately Gema was already waiting for me, after looking through my work and discussing the reality of an apprenticeship she took me on. I was over the moon!

If you weren’t a tattooist what would you be? A children’s book illustrator, I love character design and bright colours and unusual images. I think a lot of the designs I tattoo wouldn’t look out of place on the pages of a kid’s book.

How would you describe your style? Illustrative, bold, colourful, bright and fun (hopefully). It’s difficult fitting my work into a tattoo category, it’s not really traditional although I definitely draw a lot of inspiration from that style, it’s not really new school either.I think there are a lot of girls doing similar work to me at the moment and I guess we all fit into a category together, I just don’t know what you’d call it!

You are known for your chubby women tattoos. How did your chubbas come about? I find curvy women so much more fun to draw, they have such a great flow which lends itself to tattoos so well. Big bums and boobies always come across so cheeky and fun, rather than seedy and overly sexual. They can be super sexy but in an old school pin up way that would make you have a giggle rather than rubbing your thighs and grunting.

I only did one or two as a little fun project but thanks to Instagram they kind of took off and I was getting emails all the time with amazing ideas from people about what these curvy ladies could be doing. It’s so great when people give you a basis for an idea but let you run with it and do your own thing, when I have the freedom with a design they often end up the best ones because I get to play and have fun with them.

What inspires you? Kids books, I have a huge collection, I get them bought for me at Christmas and birthdays. Colour, my particular corner of the studio is like a busy rainbow mess, so is my bedroom. I think collectable clutter around me definitely inspires me. I get all sorts of strange little creatures from charity shops, customers are amazing and bring me more to add to my shelves too.

I like fairy tales and stories, fantasy, nothing too real life and serious.

Is there anything you’d love to tattoo. I recently drew a castle, I’m going to have a go at a couple more and see how they might look as tattoos. I love how buildings look in tattoos, there are some really skilled tattooers doing landscapes and buildings and I think they’re such an odd, un-organic thing to sit on a body but they (for that reason I think) just work, I’d like to challenge myself to do something like that. It’ll end up looking like a princess castle even if I’m attempting a burning church though, I can’t escape girly and cute.

Can you tell us about your Gemma Correll collaboration? I have been lucky enough to be tattooing Gemma and her husband over the last year or so, they’re such amazing and creative people, it’s great spending time talking with them. I’ve always loved Gemma’s work (like the rest of the world!) and after tattooing her one day a few weeks ago I came up with an idea that we might be able to do to raise a bit of money for local animal charities. Her illustrations lend themselves so well to tattoos, I’d done a few previously and Gemma had said how much she likes to see her designs as tattoos.

So Gemma has designed a flash sheet which we will be taking to the Norwich Body Art Festival in August, we’re keeping it secret for now so that people who arrive will get first pick of the designs, as we will only be doing each design once. All money raised will be going to charity so it’s great that Gemma was willing to give up her own free time to design these, we’re both really excited about it, it’s getting a lot of attention on Instagram.

Do you have any guest spots and conventions lined up? Just Norwich convention and hopefully in Bristol in September, I’ve done a few guest spots this year at amazing studios such as Cock A Snook, Painted Lady and Never More. I’ve made such amazing friends doing these, I would love to be invited to do more. It’s so great to have a job where you can travel and socialise as part of it.