Features Archives - Page 90 of 153

October 19, 2015

Fashion Pearls of Wisdom: Ink on the beach

Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she talks about the reactions she received from people while sunning herself on a beach…

This was to be my first beach holiday in years, I’d packed some vintage style bikinis and not much else envisioning long days spent in the sunshine. What I hadn’t foreseen was that with the bikinis would come the stares. I’m used to getting funny looks back home for my tattoos but I guess this was a lot closer to naked than I was used to being in public. I live in Sheffield which I’d say is a fairly tattooed city, seeing tattooed people isn’t all that unusual. On this two mile stretch of Spanish beach not so much. Sure there was the odd little tattoo but in the five days we spent there I only spotted two other heavily tattooed people. In a sea of exposed flesh mine stood out, together with my boyfriend we stood out even more.

It really made me stop and think, just seeing all that ink free skin how few of us actually choose to be tattooed. When you have tattooed friends, follow tattoo related Instagram accounts and so on it becomes the norm, you get used to seeing tattooed people. The beach line up was a bit of a reality check I guess. The stark realisation at how different you have decided to become. There is sexism in the stigma too, I could watch my boyfriend walk around with the odd glance but nothing compared to the reaction I got. Is it more acceptable, more normal to see tattooed men?

One day after some holiday cocktails we found a stack of business cards for a local artist and took them to hand out to the gawkers – what can I say we find ourselves hilarious after a few piña coladas. A bonus is that parents with screaming kids would take one look at us, decide we were likely criminals and move further down the beach, win! Away from the beach at a restaurant (not wearing the bikini just to clarify) we were asked to move to a table furthest away from the crowd, the waiters plea that it was reserved didn’t wash as we promptly left for the place opposite and watched said table sit empty for over an hour. I caused quite a stir at the hotel for breakfast too in a backless dress- tattoos not ok, stealing the entire platter of chocolate croissants totally acceptable apparently.

All I can summarise is that the behaviour of people is strange, Things&Ink’s Rosie wrote about her tattooed holiday experience in Vietnam and had various reactions. In some cultures staring isn’t considered rude and I don’t mind at all people looking at my tattoos, I just wish they could give a little smile to show its in a friendly way every now and again. That said it won’t stop me wearing a bikini on the beach!

October 18, 2015

Choose Happiness with Miss West End Girl

Lynsay Neil is a 30-year-old writer, podcaster and creator of Miss West End Girl blog, from Glasgow. We chatted to Lynsay to find out how she started her blog, her style tips and tricks and her colourful tattoo collection…

How did you get into blogging? I’ve always had a deep love for writing, ever since I was a kid – when all my classmates wanted Tamagotchis (remember them?!) I was asking my parents for a typewriter. It seemed like a natural progression for me to start a blog as a platform to share my life and stories. I used sites like Livejournal and MySpace when I was younger, like most people – but it was when I took the plunge and got my own domain space that I considered myself to be a blogger.

How did you start? I started blogging under the name Miss West End Girl about five or six years ago. It started off as a fashion blog, because I was reading a lot of fashion based blogs at the time and also because I love to have fun with my own personal style. But over the years, it’s evolved into what I consider to be a lifestyle site as I love to write about all manner of things that make me excited, so much so that I have to share the details with my readers.

What can people expect to see on your blog? My blog is essentially a guide to living life with joy and style, and embracing what makes you unique. You can expect to find guides to Glasgow (my home city), personal and blogging advice, DIYs, interiors, personal style, beauty, food, travel…the list goes on! In a nutshell, it’s the things that make me smile and that I think will make other people smile or feel inspired.

You have a lot of positive messages and upbeat posts, how have you cultivated this mind set? Any important life lessons for our readers? That’s very kind, thank you! I think that happiness is a choice and it’s one that we make each day when we wake up. Negativity is pretty toxic stuff, and even though it’s easy to feel dragged down, I try to concentrate on the things that should be celebrated. We only get one shot at life, and I firmly believe we should make the most of it! Be adventurous, be kind, look after yourself and believe that you can do anything (because you can!).

Do you have any advice for people either thinking of starting a blog or who have one already? Think about what inspires you and go write about it. There is no right way or wrong way to blog – that’s the beauty of it! If you’re writing something that you don’t care about, or for the sake of it, it will show. Don’t put pressure on yourself either – some of my favourite blogs are only updated once in a while, and when a new article drops I get super excited! You’ll find a rhythm and routine that suits your writing style and your life.

How would you describe your fashion style? Where do you shop? How has it evolved? Sometimes I feel like I’m permanently dressed to attend my own birthday party – I love to wear bright dresses and statement accessories. I’m rarely seen without something on my head – be it a flower crown, a glittery slice of pizza or a massive bow. My personal style has been described as ‘cartoon-like’ which I take as a compliment!
I shop in a variety of places because I don’t tend to stick to whatever is ‘on trend’. An average outfit could be a mixture of indie designers, vintage, thrifted, high-street and high-end. I love discovering local design talent and people who are thinking outside the box. I like to have fun with fashion and dress for myself!
When I was a teenager I was a bit of a sulky goth, all black jeans and kohl eyeliner. This has massively evolved – particularly as I studied film and media at university and feel very inspired by some of my favourite colourful characters.

Does your home/homewares reflect your style? Absolutely! After eight years of renting beige nightmare flats, my boyfriend and I bought our flat last year and have been having the BEST time decorating it. I love sharing home tour posts of the flat on my blog so I can document our little interiors journey! After I posted pictures of our living room, an interiors magazine wanted to run a story on our bright and cheerful home – we ended up getting a 12 page feature in a magazine and I still can’t quite believe it! I’m proud to have created a happy home that I can relax in. It’s somewhere I can write my blog and record podcasts, as well as hang out and entertain friends.

What are your beauty secrets? Any tips or tricks for our readers? Finding products that work for you and make you feel amazing is my number one tip. I’d feel lost without my eyeliner flicks and a pop of bold lip colour! The best way to get comfortable with make up is to get in front of a mirror and practice – it’s also fun to experiment with products until you find what’s right for you.
Skincare wise, I am all about the classic advice. Look after your skin so you don’t end up looking like a second-hand handbag! Wear sun protection (minimum of SPF 50, especially on those tattoos!), drink water, moisturise plenty and always remove your make up before bed. Some advice never goes out of style!

What inspires you? I feel inspired by lots of things, but if I had to pick one thing it would be meeting other people that are passionate about what they do. That kind of feeling is infectious and you can really feed off of each others’ good vibes.

Can you tell us about your tattoos? I have 14 tattoos, and have been getting tattooed for just over 10 years. My very first tattoo was my stocking seams, which run from my achilles heels right up to the top of my thighs – go big or go home, eh? They were inspired by my love of vintage glamour and pin-up culture. This was the only grey and black work that I have had done, every other tattoo is very bright!

My tattoos don’t have too many meanings or tributes behind them – with the exception of two! I have two tattoos that are matching ones with my boyfriend. We got them on our fifth and ten year anniversaries.
I like to think that my tattoos are a reflection of my personality, as they are very feminine and colourful with a rock n’ roll twist. On one arm, I have an old fashioned perfume bottle, a Russian doll, a spider web (bright pink, of course!), a cupcake, a sugar skull, love heart candies and a lipstick. On my other arm, I have a swallow, a strip of pink leopard print and a lucky cat. My legs have identical stocking seams and I have a heart-shaped locket on my foot.
All of my pieces have been custom designed, via consultation and brainstorming with the artist so that we get it just right. I’ve never regretted a tattoo and put a lot of planning into each idea.

Do you have any future tattoo plans? Always! I think about getting tattooed all the time, and with so many amazing artists posting their work on Instagram the only question is, who to book with? I feel like a kid in a candy store.

October 16, 2015October 16, 2015

Tattooed Pig Heads

For his latest collection titled Pigs, New York photographer Peter Garritano asked tattoo artists to decorate real pig heads with designs of their choice as part of a project to show the relationship between tattooists and skin. Peter got the pig heads from a butcher in Brooklyn who sources animals that lead happy lives on local family farms. He wanted to show off the talent of tattooists in New York, the creativeness, strangeness and difference of the tattooing scene.

The Horror Issue: Meg Langdale

The Horror Issue of Things&Ink features a music playlist by apprentice tattooer 28-year-old Meg Langdale. We visited Meg at The Burton Tattoo Collective in Leiceter for an evening filled with creepy yet cute kewpies. As our editorial assistant Rosie was being tattooed, we chatted to Meg about her developing style, how she started out and her tattoo collection…

What first attracted you to the tattoo world?
I’ve always known I wanted to do something creative but I just wasn’t too sure what. I did a fashion and design degree at university, and at the time all the design and illustration jobs I looked at just seemed like glorified office jobs, which wasn’t for me. Tattooing has given me the freedom I wanted creatively and in an environment I feel comfortable. I think my illustration work was the stepping stone into the tattoo world. Meeting my boyfriend, who is a tattoo artist, of course had a huge influence. I feel like it’s what I was meant to do, it maybe just took me a little longer than others to realise.

How did you get your apprenticeship?
I was fortunate enough to be given the opportunity by my boyfriend, which I will be forever grateful for. I started my apprenticeship in September last year and I’ve only been tattooing around four months. So far I have really enjoyed tattooing lots of floral pieces, but a lot of my illustrations are quite dark and creepy, I want to bring this into my tattooing. None of it would have been possible if it hadn’t been for the support from my whole family. I feel very lucky how things have worked out.

How would you describe your style?
My style is still evolving but its super illustrative, and it includes flaws and imperfections. I really want my tattoos to look like illustrations. When I draw, I like that my designs aren’t perfect, don’t get me wrong I spend hours drawing and redrawing designs. But I sometimes like the little wobbles in lines and lack of symmetry. I also weirdly like tiny little flaws in my own tattoos. I’m lucky enough to have some beautiful pieces down by amazing artists but I quite like that in most tattoos you can find tiny little imperfections. It’s not a question of liking or having bad tattoos, mine are perfect to me and I love them. But I think flaws make them real. I’m not perfect and neither are my tattoos.

What inspires you?
I’m really critical of myself and my work, so that in itself inspires me to want to keep improving and keep pushing myself. I really hope to be respected as an artist by other artists too, and not just for drawing pretty stuff. I want to be able to put in solid lines, and produce really nice quality tattoos.
I also collect old reference books; I adore medical illustrations in old anatomy books, and simple line drawings in books of wild flowers. I like combining quite delicate floral stuff with elements of darker stuff. I’d much rather draw from real life or old books than have to rely on the internet.

How did it feel doing your first tattoo?
Terrifying. I tattooed pig skin a lot to build my confidence initially. Then myself which was just dreadful. It’s so hard to overcome inflicting pain on yourself to focus on putting in decent lines. My first tattoo on someone other than myself was on Dane’s brother in law, it was so nerve wracking. He’s always been really supportive of my work and was quick to offer up some skin for me to practice on. At the same time I just remember thinking this is it, this is what I’m going to be doing forever now. I get nervous before I tattoo, but I’m always fine once I start and I just get into my little zone. My confidence has definitely been one of my biggest hurdles.

Can you tell us about the tattoos on your body?
My own tattoos are a combination of styles, mostly black and grey. Weirdly enough I don’t have any that are that similar to my own style, but I’m saving my right arm for lots of illustrative floral bits and bones, I’m just undecided on who I want to do it yet. I’ve been lucky enough to get tattooed by some amazing artists in the last couple of years, and of course Dane, he’s done a lot of my favourite pieces. I do have a few colour tattoos too, currently no plans for any more, although I had considered having some really muted colours on my legs in-between lots of black of course.

Photographs by William Kirk

October 14, 2015October 14, 2015

Tattoo Portraits

Alessandro Negrini a.k.a Pepe, an Italian tattoo artist resident at Electric Tattooing Viareggio and his wife Romina have created a book titled Tattoo Portraits, in which his love and respect for the history of tattooing is displayed in beautiful watercolour. Our Italian contributor Ilaria chatted to Pepe to find out more about the book, his love of tattoo history and why he chose the medium of watercolour…

When and how did you discover the art of tattoo?
It all began in Viareggio, in the early 90s. At that time it was none other than the holiday location where I spent my summer holidays with the family. This city, where I now work and live, represented anything an adolescent could ever imagine: there were sailors with tattoos, punks, metal music, skateboarding and surfing activities. Coming from a small town, all of this was very exciting to my eyes!

What do you think of modern society and its relationship with this art?
I think that this media overexposure has removed a sense of it all. You know, it’s my job and I earn some money, but in these twenty years I have seen a complete twist from what was originally the world of tattoo.
When I started professionally in 1996 (at Skin Fantasies, Bergamo) tattoo was frowned upon, it was just an act of rebellion and nonconformity. Nowadays tattoos are on football players, on television and in glossy magazines. Today people get tattooed to join the mass, to be cool or to be accepted by the group. 15 or 20 years ago you couldn’t even get into a local bar if you had tattoos in sight.
I mean, I do not want to be a rebel at any cost, but now getting a tattoo is like buying a nice shirt. What will happen when these people will want/will have to change their aesthetic tastes, as our mothers asked: “what will you do with those tattoos when you become old”?

People you have portrayed are definitely a continuous inspiration for you, both in life and in work. Tell us more about your project!
My project came mainly from an urgency, a need that resided in my guts. My life has changed dramatically in the recent years thanks to the arrival of my son. I am sober for a year and a half and painting had a great therapeutic impact during this transformation. I portrayed the great masters of the past, who have founded the basics of our profession, those who were called “poor Rembrandts” in a world diametrically opposed to ours. After preparing a first set of watercolours, the project grew thanks to the meeting with my partner Romina, professional editor, who wrote our book Tattoo Portraits, she did amazing research regarding the biographies of these tattoo artists . The book is now published and distributed by Surith, Rome.

How did the mere fact of changing ‘means of expression’ and then to paint with watercolours make you feel?
The world of watercolour has always been present in my life. Even before tattoos, it came with my love for comics and with them for adventure: Hugo Pratt was my favourite cartoonist and one of his peculiarities was that he decorated the first introductory pages of his books with beautiful watercolours.
Occasionally this passion came, went away and then came back again, like the water and the waves… I began to experiment with it during the years of art school and then used it only for entertainment in the evening or to rest after a day of hard work. The tattoo, as well as its exemplary drawings, what are called “tattoo flash”, are characterized by an extremely rigid and schematic technique. You trace the outline, then the shadows and finally the color. There is no room for the unexpected. Everything is precise, programmed. Watercolour is the exact opposite, the water flows unpredictable on the sheet, the brush flies fast and the result is never predictable. After twenty years as a tattoo artist I felt the need to find all of this, to dissolve the hand to the emotions, letting myself go: into the unknown, the unexpected and the adventure from which I started.

The history of the tattoo is, at least in my opinion, a part of each tattoo, be it big or small, done with great care.. The simple fact that the man is the mean by which this art continues to live and to be handed down from generation to generation is really beautiful. How important is for you the past and how it helped you to embark on your path?
The tattoo is first of all a sign, a gesture, a symbol. It marks the difference between what you were before and what you are after, like the difference between a donkey and a zebra. It may be little as the dot marked between the index finger and thumb, symbol of love for Japanese geishas, or huge like the entire Polynesian bodies of people from Tahitian islands. The gesture is always the same, inserting a pigment (usually derived from coal) under the skin, through the use of different enforcement tools, from the shark tooth to the most modern rotary machines. The artist who now tattoos on television makes the same gesture that the primitive man performed in the caves during the Neolithic.
Ötzi, the man of Similaun, the oldest mummy found on the Earth, (dated from between 3300 and 3200 BC) is in fact also tattooed, and it is considered the first tattooed human being: on Ötzi body there are 61 tattoos!
I mean, you can not tattoo without knowing the history of tattooing. Tattoo and mankind continue to intersect chronologically along the latitudes and longitudes of the whole world. The history of the electric tattoo begins in the late ‘800 with Samuel O’Reilly and reaches us, ‘Tattoo Portraits’, both in a book and with an exhibition, (currently on display at the gallery Parione9 in Rome). This project of mine aims to provide a tool to the new generations, to know and deepen the roots of the history of tattoo, as we know it today in the West. The 60 portraits that form the book, “tattooed faces” and “blue ladies”, are just the beginning of a natural evolution through my new pictorial work of watercolors. It aims to tell and preserve some kind of a family album, a collection of images from a far away world, preserving through its pages the history and memory of us men and women, tattooed and tattoo artists of the 2000s.

His artworks are now on display in Rome, at Parione9, a solo show curated by Elettra Bottazzi and Marta Bandini.
You can email Pepe at pepetattooing@hotmail.com to purchase the book, and follow him on Facebook to here more news about his project.

Photos taken by Diana Bandini, Nicola Gnesi and Vasco Maria Livio.