Apprentice Love: Roxy Ryder

We spotted the work of apprentice Roxy Ryder, 24 on Instagram and instantly loved her colourful, bright and cartoon-like tattoos. We chatted to Roxy to find out more about her life as an apprentice at Alchemy Tattoo Studio in Wigan, Manchester where she works.

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How did you get your apprenticeship? What were you doing before? I asked in the studio I was getting tattooed in at the time around three years ago and started by handing out flyers. I started my apprenticeship at Alchemy Tattoo Studio in Wigan, a friend of mine recommended me and it went from there. I’ve been tattooing as an apprentice for little under a year. The artists have made me feel right at home. Even if it is an all guy studio and I get a little bullied now and then!
Before working in the tattoo industry I worked in retail, I did this whilst building up a portfolio. Spending most nights drawing and painting.

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What do you like about it what do you dislike? I love that I get to do something I love everyday and stay creative. The guys I work with are awesome and getting to meet lovely people on a daily basis is great. The only thing I dislike about tattooing is feeling nervous before a tattoo and self doubt.

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Do you have a background in art? I have always been into art and crafts from a young age. I spent a lot of my childhood doing different crafts which followed through into school. I then studied a BTEC National Diploma in Art and Design at college as I always had my heart set on doing something with art. I then found my favourite medium to work with. I have been spitshading with watercolour inks for a couple of years now, trying to get better!

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How would you describe your style? I’m not too sure how to describe my style but I love to do bright bold designs. The majority of my designs are usually pretty cute and girly. Very colourful for someone who wears all black everyday!

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What is a typical day like for you? A typical day for me is coming into work and doing my little jobs around the studio. I usually prepare most of my designs a couple of days before so I have time to study a colour scheme and change any bits. That way I can make sure I am fully prepared and myself and the customer are happy with the design. I spend the rest of the time watching and learning from the other artists I work with and making brews! If it’s a quiet day I will spend my time drawing new designs and painting. I love to do commissioned paintings in my spare time but if I’m not doing those I love to watch a good B-Movie or a Horror!

How did you feel doing your first tattoo? I did my first tattoo on myself, it was a little moth on my lower leg. I was so nervous and it took me ages but because it was on myself it wasn’t too bad.

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What inspires you? So many artists and tattoo artists inspire me. Seeing how hard people work and how much talent they have makes me strive to be better and paint and draw more.

What things do you like to tattoo and draw? Everything I draw is always pretty bold and bright. I love drawing and painting cartoons. Most of the time people commission me for cartoon pieces, which is always fun to do! It all depends on the mood I’m in but I have lots of things I love to draw and tattoo! My faves are anything bright, cute and girly! I love doing spacey stuff, aliens, UFOS and rockets are super fun! Robots, little bloody weapons, kewpies, tropical, nautical designs and kawaii pieces. I love horror so I would love to start doing little horror pieces too.

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Can you tell us a bit about your own tattoos? I still have so much free space for tattoos. I currently have my lower legs and arms tattooed with a few others dotted about. My most painful tattoo has to be my palm. I decided to have a brain tattooed on it! My first tattoo was a ship on my foot. Most of my tattoos are pretty traditional. I have so many artists I want to get tattooed by so I’m saving my space at the moment!

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Flavia Carvalho: Transforming Scars

Brazilian tattooist Flavia Carvalho has been tattooing women who have encountered domestic violence or have had mastectomies. The marks caused by abuse and cancer are there for life, even though the scars will fade, the memories will always be visible.

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Flavia is transforming these scars into beautiful tattoos, for free, so that women can reclaim their bodies, find closure and love themselves again. Flavia’s project has been running for over two years , and is named “A Pele da Flor” which translates as The Skin of the Flower, taken from the Portuguese expression “A flor da pele” meaning deeper than skin. Flavia explains that “women are like flowers and deserve to have our skin protected and embellished.”

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Speaking to the Huffington Post Flavia explains how the project started:

It all started about two years ago, when I worked with a client who wanted to cover a large scar on her abdomen. She told me that she was at a nightclub, and when she turned down a man who approached her, he stabbed her with an switchblade. When she saw the finished tattoo, she was extremely moved, and that deeply touched me. I was suddenly struck by the idea of providing free tattoos to women who were left with scars following domestic violence or mastectomies. Each tattoo would act as an instrument for empowerment and a self-esteem booster.

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Images and quotes Huffington Post

Fashion Pearls of Wisdom: Ink Poisoned

Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer,  freelance writer and creator of Fashion Pearls of Wisdom. This is the fourth of many posts to appear on th-ink.co.uk, in which Natalie will be telling us about her life in tattoos. Read the first, second and third in the series. 

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I just tapped out during a tattoo session…

It’s one of the biggest fears people have before their first long sitting but for those of us regularly taking 3-5 hours at a time we are used to the process and become a little blasé about it all. Don’t get me wrong, there’s been a few places I’ve been tattooed that have made my eyes water – I very nearly did a little cry having my ribs tattooed. Once you know what to expect however, you learn to eat something beforehand, drink some water throughout and breathe deeply to get you past the tough spots.

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I generally enjoy getting tattooed, it’s exciting, it’s fun chatting to your artist and hanging out in the studio. I don’t even mind the Bepanthen rituals in the days that follow, the Clingfilm wrapping and the bizarre clothing choices you have to make to avoid any rubbing. The past few times however I’ve not been as enthusiastic, confessing to my boyfriend ‘I really don’t want to get tattooed today’. But when you’ve made the bookings and you really want a piece finished you just put those thoughts to one side and get on with it.

I went into the sitting without any worries, we were going to finish off the little bits of colour on my back piece and get the lines in to extend it down the back of my legs. I’ve got fairly big tattoo in that area already which wasn’t a problem so I had no feelings of apprehension.

I knew I was in trouble after the first line, I couldn’t relax into it like usual. Not a word was uttered as I hid my head under my hoodie. My amazing artist sensing the struggle just cracked on with it as fast as possible. How I even managed an hour I have no idea, by that time I was shaking all over, boiling hot and feeling sick. My body simply couldn’t take it and I tapped out. After some food and a hot drink, I calmed down and felt much better. The guys at the studio really looked after me as always and I was able to continue the rest of the session just with some little bits of colour on a different area – certainly no more lining!

After that we agreed that my body needed some TLC, I’d pushed it too far. I usually only have one sitting a month at most but I’d had four in a month, three of those in just one week. I usually heal quickly, within 6-7 days for the main stages but I still had unhealed patches from two weeks earlier. These patches struggled to heal well and ended up in deep sores, which will now have to be retouched. So my artist has put me on a tattoo ban for two months, during this time I am also going to take a much needed holiday in the sun. Falling back into unhealthy eating habits and missing out on gym time due to unhealed tattoos had taken its toll.  This break will be hard for me, especially if I end up at any conventions in the meantime, but it’s been a real wakeup call that we have to love our bodies from the inside just as much as the outside.

Is there more to getting a tattoo than changing your appearance?

Here at Things&Ink we think there is so much more to getting a tattoo than merely changing your appearance. Things&Ink reader,  Hannah Keningale explores how tattoos have changed her, her lifestyle and even how she approaches situations.

For some, getting a tattoo is a very simple act of wanting to change their appearance; a transaction that will make them more fashionable, or perhaps help them pay homage to something they love. But for others, there is more to getting a tattoo than discussing a design and sitting in a chair wincing for a few hours. We often read stories of people who have made connections with others through their mutual love for art and permanence. We have seen beautiful images of colourful wedding days, amazing designs covering painful scars, and difficult journeys that have been celebrated and remembered with ink.

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So, how about me? What have I gained from getting tattooed? Do I have an amazing story to share? To be honest, the impact has been somewhat more subtle for me, yet in my eyes still very important. I remember the excitement of getting my first tattoo, and also the anticipation. I wasn’t too worried about the pain, but more about how to handle myself and what to except. After reading many websites, blogs, and magazine articles, I had gathered there was certain etiquette to follow. I was a little worried I might not conduct myself in the right way. Would they think my design ridiculous? Would I do something to offend the artist? Would it go wrong simply because I hadn’t made the right decisions? These are some of the thoughts of someone who suffers from anxiety. I go through this process almost every day with even the most mundane situations. I have to tell you, it’s not fun!

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I chose a studio called Evil from the Needle in Camden, London, and was lucky enough to get tattooed by L’ain Freefall. Everyone was so welcoming, and we talked all the way through my tattoo. No one laughed at me. No one said my design choice was stupid. The whole experience was really fun and I was actually a little sad when it was all over. From then on, tattoos have helped me build confidence. I love my body a lot more now.  I felt like I had something I wanted to show the world finally, and also enjoyed the affect of putting on the simplest of clothes and still having something colourful to my appearance. The biggest thing I have gained though is a sense of belonging. When I walk into one of my favourite studios I’m greeted with smiles and hugs. I’ve been able to share excitement with artists over design choices, been given gifts, compliments, even tea!

It may sound silly to some, but I feel truly at home when I’m sat in a tattoo studio, and I’m always planning my next visit. Tattoos have become part of my lifestyle now. I have prints adorning my walls, I can’t tear myself away from Instagram, blog pages, and tattoo magazines, and I even buy different clothes now that my body has changed. I think for many of us, there is more to getting tattooed than simply following fashion. While a lot of people still reject the idea of being tattooed as “acceptable” or “normal”, I actually feel more accepted and happy now than ever before.

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So is there more to getting a tattoo than simply changing your skin? Well for me I’ve also gained new friendships, made new journeys, gotten over some of my anxiety, shared stories, shared laughs, and had a lot of fun. The experience changes you as much as the ink.

House of Butterflies

Justin Taylor and Charlie Lane  are the creators of House of Butterflies, a small online business that sells framed butterflies, moth and beetles. The couple set all of the specimens themselves from their home in Maidstone, Kent. We chatted to Justin and Charlie to find out more about their arty adventures… 

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How did you start House of Butterflies? What do you create?  The House Of Butterflies started from an idea we had at a craft fair, where Charlie was selling prints and original artwork. We thought it would be fun to do something together, we both share a common interest in taxidermy and art so thought why not combine the two. The framed butterflies idea came from Justin’s grandparents house as they have a small collection of framed butterflies hanging in their hall way. We both thought how great they look and wondered if we could make something along the same lines. We sat and researched the idea for a month or so before finally taking the plunge and having a go.

What inspires you? The inspiration for our boxes comes from the idea of preserving something beautiful. They are inspired a lot by the seasons, nature and by things we really like.  We find when we sit and talk about ideas we tend to inspire each other. We try to choose the butterflies or moths first and then try to match the background to them rather than the other way around. The art in general is inspired by the outdoors; gardens, plants and animals.

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Do you have a background in art? 
Charlie: Yes, I studied at Maidstone UCA and have a degree in print making. I learnt a lot about etching and I helped with adult courses in a print making studio. I have done a lot of commission work for small businesses, band logos and for special occasions. I spent a couple of years in the tattoo industry working in a couple of small studios.

Where do you source your items from? We source all of our specimens from a entomologist based in the UK. He sources all of his specimens from butterfly farms abroad, people hear “butterfly farm” and usually think how terrible. When actually they are the most ethical way to source specimens, they bring employment to poor areas and stop the practice of wild collecting which has had a devastating affect on some species. Finding an ethical source and supplier was a big thing for us, a lot of time and effort went in to finding the right supplier with the legitimate source.

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How do you create them? What is the process? The process is a fairly long one and takes time and patience, we had a few disasters at the beginning. We are completely self taught when it comes to the setting of the butterflies and it was a total case of trial and error. Internet videos make it look easier than it actually is.

The process starts by having to relax the butterfly, moth or beetle as they arrived to us in a dry/closed state. The specimens go into a relaxing tub which has a mild chemical solution in it. The chemical solution breaks down the enzymes in the specimens body making it pliable again. The specimens stay in the relaxing box until the reach this state, once there you can remove them and start the setting process. Opening the specimens is always the most fun part as you get see the true glory of what your setting. We pin the specimen to a setting board, which is a board with a small channel down the centre to hold the specimens body in place when you spread the wings. Then we very carefully pull the wings into the position we want using tweezers and then with strips of wax paper pin the wings so they are secure. We then leave them to dry out again for a number of days, depending on size. Then we unpin the specimen and then you have a set specimen, which is always very rewarding.

The vintage frames we stain ourselves to give them that old look, then we add the vintage artwork and add specimens we think work well with the artwork.

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Where can people buy pieces? Do you do commissions? We have a small Etsy shop where people can buy from us, we update regularly with new items as we like to keep a good variety of pieces on there. We can be found on Instagramwhere with have a direct link to our store.

We take on commission work and our always up for a challenge, whether it be artwork or a specific butterfly or a combination of the two, we will always try our best to accommodate.

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What are your plans for the future? We are hoping to keep going and maybe expand more, we do a lot of craft stalls, especially in the winter months leading up to Christmas. The big plan is to have a small high street shop where people can come in and browse.

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How did you meet? How long have you been together? We met through a mutual friend who Charlie was tattooing, she thought we would get on well, turns out she was right. We had a few dates, realised we shared a lot of common interests and thats about it, and people say romance is dead! We have been together now for two years.

Can you tell us about your tattoos?
Charlie:
My tattoos are a mix of things that remind me of all the places I have lived across the world as a kid, and pattern work that I’m really into. I like the geometric and dot work tattoo styles as it is how I myself draw. I like the work of Vana Chanelle, who has tattooed me a few times, along with Dan Frye who done a stunning traditional style Indian bride on my arm. I have tattooed myself a lot.

Justin: I’m a big fan of traditional style tattoos and love fat lined pieces. I have a lot of skateboard related tattoos as it used to be my favourite past time. I have a bit of a mix of black and grey, traditional colour and pattern work. I have my good friend Ben Griffiths to thank for a lot of my work, also Dan Frye and his partner EJ Miles.

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