Her tattoo world: Stories & Ink’s Barbara Crane on her tattoo collection and new tattoo healing


We absolutely love independent tattoo skincare brand Stories & Ink and everything they stand for aligns with our vibe over here at Things & Ink. The Stories & Ink range has been specially created for people with tattoos, the products nourish, define and protect tattooed skin – from aftercare cream and gentle foam cleanser for freshly inked skin to vibrancy serums and exfoliating wash to inject some life back into older tattoos.

We caught up with Stories & Ink Creative Content Manager, Barbara Crane – who’s 26 years old and lives in Latvia – to find out her top tips for dealing with that dreaded new tattoo itch and her fave S&I products for new tattoo healing. Barbara’s a tattoo collector, too, of course, and her collection of blackwork tattoos is out of this world…

Barbara is the creative content manager for Stories & Ink skincare

What made you fall in love with tattoos? Do you remember when it was?
I was about six or seven years old, I think. The idea of having permanent art that’s all over your skin – and goes everywhere with you – fascinated me. When I was a child, I also loved art and drawing. I thought the idea of having drawings on your skin was amaaazzzing and I couldn’t wait to cover myself in art.

Do you enjoy the process of getting tattooed?
I would say 50/50. I do love going to the tattoo studio, talking to tattoo artists, and going through the whole process – except the pain of actually getting tattooed, of course. Yes, it is a part of the process and, to some degree, I do like it, but I don’t know what it is – age or something else – but it does feel like every next tattoo is more painful than the last. My tolerance is a lot lower than it used to be. Or maybe it just means that I keep moving to more and more painful places on my body.

The top half of Barbara’s body has been tattooed by Emīls Salmiņš

What’s your top tips for the healing process?
Hmm, I’d say leaving the healing tattoo alone as much as possible. Of course, cleaning it and applying aftercare cream when needed. But don’t go into the sun, don’t do any crazy activities, don’t pick at it and drink a lot of water. Treat it almost like a wound and just let it heal. Then the healing process happens a lot faster.

Do you have a fave Stories & Ink product? Why?
Oof, always hard to pick one. I am totally a fan of the Daily Moisturiser and the Vibrancy Serum, for sure! They both smell so amazing and nothing makes my tattoos come back to life and glow like these two products do!

How do you cope with the new tattoo itch?
Ha! Good question. I didn’t experience it that much in the past, but the last few tattoos I got, it came to bite me in the butt. I don’t scratch it – of course. Maybe give it a light tap with my palm, if it is unbearable. But if I do feel an itchy sensation, it just means that the spot is dry and I apply a little of the Stories & Ink Aftercare Cream and that usually does the trick. 

Any new tattoo plans?
I have a bunch, but first I’d love to finish my massive back piece. Later I’d like to get my fingers tattooed and the insides of my ears. 

What’s your coping tactics to deal with long sessions?
Honestly, numbing cream. I know people debate about it, but I don’t understand why. Some say “you should earn the tattoo” but I say that is just toxic masculinity at it’s finest. A bit of a hot take, I know. But it’s true. If it will be a long session and in a spot that’s very sensitive and painful, make it easier for you and for the artist. If the area is numb or has less sensations than normal then you are having a breeze and the artist can focus on doing their work without you whining and twitching and moving around from the pain. Other coping tactics would be music or watching videos on my phone. Really distracts my brain well. 

What do you love most about working at Stories & Ink?

I’ve been a freelancer for a long time and everything always felt so hectic, working at S&I has brought so much structure in to my work life and I love it as I am a big planner myself. Also being a huge tattoo enthusiast, I feel like I have found my place – finally. I used to think I would be a tattoo artist as I thought that was the only job I could have in the tattoo industry, but I am glad I was wrong. I love how welcoming, passionate and understanding the team is. I feel so lucky to be a part of such an amazing, growing and future-thinking company that aims to share the right messages about tattoos, tattooed people and tattoo care – and so much more.

Check out the full range of Stories & Ink products in their shop: storiesandink.com, and give them a follow on their Instagram, @storiesandinkskincare

Tattoo conventions are back

We’ve definitely missed going to tattoo conventions over the last couple of years. We love finding new artists, the buzz (excuse the pun) and of course getting a new tattoo or two. But do the tattoo artists working at conventions feel the same?

We spoke to some of the artists at this year’s Vancover Tattoo and Culture Show to find out if they love tattoo conventions as much as we do and they share some top tips for those who haven’t been to one yet…

Rachel Hofer @rach.tattoos, NEW EDGE INK COLLECTIVE™, Vancouver

Photo taken by Ania

I love tattoo conventions because I get to see all different kinds of artists and get inspired. Going to conventions really makes me feel part of the industry. It’s also a chance for me to promote my business to a diverse group of people.

Saying that working at conventions is quite chaotic! Not being in my normal work space or having limited equipment and supplies makes it difficult to stay organised.

I don’t mind the loud music and crowds of people though as it keeps it exciting. 

When I work a convention I sometimes I book people in but generally I prefer walk-ups, as it’s hard to know how long something will take so I usually stick to doing flash. 

If you’ve never been to a convention, expect lots of people and lots of art. There are usually shows on the stage and contests for various tattoo categories.

I’d also recomend that you:

  • Eat before you go unless you like $15 hotdogs!
  • Bring cash as most vendors don’t have debit/credit machines
  • Plan ahead if there is a specific artist you want to get tattooed by as they may be very busy. 

Matt Chaos @mattchaos_ttt, Black Circle – Tattoo Coven, Montreal and Lyon

Photo taken by Ania

For me conventions are more about connecting with artists I like the work of. Tattooing there isn’t the best obviously, it’s far from my comfort zone! But it’s a great opportunity to meet friends and artists from all over the world who are at the same place for a few days.

Conventions also help me to promote my work in new cities that I have never been to before.

The biggest challenge is breaking away from old habits while you tattoo.

There are a lot of people to talk to; it’s all about communication, as you have to be everywhere at the same time. Artists need to be fast and ready to go.

I used to work in a private by-appointment-only studio in Montreal so, I prefer to book in advance for conventions. Knowing what I’m doing each day better fits my flow. But sometimes I keep half a day to fit people in who want a flash design.

I think conventions for tattoo collectors are a good way to meet and discover artists from all over the world. It’s the opportunity to book in with someone who lives on the other side of the planet.

For young artists it’s the best way to show your art to a lot of people in one place, it’s like social media but in real life.

Nathan Ross @discopotatoes , HandCrafted Tattoo & Fine Art, Edmonton

Photo taken by Ania

I love that the culture of tattooing becomes so alive at conventions. They showcase so much talent, including those that are outside the medium of our craft.

There are painters, musicians, entertainers and unique retailers – everywhere amazing things are being created in all forms to make an impact and inspire.

Over the years you learn to balance and juggle the challenges of working at conventions.

You overcome the struggles of working on a client while talking to potential clients, as well as applying a stencil or tattooing in front of multiple peers and people! There’s some adjustment needed to work the long hours, it’s important to eat properly throughout the show.

This piece titled “Night Owl” was done at the Vancouver Tattoo and Culture Show

Personally I love booking large scale pieces for multiple day sittings. But, I’m torn because having a custom flash board always means you can consistently tattoo your patterns and engage with the community.

For those who have never been to a convention consider this; “Instead of worrying about what you cannot control, shift your energy to what you can create.” These shows help you gain inspiration in multiple ways no matter who you are or what stage of life you’re in.

Do you love going to tattoo conventions? Let us know!

Interview with The Tattoo Journalist

Tattoo enthusiast Adriana de Barros, The Tattoo Journalist is an author, editor and photographer covering all things fine art and tattoos. Her unique interviewing style sets her apart, making her work with legends of the tattoo world a must-read. In this exclusive interview we chat to her about her career, tattoos and the future of tattooing…

A portrait of The Tattoo Journalist.

How did your fascination with tattoos begin? As a child, I remember seeing postcards and books with tattooed 19th-century women and circus performers from “Freak shows.” Outcasts drew me in because they were different.

I would have been heavily tattooed as a teenager with old-school sailor tattoos like swallows and other designs, if it hadn’t been for my severe pigment allergy. As a result, I had to wait a few decades longer for inks that were more natural and suitable for sensitive skin.

Illustrative body art by Makoto.

Which genre of tattooing are you drawn to the most? I enjoy all types of blackwork, from abstract to illustrative. Anything done well in black ink, positive or negative space — I’m drawn to the simplicity and ancient qualities of black ink and how it remains relevant and modern.

An inside look at the first issue of “Ta’too,” featuring Daniela Sagel’s artwork.

When did you get your first tattoo? Do you still like it? I got my first piece approximately five years ago, and it was a little heart in a less prominent location to allow me to test my response to the ink before getting a larger piece. Although the tattoo has sentimental meaning, I would not call it as attractive on an aesthetic level; I prefer more solid art like my backpiece.

A black-ink piece by Makoto.

Do you consider yourself a tattoo collector? No, because I prefer to have a single flowing piece of art on my body. It took eight hours to complete an ornamental floral work on my back, and I’ll finish the ribs, shoulders, and arms in time. As a collector, the only thing that comes to mind is tattoo books, which I acquire for study and collection.

An interview with legend Freddy Negrete at Hollywood’s Shamrock Social Club.

Do you prefer being tattooed at conventions or an artist’s studio? I’ve had both, but I prefer a calmer, quieter setting with more one-on-one interaction with the tattooist. As a spectator or member of the press, I enjoy conventions because they allow people to see tattooing on a larger scale and meet international artists. However, event spaces are challenging to navigate for artists or clients; it is a hectic environment.

The Tattoo Journalist’s photographs of Freddy Negrete.

What is it about tattoos do you think that makes them so appealing? When they were underground, it was their edge and mystique. With the increased availability, I feel that the permanent-ink factor on the skin may be a lifelong commitment that empowers you. It becomes more than a decorative item; it imbues you with a traditional, spiritual sense.

It has the potential to transform you positively so that your inner sentiments become visible on your outer; you become more yourself.

The debut edition of “Ta’too.” Cover art (head tattoo) by Gordoletters.

What inspired you to write your book Ta’too? Its goal is to offer an alternative to mainstream publications by being transparent about the tattoo community, the art, the history, and the human side of the narratives, rather than following internet trends. The first edition featured avant-garde tattooists ranging from Makoto to Oscar Hove.

The second covers tattoo legends from Charlie Cartwright to Kari Barba based in the United States, individuals with 30- to 40-year careers who paved the way for the rest of us. Younger generations frequently overlook them, and I believe they deserve to be featured and told their stories, which speak volumes about the industry’s growth.

The third will be completely different, focusing on raising tattoo awareness in other parts of the world.

On the left is a painting by tattoo queen Kari Barba, which appeared in the second annual of “Ta’too.”

You’re the editor of Scene360. Can you tell us more about this publication? On December 1, 2000, I launched Scene360 as a digital arts and film magazine. It merged several art disciplines into a single publication that did not exist on the internet at the time.

It piqued readers’ interest right away. Film festival coverage (SXSW, Cannes), interviews with painters (Gary Baseman, Helnwein Gottfried), photography (Carl de Keyser, Kavan the Kid), and poet profiles were among the early highlights.

Scene360 was developed with the help of various contributing editors and writers. We included graffiti and tattoos, and as readers expressed interest, we added additional features. For the last decade, tattoo art has been one of our specialties, and Scene360 has shifted its focus entirely to tattoo content. It was nothing more than a natural occurrence.

Lyle Tuttle, the father of modern tattooing, during the Santa Rosa expo in 2019.

What moment in your career, so far, are you most proud of? That’s a difficult one to answer. Having previously worked as a graphic designer and web developer, it took around 15 years of hard work to be recognised for a Webby Award for Best Art project in 2015 without any financial assistance or ties to a large firm. The majority of online ventures require funding to succeed. I didn’t have any; everything was self-sufficient. It taught me that I could achieve what seemed impossible.

The second happened not long ago, when I was at the Santa Rosa expo and had the honour of meeting legend Lyle Tuttle for the first time. I became engrossed in the moment, listening to his stories and absorbing his historical knowledge for hours. Sadly, he died a few weeks after we met, but that day stayed with me; he showed me that I was on the right track, that tattooing would be my life’s purpose. I am highly grateful to Lyle!

Shane Tan’s tattoo art, one of the Scene360 interviewees.

Do you have a favourite tattoo artist? Responding to this will send me to hell. I’m not going to name my favourites, but they include Maud and Gus Wagner, Sailor Jerry, Ed Hardy, Horiyoshi III, Chris Garver, Gakkin, Shane Tan, Hanumantra, and Makoto.

Is there an artist you’d love to interview? Ed Hardy.

Kari Barba during her 1982 first convention, held on the Queen Mary in Long Beach, California.

Which female tattoo artists do you admire? Along with Maud Wagner, who is credited with being one of the first female tattoo artists in the Western world—a pioneer and true inspiration—I love Kari Barba, who committed her work in the 1980s to promoting gender equality and has remained a tattoo force ever since. 

The development of a bodysuit by Shane Tan.

The tattoo world is constantly changing; where do you see the tattoo industry going in the next 10 years? I believe we are in the midst of a new tattoo renaissance. East Asia is reviving—Japan, China, Singapore, and South Korea. Growth will occur in the West as well.

Creatives tend to feed off one another; if one region of the world excels, it pushes other areas to improve. Even though there are many tattoo artists today, the ones who will survive in the long run will be true artists with quality expression, composition, and technique.

In terms of a personal wish for the future, I hope that ink technology advances so that coloured pigments appear opaque and bright on darker skin tones.

Follow The Tattoo Journalist for more insightful interviews with tattooing legends.

Tattoo stories: Cicely

At Things&Ink we’re a curious bunch – we want to know about your tattoos. Why did you get that design? Why that artist? Tell us EVERYTHING! So we’re introducing our tattoo stories series, as a way to get to know you all better (and be nosy). Here’s Cicely Rae Jackson (she/her) sharing her tattoo story…

Hello! My name is Cicely and I live in Holmfirth with my husband Josh and our two kids Lilith and Abel. I create content for a living and spend the rest of my time hunting for treasures in our local charity shops!

How old were you when you got your first tattoo, what was it and do you still like it? I was 17 or 18 when I got my first tattoo. It was a pretty dodgy studio and there were a lot of red flags that would stop me going ahead with the tattoo now, but I was young and inexperienced! 

I asked for a bow on the back of my ankle (they were super trendy back then ). I was never shown a design and the guy tattooed directly on to my leg without a stencil or freehand drawing, but I was happy enough with it for a couple of months. I then went to another studio and had it coloured in to try improve it, but it still wasn’t amazing. I later had it covered up with a bigger lilac bow, but you could still clearly see the original bow underneath.

So I eventually went to a great artist who worked it into another tattoo and covered up it up with a navy bow

What made you want to get tattooed? I’ve always loved the look of tattoos and grew up with a mum who really supported us in expressing ourselves and I just knew I wanted to be covered in tattoos at some point in my life.

Can you tell us about your tattoo collection, any favourite pieces, artists or experiences? The majority of my tattoos are traditional designs or done in a traditional style. I love how bold they look and how they sit together.

One of my favourite memories of getting tattooed was when my sister and I took a trip down the country to Hastings to get tattooed by Cassandra Francis. We got a hotel room and stayed for the weekend, it was such a great adventure.

When I chose my wedding dress I knew I needed my shoulders tattooed. That was such exciting wedding prep going to shedwolf in our local town to get them done in the lead up to the wedding.

Cicely on her wedding day

Jemma Jones has done kewpie baby tattoos of both our children, on both me and my husband. They are the same but different and I love how they represent the kids’ names.

One of my pride and joy tattoos is a crying lady head by Danielle Rose. She did a guest spot in Manchester on my birthday and it was meant to be. I had had a big year of crying, including a break up and getting this tattoo was a lovely end to that!

Do tattoos have to have a meaning? Not at all! Personally I consider my tattoos a collection of art from talented artists, I have a couple that mean a lot to me but I’d say 85% have no meaning!

What sorts of reactions do your tattoos get? I’m always happy to discuss my tattoos with people that have a genuine interest in them, the style or specific artists etc. I’d much rather people talk to me about them than just stare. 

The negative reactions to my tattoos have predominantly been from family members or people of the older generation. A manager, at one of the jobs I had as a teen, was really against my tattoos being on show as I worked on the women’s wear floor of a department store. The same rules didn’t apply to the staff on the men’s wear floor and we had a lot of disagreements about this!

Can you tell us about your experience as a tattooed mum? My experience as a tattooed mum has been on the whole, a positive one. When my daughter was younger and we would go to different baby groups, I would always be conscious that other mums would judge me but I think a lot of that was in my head.

I’ve also found tattoos to be a really lovely talking point with like-minded mums at these kind of baby groups or in the playground! If my tattoos put people off wanting to approach me as a mum friend then more than likely we wouldn’t get on anyway! 

What do your children think of your tattoos? They don’t really seem to notice them, I guess as they have been part of me for their whole lives. Sometimes my daughter will try to look for matching items that me and my husband have, like snakes or babies. My daughter’s friend refers to my tattoos as my patterns and she always wants to feel them.

Do your tattoos help you to view your body differently? I absolutely adore my body and I think my tattoos have played a big part in that. Sometimes when I catch a glimpse of myself in the mirror or see a photo that includes a lot of my tattoos, I feel so happy as this is exactly how I’ve always wanted to look.

Do you have any future tattoo plans? I would be completely covered if I had the money and the time! The next one I have booked in is my fingers and I would love to start on my chest this year.

Be sure to follow Cicely for charity shop treasure hunts, adorable kids and craft inspiration.

Interview with YouTuber Lauren Petrie

30-year-old Lauren Petrie (also known as ‘Treacle Tatts’) is a popular YouTuber and social media personality who started her YouTube career in 2014 and has since amassed an 100k following. Her videos almost completely revolve around tattoos and she frequently addresses injustice in the tattoo community to raise awareness and help educate her viewers. I had a chance to speak with Lauren recently about her YouTube career, her tattoo collection and how she has been handling the covid-19 lockdown…

Tell us a bit about why you started your YouTube channel. There’s a few reasons why I started my channel! One is I studied media in college, and I loved video editing and I wanted to get back into video editing again. I thought making Youtube videos would be a great way to do that but had no idea what kind of videos to make. I definitely don’t have the best makeup, gaming or cooking skills so all of those were out of the question when it came to making content so I thought I’d make videos on tattoos.

To start off with it was more so to see if people related to stuff I had gone through as a tattooed person as at the time there was no tattooed people in my life. I then thought “hey use your experiences to help people when it comes to tattoos” as I didn’t start off getting the best tattoos and slowly learned how amazing and artistic tattoos could be! I then continued making videos on my experiences and giving advice on how to get good tattoos!

How has YouTube affected your life? It’s given me the freedom to be my own boss and work when I want and talk about stuff, I’m super passionate about! I managed to turn my hobby into my job and I got to quit my retail job to do it full time! It’s an absolute pleasure to do and will be forever thankful that I get to do it!

What do you enjoy the most about being a YouTuber? Being able to connect with people who have the same interests as me! Talking to fellow people who get super excited about an upcoming tattoo appointment and the such! Its also learning about other people’s experiences when it comes to getting tattooed and who they are as people! I just find other tattooed people fascinating! I make some videos that involve my subscribers and they are from all walks of life from lawyers, to grandparents, to chefs, to students, retail workers I mean the list can go on!

I love to share people’s backgrounds to prove that tattoos aren’t just for celebrities or criminals like some people like to think!

What first attracted you to the world of tattoos? I can’t pinpoint an exact moment because even as a child I loved them! I’d always cover myself in temporary tattoos! I’d be that weird kid that stared at tattooed people in a store and not because I thought they were weird but because I thought they were the coolest person on the planet! None of my family have tattoos so I never grew up around them so maybe that peaked my interest even more! 

Can you tell us about your tattoo collection? Do you have a favourite tattoo? My tattoo collection is a huge mish mash of styles and colours. Some are personal or custom drawn and some are just flash drawn pieces from some of my favourite artists! I like symmetry and organising by colour. So my left arm is colour traditional and then my right arm is a black work blast over (still in progress) then my left leg is black work and my right leg is colour. I just thought it would be a fun way to style my tattoos. 

It’s so hard to pick a favourite tattoo but at the moment I’d have to say it’s my black work peony neck tattoo by Heidi Furey! I spent a couple of years really deciding if I wanted to be very visibly tattooed and I finally went for it and it’s the best decision I’ve ever made! 

We love your outfit posts on Instagram! How would you describe your style? Ow thank you!! My fashion is all over the place to be honest one day I’ll be wearing loud plaid trousers and the next I’ll be wearing all black and studded stuff but one thing I continuously wear I guess is oversized printed tees! I can’t get enough of them! Most of them are tattoo art inspired because why stop at getting just tattoos when you can have the art style on a t-shirt!

How have you been coping with the covid-19 lockdown? I’m very much an introvert so staying in didn’t really affect me much at first. I did start to get restless here and there as time went on! I really missed my best friend Yasmin and our little restaurant and cinema dates! Before lockdown we would go to the cinema and out to eat at least once a week! 

Do you have any future tattoo plans now that a lot of tattoo shops have reopened? Yes! I have an appointment to do more work on my black work blast over arm! I also want to finally get my knees tattooed! I’ve been putting them off for years as the thought of getting major bony areas tattooed grosses me out – I hate the feeling!

Do you have any upcoming projects or plans for your channel or new merchandise you would like to tell us about? I don’t have anything major in the works at the moment I kind of just make content when I come up with the ideas or if something major happens with in the tattoo world like the recent sexual assault allegations I like to make content on that so more awareness is made!

At the moment I’m trying to create more awareness for black and POC in the tattoo industry! There’s a lack of representation so I want to use my platform to celebrate POC tattoo artists and those that tattoo on darker skin tones! As for merch, I think I want to start getting my artistic subscribers involved and commission some fab art from them to use on merch! 

Words: Lucy Edwards, a 20-year-old tattooed university student, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.