Ravi Zupa Tattoo Gratitude Project

Self-taught artist Ravi Zupa, is showing his gratitude to anyone who has decorated their body with his art. He has created a specially designed poster which he will give to anyone who wears or has made a tattoo of his work. 

It seems to me that most tattoos are a symbolic means by which significant people or events are marked. It’s a ritual of passage. I like this about tattoos. I like that human beings can’t help but be symbolic and artistic.

We spoke to Ravi about the process behind the intricate work he makes, what inspires his pieces and his own tattoo collection…

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How did you begin to teach yourself how to create art? Were there any artists that inspired or helped you along the way? When I was growing up, creating art was like eating breakfast in my house. The most ordinary everyday activity. Both of my parents and all of my siblings did one form or another. My mother is by far the most inspiring and influential artist and thinker in my life.

What inspires the pieces you create? Can you tell us about the process behind each piece? I mostly get inspired by other art. Usually I dig around in books and look at art on the internet and something hits me very hard. My motivation is to create images that will hit someone else with the same force. I usually find something in a piece of art that excites me and then I draw some rough drawings, pulling something from that piece. It might be a particular face, a piece of clothing, a scene, a pose or anything really. I then usually draw the whole thing and about as often as not I dislike it and start over. In many cases I draw the image three or four times to near completion before I get one that works.

Is there a certain subject or animal that you particularly love turning into art? Mythology and historical cultures are the most compelling subject for me. I like to find lateral connections between traditions, religions, characters, rituals, stories and so on. Art is so interesting because it grows and evolves the way that life does and it becomes more sophisticated as it develops. Each culture on earth has an entirely unique form of art but if we look at them carefully we find that there are threads that connect all of them.

What is your favourite medium to create in? I could never choose. I am most skilled at drawing with a pencil or pen but there are so many kinds of ideas and experiences that are begging to be created or depicted and they all have different needs. You can’t run a stitch with a hammer and you can’t drive a nail with a needle and thread.

Lots of people have tattoos of your artwork, do you have any tattoos? Yes. I have a Shrivasta on my arm with a dark animal type glyph that I drew and the word Ahimsa on my chest which is a form of combative non-violence. I got my first tattoos in 1999 at a San Fransisco shop called Black + Blue Tattoo. I had only lived there for a few months and had very little money so I went around to different shops and asked if they would trade art for a tattoo. Black + Blue was the only all woman owned and operated shop in the city at the time and they were the only shop that agreed to a trade. I got two tattoos from two different artists in exchange for drawings. The shop is now legendary in San Fransisco because of that remarkable history.

I don’t care much about my tattoos now. I don’t like or dislike them. They’re like moles to me.

Do you have any new projects coming up? I’m constantly working on new projects. This month I’m releasing the first poster in a new series called “Marvelous Adventures” which depicts Hindu gods and goddesses as comic book heroes. I’m also getting going on a solo show at Hashimoto Contemporary in New York city which opens in August.

If you’re an owner of a Ravi inspired tattoo or perhaps you have tattooed one on someone else, head to his website to get your hands on a copy of his limited edition poster.

Interview with Luke Ashley

24-year-old tattoo artist Luke Ashley tattoos out of South City Market which can be found in New Cross, London. If you’re an avid tattoo Instagramer you’ll have seen Luke’s palm tattoos that he’s now known for, we caught up with Luke to find out how it all started…

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How long have you been tattooing? How did you get into the industry? I’ve been tattooing full time for the last five or six years. I managed to get myself an apprenticeship quite young at the age of 16 in my local studio where I worked weekends and in the week around my collage schedule. I was super grateful to get my foot in the door and have a space to be amongst tattooing.

How would you describe your style? I’m not sure how I would describe my style, I’ve worked in street shops my entire life so I’m used to accommodating to what style my client is after. I think creating your personal style is one of most important things an artist has to do. But I’ve never wanted to turn my nose up to a tattoo as there are tricks to be learnt from all different styles, which can then in turn can be used across the board. My favourite thing to tattoo is definitely linework pieces and I love using different line weights in my work.

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You used to tattoo in colour, what drew you to blackwork? I still love doing colour and I still tattoo a lot of colour pieces but I’m definitely enjoying the blackwork style. Like I said I really enjoy most styles of tattooing and enjoy a challenge so am game for anything!

When did you do your first palm tattoo? Do you like tattooing palms?  I did my first palm tattoo on my friend Stu who I was working with with at the time and he just asked me to do it, witch I initially said no to because I’d heard how they would fall out and are really painful. But we did it anyway and it didn’t turn out great, I said to Stu ‘I think I was afraid to hurt you too bad’ so we did his other palm the next week and I didn’t hold back and I did it how I thought it should be done and it healed perfectly and is still super solid to this day. After that I just convinced friends to let me tattoo their palms because it was super satisfying to get it in properly and see it heal up solid.

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How do you find working on this area of the body? Everyone’s palms are different so you kinda have to get used to adapting your technique depending on the person’s palms. Like a builders hands in comparison to an office workers are going to be way more calloused and tougher to get through. But its definitely my favourite place to tattoo.

What kind of designs would you like to do? I would love to do some more double palm projects covering the entire hands and all up the fingers. I’m also looking forward to tattooing more soles of feet. I enjoy geometric and line work tattooing but I also love tattooing traditional and neo-traditional designs. As long as its a cool idea I’m into it!

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Do you have your own palms tattoos? I do. My first palm tattoo was done by Brody Polinsky. His bold lines and designs are incredible, I’m hoping to go and visit him soon to extend my current palm tattoo. I also let my friends Dash  and Stu do they’re first palm tattoos on me as they let me practise on theirs when I first started. I see my palm tattoos as really personal and look at them all the time.

Can you tell us some more about your own tattoos? The linework tattoos I have on my front and head are made by Kieran Williams. I had my first session over five years ago when I got the front started and then took a little break when we got to the top of my chest, as I wasnt sure if I wanted visable tattoos at that point. Now I am so happy with how its progressed and flowed up onto my neck and now head.
Im pretty open to the tattooist deciding what they want to do, i chose the artist for they’re style so I’m happy for them to run with it. None of my tattoos have much specific meaning to me but they are more like time stamps. I remember getting all of them and what I was doing in my life when I got them. I have one foot dedicated to friends doing little first tattoos on me, witch is always fun.

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What sorts of reactions do your tattoos get? I get a lot of positive reactions from people. Lots of times people ask if getting my head tattooed hurt and are really interested and compliment them which is nice. I’d say its 95% positive.

Does the pattern work you chose represent anything in particular? Not to me no. I originally asked for a church/cathedral but when I turned up Kieran had designed some more Thai looking designs and I was into it so thats what we did!

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Do you have any future tattoo plans for your own body? I’m trying to save the little bit of space I have left. But I reckon I’ll just get everything done pretty soon!

Do you have any travel or guestspot plans? I’m hoping to make it to Madrid this year and maybe Berlin but I haven’t made any solid plans yet. I’ll be heading back to Brighton/Hove to Nine Lives Studio and hopefully to SixtySix at some point this year too!

I’ve just started working at South City Market, it’s a brand new studio opened by Ricky Williams. It’s filled with talented artists and I’m so pleased to be a part of it. You can come find me there slamming out the palm tattoos!

Photography by LadyKaat Photography 

The Circle: International Women’s Day 2019 Exhibition

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Head to The Circle, London on International Women’s Day Friday 8th March 2019 to view an exhibition of works from a group of seven female artists:

Athena Anastasiou
Pang
Heleena Mistry
Laura Callaghan
Sally Hewett
Linzie Elliott
Catriona Faulkner

Sally Hewett

Art by Sally Hewett

Their work ranges from collage to paintings to assemblage to textiles. Rather than prescribe a theme, the organisers decided to ask each artist to simply create pieces which celebrated womanhood and what this means to them. Their work will be on display in the ground floor gallery space.

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Art by Linzie Elliott

Meanwhile downstairs in The Circle’s basement, tattoo artists Paula J DaveyKenzie  and Liz Clements will be holding a tattoo flash event, tattooing pre-drawn designs from £50 for the evening. All proceeds from the flash will go to the charity Refuge.

Don’t forget to register for IWD at The Circle here

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

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When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

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What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

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How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

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What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

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I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

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Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

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When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

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What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

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How would you describe your style? What drew you to blackwork?  I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

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What inspires you and what would you love to tattoo?  I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

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Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

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