Art Archives - Page 14 of 83

February 4, 2019

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

How would you describe your style? Which do you love tattooing more colour or blackwork? I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

January 29, 2019January 29, 2019

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

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When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

How would you describe your style? What drew you to blackwork? I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

What inspires you and what would you love to tattoo? I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

January 24, 2019January 25, 2019

Interview with Tattooist Artem Iam

32-year-old tattoo artist Artem Korobov Iam works out of a private studio, in Tel Aviv Israel and creates tattoos in what he describes as a graphic style. We chat to Artem about his unique tattoo pieces and what inspires his abstract work…

How long have you been tattooing? How did you become a tattooer? I work at my private studio in Tel Aviv Israel. I opened this space together with Shiran, my girlfriend who is also a tattooer – our shop is called DUMIYA. I’ve been tattooing around four or five years now. I become a tattooer when I was in Spain, that’s when the idea of tattooing came to me. Before tattooing I worked a lot of different jobs – almost most of them shitty.

What drew you to the world of tattooing? I’ve been drawn into the world of tattooing, mainly because I think the time, place and everything was right and felt right. Everything was exactly how it needed to be! I know that now I have found myself!

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How would you describe the tattoo scene in Israel? What sorts of reactions to tattoos get over there? The tattoo scene in Tel Aviv is a little bit better than in the rest of Israel. Because Tel Aviv is the centre, and Israel is not a big country, most of the good artists can be found in Tel Aviv. I don’t really have a lot to say about the scene in Israel but it is good. Everything is moving slowly here, but the clients that are here have open minds which is so good! You can also find some super unique artists here as well. But you can count them on one hand, if you know what I mean.

I love to tattoo in Israel though, it’s my home. From a really young age I grew up in this country, although I was born in Siberia. So I love Israel, when people ask I say I was born here. I also really love my clients, well almost all of them! They are open minded with me, which is great for me as I can do what I love and what I like which is a great thing!

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How would you describe your tattooing style? I would call my style graphic Avantgarde. I mix different techniques with some graphic realism, abstract texture or different kinds of elements. Some of these I make on my iPad and some of them I draw, or I make the parts on Photoshop and then mix it altogether to get the design. Sometimes I make some abstract works that are all freehand.

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What inspires the pieces you create? Everything is inspiring to me, it could be a sport, a player or fighter. It could be music, good movies, lyrics from songs or writers that I love. Other times it can be the weather or the atmosphere around me – really I think I am inspired by everyone and everything.

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Do you admire any other artists and do they influence your work? There are a lot of good artists that I love and that I am inspired by. I travelled around the world for two years meeting loads of good people, whose work I loved as well. My good friends are from Brazil, they’re like my brothers and they inspire me a lot. But also lots of the other places I have been have an affect on my work too.

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What do you like to tattoo, and what would you like to do more of? At the moment I like to tattoo women’s faces with a mixture of different emotions. I also like to tattoo abstract stuff, I like to improvise and experiment. Every time I do this I am finding more and more out about myself! I don’t really know what else I want to tattoo, I do want to progress. I’m always looking to make something, new and fresh, or at least try to!

January 8, 2019

Interview with Caroline Derwent

39-year-old tattoo artist Caroline Derwent works out of Dust n’ Bones Tattoo in Plymouth, UK where she creates an array of dotwork and colour tattoos in her girly traditional style…

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When did you start tattooing and what made you want to join the industry? I left school , went to art college and then to Manchester to do a degree in interior design, however, it wasn’t for me. I always wanted to do something art related, creative and something I loved. It wasn’t until eight years ago I began my career in tattooing. I was working a supervisor role in a print shop which was unfulfilling. A friend who worked in a tattoo shop asked me if I wanted to learn and I thought I’d give it a go. I learned alongside two other jobs and when Neil opened Dust n’ Bones Tattoo, I worked weekends and evenings, just on friends at first.

I was made redundant from my print job and thought it was time to give it my all and started full time down at Dust n’ Bones. It was a slow burner, and a lot of hard work building a client base, and eight years later, here I am. Working along side a strong team, still at the studio where I started out with a great client base, continuing to work hard and improve my skills. You could almost say I was in the right place, at the right time and I never take it for granted, being where I am today.

How would you describe your style? I would describe my style as a girly traditional, without the heavy black ink! I love pastel colours to make cute and pretty tattoos but I also do a lot of blackwork as it seems quite popular at the moment. I am very lucky to have loyal clients who love my artwork, it’s very fulfilling knowing my work is out there permanently.

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What inspires you? My favourite things to tattoo are Harry Potter designs, Star Wars, Disney and just anything cute and girly. Floral work is always popular and I love tattooing that style too. I myself have mainly colour work tattoos, it’s just my preference and what I love best to tattoo. I love to see the end result of a colour tattoo. I am always wanting to improve, and luckily I am surrounded by talented colleagues and friends in the industry who I have met through doing guestspots and conventions.

Do you have any guestspots or conventions planned? I have worked at Blood and Honey, Cheltenham, I will be working at Black Moon in Frome in February, and then Jolie Rouge in London in April. I am always open to new guestspots as it’s nice to be able to reach out to new clients that can’t make the journey down here to Plymouth.

In the past I have worked Leeds Tattoo Expo, Sheffield and Manchester Tattoo Tea Party, which I loved. I’ve just booked to work Manchester Tattoo Tea Party in March, and will maybe do some others this year too.

I always remind myself to stay kind and to be thankful for where I am. I often get overwhelmed when people travel to get tattooed by me and feel very humbled to be where I am today. Hard work pays off after all.

December 30, 2018January 1, 2019

Visual Artist: Ginger Taylor

28-year-old Ginger Taylor is a freelance visual artist from Sydney Australia. We chat to Ginger about the art she makes, what inspires her and tattoos…

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How long have you been a visual artist and how did you become one? I’ve been properly freelance for just over two years now. I started out sign writing at JbHifi about three years ago and got a taste of a creative job, and I LOVED it. After years of very non-creative jobs it was like a breath of fresh air. Being able to go to work and draw in a tiny room all by myself and listen to music and podcasts all day was my little slice of heaven.

Where do you get the inspiration for your designs from? I would say travelling mostly. My sister lives in LA and when I go to visit her we go on a lot of road trips, eat in diners, stay in motels, go visit weird places. I also just recently visited Japan for the first time and I think you can see that through my work.

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What’s your favourite project you have worked on or piece you have produced? I’m always happiest when I get to paint on a large scale – so murals are my favourite project to work on. I just painted a mural at my local pub so that’s my favourite recent one.

What’s the process behind your pieces? Winging it! I paint bowling pins, watercolours, murals, motorbike helmets, tanks, jackets etc. anything I can get my hands on really so the process is different for everything I do.

How would you describe your art style and your fashion style? If there was a style that lived somewhere in-between a road side diner, a log cabin, and Harajuku – I’d say that.

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Does tattoo art have a big influence on your work? I’ve been into tattoos since I was a kid, even when I was six I remember drawing what I wanted to get tattooed one day (glad that didn’t turn out it was bat wings on my back, yikes.) I wanted to be a tattoo artist all through high school, So I’d say yes, even though I don’t particularly want to be a tattoo artist anymore I still think tractional tattoos make an appearance in my work heavily.

Can you tell us about your own tattoos, did you design any of them? I got my first tattoo when I was 18, it’s an anchor on my head. The rest of my tattoos all have funny stories or dumb ones like the cover up of an ex’s name, your 20s are for huge mistakes, right? I don’t take my tattoos too seriously – most of them have no meaning at all I just like they way they look. I actually just got my art tattooed on me for the first time, it’s a cowgirl with a canteen, snake and horseshoe. @emilyjanetattoo did it and nailed it.

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