Tattooed Travel Photographer Kym Ellis

We chat to 29-year-old Kym Ellis, a technical marketing lead and travel photographer, about her tattoos and work. At the moment Kym has no fixed address and instead chooses to slow travel around the world – right now she’s in Chiang Mai in Thailand…

Kym Ellis

When did you get your first tattoo and what was it? It was on my eighteenth birthday and it’s a small pisces star sign symbol at the bottom of my nape. I wanted it when I was 16, but my dad who has very old tattoos which he hates, told me to wait until I was old enough. It’s not a very good tattoo but I still kept it as part of my back-piece.

What inspired you to start getting tattooed? Music mostly, I grew up in my late teens with MSN and MySpace and getting into punk and metal was the first time I felt like I had my own identity. I actually kept my music tastes a secret from my school friends for quite a while because I knew they were not into that scene.

Then when I turned 16 I decided enough was enough and changed my style overnight. I never looked back, it was extremely freeing to express myself in the way that I wanted to rather than trying to please others.

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Have tattoos changed how you see yourself and your body? Absolutely – getting tattoos gives me agency over my body and I definitely became more confident as I started to get more big pieces. Whenever I get a new tattoo, it only takes a few days for it to become a part of me. I often forget I have so many, and when I see old photos of a less-tattooed version of me I find it very strange to look at.

I still have some big gaps on my arms and legs that I want to fill up, but I am just taking it steady and enjoying the proces.

Stomach Piece By Romain Labordille

Do you think your tattoos affect how others see you?  Yeah, in both good and bad ways. To be honest I don’t get too much negativity about my tattoos these days, but it can happen occasionally because I travel so much and different places have a different perception of tattoos as a whole.

What sorts of reactions do your tattoos get? For the most part I get a lot of compliments about my tattoos and people often ask me where I got them done, how many I have, or how long they took. Sometimes people want to touch them, that’s kinda weird!

There are still certain places that I visit where tattoos are less accepted and I definitely notice people staring at me. But it really isn’t the majority of people, and my way of dealing with it is to be proud and confident.

If people ask me what the meaning behind my tattoos are, I show them the tribute portrait of my cat that I grew up with. I carry her memory around with me everywhere and yes I am aware that this puts me firmly in the crazy cat lady category.

Cat tattoo by Sam Stokes

My cat Tess, by my friend Sam Stokes

How do you find your work and tattoos mix? Can you show them freely at work? In the earlier days of my career when I worked for companies in the UK, I mostly had to cover my tattoos up. It’s not the worst problem in the world to have, but I never felt like I could take my full self to work and it did wear me down eventually. In hindsight I should have just had them on show. It probably wouldn’t have done me any favours in the workplace but I also don’t think it would have got me fired.

Ever since I started working remotely for technology companies, it’s been the complete opposite. I’ve always been accepted for who I am by all of my colleagues. I wouldn’t take a job where I have to hide my skin again.

Is your photography a creative outlet that allows you to share the real you? It used to be, when I started out with photography about eight years ago I did a lot of portraiture and used myself as a subject when there was no one else around to photograph. Alongside building my tattoo collection, this was a means of expression.

Travel photography is my main focus now, because that’s such a big part of my life. I share a lot of my photos for free on Unsplash.

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What future career plans do you have? I have made some big career leaps in the past couple of years, from finding my first remote job to becoming more of a technical marketer and improving my coding skills. I’m really happy with my career at the moment and in the future I’d like to move into senior leadership or marketing operations.

I’m going to keep travelling too – being able to work from anywhere is such an incredible opportunity. My next project is to learn how to sail a boat. Then my nautical tattoos will really come into their own!

How do you find travelling and getting tattooed?  It’s really hard to get tattoos when you travel a lot. From living in places where there aren’t many artists who do the style you’re after, to trying to get a booking when you’re only going to be around for a few weeks. I have a full back-piece that is still missing it’s colour because I need to get back to the UK so Ben Stone can finish it up for me.

Back Piece by Ben Stone

That said I’ve managed to get some really great tattoos during my travels. I got a mountain range on my arm when I was in the Arctic Circle, a beautifully gothic traditional tattoo at a convention in Cape Town by @jarretcrosson, a gorgeous snake and florals from @mooreahum.tattoo in Vancouver, and my stomach piece was by @romain_labordille in Bali.

tattoos by jarret crosson and moorea hum

Felix & Loretta Leu: Berber Tattooing in Morocco’s Middle Atlas

Crafted by Felix and Loretta Leu, Berber Tattooing in Morocco’s Middle Atlas is a tremendous account and celebration of the lives of the Berber tribe’s female tattooers in Morocco. Brought to life with illustrations by Aia Leu and edited by Joanna Kate Grant, the book opens up a new and fascinating unseen world of the Berber tattoo traditions…

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Berber Tattooing is a unique and tender record of the tribal skin art of Morocco’s Middle Atlas and the female tattooers who created it. Felix and Loretta Leu’s road trip in 1988 consisted of a series of chance encounters. Each one of which opened a doorway into the intimate world of the women of the Berber tribes.

In this book, the women tell their individual stories, revealing the traditions of the tattoo in their culture, together with insights into the lives that they led.

Sensitively captured in drawings from the time, by Aia Leu, the faces of the Berber women speak of a tribal culture that was fast disappearing, even then. As tattoo artists themselves, Felix and Loretta were able to find a common ground with the Berber families, gaining unprecedented access into this sparsely documented Berber art form.

This book of previously unpublished work, collected nearly thirty years ago is a tribute, to the art of tattoo, to tradition, to family and to love.

7.Hajah pencil on paper 32 x 2 4cm Aia Leu 1989

Hajah pencil on paper, 32 x 24 cm, Aia Leu 1989.

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Loretta being hand tattooed by Fatima using the technique taught her by her mother.

2.Loretta Leu with tattooist Aicha Bent Hamadi in 1988

Loretta Leu with tattooist Aicha Bent Hamadi in 1988

About the authors:

Felix & Loretta Leu, both born in 1945, were artists, “freaks”, and adventurers. From 1965, when they met in New York City, until 1978, they travelled and lived in America, Europe, North Africa, India and Nepal, and in time were accompanied by four children, who were all born on the road. In 1978 they discovered tattooing as an art form, one with which they could support their family anywhere in the world. In 1981 they chose to settle in Switzerland where they created The Leu Family’s Family Iron Tattoo Studio. Felix died of cancer in 2002. Loretta, lives in Switzerland, walks in fields and forests with her two dogs, and is writing a history of her life with Felix.

Swiss artist Aia Leu was born in 1971, the daughter of Felix and Loretta and the granddaughter of Eva Aeppli, she was born in an old finca on the little Island of Formentera (Baleares). She lives with her family in the mountains of Kenmare, Ireland. Aia is currently working on a series of oil paintings for a two-woman exhibition planned with Titine K-Leu, and also illustrating a 78 oracle deck inspired by ‘Thoth Journey’ a book by JoannaKate Grant.

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Aia Leu and Loretta Leu, 2017

Interview with Lucy O’Connell

Lucy O’Connell creates stunning tattoos filled with colour and personality at Red Tattoo and Piercing in Leeds, UK. We chat to  Lucy about her evolving style and inspirations…

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What made you want to become a tattoo artist? I started drawing tattoo designs for friends who were older than me when I was around 14. And through doing doodles for them, which I now realise is the most irritating thing to receive as a tattooer, because I knew nothing about the fundamentals of tattoo design, I realised I could do this for a living when I started to do more research. Fortunately tattoos were more accessible in terms of media. I would buy all the magazines available from my area and then go and look up the artists.

What do you love most about your job? I love so many aspects of my job. I love developing my practice, the ability to share ideas and discuss with people I admire, working on a moving canvas is forever a challenge. I just feel like I’m learning all the time, but I also like talking to new people about their experiences in life. And currently I’m really trying to give myself a shove to develop myself more, I give myself a hard time a lot.

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What inspires your work and drawings? Everything. Recently I’m trying to look more into myths and old stories to inspire me, but I’ll probably sit on them for a while as they’re such epic tales I need a while to ponder it before I know how to combat it. Nature has a lot to play. Whatever I’m watching can have an impact, or just my mood in general. I find if I’m struggling I’ll watch Attenborough or go to a gallery. Just kind of soak something new in.

What would you love to tattoo? Like I said before I’d like to sink my teeth into some myths and legends. Maybe some religious stuff too from all faiths. Norse gods are really interesting. I think subject matter that’s way bigger than me so I can try break out of my comfort zone. And always birds.

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Do you have any designs that you really want to do? I’ve got loads of designs I wanna tattoo, I keep a majority in a little book and take them everywhere with me, and the big ones don’t often get a home so they end up getting painted. I’m struggling more than ever to get rid of stuff I draw, which I can’t decide if that’s me, social media or brexit. I’ll keep trying.

How would you describe your style? It’s a clash of a lot of things. I can’t quite put a definition on it, I’m usually categorised as neo-traditional but I wouldn’t put myself there. I think neo-traditional lines have been blurred. I kind of think I’m a pop culture, neo-trad, art nouveau clash.

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Is it fair to say that it has been evolving lately? I hope so, I’m trying to evolve all the time but I’m very aware of it, currently. Since the first convention of the year I’ve had a fire lit under me that makes me want to push myself somewhere that’s not so comfortable. But I hope everyone likes it or can see I’m trying.

What kind of direction would you like to take your work in? I’d like to go into a more layered version of my work. And making everything more animated. I’m also trying to take in light sources. We’ll see what happens.

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Do you have any conventions or guest spots planned? I do! No mor plans other than these:

Newcastle – Big North Tattoo ConventionApril 28th & 29th

Essex – Jayne DoeJune 14thth, 15th & 16th

Leeds Tattoo ExpoJuly 7th & 8th

Berlin – Sticks and StonesAugust 9th, 10th & 11th

Interview with Joaquin Ardiles

Because music is in itself an art, it comes as no surprise that so many involved in the industry also have an affinity for tattoo culture. 31-year-old guitarist Joaquin “Jo” Ardiles of Good Tiger has taken his love of tattoos one step further by becoming a tattoo artist. When he’s not on tour, Jo can be found tattooing a mx of western traditional and illustrative styles at Kilburn Tattoo in London. 

Photo by Tom Barnes

How long have you been playing guitar and how long have you been tattooing?I’ve been pretending to play guitar now for about 15 years, and tattooing for about six or seven years I don’t remember exactly.

Which one do you love more? Or is it like picking a favourite child? They are both a lot of fun and I enjoy different things from each of them, I’m lucky that I get to do both. I think I get the same enjoyment from playing a sickhead riff as I do from finishing a cool tattoo. I like the freedom the tattooing gives me to be able to go out and play music and I like that playing music means I get to be tattooed by people in different parts of the world that would be difficult/expensive to get to otherwise.

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What was it about each craft that drew you in and peaked your interest? How do they make you feel? I started playing guitar because I thought chicks dug that shit, but actually they like saxophone. I quit playing the saxophone to play guitar, so I really fucked up there. By the time I realised it was too late and I was already invested, so I just kept going. Also I wanted to slam some sick riffs and be Tom Morello from Rage Against The Machine. Playing guitar means that I get to hang out with my friends and play a lot of Nintendo Switch with them in tiny backstages across the world, which is cool, I’m into it.

I started tattooing because I thought it would be easy and I could make some money in between touring but it turns out it’s not and I had to work hard for my place. Luckily I had a bossman that was ok with me going on tour, as long as when I was back I was at the studio watching and learning. I knew very little about tattoos when I started, I was a bit of an idiot actually. I love the world of tattooing now, I love that it’s not easy to get into, and I love that I still have a lot to learn.

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How would you describe your style of tattooing? What influences you? Are there any artists you admire? I think my style is a twist on western traditional, I like to keep things a little weird, make it’s something that’s mine as much as something the client wants. I’m influenced by other tattooers, by video games, music, comics. It all plays a part in influencing the way I draw, even if its not obvious in the piece itself. There are so many good tattooers out there right now, I could probably make a really long boring list but I think right now @greggletron is next level. @scumboy666 and @wan_tattooer have such a cool style, I wish people in the UK got more stuff like that I’d love to do shit like that. @joefarrelltattoo is the bossman at my shop he taught me everything I know and I owe him a lot. I work with @lauralenihantattoo and she has been putting out some bigboy pieces recently. HOLD TIGHT THE KILBURN MASSIVE.

How does your music and tattooing go hand in hand? I like to try and get tattooed while I’m on tour if I can. It’s not always easy depending on routing and timing and such, but it’s a nice way to meet tattooers and visit cool shops. Playing music means I get to meet a lot of people and tattoo a lot of people that have found me through the band. Also the music world is full of people with tattoos, I’ve been lucky enough to tattoo people in my favourite bands or talk to musicians about their tattoos and where they got them. I think both those worlds are interlinked, the first tattoos I saw were on musicians in magazines and on tv.

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Good Tiger released their new album We Will All Be Gone on Feb 9th 2018 via Metal Blade Records. Can you tell us a little bit about the new album, what is your favourite track? The new album rules and it’s gonna make me bigger than Kid Rock I think. We really pulled it out of our arses with this one, managed to make a non stop, start to finish, banger after banger, perfect album. Have you guys heard Dark Side of the Moon? This shits all over it and then some. My favourite track is Blue Shift because I think it will make me the most money/chains/emerald encrusted pimp canes.

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Photo taken by Kayla Surico

Will you be touring? What can fans expect? We will be yes, our next tour is in the states, little headline run followed by a load of dates in the US/Canada with our favourite beanheads Protest the Hero. Fans can expect a lacklustre show because we are old now and don’t have the gusto or the legs to put on a show with any kind of enthusiasm. Gonna keep it tight though and play real good. I might get a rat tail haircut again so if I turn around during the show, the front row is going to get a real visual treat, a battering of the senses, even. Prepare yourselves.

Interview With Igor Puente

We chat to 25-year-old travelling tattoo artist Igor Puente, about his style, how he got started and his future guest spot plans…

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When did you start tattooing? How did you begin? I started tattooing  six years ago  in my home, as I couldn’t find anyone who wanted to have me as apprentice in Madrid. In the beginning it was quite difficult, but I worked hard and studied art the first three years, which turned out to be the perfect combination to become a professional tattooer.

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What inspired you to become a tattooist? I wanted to be creative in my work, and I thought that tattooing was the best way to do that. Sometimes my clients come to me for one piece of my art and they give me lots of creative freedom, to me this is like the paintings or sculptures in the Renaissance period. People back then had art on their walls and now people have it on their skin.

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How would you describe your style of work? Has it changed over time? Right now I’m into creating mutated animals with lot of eyes and heads, and if the customer lets me do it, then I like to use red .I really love animals, so for me it’s amazing that I get to create lots of animals. When I started out I loved horror stuff and black and grey, but this changed when I saw the work of tattooer Eckel. I couldn’t shake the beautiful drawings out of my mind and that was when I decided to work in a more neo-traditional style.

You tattoo a lot of animals, do you enjoy making these? What would you love to tattoo? I really love animals! My first career choice was to become a vet, but I decided to choose something much more creative. Animals are my favourite thing to tattoo. If the animal is also red and has lots of eyes than I am in heaven!

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What influences your art? Are there any artists you love? I am influenced by everything, from nature to films, TV series and books. I love a lot of other artists and they influence my everyday life. Eckel, of course is for me the master, but I also admire Alex Dörfler, Antony Flemming, Adrian Machete and many many more.

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Do you have any guestspots or conventions planned? Yes lots of them and I am every excited!
23 November – 22 December  10 Thousand Foxes Tattoo, New York
5-9 December Mystic Owl in Marietta, Georgia
16-20 January Tattoo Addicts, Bilbao Spain
24-25 February Brighton Tattoo Convention