Is it time to say goodbye? The Final Editor’s Letter

 

Wandering around the Vogue exhibition at The National Portrait Gallery, I think of the magazines that have inspired me over the years – and still continue to do so. I have always collected magazines, devoured every page, every inspirational photo shoot and article. From More and Sugar magazine when I was a teenager, to Dazed and Frankie when I was at university, I loved them all! I never dreamt that one day I would launch my own magazine… But I did.

I launched Things&Ink more than three years ago to become a part of that inspirational world that had spoken to me so much while I was growing up. I wanted to provide a source of tattoo inspiration for women and men just like me – who adore tattoos and wanted to see them presented to them in an arts and lifestyle publication.

From the first ever cover with the tattoo artist who inspired me to want to become heavily tattooed to our latest cover for The Horror Issue, the magazine has progressed and grown immensely over the years… and I really hope we have inspired readers, young and old.

Working on the first ever cover
Working on the first ever cover

Alice Snape with Claudia de Sabe

As we prepare for our latest exhibition called The Archive, which sees artists who have featured on our pages over the years turn our back catalogue into works of art in their own right, I realise that it’s time to say goodbye to Things&Ink as a print magazine. Our latest exhibition was created to celebrate everything we have achieved over the years since we have been in publication. And I truly believe that we have made an impact on the tattoo world and beyond by representing tattoos in a interesting and thought-provoking way.

Editor Alice Snape with the now sold-out Horror Issue
Editor Alice Snape with the now sold-out Horror Issue

However, as much as it pains me to say it, print is dying. Which is heartbreaking for me, I always loved the feel of a new book or magazine! Even the smell, opening the cover and wondering what you will discover… But the magazine world is changing, and without financial support, independently run magazines just cannot survive. As much as I have loved creating every single issue of Things&Ink, I just cannot take the financial burden anymore. Although the magazine looks like it is thriving, it is actually really struggling. I work as a freelance magazine editor and writer, and almost every penny I have earned over the years has been ploughed back into the magazine.

Is it time to say goodbye?

But not to dwell… Things change, evolve, and move into something unexpected. Things&Ink has become a very recognised brand, and although we will no longer exist in print, we will exist online in the form of this blog, and our social media accounts. We will also still organise events and exhibitions and be a hub for people who are passionate about art and tattoos.

I would also like to take this time to thank everyone who has contributed to the magazine over the three years that it has been running. Especially my right-hand women Rosie and Keely, without them I would have probably had a nervous breakdown a long time ago. And also my sister/stylist Olivia and my digital genius friend Pares, who helped me right back when the magazine was purely a figment of my imagination. They have put up with my tears and dramas, and dedicated hours, days, weeks to Things&Ink. All unpaid, all voluntary, just for the love of it. And that goes for every single person who has done something, no matter how big or small, for the magazine. That includes photographers, stylists, designers, writers… So many people.

"I loved watching the magazine come off the presses... such a magical moment every time"
“I loved watching the magazine come off the presses… such a magical moment every time”

 

Running a tattoo magazine means that we have had a rare glimpse into the tattoo world, tattoo artists have opened up to us and given us a unique take on what could have been a very closed world. We have met some of the most incredible artists along the way, and hope we continue to do so… I also hope that as many of our readers, contributors, artists, friends and supporters will join us at our exhibition The Archive, opening on Thursday 31 March at the Circle in London… and don’t be sad, come celebrate!

Team T&I at London Tattoo Convention over two years ago...
Team T&I at London Tattoo Convention over two years ago…

 

Thanks so much for reading this, what is my final – and most difficult to write – editor’s letter… it has been a pleasure compiling every issue for you, and I hope I can continue to inspire by curating content for this blog and also artwork for future exhibitions… there’s lots of cool projects brewing.

Much love, your editor,

Alice 

PS you can grab a back issue and a little piece of tattoo history for £1 from Newsstand

Interview with Sophie Adamson

We chat to 30-year-old tattoo artist Sophie Adamson who works out of The Projects in Plymouth about the bright tattoos she creates and her love for skulls… 

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How long have you been tattooing? I started tattooing about four years ago.

How did you start? It all started for me when I saw a local studio were looking for an apprentice, I nervously took along my portfolio of designs. The feedback I received was equal in good and bad. I made it my mission to stalk them, returning each week with new artwork until I was given a trial. I’ve never been so excited and terrified.

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What drew you to the tattoo world? The idea of producing custom artwork for people feels very special

Describe your style, how has it changed? Feminine. Id say my work was quite traditional moving towards neo traditional. Over time it has become more detailed and a little more natural looking.

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What do you like to tattoo and draw? I always enjoy tattooing flowers! And I love sketching skulls a lot, I really need to tattoo more of them!

What inspires you? My biggest inspiration growing up was my nan, Joyce. My nan loved her garden of beautiful flowers and bird watching, I was always fascinated by her pressed flowers, botanical books, her collection of fancy teapots and all her trinkets and costume jewellery. She was my biggest fan and always spoilt me to lots of art supplies and her inspiration has stayed with me.

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What would you love to tattoo? I’d love to tattoo more of my lady face designs and take on larger pieces featuring ladies. I want to start working with darker colours while still focusing on jewellery and skulls.

Can you tell us about your own tattoos? My favourites are my ornate cameo inspired frame on my hand, by Matt Drury. My first tattoo machine on my arm by Dave Crossett. A large realistic robin on my thigh by Radu Rusu, and a bunch of art and tattoo supplies on my shin by Caroline Derwent.

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Goldengrove Jewellery: Margaret Cross

Margaret Cross creator of Goldengrove Jewellery, Brooklyn, NY, designs and makes beautiful pieces inspired by antique momento mori jewellery. We talk to Maggie about how she started her business and her tattoo collection… 

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Photograph by Maxim Ryazansky

How long have you been creating jewellery? I took my first silversmithing class in college in 2003, but I was creating jewellery for a few years before that.

How did you start, what inspired you? After taking a few classes in the jewellery department in college, I realised that I loved the process, it’s tedious, but there’s a lot of freedom for your mind to wander while you work, so I’m constantly filing, designing, sanding, etc. Jewellery was a sweet relief from the printmaking department in college where I majored. I’d hide up in the jewellery department casting and soldering human teeth and tiny animal bones for me and my friends to wear. My focus shifted to mourning-specific jewellery after the sudden death of my best friend in 2008. It was really traumatic. I bought my first antique mourning piece in memory of him, and made memorial pieces for each of his family members and began to wonder why something so seemingly important to the grieving process had become so obsolete.

I use his writing desk as my jewellery bench, with his eye glasses sitting on top, my daily memento mori. I still mourn him.

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Photograph by Maxim Ryazansky

Did you take a course or study? I have a BFA from Pratt Institute, my scholarship program wouldn’t allow me to be a jewellery major (the materials are really expensive) so my electives were in the metal arts department, and I stayed an extra year to focus on jewellery. I still occasionally take classes independently to learn new techniques and skills.

12716759_1580785585493377_1880924051_nWhat inspires your pieces? I’m obviously inspired by antique memento mori and mourning jewellery, but I also draw inspiration from travel. Both of my parents are immigrants and I draw a lot of inspiration from their respective motherlands (England and Italy). After a trip I’ll usually come home and design a new collection with direct references to places, people or pieces I’ve seen. I see both cultures influence in my work. I still continue to make pieces in memory of my friend as well as pieces that might be comforting to someone going through the same thing today.

Where do you source your stones? Each stone is hand picked by me in New York City. Some stones are salvaged from antique pieces ruined beyond repair. My favorite stone dealer has been in the business for 57 years, he’s a WWII survivor and such a pleasure to see every week. He likes to say he “knows a little about stones”. He must be in his 90s, he’s great.

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How would you describe your style of jewellery? Tough and pretty, having a future and a past.

Can you tell us about your tattoos? I started getting tattooed really young at shitty street shops in the city. I’d also let my friends practice on me and we’d give each other stick ‘n’ pokes, so I have lots of that stuff, little inside jokes and punk band references. I’ve become a little more discerning and now I only get tattooed at Rose Tattoo in Brooklyn. Mostly by my husband Mark Cross, but also Hillary Fisher-White and Frank William really appeal to my macabre sensibility, plus there are always great guest artists coming through.

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Where can people buy your jewellery? You can shop the collection online at goldengrovejewelry.com, on Instagram and in store at a handful of shops around the US.

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Music: Heck ‘Instructions’ Album Launch

Instructions’ has been a long time coming for Heck but it was totally worth it. Check out what happened when our music writer Amber attended their album release show….

It was an honour to witness Heck’s album release show at Rescue Rooms in Nottingham last week, and hear what is an outstanding debut album performed in full with an audience, who had clearly backed the band from their first tours to that very day.

The album was released the day of the show, which meant I had it on repeat at work all day and then on the journey to Nottingham that evening. I was so excited to hear them play live and by the time the incredible Raketkanon had got our hearts pumping I was well and truly ready for ‘Instructions’.

Good As Dead’ from the get go had Matt flinging himself from a stack of monitors and parting the crowd with the mic lead. It was only fitting that the audience knew the drill- pass the mic stand back then the mic lead.

Heck are becoming more and more renowned for their wild on stage performances and it is incredible that their iconic debut comprises all this live energy into just ten tracks. Their musical dexterity, creative talent and raw power is pushing the boundaries of music and Heck deserve every second of praise not only for ‘Instructions’, but for the mark they have made on music.

Rescue Rooms proved to be the perfect venue for an album showcase. The balcony was rammed with family, that feared for the balcony hoping band and friends safety. A balcony, however, didn’t mean that they were going to miss out on any of Heck’s convulsive action.

Within all the raucous chaos ‘Instructions’ is an album that binds every band member together, conveying their originality perfectly.

‘I. See The Old Lady Decently II. Buried Although III. Amongst Those Left Are You’ was probably the best 16 minutes of my life (although that doesn’t say much for me!) it closed ‘Instructions’ and the release show with a passion that reflected everything Heck have to offer.

Despite all their lunacy Heck never stop thanking the crowd throughout, and it just highlights that not only is ‘Instructions’ pushing the boundaries of music but that these guys have fought hard for this album. As the set closed you could feel the emotion and gratitude in the room. I had the pleasure of talking to Jonny and Matt at Reading Festival last year and there was a strong sense of hestitation about releasing an album that to attend the album release show less than a year later was an honour.

Nothing you read will even begin to sum up this band or ‘Instructions’ until you hear it for yourself.

 

Mondial du Tatouage

Mondial du Tatouage is known as one of the world’s largest conventions with over 30,000 visitors and over 300 artists. In this post our Italian contributor Ilaria Pauletti shares her first time at Mondial du Tatouage convention in Paris… 

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This was my first time in Paris and my first time at Mondial du Tatouage. A dream come true!
It was Friday 4th March and obviously I woke up very early, feeling pretty nervous as usual but also very excited for my upcoming appointment with Rodrigo Souto– I just couldn’t wait.

The Grand Halle de La Villette was very easy to reach, located just 200 m from its own metro station, which was great and made the whole trip a lot easier. Giving me loads of time to walk around and see just how many people were attending the convention.

6_Hannah and GuyHannah Sykes and Guy Le Tattooer 

The doors opened at 12 and there was a huge queue at the main entrance, while waiting, I met a lovely Sardinian couple of tattoo collectors who had an appointment with Dane from Inkamatic – Trieste, and a German girl, Eva, who was waiting to get tattooed by Samuele Briganti. She got a beautiful black and grey lady head on her arm.

I ran to get into the convention, powered by excitement,luckily the map of hundreds of booths was right in front of us and I could immediately get to Rodrigo’s one.
He made me feel at ease and he totally got what I wanted on my skin. After he drew the design onto my arm by hand and I had a look in the mirror we were ready to go.

I have to say the pain was pretty bearable but that elbow/ditch spot was actually really for me. And my friend Marina, who was there with me, can confirm the struggle was real!
Three hours later my arm was like a giant sausage, and then I could walk around the convention.

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Ilaria’s peony

I met a lot of the artists I have been tattooed by, for instance Guen Douglas, Morg Armeni, Arianna Settembrino. They were all working hard! I also saw local tattooists who were also very busy, like Mikael de Poissy and Guy Le Tatooer. The booths were a lot larger than ones I have seen at other conventions, meaning that both the tattooist and client could enjoy themselves with no awkward positioning of limbs and machine.

I treated myself to lots of amazing prints by some of my favourite artists, it was really hard to decide what to buy and what to not. The main stage showcased the Best of Day contests, with some great judges including; Kari Barba, Filip Leu, Bill Salmon and Luke Atkinson.

1_Yallzee and Roberto

Yall Quiñones getting tattooed by Roberto Borsi

I hope to be back and I can’t wait to see what’s next, because tattoo conventions are made of this: good company, quality tattoos and a great location!