“You probably know that feeling when things start to fall into place. When your path becomes clearer, and everything you’ve done before makes sense,” interview with tattoo artist Evelina Jurković

From a girly, pink studio in a small town called Banská Bystrica in Slovakia (where you can’t order takeaway after 9pm), tattoo artist Evelina Jurković @eweltattoo creates her delicate fine-line tattoos. Here she tells us all about how she brought the style over to her country, her struggles with an eating disorder, the importance of normalising all bodies in tattooing, how freediving changed her life and her mastectomy project…

When did you first fall in love with tattoos?

I don’t have a specific moment. But you probably know that feeling when things start to fall into place. When your path becomes clearer every day, and everything you’ve done before makes sense.

As a child, I grew up in an environment where there were always drawings spread out, unfinished paintings. My mom is an artist; she taught drawing at a school and often prepared for art competitions or worked on projects for theatre, either in her studio or at our kitchen table late into the night. That influences you as a child. I attended art school for both my secondary and higher education, and when I had the opportunity to try tattooing, I thought that maybe this would be my path – at least for now.

How long have you been tattooing for and how did you start?

Learning to tattoo was like learning anything else – completely terrible! I learned to tattoo mostly on my own, without much outside help. I did attend a tattoo course as it’s mandatory in Slovakia if you want to have your own tattooing business one day. But I learnt a very small percentage of the necessary information. When you leave, you have a certificate, but if you plan to work independently, you quickly realise that you know practically nothing. You can’t learn to tattoo in three days. So, in my opinion, such short courses make absolutely no sense.

Learning to tattoo on artificial skin is one thing, but a much bigger challenge is when you start working on real skin and with real people. It’s extremely stressful because any mistake is irreversible, and you also realise that the person will carry it with them for the rest of their life.

I started by tattooing friends, but when I began working in my own studio, I would often dream about the design I was going to tattoo the next day. I’ve been tattooing for over 10 years now, but I still feel a deep respect for my work.

How did you develop your style to what it is today?

I was the first to start tattooing fine-line in Slovakia. I saw many beautiful tattoos on Pinterest and wanted something similar on my own body, but every studio I went to told me it couldn’t be done or that it would have to be thicker. So I started thinking about how it’s possible. So I bought the thinnest needles available on the market and started experimenting with what could be done.

What’s your studio like? What can people expect when they get tattooed there?

My studio is located in central Slovakia in a town called Banská Bystrica. It’s a historic town with a small population, where there’s just one shopping mall and you can’t order food delivery after 9pm!

In my studio, I place a huge emphasis on my client’s privacy — I work alone with the client, I don’t have multiple tattoo artists or chairs in the space. My studio has quite a girly vibe —light colours, pink decorations, scented candles, large bright spaces with high ceilings, and paintings in golden frames on the walls.

Do you have a tattoo experience that stands out in your mind?

I have several. I remember a lady who had pigment spots on her arms and legs and didn’t want to go on vacations because she felt like everyone was staring at her. After getting them tattooed over, she started wearing dresses and swimsuits.

I often have women with eating disorders who get motivational phrases tattooed. It’s always more personal for me because I’ve been struggling with an eating disorder for many years. That’s also why I started talking about the importance of normalising normal bodies — normalising scars, stretch marks, postpartum bodies, bodies that have had children.

If we didn’t censor certain types of bodies and didn’t favour one “perfect” body type according to the current trend, we would live in a much healthier society. We wouldn’t have 13-year-old girls in therapy for anorexia or mothers who refuse to go to the swimming pool because their bodies changed after childbirth. And we wouldn’t have bullying in schools and workplaces, either.

Now for your own tattoos, tell us about them. Do your they help you feel differently about your body?

No. I got my tattoos at a very young age, which was, of course, a mistake. If I could erase my tattoos, most of them would be gone. But I do love the inscriptions on my arms, which I got as an adult, and they have a meaning for me beyond just the visual.

On my left arm, I have the words “focus” and “move.” On my right arm, I have “no limit.” “Focus” because it’s incredibly important in life to focus on one thing if you want to be successful—not to stray, not to skip, not to doubt it. “Move” because if you’re not happy, you need to move. And “move” because if you don’t stay in motion, you won’t grow as a person. “No limit” is a reference to a film of the same name that led me to a sport that completely changed the direction of my life and mindset. Limits don’t exist — only in our minds.

Can you tell us more about the sport that changed your life?

In the beginning, it was definitely running, specifically long-distance running. Running, after a certain point, becomes more about your mindset because you’re battling not just your body but your mind. However, after years, I needed a break.

In 2017, I discovered freediving, a sport that seemed a bit crazy yet beautiful. I accidentally watched the film No Limit. After that, I found my coach, Martin Ruman, and started working on myself. And I couldn’t have done anything better with my life.

What does freediving make you feel like?

It’s very hard to describe or even talk about, and I think every diver would agree. Freediving gives you space to dive deep into yourself, to learn to trust yourself, to be absolutely present, and focus solely on what you’re doing. No one else exists. Nothing else matters. When you go deeper, you’re completely alone. You can only rely on yourself. You can’t panic. You can’t breathe.

At the same time, you face the question of death, which you cannot avoid. You realise that what you’re doing could kill you if you misjudge your abilities or make a mistake. Before every dive, you evaluate how far you can go today and still be able to return, and you understand that how your dive will turn out depends on your mindset. You also realise that your ego is your greatest enemy in this sport. It can put you in danger and, in the worst case, kill you. It’s an amazing sport — you should try it!

How do you usually work with your clients? Do you mostly do custom work or do you create flash, too?

I create designs with clients together in Photoshop. I think good communication, understanding what the person who will wear it for the rest of their life wants, is absolutely the top priority. The person you’re working with is always the top priority—only then comes your artistic vision.

Can you tell us about your latest mastectomy project? How can clients get involved?

Yes, I’d love to. I believe that if you want to live in a better world, not be surrounded by hate and pain, you have to start with yourself. You don’t have to donate millions to charity, but you can start with small gestures and change people, nature, the world for the better in small ways. People who only complain and do nothing to make humanity or their close surroundings better are losers to me. You can donate clothes to charity, you can teach someone a foreign language for free, or as a tattoo artist, you can change someone’s life by covering a scar with a tattoo for free. If we stop believing that someone will help us when we need it, if we stop believing that good people still exist, and if we stop helping others selflessly, we will find ourselves in a very dark place as humanity.

If you’d like a mastectomy tattoo or scar cover up simply email me with your story – ewelofficial@gmail.com.

You love to travel! Where have you been, and where’s next? Have you got any tattoos from your travels?

Next, my husband and I are planning to visit Dahab. I’d like to stay there for at least a month or two, depending on how time and finances allow. I believe that this place is absolutely extraordinary, and I’ll find at least one answer to the life questions I’m currently struggling with. And of course, like for most freedivers, there’s one small attraction there — the Blue Hole. A 100-meter sinkhole just a few meters from the shore.

Are you planning any guest spots? If so, where and how do we book in?

I love guest spots. I’m currently looking for a studio in Bangkok or elsewhere in Asia, but I’m pretty much open to anything. We’re considering moving away from Slovakia and are looking for a place on Earth where we can say, “it feels like home.” I’ve never felt at home anywhere, and I’ve never known exactly where I want to live or where I belong, what culture or country I’m closest to. So I want to give myself time to find the answer to this question. So if you have a studio and want to meet me, don’t hesitate to write.

Make sure to follow Evelina on Instagram for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“On one hand, there’s tremendous value to be found in the old ‘gatekeepers’ of tattooing, their respect for techniques and history… on the other, that knowledge was often inaccessible – especially as a young female tattooer,” tattooist, Charlotte Timmons

Tattoo artist Charlotte Timmons (@charlotte.e.tattoos) is known for her creepy cute tattoos – we’re obsessed with her iconic cat ghosts. Having made the move from the Birmingham in the UK to work at Grit N Glory in New York, here she shares more about her tattoo journey and the ever-changing tattoo world…

When did you start tattooing and how did you start in the industry?

I can barely remember when I started tattooing at this point, but it must have been around 2009, so we’re going back about 15 years.

How have you seen the industry change since then? 

It’s very difficult to answer this succinctly because it’s changed so much. As a mid-millennial, it’s crazy how much I’ve seen technology evolve in my lifetime – and that’s had an impact on every industry in so many ways. 

For me, tattooing has evolved in really good and really bad ways because of both the influence of social media and culture more generally. On one hand, there’s actually tremendous value to be found in the old ‘gatekeepers’ of tattooing – their respect and reverence for techniques and history, and the humility expected from people getting into the industry are lessons I internalised. On the other hand, that knowledge was often inaccessible – especially as a young female tattooer – and that it isn’t so much the case now.

As someone who loves to do guest spots in different places, it’s always fun to find fresh and conflicting opinions about where the industry is headed. Suffice to say, in my experience, the best people in the industry, both old and new, are the people who value and care for their customers, and are grateful to do the job. Not the people who always need to buy another ticket for their ego.

You tattoo in New York now, how was the move from the UK? What inspired you to move? 

It was really difficult. I went from a full calendar and a shop full of people I loved like family to barely any bookings and a shop full of new people I didn’t know yet. Then a pandemic hit – which made me feel I had made a huge mistake.”

“The culture of New York is highly competitive, innovative, fast paced, expensive and exhausting. And if I think about it, I don’t really know what inspired me to move here. It’s more like I did something really insane and then made up the reason later – like a lot of my favourite tattoos.

I had hit 30 and was watching a lot of friends and family settle down. I didn’t know what I wanted to do with my life, I just felt this restlessness in my gut that I had to do *something*. When the thought came up to move to NYC after guesting there, I thought, why not? It’s kind of insane, but New York forced me to grow into a person closer to the one I wanted to be, so it was the right decision.

How is the tattoo scene different over there? 

I’d say I tattoo more people of colour in New York than I used to, which is a great thing that has helped me grow as an artist, and to see different tones heal on different skin types is important for the planning of a design. I grew up in a fairly diverse community, but most of the people of colour I knew were from conservative or religious families, so they rarely had tattoos.

The tattoo scene here is as vibrant as anywhere, but there are so many people here that you have to find your specific niche or it’s highly competitive for work.

How would you describe your style and what do you love to tattoo?  

My style has sort of been coined as ‘Illustrative Neo-traditional’. It’s a pretty good description. It’s like I can’t decide what lane I’m in so I just throw a bit of everything I’ve learned from people in every style into it. I love animals and floral, and I love creepy stuff and fantasy stuff the most. The themes of traditional are classics for a reason, but I’m become more interested in flow, and fitting things to the body shape.

Is there something you’d like to do more of? 

I would love to do some darker themes, and some bigger more ‘stripped back’ stuff, but I also appreciate that a lot of my work is really ‘cute’ and intricate and that’s why people go for it. It’s not like I want to tattoo skulls all day, but I would love to lean more into that occasionally because I feel like I want to fine-tune that area to be a better all-round tattooer.

Have you found you’re known for a particular subject? 

My little cat ghosts. Creepy cute stuff, animal portraits, and undoubtedly the most ‘famous’ tattoos I’ve made are of moths.

What’s been your proudest tattoo moment? 

It’s hard to pick one but a girl said to me at a show here in the US that she followed my work when she was a teenager, and it inspired her to tattoo. And a woman once sent me a picture her 14-year-old had drawn based on one of my tattoos. Both sort of took me aback because no matter how old I get, I always have this imposter syndrome and feel kind of irrelevant in the grand scheme of things. So to have people notice anything you’ve done, and say you specifically inspired them to draw or tattoo feels really profound.

Any future plans you’d like to share with us?

I am currently living happily in NYC, but have guest spots around the US lined up for the spring and summer. Hopefully I’ll be visiting the UK later in the year too, but I can’t make any concrete plans just yet. I’m hoping to be back a few times in the next couple of years too.

Make sure to follow Charlotte on Instagram for more cute tattoos – and hopefully some skulls, too!

We’re always talking to amazing tattoo artists, check out our latest interviews.

Interview with tattoo artist Pokhy

Tattooist Pokhy owns a private studio in Seoul, South Korea. We chatted to the tattooer about what tattooing means to her, the beautiful blue tattoos she makes and her favourite tattoo experience…

How long have you been a tattoo artist, how did you get into the industry? I’ve been a tattooist for five years now. Before I was a tattooer, I worked as a graphic designer for seven years.

I took a break from my work as continuously working overtime meant that both my work and my health were deteriorating.

During my career break, I had the chance to learn tattooing and experience tattoos for the first time. 

Why did you want to become a tattooist? I have always been deeply inspired by the art that lasts on the body forever, rathert than computer graphics or design and so, I decided to become a tattoo artist.

In an era where all media is consumed quickly, art that remains forever is very attractive.

How would you describe your style of work? I usually use thin needles to create my tattoos. The style of tattoos that I make have fine details and vibrant colours.

Most of my tattoos are of natural objects, and these days I’m working on a lot of nature inspires pieces that mainly use blue ink.

Does your heritage or where you live influence your art? My mom likes to do small amounts of gardening at home. So, my house is always full of many plants and flowers. I have a natural affinity for plants and I love to draw them.

What attracted you to colour tattoos, in particular blue in? I simply love blue.

What’s your favourite subject to tattoo and what would you like to do more of? I like tattoos that flow along the shape of the body. For example, I like free-form natural objects such as the tentacles of jellyfish and the stems of long petals.

I want to try a large tattoo that covers the entire back or wraps around the entire leg.

What’s the tattoo scene like where you are? Korea has not yet recognised tattooing as a profession. It is illegal for tattoo artists to do tattoos. That’s why so many talented tattooists are working abroad.

The number of people getting tattoos is increasing, but the legal system is still in the past. I’m hoping for a gradual change. Although tattooists are not protected by law, the consciousness of the country’s citizens is gradually improving due to the popularisation of tattoos.

There are so many talented tattoo artists in Korea. The day will come when they are recognised.

Do you have any guest spots or travelling planned? I plan work in Australia next year and then work in the US.

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? It’s a collection of my favourite things. I have tattoos of my pet, life’s motto, so many colours, favourite flowers, my religion and so on. It’s like my personal diary.

What’s been your proudest moment in your career so far? I received a letter from one of my clients, I had covered up some old scars with my artwork. She told me that her heart warms whenever she sees my tattoo and that she gains strength to continue to live in this world by looking at her beautiful tattoo rather than painful memories.

That letter was more valuable than winning any contest or any amount of money.

What do you do when you’re not tattooing? I do indoor rock climbing as a hobby. And I spend some time resting with my lovely cats.

Where do you see yourself in five years? The most famous tattooist in Korea.

We love Pokhy’s ambition, be sure to follow @pokhy_tattoo for more beautiful blue tattoos.

Safe space tattooing with Clair

Clair tattoos at Degenerate Art Tattoo Studio in Staffordshire, UK. Describing herself as a dsisabled artist, we chat to Clair about her tattooing style, plans for the future and the lack of representation in tattooing

How long have you been tattooing and how did you get to where you are today? I’ve been tattooing for around four years including my apprenticeship. I was previously a fine artist working with painting, sculpture and installation art and taught design in secondary schools. I left teaching as I had issues with my health, but ultimately I found I was burnt out and unfulfilled in that career.

I had a little bit of time where I couldn’t work as I was very unwell. During this time I had my first tattoo and with it the realisation that maybe there was something else I could do with my skill set and passion for art and design.

How would you describe your style? I think my style is a bit of a mixed bag – sketchy stippled blackwork has become the main staple, featuring lots of flowers, nature themes, and some cartoons. But I also tattoo a lot of bold colour work with Disney, cartoons, kawaii and gamer influences.

What inspires you? Super cute cartoon characters and plushies. I’ve been obsessed with Carebears since I was a very small child. I also love nature and being able to get out with my dog Rufus, this always gives me lots of inspiration. I’m often found photographing flowers and fauna.

I love artists from the fine art world such as Chris Nathrop, Anselm Kifer, Yayoi Kusama, Andy Goldsworthy, James Turrell and Fiona Rae. I like being inspired by different forms of art.

I love to travel – the differences in culture, climate and ideas are always exciting. I’m hoping next year to be able to travel more, doing guest spots and conventions. I have big plans in the future to explore Canada, Australia, more of Asia and Indonesia with my daughter and tattoo wherever possible.

What do you love to tattoo, do you have a wishlist? I love tattooing cartoon characters especially when I can mix them with florals. I would also love to do more character work – Steven Universe, Attack on Titan, Carebears and Bluey, as it’s our household’s latest obsession, and some Lord Of The Rings-inspired pieces.

As I come back from maternity leave I have a big desire to push my work and skill set, it’s given me time to reflect and think about my growth as a person and artist. 

I want to try out new ideas and these include large-scale abstract rainbow pieces and flowing nature root/branch-style pieces that entwine and work with the body’s natural shape. I’m hoping to push myself to do more freehand work and develop my black and grey realism skill set too.

Do you prefer to work in colour or black and grey? I like both! How I work reflects the split in my personality and style. I like working with both the different techniques and the development of style and technique for each. 

I feel it’s part of my nature to want to do a bit of everything and explore as much as I can with this art form. 

In your Instagram bio you have ‘disabled artist’ can you tell us more about this? I’ve been disabled for several years now. I had an injury to my spine as a child which has set me up for a wide range of issues in life and a few other comorbid chronic conditions have come along later. I suffer especially from pain which can be extremely debilitating.

Tattooing found me at a stage in my life where I was on the verge of giving up, it’s saved me, and has given me a new passion and purpose. I can work as a disabled person as tattooing offers such freedom and flexibility for my ups and downs with managing my conditions. 

I think calling myself disabled as an artist is really important as there is a lack of representation within tattooing. 

Does this influence how you tattoo? So with my chronic pain and mobility issues, I have to be careful with the type of tattoo projects I take on, the placements and the type of machines I can use.

For example, I can’t really stand or bend excessively when I tattoo as I find that incredibly painful, it’s a huge limitation but it’s something I’m now used to. I have to use lightweight machines and plan my days very carefully with my use of energy. 

Is there a particular type of space you want to create while working? So I’m passionate about creating more accessible spaces within tattooing – for artists and clients. 

I just think it should automatically be thought of when setting up a studio, whether it’s a street shop or more private space, that includes suitable and well-thought-out access to the frontages, doors, steps, corridors and accessible bathrooms. But that’s not the norm from my experience. 

I’ve worked in a few studios that will not provide accessibility and that’s just embarrassing to not be able to offer basic human rights to clients.

So, where I’m working from now there is a commitment to finding a way to open up the studio so it’s more accessible to all clients. It’s a work in progress as I’ve been on maternity leave but I’m hoping real progress can be made. 

Can you tell us about a memorable tattoo experience? Being tattooed by Anthony Lennox – I had a sloth tattooed on my lower leg. It was just an all-round memorable day, with the tattoo design, getting to see how he tattoos, the studio set up, and the other clients and artists there. It’s the best when a tattoo artist whose work you love turns out to be absolutely lovely!

What was your first tattoo, do you still love it? My first tattoo is a slice of cake and some sweets done by @KeelyGlitters. I still love it and that’s what inspired me to even think about becoming a tattoo artist.

What’s been your proudest moment in your career so far? I have a lot of proud moments but ultimately it comes down to tattooing so many people that have said they have felt safe, respected and happy with me and their tattoo.

That’s so important to me and as I strive to become a better artist, person and now a mother. I want to continue in my journey to make sure clients are made to feel comfortable and happy throughout the tattooing process. 

Follow Clair for more awesome tattoos, available designs and book in via her website.

Interview with tattoo artist Jooyoung

Tattooist Jooyoung creates beautifully colourful floral tattoos near Hongik University in Seoul, South Korea. Here she tells us all about her journey into the tattoo world and love for travel…

How long have you been tattooing and how did you get started in the industry? This year marks 11 years since I first began tattooing. I have had a talent for painting since childhood and I have always enjoyed drawing.

I began to explore the tattoo industry as I wanted more opportunities to display my painting skills. When I became an official tattoo artist, I fell in love with this profession and have been practicing it ever since.

To have a deeper understanding of tattoos, I also studied English and attended multiple international tattoo exhibitions.

What inspired you to become an artist? Do you have a background in art? My interest and passion for art is my primary source of inspiration. I have art education. I worked as an art instructor at the academy for a long period after graduating from art school, although I wasn’t very interested in it.

At the time I was looking into how I could increase the value and reputation of my paintings. I happened to come upon a tattoo by chance and decided to challenge myself to do it professionally. 

How would you describe your style? What drew you to colour tattoos? My tattoos are often delicate and use a variety of colours. I’m skilled at creating tattoos with fine lines in various colours. I also incorporate a contemporary Korean style into my tattoos.

If I think about the reason I got into colouring tattoos, I believe it’s because I have always liked painting with different colours. Colour tattoos require a great deal of effort and time, but they are always pleasurable.

What inspires your designs? Does your heritage influence your art? Where I grew up was abundant with nature. I’ve always been interested in nature because I grew up surrounded by mountains and fields and spent time outdoors with my friends. I was greatly inspired by nature. I prefer mountains and the sea and I am a fan of plants and flowers.

Can you tell us about the process behind your tattoos? What do you like to tattoo and what would you like to do more of? Tattooing was not a smooth journey for me, especially during the first year or two of my career as I encountered numerous obstacles. Even though I now enjoy tattooing after numerous different experiences, I was initially terrified and lacked confidence.

I like doing small-sized tattoos. When I initially began doing small-scale tattoos, I experimented on my younger brother. I was so anxious and overwhelmed that I had no idea where to begin. Fortunately, my teacher was really kind and taught me how to do it and so I felt much better and began to gain confidence. Small tattoos are difficult to create since they require a great deal of design and detail to be unique, but I have mastered the skill through extensive practice.

I would like to try something new in the future. I will experiment with more tattoos with unique styles and designs. I will also make an effort to create more large-scale tattoos, which involve different abilities and designs.

How do you see your tattoos evolving in the future? Now that I am proficient with small-sized tattoos, I plan to experiment with various styles. I will continue to create colour tattoos in the future, as they are my expertise and my favourite. However, my tattoos will become increasingly unique and larger.

What was your first tattoo? Do you still like it? How has your tattoo collection developed since then? My first tattoo is a floral watercolour design. This tattoo was given to me by my best friend, who is a renowned tattoo artist. I like it very much. To this day, I vividly recall how painful the process was. It was too large for my first tattoo. I got the tattoo over two days sitting for for five hours each time, and it hurt so much.

Since then, when I do tattoos for others, I concentrate primarily on smaller designs because they are less uncomfortable.

Where’s been your favorite place to travel and tattoo? England is an excellent travel and tattoo destination.

I was in England as part of a guestspot. I had a wonderful and unforgettable experience. I did some excellent tattoos and met nice people there. The weather, the guests, and the vibe at that time were all perfect. 

Do you have any travels or guest spots planned? Next year, I intend to work in Europe. Europe is a lovely and romantic region with several attractions. After completing my guest work, I intend to travel with my husband on a lengthy trip.

What’s the tattoo scene like where you are? Tattoos are still seen negatively by the majority of Koreans, but tattoos are gaining popularity among young people. Due to legal and medical restrictions, tattooing in Korea is not as free as in other countries. I hope that people’s attitudes of tattoos will change in the future. I am also aiming to increase the popularity of tattoos.

What do you do when you’re not tattooing/drawing? When I am not tattooing, I prefer to exercise or enjoy my personal time by doing things like reading. Once a week, I also enjoy spending time with my husband and engaging in enjoyable activities. 

What moment in your career are you most proud of? I enjoy doing tattoos for people from various countries. I also travel to various countries as a guest spot and attend tattoo conventions. These opportunities allow me to experience a variety of things and engage in artistic exchanges with top tattoo artists. As a tattoo artist specialising in the Korean style, I am also pleased to represent Korea through my tattoos and educate a wider audience about Korean tattoos.

When I receive recognition from a large number of tattoo lovers and other professionals, I feel the most accomplished. This strengthens me and motivates me to work harder. If they enjoy and value the tattoos I’ve given them, I feel that my value is increasing.

Follow @jooyoung_tt for more incredible floral tattoos and travel updates.