Kiera & her Cat Tattoos

Kiera creates beautifully soft and cute cat tattoos, so adorable in fact they look like you could reach out and boop their little noses. We chatted to Kiera to find out more about that tattoos she creates and her travel plans…

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Currently working in Melbourne Australia, Kiera will be travelling the world from June heading first to Shanghai, Okinawa, Korea and London. Where she is hoping to travel around Europe for a while after London, and then hopefully find a place to settle down for a bit after that.

You mainly tattoo cats (which we love), what do you love about these animals? Cats look really cute! I love the back of their heads, the triangle shape of their ears and cat’s mouths looks really clear and adorable. I like the cats’ tsundere/arrogant kind of temperament that makes me crave their attention.

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How did your cat tattoo style/craze start? Why do you think they are so popular? I wasn’t supposed to draw just cats but I thought, “I would draw a cat today and tomorrow another animal.” But the next day came and I kept drawing cats every day. I feel very happy and satisfied when drawing cats and making them cute, it’s fun for me.

I put lots of love in my drawings and tattoos so I think people can feel that.

Do you have any cat tattoos yourself? I don’t have any cat tattoos, actually I don’t have any cats at all as I am allergic to them!

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What inspires your tattoos? Most of my customers are big fans of Asian culture so I realised my tattoos have an Asian/oriental atmosphere. Also I’m inspired by my favorite illustrators which tend to be Asian themed too. I like anime, fashion and a lot of cat Instagram accounts!

Do you have a background in art, does this influence your work? I started to draw when I was very young and my major from university was product design. I was also an art teacher for a number of years and industrial designer. I feel like this has given me a nice foundation in wide variety of art mediums which has helped me a lot in tattooing.

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How does it feel being a woman in the tattoo industry? I have never thought about it. I just live in my own tattooing world.

How would you describe your style? I’m not sure exactly which category my style of tattooing would fall into. I would describe my style as just cute cat tattoos.

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How did you begin your tattooing career? What made you want to become a tattooist? It was a very spontaneous decision for me to become a tattooist. I really enjoy drawing and tattooing seemed like a very creative career which allows a lot of freedom.
I started tattooing in Melbourne by tattooing friends, and then moved to Korea to learn more. I was lucky enough to have people interested in what I wanted to tattoo, so I could really concentrate on my own style of tattooing.

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

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When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

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What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

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How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

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What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

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I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

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Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

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When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

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What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

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How would you describe your style? What drew you to blackwork?  I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

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What inspires you and what would you love to tattoo?  I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

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Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

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Interview with Tattoo Artist Ruby Quilter

26-year-old Ruby Quilter, is a tattoo artist at Sang Bleu Tattoo in London. We chatted to Ruby about being a female tattooer, and her fine line style…

How long have you been tattooing? I’ve been tattooing for about five years now, I began my apprenticeship at 21.

How did you get into the industry and what inspired you to do so? I started getting tattooed quite young, and from then it sparked something in me to learn more about different tattooers and tattooing history. I actually hadn’t considered tattooing as a job, even at that time, being a female tattooer had some social connotations. I felt like it was quite a huge step away from the path I was on. I decided to look for an apprenticeship and a really amazing shop near where I’m from called Scarlet Rose took me on.

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What did you do before? I didn’t have too much time after leaving school to get into a career, I’d had a few different jobs, mostly retail work, and was studying fashion and originally wanted to do something along the lines of visual creative direction. I feel incredibly luckily I found tattooing.

How would you describe your style of tattooing? Fine line black and grey.

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What inspires your designs? Loads of different things; I reference a lot of old flash and I look at a lot of religious imagery. I also love looking at old fantasy art. I collect a lot of older comics which have some incredible ideas that can transition into tattoos.

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 Are there any artists that influence you? Definitely; Jack Rudy, Kari Barba, Juan Puente, Freddy Corbin among so many others. I love the work of Nathan Kostechko, Juan Teyer, Ben Grillo, Zac Scheinbaum. I could keep going!

What would you love to tattoo? I would love to get more into fantasy, I have some incredible customers who are really open with what they get, and give me the opportunity to try something new. I’d also love to take on larger projects, I would love to do some back pieces!

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Do you have any guest spots or conventions planned? I definitely have more plans to travel, my best friend Jack and I plan to make a trip to Barcelona soon, and make the most of travelling within Europe. Last year I worked the London Tattoo Convention, which was a huge opportunity for me and I would love to do that incredible convention again.

Interview with Tattoo Artist Harriet Heath

Meet 30-year-old tattooer Harriet Rose Heath. She’s based in Sheffield and works as a travelling tattooer, with a permanent monthly spot at Dharma Tattoo in London. We chat to Harriet about her tattoo style, the body positive Facebook group she started and why no one should ever apologise for their body…

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What drew you to the world of tattooing, when did you start? The first thing was getting into alternative music and seeing all the band members I loved having tattoos and wanting to be like them. I got my first on my 18th birthday and have barely stopped since. I used to work in music retail and after being made redundant, I realised I needed to sort my life out. I had a lot of tattoos already by this point and drawing has always been the one thing I am good at, so it made sense to give tattooing a shot! I used to feel like it was hugely inaccessible and how could some girl just become a tattooer? These days I think it’s too accessible! A lot of hard work paid off though and now I’ve been doing it for over six years.

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How would you describe your style, both fashion/lifestyle and art/tattoos? My style has evolved a lot over the years, both in my work and in myself. I’ve always had a huge passion for tattooing girl heads, but my work used to be a lot darker in subject matter and colour palette. These days I’ve learnt to embrace fun in my work. For so long I felt that I had to conform to a set of rules, and if I did anything too feminine then I wasn’t a real tattooer.

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This carried through into how I presented myself as a person. Embracing femininity within my work has been one of the best things I’ve ever done. I love trying to represent all shapes, sizes and styles of women. Learning to be more unapologetic about myself has made me more unapologetic about my tattooing. I love working in colour, I love creating these fun babes that mirror my amazing clientele. I have quite a strong personal aesthetic that carries over into my work. Strength and beauty have always been the two main ideals I hope to achieve with everything I do.

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You have created a group on  Facebook called Take Up Space, can you explain what this is, why you created it and how others can get involved? I created the group after being disheartened by so many vegan and feminist groups on Facebook. Every time I joined one I felt like instead of championing people for trying, everybody was attacked for not being good enough. Your time online should never make you feel anxious and afraid. I wanted to create a space with like-minded people and really make a difference.

I’m a fat woman. I’m not ashamed to say it and I don’t think I should be. I’m happy with my body, I love how it looks and what it does, but it can be hard to navigate the world sometimes when train seats are too small, when shops don’t make clothes big enough and the world tells you that you need to minimise yourself, to become smaller and that if you are over a certain size, you are not welcome.

Learning to Take Up Space is important. Everybody is entitled to the space that they take up, both physically and more. The ethos of TUS is fat positivity, body acceptance and helping others along that journey in a warm and welcoming environment with other people that you can relate to. No restrictions on gender, size, age etc, it is for anyone who “feels big”. It’s taken me a long time to reach this level of acceptance and happiness about myself and it’s made me so happy to be able to share that wisdom with other people.

Seeing so many people grow since the birth of the group has been phenomenal. People who are now happy to wear crop tops, have bought their first ever bikini, are standing up and being more confident at work, discussing issues with people outside the group that they were too ashamed to talk about before. There is still so much negativity towards fatness, specifically in women, that we face on a daily basis, but we shouldn’t be treated as or made to feel lesser due to the vessel we exist in. If this sounds like a community you want to be a part of, search Take Up Space on Facebook and request to join then keep an eye on your inbox!

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Is it important that people become more positive about their bodies? Body positivity is a huge deal to me. So much collective brain power is wasted in this world worrying about rolls and inches and numbers and scales. I can’t tell you the number of times people have apologised for their bodies when I tattoo them, whether it’s people hating their toes, embarrassed because they forgot to shave their legs, or telling me they are sorry that I have to touch them. It breaks my heart every time. Nobody should ever have to apologise for just existing as they are!

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What would you say to others who are worried about getting tattooed because someone will be close to their body, or they perhaps don’t like their body? Please. Please. Please, do not worry. We have seen everything before. You are never too fat, too old, too hairy, too anything to get tattooed (except too young). Tattooists are professionals and should act as such. If you have self-harm scars, 99% of the time we can cover them for you, also you would be surprised how many we see all the time and a bunch of us have them ourselves. We work with skin all day long and it’s totally normal for us. If you want privacy, most studios should have blinds or screens they can put up to ensure that nobody other than the tattooist will see you. If you pick the right artist I guarantee you’ll leave feeling better about yourself! Never apologise for your body and just try to enjoy the experience!

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Can you tell us about your own tattoos, have they helped you to see your body differently? I remember getting my stomach tattooed and transforming from somebody who was horrified by the idea of my shirt lifting up when I reached for a high shelf into someone who would lift their top and say “look how great this is”. The more tattooed I get, the happier with myself I become. Looking at your body and seeing something you have taken control over, chosen yourself and turned a few inches of skin you once hated into something beautiful is a powerful thing. In summer you’ll find me in short shorts and crop tops because I just love showing off my skin. I’m proud of it not only for how it looks but as a sign of what I am able to go through and come out the other side of stronger.

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