The Art of Kaethe Butcher

Kaethe Butcher is 25-year-old illustrator based in Berlin, she creates beautifully simple line drawings that explore themes of sexuality, relationships and the body. Kaethe has created an illustration titled ‘Washing out the Realisation’, especially for Things&Ink inspired  by the newly released Horror IssueWe chatted to Kaethe to find out more about her style and what inspires her… 

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Do you have a background in art?
If you ask whether anyone in my family is an artist then no. Once my mother told me that when she was young, she wanted to do an apprenticeship as a porcelain painter and I guess she was talented, although she wanted more practise. But in the DDR (German Democratic Republic, a former state) it was difficult for her and she gave up painting. I studied. I studied fashion design at university but we didn’t draw much on the course, in the first term we had a nude class. I guess that it trained my eyes to see more aesthetic things.

 

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Photograph of Kaethe by Robin Kater

How would you describe your style?
Erotic artwork that is melancholic and mournful.

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What inspires you?
Mostly through my own heavy heart and mournful thoughts. Melodies and song lyrics inspire me. I also pick out quotes from books when I am reading, or perhaps a movie scene or little details will inspire me. Like Moonrise Kingdom or Tomm Moore’s superb and lovely animation movies – just the colours or scene compositions. Also thoughts from people around me are very important!

What medium do you use?
Pencils from 2H to 8B, fineliners and eddings and copic markers, I want to use crayons again soon.

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Which has been your favourite piece that you have created?
AURYN is my favourite piece currently. And ‘We Don’t Talk About That’ is my most important one for myself.

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We Don’t Talk About That

Are there any artists you admire? Do they influence your art?
Yes! Takato Yamamoto, Vania Zouravliov, I  enjoyed the Vania artbook that I got from a friend so so much!. I also love Egon Schiele.

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Where can people buy your art?
Original artwork can be found on my Bigcartel shop. Prints and other stuff like mobile phone cases, t-shirts or totes you’ll find on Society6 and on Juniqe.

Can you tell us about your tattoos? 
I have two! On my left shoulder I have the white rabbit illustration by John Tenniel from Alice in Wonderland, and on my right thigh I have one of my own sketches. It is of a girl and a little rabbit from behind . All of them are just black line work.  I have wanted a third tattoo so bad for a really long time – a sleeping lion illustration from a Grimm fable book.
I mostly like tattoos which emphasize the character of a person or have a little story or thought behind – nothing spectacular but something. I don’t like those old-fashioned, pin-up, rockabilly style tattoos very much or those IT tattoos – even if they’re looking super good. They just bored me.

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AURYN

Interview with Tattoo Artist: Charlotte Ross

Tattoo artist Charlotte Ross is currently travelling around the UK guesting at different studios. We chatted to her about her tattoos that resemble paintings, her love for birds and her own tattoo collection…  

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How did you first start tattooing? When I was studying at university we had to do a work placement course. Having the opportunity to create our own placements, I managed to organise mine in a tattoo studio. I would help out, clean, ask questions, watch the tattooists work. By the end of it I didn’t want to leave! The owner of the studio asked to see my portfolio and then offered me an apprenticeship. I then began my apprenticeship in my final year of uni.

Do you have a background in art? What did you do before? I have six years studying art after leaving high school. Two years at college and then four years doing my BA Honours Degree in Fine art at university all before starting tattooing. I have now been tattooing over seven years.

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How would you describe your style? I find it hard to describe my own work. I get put in the ‘watercolour tattoo’ bracket, but my work isn’t quite as soft as most watercolour tattoos are. When painting I don’t just use paint. All my art is done with layers of watercolour paints and pencil. So I can build strength where it is needed which gives a nice contrast between strong and soft areas. I tend to just say I do ‘painterly’ tattoos.

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Have you always worked in a watercolour style? How did this develop?  I feel like I’m just at the beginning of it developing. I’m at the point where I love the subjects I am getting and I’m confident in my tattooing ability, but I can see my work evolving and I’m excited to see how it grows.
Even though my work isn’t traditional there are still fundamental rules in tattooing that I still apply, so that my customers get a nicely healed tattoo. I have spent a lot of years doing a bit of everything in tattooing, which I believe every tattooist should do. And this has taught me the importance of lines, using the skin tone and contrast between light and dark. It’s that understanding that has helped to translate my paintings into tattoos.

What inspires you? Nature inspires me. I grew up in the country with a gardening family. So I’ve always been surrounded by nice gardens filled with lovely flowers, fields and animals.

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You draw and tattoo a lot of animals, are these your main inspirations? Birds are my main love/inspiration. I love everything about them and have since I was young. If there is ever a moment where I don’t have something to draw up for a tattoo and I’m feeling uninspired, I’ll turn to researching birds to paint. I look at anything from  bird books, to watching bird documentaries, or I turn to my own birds! Having domestic birds that I can closely watch and photograph is the greatest thing to keep me productively painting. My two birds are the best!

Is there anything you would love to tattoo? More birds! I would love to have some budgie tattoos to do! But birds and flower tattoos and I’m happy!

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Can you tell us about the tattoos on your own body? I have quite a few pieces that I love and quite a few I’m not so bothered by! I wish I was a little more patient when I was younger, so I have a couple laser projects! Some of the ones I absolutely love are, my portrait of my dog Max, done by Marcus Maguire. My countryside rib piece including birds, rabbit and a wee mouse was done by Sarah Carter. I have a portrait of Marc Bolan on my thigh by Emma Kierzek and I love the side of my neck which is a rose with a locket in it by Steve Vinall.

House of Butterflies

Justin Taylor and Charlie Lane  are the creators of House of Butterflies, a small online business that sells framed butterflies, moth and beetles. The couple set all of the specimens themselves from their home in Maidstone, Kent. We chatted to Justin and Charlie to find out more about their arty adventures… 

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How did you start House of Butterflies? What do you create?  The House Of Butterflies started from an idea we had at a craft fair, where Charlie was selling prints and original artwork. We thought it would be fun to do something together, we both share a common interest in taxidermy and art so thought why not combine the two. The framed butterflies idea came from Justin’s grandparents house as they have a small collection of framed butterflies hanging in their hall way. We both thought how great they look and wondered if we could make something along the same lines. We sat and researched the idea for a month or so before finally taking the plunge and having a go.

What inspires you? The inspiration for our boxes comes from the idea of preserving something beautiful. They are inspired a lot by the seasons, nature and by things we really like.  We find when we sit and talk about ideas we tend to inspire each other. We try to choose the butterflies or moths first and then try to match the background to them rather than the other way around. The art in general is inspired by the outdoors; gardens, plants and animals.

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Do you have a background in art? 
Charlie: Yes, I studied at Maidstone UCA and have a degree in print making. I learnt a lot about etching and I helped with adult courses in a print making studio. I have done a lot of commission work for small businesses, band logos and for special occasions. I spent a couple of years in the tattoo industry working in a couple of small studios.

Where do you source your items from? We source all of our specimens from a entomologist based in the UK. He sources all of his specimens from butterfly farms abroad, people hear “butterfly farm” and usually think how terrible. When actually they are the most ethical way to source specimens, they bring employment to poor areas and stop the practice of wild collecting which has had a devastating affect on some species. Finding an ethical source and supplier was a big thing for us, a lot of time and effort went in to finding the right supplier with the legitimate source.

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How do you create them? What is the process? The process is a fairly long one and takes time and patience, we had a few disasters at the beginning. We are completely self taught when it comes to the setting of the butterflies and it was a total case of trial and error. Internet videos make it look easier than it actually is.

The process starts by having to relax the butterfly, moth or beetle as they arrived to us in a dry/closed state. The specimens go into a relaxing tub which has a mild chemical solution in it. The chemical solution breaks down the enzymes in the specimens body making it pliable again. The specimens stay in the relaxing box until the reach this state, once there you can remove them and start the setting process. Opening the specimens is always the most fun part as you get see the true glory of what your setting. We pin the specimen to a setting board, which is a board with a small channel down the centre to hold the specimens body in place when you spread the wings. Then we very carefully pull the wings into the position we want using tweezers and then with strips of wax paper pin the wings so they are secure. We then leave them to dry out again for a number of days, depending on size. Then we unpin the specimen and then you have a set specimen, which is always very rewarding.

The vintage frames we stain ourselves to give them that old look, then we add the vintage artwork and add specimens we think work well with the artwork.

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Where can people buy pieces? Do you do commissions? We have a small Etsy shop where people can buy from us, we update regularly with new items as we like to keep a good variety of pieces on there. We can be found on Instagramwhere with have a direct link to our store.

We take on commission work and our always up for a challenge, whether it be artwork or a specific butterfly or a combination of the two, we will always try our best to accommodate.

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What are your plans for the future? We are hoping to keep going and maybe expand more, we do a lot of craft stalls, especially in the winter months leading up to Christmas. The big plan is to have a small high street shop where people can come in and browse.

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How did you meet? How long have you been together? We met through a mutual friend who Charlie was tattooing, she thought we would get on well, turns out she was right. We had a few dates, realised we shared a lot of common interests and thats about it, and people say romance is dead! We have been together now for two years.

Can you tell us about your tattoos?
Charlie:
My tattoos are a mix of things that remind me of all the places I have lived across the world as a kid, and pattern work that I’m really into. I like the geometric and dot work tattoo styles as it is how I myself draw. I like the work of Vana Chanelle, who has tattooed me a few times, along with Dan Frye who done a stunning traditional style Indian bride on my arm. I have tattooed myself a lot.

Justin: I’m a big fan of traditional style tattoos and love fat lined pieces. I have a lot of skateboard related tattoos as it used to be my favourite past time. I have a bit of a mix of black and grey, traditional colour and pattern work. I have my good friend Ben Griffiths to thank for a lot of my work, also Dan Frye and his partner EJ Miles.

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Fangs&Ink: Maidstone John

Maidstone John is a 24-year-old freelance illustrator from Canterbury who creates black pen and ink drawings depicting nightmarish ghouls, he has created a fanged female monster, especially for Things&Ink. We chatted to him about what inspires him, his hopes to become a tattoo artist and the tattoos on his body… 

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The Fang Girl John created for Things&Ink

Do you have a background in art? Yes, when I left school I studied fine art and design at Canterbury college, specialising in illustration and print making.

When did you start drawing?  I’ve always drawn from a young age, it all started after school one summer when I broke my leg skateboarding. I was stuck indoors for a good three months with nothing to do, watching my friends going skating and getting frustrated. My good friend Craig Questions would come and visit all the time and I just remember him telling me that I had to focus my mind to something positive or I’d eat myself up. Craig would always visit with these incredible fanzines that he’d been working on, which fuelled and inspired me to draw my own. When the summer came to an end, I was sat in front of a body of work that later on secured my place on the art and design course and the drawing never stopped from there…

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How would you describe your style? Black work inspired by old woodcut etchings. I think my work is a real diverse variety from elements of dark satanic reference to bold traditional 1920s tattoo flash.

What inspires you? I would say I’m particularly inspired by old horror films specifically hammer horrors, the devil rides out being my all time favourite. 80s skateboarding, natural history and third world culture. Those who are close to me know I’m an avid collector of antiques, oddities and ephemera, I love 80s toys. Madballs, Boglins, Ghostbusters and any monsters.

How do you choose your subject matter? I normally find a fragment of a idea from a film or a good book and then run with it until I am happy. I’ve recently had quite a few people email me with some really cool ideas for commissions, mostly album covers for bands, clothing and skateboard graphics which is awesome. I am always happy to run with any idea, it doesn’t always have to be a dark and gnarly design.

innkkkAre there any artists you admire? Do they influence your work? Most certainly, there is a never ending list of people who I look up to, many of which I am lucky enough to call my friends. Without them, I’m not sure if I would even be doing the things I love right now like drawing and skateboarding. French (Richard Sayer), Craig Questions and Dan Singer gave me the original inspiration and the kick start I needed with their insanely detailed illustrations.

I look up to many different tattoo artists (past and present) from Daniel Higgs and Stoney St Clair to the amazing blackwork by DuncanX and Philip Yarnell. All of these guys have their own quirks and calling cards that to me makes them unique not just as artists, but as individuals. I spend every Thursday at Classic Ink in Herne Bay, owned by my pal John Slack, drawing along side Scott Banks and John has really helped me creatively and they are always filling me with advice and confidence, which I am so grateful for. Some day I hope to learn to tattoo and me and John are doing a little trade soon, which I am really excited about.

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What medium do you use?  I normally prefer to work with pen and ink, uni pin fine liners are real good, but I’m trying to push myself with my painting.

How long does it take to create a piece? It all depends on the size and intricacy of the piece, but I am getting much quicker these days, I’ll spend around six hours on an A3 sheet at the longest.

Do you have any tattoos? Can you tell us about them. Of course, I’m nearly complete from the waste down and I have some cover up work on my arms but, as of now, I’m in the process of filling my front. I have been tattooed by some really incredible artists and I still have a long list of artists who I long to get some work off.  I can appreciate all genres of tattooing but I am particularly fond of traditional black work.

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John’s bat by tattooist Philip Yarnell

I have a lot of rad and exciting things coming my way towards the end of this year, if you’re interested in being a part of my journey, find me on Instagram @maidstonejohn

Feminist postcards by Carol Rossetti

Carol Rossetti is a Portuguese artist who has created a collection of empowering feminist postcards that have been translated into numerous different languages and shared around the world.  The illustrations highlight the difficulties and judgements that women face in today’s society.

I feel very disturbed by the world’s attempts to control women’s bodies. So I’ve started a series of illustrations in a friendly tone hoping to reach people about how absurd this really is.

Writes Carol on her website.

You can view Carol’s work on her website at carolrossetti.com, where you can also buy postcards and prints…