Tag: Tattoo artist

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Interview with tattoo artist Neil Chetcuti

Tattooist Neil Chetcuti works out of Skinlabel Tattoo Studio, in Malta. We chatted to the artist to find out more about his tattooing style, his love for the craft and the tattoo scene in Malta…

How long have you been tattooing and how did you get started in the industry? I’ve been a tattoo artist for six years now. My passion for art and sports started at a young age and I was mostly committed to football prior to my tattooing career. Back then I used to sketch something every day, however after suffering a knee injury that ended my football career, I had more time to focus on my art. I was posting more of my artwork online and received a lot of positive feedback, leading me to pursue a career in tattooing. I started my training in 2016 and became a professional tattoo artist in early 2017.

What inspired you to become an artist? Do you have a background in art? My passion for art stems from my family’s history of artistic talent. Growing up surrounded by my great grandfather’s paintings, I was always drawn to art and began drawing from a young age.

My interest in tattooing was sparked by watching programmes such as Miami Ink, and my appreciation for the craft grew over time.

During my rehabilitation for my knee injury, I received my first tattoo from one of the most sought after artists, Denis Sivak, who served as an inspiration for me to pursue a career in tattooing.

What drew you to black and grey realism? Have you always tattooed like this? I have always been drawn to black and grey realism because of my love for graphite and fine paper, which I used for creating most of my drawings. The contrast between black and grey creates a soothing effect which I find appealing. During my first year of tattooing, I experimented with different styles to broaden my knowledge and build my client base. Although I am interested in colour realism, I have noticed that people in my region (a warm, sunny island) tend to have tanned skin which is not ideal for colour tattoos.

What inspires your designs? I dedicate a lot of time to creating designs for my tattoos because I believe that the design plays a significant role in the overall quality of a tattoo. I am always seeking inspiration from various sources, whether it be other forms of art such as paintings and movies, or from other artists who have been an influence on my work. Each new project presents a unique opportunity to create something special while still staying true to my style.

What do you like to tattoo and what would you like to do more of? I am currently fond of tattooing skull references but my preferences tend to change over time. I do not have a particular liking for furry references, but it may depend on the photo and the direction the project is taking.

I appreciate clients who are open to new ideas and give me the freedom to unleash my imagination and create unique, one-of-a-kind projects with original concepts, which I thoroughly enjoy doing.

How do you see your tattoos evolving in the future? In 2019, I introduced a new aspect to my tattoos by incorporating wording, calligraphy, and especially graffiti elements. This addition has been a game changer for me as it adds balance to the contrasts in my references and enhances the flow of my work. I am currently feeling confident in my projects and my style, but the future of my art is always unpredictable. I am constantly searching for ways to push the boundaries and create unique pieces.

Where’s been your favourite place to travel and tattoo? I’ve had the privilege of traveling to some amazing places for my work as a tattoo artist. While every place has its own unique atmosphere and charm, my favourite destination so far has been the Milano tattoo convention. It was a truly unforgettable experience to be part of such a large-scale event, surrounded by some of the best artists in the world. The convention offered a wealth of opportunities to learn and grow as an artist, and I will always be grateful for such experiences.

What was your first tattoo? Do you still like it? How has your tattoo collection developed since then? My first tattoo was a statue of the archangel St. Michael, which I got in 2014. Although I don’t regret it because of its sentimental value, I have since filled up my left arm sleeve with various tattoos and come up with better ideas for the theme. My right leg sleeve, which was done by my mentor Matthew @Skinlabel, is a tribute to art and features portraits of famous artists such as Picasso, Dali, Frida Kahlo, and Caravaggio, along with recreations of their works.

Do you have any travels or guest spots planned? I’m always open to the idea of traveling for work and doing guest spots, it’s a great way to network and learn from other artists. My schedule is quite busy, but I try to fit in as many guest spots and travels as I can. Currently, I have plans to attend the Brighton tattoo convention in a few weeks. I also receive numerous guest spot requests, which are difficult to accommodate due to my busy schedule, but I do plan to visit some studios that I have been to before and maybe even explore some new ones this year.

What’s the tattoo scene like where you are? The tattoo scene in Malta is growing and gaining more acceptance in society. Despite the increase in popularity, there is still some hesitation from certain parts of society and in workplace policies. However, this is changing, as demonstrated by the police force’s acceptance of tattoos. The tattoo industry in Malta is competitive due to the relatively small size of the island, but this is a common occurrence in any industry. The increasing popularity of tattoos has also led to a rise in the diversity of styles and designs being seen.

What do you do when you’re not tattooing/drawing? When I’m not focused on my tattooing or designing, I like to prioritise my well-being by incorporating physical activity into my routine, such as taking walks with my dog or hitting the gym. I also enjoy exploring new food and restaurants with my girlfriend and friends, as well as taking trips to experience new cultures. I often take on new hobbies and am currently reading a book in my free time. Overall, I strive to find a balance between my work and personal life, and make the most of my time outside of the studio.

What moment in your career are you most proud of? It’s been difficult to pinpoint one specific moment as my proudest in my career, but the recognition I receive for my work is what truly makes me proud. Whether it’s at conventions where my work is acknowledged or while guest spotting, when I receive compliments and appreciation from other talented artists in the industry, it’s a fantastic feeling.

It’s not just about winning awards or prizes but knowing that others value my work and see its worth is what drives me to continually improve with each new project.

Over the years, I’ve dedicated myself to perfecting my craft, and these moments of recognition are a testament to my hard work and dedication to the art.

Follow @neil.tattoo for more incredible realisim tattoos.

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Tattoos for the Future: The Order of Ink

The Order of Ink brings a new experience to tattoo artists and tattoo and art enthusiasts. An inspired collective that spans four continents with the mission of elevating the art of tattoos by creating the first Web3 platform for tattoo artists.

Taking tattoos from the physical world to the digital world.

The collection is made up of 4444 NFTs that are non-generative, hand-drawn art on the Ethereum blockchain. The Order of Ink’s genesis collection is an eclectic and art-focused collection that covers many different faces of the tattoo world.

It will serve as the access pass for everything that’s coming next in the digital tattoo world.

The Order of Ink has 14 trailblazing artists from around the world in their collection, seven of which are women. Let’s meet them…

KATUSZA @_katusza_

My main goal as an artist is to create a deep connection between my tattoo pieces and the human body.

Katusza started tattooing because she was looking for a place to express her creativity and imagination. Her biggest passion is designing tattoos, painting and creating prints.

She is a big fan of abstract painting and the work of Hilma af Klint, Kandinsky and Malewicz. Katusza founded @pregi_tattooshop_ in 2019 and has been living her dreams as a tattoo artist.

MERRY @merry_tattoo

Wearing tattoos is a way to show one’s individuality and one’s soul.

Merry is deeply attached to botanical tattoo art. At home she has a beautiful garden filled with a mix of vibrant and subtle colours and delightful smells. Her garden has always inspired her to make art. Merry also loves to travel, explore new places and learn something new every day.

I am grateful that tattooing allows me to do all of this. Seeing my clients excitement and appreciation after a session is one of the best feelings in the world.

ANINHA @aninha.tattoo

Now, here I am, moulding fine lines and minimalist designs into a piece that fits each client’s story.

At 16 Aninha thought she had permanently lost the ability to move her hands, which meant all she had ever loved would be lost to her. But after several surgeries and extensive rehab, she was able to make art and music again. Not long after that she was inspired to create tattoos by a friend who loved one of her designs.

She has always loved art and there is nothing in this world Aninha would rather do full-time than be a tattoo artist.

AMAIA @amaia.arzatattoo

One of the things that I love about my job is being able to travel to different countries, which allows me to meet new artists, learn constantly, as well as discover new cultures.

A couple years ago, Amaia was drawing non-stop, she started practicing on synthetic skin, and then little by little she started making her first tattoos on her friends. Amaia lets herself get carried away by her feelings and emotions when working on her tattoo pieces. Just like Picasso, Amaia also dabbles in cubism along with her two main styles – abstract and minimalist designs.

JOHANNA @johanna_tattoo

Tattooing is the one thing I love doing the most and can’t imagine life without it.

Because her mother is an artist, Johanna started drawing at three years old and hasn’t stopped since. Her career as a tattooist started when a tattoo artist from her city praised her drawings and offered to teach her how to make tattoos.

Her tattoo style is a mix of blackwork and white ink detailing – the darker, the better. She absolutely loves the mystical genre of witchcraft, potions, magic, fairytales and feminine vibes.

YAIZA @yaizadecastrotattoo

I like to combine realism with geometry to create compositions that adapt to the body.

The world of art and tattoos has always caught Yaiza’s attention. Yaiza started tattooing when a local tattoo artist in Asturias gave her a tattoo machine and taught her how to use it. Her designs are inspired by ancient sculptural art, and the modernist and surrealist movements. In gher style of tattooing she mixes realism, geometry and fine lines.

FLOR @cati_tattoo

I always try to pay attention to the placement and how the tattoo will interact with the body, adding a natural flow in a sexy or interesting way.

Flor’s favourite design to create and play with are flowers: she is always searching for new flower variations and styles. Flor has a floral catalog where her clients choose a flower from. This flower is then used by Flor to create custom designs for each client as she never repeats her designs.

Flor only works with women, not because she dislikes men, but since she started tattooing she made the conscious decision to be a tattoo artist with whom women can trust to make their tattoo ideas come to life.

The Order of Ink: For this world and the next

For artists:  We’re passionate about onboarding new artists to Web3 and we’ll be with you every step of the way. As you mint your first NFT, set up your wallet and get paid in ETH for the first time. 5% of primary sales from The Order of Ink’s genesis collection will be added to a fund to support our artists’ future Web3 projects — whatever artistic shape or form they take on. 

For collectors:  We’re building a community of artists and collectors who are passionate about the opportunities digital art and Web3 create for the tattoo world – we live at the intersection of where physical tattoos meet the digital space and our future directions are open to where the community wants to lead us. 

Mint Details
Mint Date: Early JAN – DATE TBA
NFT Supply: 4444
INKList Mint Price: ~0.08 ETH
Public Mint Price: ~0.123 ETH

Follow along on Twitter, Instagram, and via Website for more info about how to mint your The Order of Ink NFTs and for more deatails about the project details.

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Interview with tattoo artist Nicola Asura

Nicola Asura creates surreal blackwork tattoos at Lightbearer Tattoo in Graz, Austria. We chat to the artist to find out more about the process behind his large scale pieces, what inspires his work and future plans…

How long have you been a tattoo artist and how did you get into the industry? I’ve been tattooing for around five years now. I made my first contact with tattooing culture when I got into the post/hardcore music scene 10 years ago. Seeing all those band members covered in ink sparked my interest in tattooing as an art form.

Do you have a background in art? Coming from a very creative family, both my parents were architects, I grew up with a pen in my hand. I always enjoyed doodling on everything I could find, although I would say that there is a big difference in doodling and really mindfully learning how to actually draw.

A year into tattooing (four years ago) I made the decision to see art and drawing as a full time job. I made the move to become the artist I imagined myself to be.

Instead of just doodling mindlessly I made a plan to get better at drawing which included:

  • Choosing a specific topic (birds at that time)
  • Limiting myself to only draw that topic.
  • Learning everything about the topic through books, videos and studying how they move, their anatomy etc.
  • Drawing and sketching mindfully 6-8 hours every day, at least five days a week

Very quickly I started to see progress. Soon I wasn’t only getting better at drawing birds, but also other things, because I grasped the concept of learning how to get better at drawing. For me, this system worked.

Why did you want to become a tattooist? Before I got into tattoos my dream was to become a concept artist for Blizzard (Video Game Company) and draw orcs and other creatures for a living.

When I got into tattooing I realised that there were artists that came up with their own creature designs to decorate the body and naturally I was more drawn to that, than the video game direction.

How would you describe your style of work? Surreal creature elements cast on skin in a bioorganic way so it complements and works well with individual body shapes. Or just blackwork, for the more broader term.

How has your work evolved since you started tattooing? My style, if I can call it that, currently evolves at a very rapid pace. Back when I started out my tattoos were more stiff, stickeresque and bold.

Nowadays the priority of all my design processes is aligning the concept on skin with the body shape to create a certain flow. My work is definitely more fluid and open than a few years ago.

Can you tell us about the process behind your large scale pieces? Every client of mine, when I am not on a guestspot, has to come in for a consultation before we meet for the first tattoo session.

During that consultation the client will tell me their idea, placement and size. Then I know if I am up for the motif and idea, I can tell them how I envision the idea in my head and how that will or won’t work with their idea of placement and size. It’s a very important dialogue that has to be had in person. That way my client and myself, can speak our minds and figure out a baseline for our future project.

After making sure we are on the same page regarding the concept I’ll take pictures of the body part. Either I print out the picture, or trace it with paper from my iPad. I always start out drawing traditionally with graphite and tracing paper which I can have multiple layers of.

Once I have a concept on paper that I feel completely satisfied with I then take a picture and import it into the procreate app. This allows me to very quickly experiment with changing shapes and sizes of certain parts in the drawing.

As I, most of the time, work freehand (no stencil, drawing on skin), I don’t need to make a stencil so having this concept visualised is already more than enough for me to work with. On the day of the tattoo I’ll show my client the rough concept which I then draw on skin, layering it with multiple coloured pens.

This allows me to really work with body lines and shapes making sure I can make the most out of every project with my knowledge at that moment in time.

What’s your favourite subject to tattoo and what would you like to do more of? The themes that I always love to dive into are fantasy, creature design, surrealism and flora / fauna.

Usually I just take something from each theme and mush it into one design concept, it always depends on my client’s idea!

What’s the tattoo scene like where you are? Currently I am located in my hometown Graz, in Austria. There are few contemporary tattoo studios, it is definitely more on the quiet side concerning tattoos compared to other cities.

Do you have any guest spots or travel planned? For now I am quite cosy in my resident studio, maybe some trips to Berlin this year!

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? I did collect a lot of tattoos from artists I admire. Anrijs Straume (UK), Stefan Halbwachs (AT) and Gara (KR) for example. Gerhard Wiesbeck (DE) and I started my bodysuit to cover/blastover lots of older tattoos, so that is still ongoing and takes a lot of time.

What’s been your proudest moment in your career so far? The proudest and best moments are always meeting other likeminded passionate (possibly even obsessed) tattoo artists and delving into tattoo techniques, machines and ways we can shape the body together.

These talks are precious to me as I love to get lost in those topics and have long conversations where our eyes light up as we’re sharing knowledge and learning more from and about each other.

What do you do when you’re not tattooing? Drawing and preparing for tattoos. Also being out in nature with my dog Aslan, bouldering (indoors/outdoors) and playing video games.

Where do you see yourself in five years? Hopefully doing bodysuits. I’d love to work on full body concepts, creating surreal creature landscapes on skin that you can see and make out from further away.

Follow @nicolaasura for more fantasty tattoos and large scale pieces.

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Interview with tattoo artist: Dino

Tattooist @dino_oriental creates striking blackwork tattoos with red constrasts at @10kf_Hollywood in Los Angeles, CA. We chatted to the artist about his recognisable style, journey into the industry and plans for the future…

How long have you been a tattoo artist, how did you get into the industry and why did you want to become one? I have been making tattoos for about eight years. I was a professional Korean soccer player before I became a tattoo artist.

Unfortunately, I had to have six surgeries on my left ankle which meant I couldn’t play soccer any more. I should have had a back up career ready but I found my second career a little later.

I have liked getting tattooed since I was young and my favourite soccer player, who played for Liverpool in the English Premier League, became a tattoo artist. Seeing this I became motivated to emulate his life and career, I then chose a job as a tattoo artist for my second life. So, I studied, watched YouTube videos, searched the internet, bought machines and supplies, and started my second life as a tattoo artist.

How would you describe your style of work? All of my designs are based on the traditional Japanese painting ‘Ukiyo-e’. Many of these traditional paintings resemble and feature legends and historical stories, which is why I get a lot of my inspiration from these traditional paintings.

I also like pictures that have a strong contrast. That’s why I usually use red colour ink to create a strong contrast between the black and red. I try to create a beautiful and strong atmosphere by using brush lines accompanied by many other lines. This helps to create a classic yet sophisticated feeling in my work.

Does your Korean heritage influence your art? I mainly do traditional Japanese style tattoos, but I get a lot of inspiration from Korean history and paintings. Japan and Korea have a similar history. Sometimes I get some of my ideas from traditional Korean paintings and study how the paint works.

When I lived in Korea I visited Korean temples; each temple has various traditional murals and I found inspiration in them. As I said above, most of my designs are based on the traditional Japanese painting Ukiyo-e, but I can also get a lot of inspiration and ideas from Korean heritage.

You typically tattoo in black and red ink, can you tell us more about this? I like art to have astrong contrast. A few years ago I went to the London Tattoo Convention to study the work of other artists. Looking at the body suit contest I spotted one model in particular who was tattooed in a style I liked the most and wanted to create. The tattoo had a very strong contrast, and it was very clear and intense even from a distance.

So, I tried to find a way that I could make this kind of contrast my tattooing style. I wanted to make it beautiful so choose red as I think it’s a beautiful and intense colour. I also like using the red to create a strong contrast, intensity and beauty when it harmonises with black.

What’s your favourite subject to tattoo and what would you like to do more of? I like to tattoo dragons the most. Although sometimes when I tattoo the dragon’s shadow the scales drive me crazy or I feel bored as I have to make hundreds of scales. But the sense of accomplishment and the look of the design is ultimately really cool and beautiful.

Also dragons are interesting to learn about, I like finding different styles of dragons. They’re mythical, legendary animals whose appearance is individual to the East or West or even each artist. I want to make my own style of dragon to feature on murals, bowls, clothes etc.

What’s the tattoo scene like in LA? I’m living a very satisfying life here, making tattoos for now. There are so many artists and special and unique people in LA. As such, there are a lot of tattoo shops, and there are great artists in various tattooing categories. Everyone likes to enjoy the tattooed life, it allows them to express their indivulaity and capture precious moments and things on their bodies.

There are people from different countries here which makes for fun tattoo projects. While talking to them, I learn their country’s culture and I can make tattoos that resemble their meanings for them. A project that starts with new people and people who like my work, always makes me excited and happy.

Do you have any guest spots or travelling planned? My plans start with the Philadelphia Convention in January. I then have plans to tour Asia in March, New York in May and Europe in July and September. I’ll be at conventions and doing guest spots.

I haven’t been able to travel as much as I would have liked, so I’m keen to get travelling again. It’s a good challenge in my career and allows me to create interesting prjects with lots of different people.

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? I have tattoos almost all over my body, but I got most of my tattoos from my tattoo artist friends, my wife and I did some myself. 

My legs have a lot of cover-up tattoos because while I was learning to tattoo I tried various designs on myself. I also have a lot of blackwork on my upper body as I did blackwork style tattoos being I did traditional Japanese tattooing.

I have got a lot of my tattoos from my Korean friends and friends I have met while travelling. They’re all precious to me. In fact, I’ve forgotten the names of some of the tattooers who have tattooed me, but I still like to look at those tattoos and reminisce. I’ll continue to travel round the world and get tattoos from my good friends and artists.

What’s been your proudest moment in your career so far? My happiest and proudest moment was when I won first prize at the Taiwan Tattoo Convention. Amazing artists from all over the world attended and I was very happy that my efforts were rewarded when I won first place in the contest.

Some artists may not like these events, but for me, conventions motivate me and allow me to set goals to move towards. Looking at the works of countless great artists helps me see the differences between our works. I find my shortcomings, get ideas and things to try in my next tattoo. I feel like I can gradually find my own style.

What do you do when you’re not tattooing? When I don’t get tattoos, I enjoy doing things that inspire me or exercising. I play golf, go mountain climbing or exhibitions with my wife. I also like to talk with her and organise my thoughts. Because she’s also a tattoo artist, we understand each other, give advice, and have many conversations and hobbies together.

Also, due to the nature of my job, I have to sit down and work for a long time, so exercise is essential to me and it gives me a lot of energy. I am always organising my thoughts and making plans so that I can move forward with my goals.

Where do you see yourself in five years? I’ll probably have my own shop in LA and keep working on tattoos. I want to collaborate with the artists that I like and respect not just tattooing but other artistic outlets. My small goal is to not stop moving forward, not just in tattooing but in language studios and painting. I want to keep attending conventions and travelling the world. I’m sure in five years time I will be more developed and mature in all my abilities.

Follow @dino_oriental for more incredible tattoos and travel plans.

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Tattoo artist interview: Bazhen Nikitin

Bazhen Nikitin, creates medieval inspired etching tattoos in Ufa city in Russia. We chat to the tattooist about his style, journey into the tattoo world and flash designs…

How long have you been tattooing and how did you get started in the industry? I have been tattooing for eight years. When I was 18, I got my first tattoo and I instantly fell in love with it.

After that I chose to pursue a career in tattooing and I began to study how to tattoo. Around a year later after lots of learning and practice I completed my first tattoo. I haven’t stopped tattooing since then.

What inspired you to become an artist? Do you have a background in art? I have always enjoyed drawing, and I began consistently drawing when I was 13 years old. I used to like drawing anything and everything, and could spend hours doing it. After completing high school, I enrolled at a design university, where I studied for about two years.

At the same time I was really enjoying my job as a tattoo artist, it exceeded my expectations. Tattooing was already providing me with a substantial income, so I dropped out of college to focus on my profession.

What inspires your designs? I am very obsessed with old medieval engravings and etchings. Many of them look a bit odd, even so I find them to be rather beautiful.

What do you like to tattoo and what would you like to do more of? I enjoy creating unique-looking creatures of my own design. I have developed my own style of tattooing. There is nothing else I would like to do more of, as I am already exclusively working on my own projects.

I want to feel unrestrained when I am developing new designs, so I don’t do custom designs because they consume my creativity. All of my customers just choose from designs inspired by my own creativity.

Can you tell us about the process behind your tattoos? Everything is based primarily on the design. Discussing details with the client is, in my opinion, the most critical step in designing and applying body art. Then, it is essential to set up the station so that both I and my client are comfortable during the potentially lengthy session. I have my own way of arranging my station so that everything is easily accessible. After the tattoo is completed, I clean it, take pictures and apply aftercare.

How do you see your tattoos evolving in the future? Artists with distinctive styles will be in high demand and personal branding will undoubtedly be a major trend in the world of tattooing. People will seek out tattoo artists whose style is distinguishable and recognisable.

I have already accomplished a great deal in this industry due to my unique style and my large customer base, so, I feel confident in my future as a tattoo artist.

What was your first tattoo and do you still like it? How has your tattoo collection grown since then? My very first tattoo was a flash design created by a local artist. I can’t say I enjoy looking at it, but I have no regrets regarding the tattoos I have.

Now that I know many outstanding tattoo artists from all over the world, I get tattooed by them. The majority of my body is already covered in tattoos, but I don’t think I’ll stop until I’m completely covered.

Where has been your favourite place to travel and tattoo? I frequently visit Saint Petersburg. It is a truly special city populated by a large number of open-minded individuals who make it a joy to collaborate with on a daily basis.

Do you have any travels or guest spots planned? In the past five years, I have spent a significant amount of time traveling to various locations and tattooing. I appreciate working with individuals from other countries, but at this stage in my life, I want to settle down for a while and have greater stability.

Therefore, I currently have no guest spots planned. In the future, I may continue traveling and working as a guesting tattoo artist because I do enjoy it.

What’s the tattoo scene like where you are? When I first began tattooing eight years ago, it was significantly worse than it is now. In my hometown at the time, there were only three well-known tattoo artists, so the options were limited. Starting out as a tattoo artist was filled with many challenges. Nevertheless, I did not give up.

I’ve traveled to various places and countries, and I communicate and exchange tattooing techniques with numerous renowned tattoo artists. I became more powerful and excellent as a result of mastering a variety of tattoo techniques and incorporating great tattoo elements into my design.

Now that I have extensive tattooing experience, I am a well-known and recognised tattoo artist in my country. I’ve also seen that each year, a growing number of new tattoo artists choose this profession. I am delighted by the expansion of the tattoo industry and I am willing to impart my expertise of tattoos to future generations. I’ve taught numerous apprentices in the tattoo industry, it’s a fantastic opportunity to grow and improve the tattoo industry.

What do you do when you’re not tattooing/drawing? I spend most of my time drawing and tattooing, but in my free time I enjoy walking through nearby parks. This refreshes and inspires me.

What moment in your career are you most proud of? I am proud of how I’ve developed my own distinct style. I believe that an exceptional tattoo artist is able to maintain his or her unique style. I’m delighted that so many people appreciate my style and seek me out for tattoos. I am also very pleased to be tattooing only the patterns and designs that I am willing to create.

I was invited to take part in ArtStation II International 2021 as one of the tattoo masters in 2021. It was and is a worldwide interactive exhibition in which many renowned tattoo artists and professionals from countries such as Russia, the United States, and Europe, among others, participated. To reach this stage in my career has required great dedication and effort.

Follow Bazhen Nikitin for more etched creatures and tattoos.