Interview with Tattoo Artist Peggy B

Tattoo artist Peggy B creates magical blackwork tattoos out of Grace Neutral’s Femme Fatale tattoo studio in London. We chatted to Peggy about her beautifully recognisable style and the energy she brings to her work…

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Photo by @alien_ink_


How did you start tattooing? 
I was getting tattooed a lot at uni, and over the years I became friends with a tattooer. I ended up buying a machine with his help and with my own understanding of what tattooing was, I started my journey.

What was the first tattoo you did? The first one which didn’t fade after two weeks was a smiley face on my pinky finger.

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What made you want to become a tattooist? I think tattooing chose me more than I was me looking for it. Moving to London at a young age and soaking up the culture of this city has had a big influence on me and my tattooing. The tattoo industry here is different to my home town, it’s been introduced to me from a different point of view. My experiences of the London tattoo scene, the craft and the culture are definitely a couple of things which made me go for it. Over the years it took my heart and all the spare time I had, and quickly it became my passion. It has taken a while but, patience is everything. It feels like tattooing is just my way to express myself in the best way possible. Creating imaginary creatures and immortal flowers, hanging out with the most wonderful artists and making people smile, it’s just such a beautiful job to have.

How would you describe your style? It’s definitely black work, maybe a little bit illustrative. But I wish I could call it “just magical!” I want people to feel the energy flowing through the moment when they look at my work.

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Where would you like to take your work? To the other dimension, or as far as it can go.

How has your tattooing changed? The industry keeps developing for me. The more trust I am lucky enough to get the more creative I can become. Patience and working with the people who trust you is the only way to progress. Once the trust is built you can create such an amazing experience. And I think this is why I can work on my style more and more.

What inspires you? Anything and everything.

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We love how you use the natural curves and shapes of the body and nature for your tattoos, do you prefer to work freehand like this or from flash? I don’t have preferences. I enjoy the experience of it. I am always trying to suggest a freehand piece just  because it flows more naturally with your body, and I can make it so it exactly fits the area you planned to get tattooed. And it’s fun! I love when my work wraps a lot so you need to move yourself to show it off. When I am adding star dust to my pieces it’s my favourite part to. It’s making it all more magical and you can feel the flow of it.

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What would you like to do more of? Keep creating magic on people that they can keep for ever and all the other things that make me happy!

Kimberly Baltzer-Jaray: Tattooing for Mental Wellbeing

In this post Dr Kimberly Baltzer-Jaray discusses the important relationship between her mental health and her tattoos…

Disclaimer: I want to make it clear that I speak only for myself and my own experiences. I do not generalise or speak for anyone else. I also do not prescribe or recommend things that I do. If others find some common ground or connection with things I say, it brings me no little joy.

Although I have been a writer for Things & Ink for years, in the printed issues and then occasionally online for the blog, I would like to introduce myself here in a more personal way and using three key existentially descriptive phrases. I am an academic: I have a PhD in philosophy, and I teach in Women’s & Gender Studies at a university. I am a tattoo scholar: I have written about and researched tattoo history, philosophy, and culture for about a decade, and I have been getting tattooed for roughly 24 years now. I live with depression and the lasting effects of PTSD: I have Dysthymia, what is also called high-functioning depression, and I was diagnosed in my 30s while being treated for PTSD.

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I’ve had depression since I was a teenager. It went undiagnosed because my outward behaviour didn’t fit the accepted stereotype of ‘depression’ in the 1990s. It was difficult for medical professionals to see it in my 20s and early 30s since I had completed successfully grad and postgrad education, I had a busy teaching schedule, tons of side projects, friends, and a smile on my face. What they needed to understand was that the overachieving, the grueling workaholic attitude, the hyper perfectionist punishing mentality, the desire to be constantly busy with work or to never sit in silence, was in fact the evidence of my struggle. Away from public eyes, I barely slept, I drank to quiet the chaos and darkness in my head, and I was emotionally numb and yet utterly raw. I thought about dying all the time, and then felt guilty about it because that would mean I’d fail to get my work done and as a result let others down. I was very good at hiding what I was, I had perfected it over years, that is until PTSD knocked my legs out from under me. That’s when my façade cracked and my issues came oozing out. The therapist I was sent to saw through me immediately, she helped me get my diagnosis and begin the process of sorting out the mess I was.

While going through all that old, heavy baggage, the buried trauma, and my bad habits, one of my older coping strategies became a focus for our discussions: tattooing.

Over 24 years I have been asked many times by friends, colleagues, and passersby on the sidewalk why I get tattooed. Most of the time, especially with strangers, the answer ends up being something like: “Well because I like it,” or “It’s a meaningful experience and empowering act of self-expression for me,” or sometimes when I feel cheeky I say “I really liked colouring books as a kid, and I wanted to be one when I grew up”. These are all casual answers that move the conversation along and don’t get too deep. For Things & Ink I’ve written articles on the relationship between tattooing and positive body image and the quest to redefine beauty for myself, and these can get pretty personal, but the truth is I can go deeper.

I’ve never spoken about the other reason I get tattooed, that it’s a part of my mental health strategy.

I will openly admit as a teen I was a cutter and I engaged in activities that damaged my body physically or put me at great risk to. When reflecting on this many years later in therapy, I came to realise that I was doing these things to myself because the pain I caused allowed me to stop thinking about the pain inside of me that I couldn’t shut up, escape, or exorcise. I got my first tattoo at 17 and I remember feeling different afterwards. Like I found a new sense of energy.

With each new tattoo I would look at my body differently, with a sense of love and belonging that pleased me.

It also pissed my mother off, so that was just a bonus! Best of all, I stopped cutting and hurting myself. I took this relationship with pain, something dark and potentially ugly, and developed it into something much more aesthetically pleasing and a lot less bone breaking.

The most important thing tattooing does is help me focus, reset, and train my mind. One of my biggest triggers happens when things in my life get really out of control, when I feel swept up and carried off in a current of chaos that every coping strategy I have fails to assist with. Death, disease, job instability, chronic illness, death, death, death, etc., all happening at once will do it. All that pain and anger takes me so long to let go of, I fixate and obsess night and day, and then I can start to engage in unhealthy and destructive habits, and the spiraling goes further down. When I get tattooed it gives me a chance to focus on pain that I am causing myself, and that pain has a start and a finish. I am in control of the pain, I can control my response to it, I can stop the session when I can’t take it anymore, and that pain has a result that is empowering physically and psychologically.

With tattooing the pain produces a beautiful scar on my body, which is so much nicer than the emotional and psychological scars depression leaves and the physical ones I give myself if I enter into self-damage mode.

Through tattooing I have gained better coping skills when life throws horrible shit at me: I have more confidence that I am strong enough and I can find my way through it; I am able to process things easier and I can reach some kind of acceptance with what is happening. Sometimes I go get tattooed when I feel like my mind is sinking into repetitive trauma patterns or it’s stuck in dark mode, because it allows me to fixate on a different type of pain and this jump starts my brain, so to speak. It’s a kind of cognitive behavioural therapy. I still have a therapist that I see, but tattooing is a way for me to seek support within myself, and a trusted artist along for the ride.

Tattooing has also helped me heal old, deep psychological and physical wounds. In addition to depression I have an autoimmune disease, and it’s an unpredictable fucking asshole. It seems to baffle the medical community from time to time (I love feeling like an experiment or a freakshow specimen so much!) When it decides to flare up, it kicks my ass making me so sick I can barely move. I try to learn what triggers it so I can prevent these instances, but you never figure them all out and learning is always the hard way. I was diagnosed as a teenager and it sent my life into hell for a while. I came out of the hospital utterly fragile, and feeling beaten, frustrated, and very angry. I hated my body and when combined with my depression and self-worth issues I sunk low and into the destructive tendencies I described.

Tattooing has allowed me to love my body, to bond with it and find ways to make it beautifully mine. It has become MY body, the one that I care for and nurture and protect. I can cover all those old destructive scars and angry cutting marks with beautiful colours and symbols of my personal battles. I can heal the tattoos carved into my skin, and with them also my bad feelings about my body.

I should also add, that because I have been lucky to find so many wonderful artists, that getting tattooed has allowed me to trust others again. When you’ve been traumatized and/or struggle with mental health issues, it is hard to be vulnerable and comfortable with people. To feel any sense of safety in this world and to trust others in a situation that is emotionally and physically vulnerable is really a huge step forward. While I would never say a tattoo artist is on par with a therapist, I will say the services they provide can be more than just aesthetic beauty via needles and ink. The good ones become a friend and confidant. The wonderful artists who work on my body have become valuable parts of my journey to wellbeing and a better self.

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Over the last few years I have gone through traumatic things that really tested my abilities to cope. What I’ve lost and survived my mind is not so easily processing at times and letting go of. I’m struggling and sinking but I am not defeated. As an act to refocus my mind and remind me that I can persevere, I decided late last year to tattoo my stomach with imagery that is symbolic of a phrase I often say to myself: a smooth sea never made a skilled sailor. It’s a battered looking ship, flanked by beautifully vicious sirens, and a kraken underneath attempting to pull it below. In the background is a beautiful bright red and orange sunset. When I see it every day in the mirror it reminds me that I’ve survived what the universe has thrown at me thus far, and I can be strong enough to take on whatever comes. I might be damaged but I am not completely broken. I can battle onward, or at least try my best to with what I have. Plus, I sat still through 4 sessions of stomach tattooing (roughly 3 hours each), which was NOT fun at all, and I did it without surgical drugs or screaming. So, if I can do that then I can handle a lot of things.

I’m not fixed or cured, not by any sense of the word, but I am better. I am psychologically, emotionally, and aesthetically a work in progress.

Tattoo by Dustin Barnhart, Berlin Tattoo in Kitchener, Ontario. Photo taken by Rob Faucher. 

Brave Collective: Ellen Duffy

London based, freelance graphic designer Ellen Danielle Duffy, decided to create Brave Collective while kicking some breast cancer ass. A brand who are purveyors of merch inspired by rock culture, spreading the word on cancer in young adults. We chatted to Ellen about the brand’s ethos, her diagnosis and of course, tattoos…

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Founded by someone who has had cancer for anyone affected by cancer, Brave Collective provide a platform for young adults to tell their story and support each other. No young adult should ever have to face cancer alone and I’ve seen first-hand the power that a support network can have.

I firmly believe that no matter who you are or where you’re from we’re all in this together; we’re braver together.

Whether you’ve had cancer yourself, are caring for someone with cancer, or are a friend, family member or loved one, we’re here as a reminder that you’ve got this and we’ve got you.

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What inspired you to create the brand and what message do you hope to spread? Every year in the UK 12,500 young adults are told they have cancer.

Throughout my own cancer diagnosis and treatment, I’ve found there’s a shortage in age-specific support for young adults with cancer. Many charities offer support for teens or adults aged 25-45, but the reality is a person in their 20s or 30s is at a very different place in their life to someone in their 40s. Your 20s and 30s are the years that have the potential to shape and influence the rest of your life and it’s for this very reason that age-specific support at this time is so important. That’s why Brave Collective chose to partner with and donate a percentage of their product sales to three awesome charities – Trekstock, CoppaFeel! and Wigs For Heroes – not only are they raising awareness, but they bridge that gap and what they offer is invaluable to any young adult living with and beyond cancer.

As a brand, we want to raise as much awareness as we possibly can, showing what cancer in your 20s and 30s really looks like by sharing the stories of some incredible individuals and continuing to raise money for these amazing charities and their life-changing work.

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Can you tell us about your diagnosis and your treatment so far? I was diagnosed with breast cancer at the start of summer last year when I was 28-years-old. I’ve since had chemotherapy, extensive reconstructive surgery and I’m currently undergoing radiotherapy – the last stage of my treatment.

It’s been a long and very tough year. I’ve had to temporarily put much of my life on pause for a year in order to save it. It’s been difficult seeing how my diagnosis has impacted my family and partner and watch friends lives continue to move forward, as they should, whilst I fight for my own. All of this aside and as cliche as it feels to say, through all of the hardships and heartbreak there have been some pretty incredible moments and through sharing my story on Instagram, I’ve met some incredible people along the way.

My doctors have recently told me I’m now cancer free and I still can’t quite believe it – I still have to stop myself from saying “I have cancer” because I HAD cancer, and I kicked its ass.

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How has having cancer affected the way you view your body and your relationship with it? I’ve had a love hate relationship with my body over the course of the last year. I’ve lost trust in my body since my diagnosis and it’s going to be a lengthy process to rebuild this, but together we’ve been through a lot so I try to be kind.

Like so many others, almost all of my hair fell out during chemotherapy. Making the transition from looking well to visibly poorly so quickly was hard and there were times I found it difficult looking at my reflection in the mirror. At the time making the decision to shave my head felt huge – it may have seemed like ‘just hair’ to some but it was this moment that really concreted my diagnosis and what was happening to me. The relief I felt once I’d made the commitment was overwhelming. Taking charge felt really good, like I’d regained just a small amount of the control I lost during this time. I’ve since taken this time as an opportunity to experiment – I’d always wanted grey hair but no colourist would touch my decades worth of home bottle-dyed jet black hair! Thanks to wigs this was finally possible for me.

Since surgery I have a pretty big scar that runs from underneath my left breast to my shoulder blade and another in my armpit. I’m proud of the marks that cancer has left on my body; much like some of my tattoos they’re meaningful for me – they symbolise the hardest year of my life and everything I’ve overcome.

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What inspired you to start getting tattooed? I knew from young age that I wanted tattoos. I love everything about them – the creativity, the process, the culture. There’s something quite special about being able to collect art in a way that is so personal and individual to you.

Most of my tattoos are inspired by traditional mehndi and I have quite a few pieces by Sway and Matt Chahal. My favourites are the deity on my arm (Sway) and the tiger on my leg (Matt Chahal). I’m looking forward to getting more once my treatment is over and have a bucket list of artists from around the world that I’d love to be tattooed by.

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What’s next for you and Brave Collective? I’m always working on new ideas for the brand. There’s a number of artists I’d love to collaborate with, tattoo artists included. I’m currently working on a collaboration with illustrator, Matt Sabbath and products should be available to shop in May of this year. I’m really excited about this, he’s an awesome artist and I massively respect his work.

I’d love to eventually reach the stage where we’re raising awareness, offering a platform of support and showcasing our brand at gigs and music festivals alongside some of the bands and artists we love. If through all of this I can help even a handful of young adults dealing with a cancer diagnosis and those closest to them, then I’ll be happy.

And for me personally, I’m trying to adjust to life after cancer. It’s been one hell of ride.

Photos: Sarah Victoria Shiplee

Kiera & her Cat Tattoos

Kiera creates beautifully soft and cute cat tattoos, so adorable in fact they look like you could reach out and boop their little noses. We chatted to Kiera to find out more about that tattoos she creates and her travel plans…

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Currently working in Melbourne Australia, Kiera will be travelling the world from June heading first to Shanghai, Okinawa, Korea and London. Where she is hoping to travel around Europe for a while after London, and then hopefully find a place to settle down for a bit after that.

You mainly tattoo cats (which we love), what do you love about these animals? Cats look really cute! I love the back of their heads, the triangle shape of their ears and cat’s mouths looks really clear and adorable. I like the cats’ tsundere/arrogant kind of temperament that makes me crave their attention.

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How did your cat tattoo style/craze start? Why do you think they are so popular? I wasn’t supposed to draw just cats but I thought, “I would draw a cat today and tomorrow another animal.” But the next day came and I kept drawing cats every day. I feel very happy and satisfied when drawing cats and making them cute, it’s fun for me.

I put lots of love in my drawings and tattoos so I think people can feel that.

Do you have any cat tattoos yourself? I don’t have any cat tattoos, actually I don’t have any cats at all as I am allergic to them!

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What inspires your tattoos? Most of my customers are big fans of Asian culture so I realised my tattoos have an Asian/oriental atmosphere. Also I’m inspired by my favorite illustrators which tend to be Asian themed too. I like anime, fashion and a lot of cat Instagram accounts!

Do you have a background in art, does this influence your work? I started to draw when I was very young and my major from university was product design. I was also an art teacher for a number of years and industrial designer. I feel like this has given me a nice foundation in wide variety of art mediums which has helped me a lot in tattooing.

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How does it feel being a woman in the tattoo industry? I have never thought about it. I just live in my own tattooing world.

How would you describe your style? I’m not sure exactly which category my style of tattooing would fall into. I would describe my style as just cute cat tattoos.

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How did you begin your tattooing career? What made you want to become a tattooist? It was a very spontaneous decision for me to become a tattooist. I really enjoy drawing and tattooing seemed like a very creative career which allows a lot of freedom.
I started tattooing in Melbourne by tattooing friends, and then moved to Korea to learn more. I was lucky enough to have people interested in what I wanted to tattoo, so I could really concentrate on my own style of tattooing.

Careers: Tattooed Data Quality & Audit Officer

44-year-old Richard Hughes is a Data Quality and Audit Officer for his local authority  in South East Wales. Richard is a researcher and part of a team that maintains and delivers helpdesk support to the authority, as he puts it “it’s as clinic and white collar as that, but, it pays.” We chatted to Richard about his extensive tattoo collection and how this fits with his career…

How long have you been in current role, how did you get there and what have you done before? I’ve only been in the role for just over a year, but before that, I was a civil servant for 20 years in various government departments both in Wales and the UK. I’m a fluent Welsh speaker so my role has taken me to various places to meet and engage with the public, including the national Welsh cultural festivals, plus the Royal Welsh Agricultural Show and many others.

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Richard’s back by Yeshe, who owns Dharma Tattoo in London

What initially drew you to tattoos? I’ve always been fascinated with tattoos, their permanent nature, the belief they were exotic and dangerous appealed to me on many levels. My mother hates them with a passion; which is probably why I like them so much! – my mother’s side of the family are all very straight laced stereotypical ‘grey’ people, whereas my dad’s side are all farmers and all a bit more daring and care free.

No one had any new tattoos though, just the ones they got on stag dos 30 years before, or in National Service. However, in school, a lad called Danny who was 14-15, had a blue ringed octopus which he got whilst abroad. It was spectacular, not like the stock Welsh dragon flash you saw in the shops, and I really got into it. I was in college in Luton between 1993 and 1996 and visited Dunstable Tattoo Expo in 1994 (I think) – different world to conventions of today. I stood out like a sore thumb.

What is your favourite tattooing style? I love Japanese art, always have from the willow pattern on our Welsh dresser and all the Japanese antiques my nan had.  I love the story and the work that has gone into it – I can identify with the Japanese work ethic.  I find it all very calming. I’m highly stressed and anxious at the best of times and it takes me to a happy place.

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Chickens by Lala Inky

How old were you when you got your first one? What was it and do you still love it? I’d been putting it off for months and years for no other reason than worrying what my folks who think, but I grew out of that bloody stupid notion and I went to Dai and Pie Tattoo in Swansea. I got a palm sized tribal dragon in red from Dai on my left shoulder. I was hooked, buzzing off the experience.  I remember some flash he had for a koi half sleeve, and loving the style, the colours.

I phoned the studio back up the next week about having more done, and Pie told me to me to fuck off and have a think about having anything more done and not rush into it. Best piece of advice I’ve ever had. Think about it, don’t rush into it. It’s covered up now but a bit of it still peeks through!

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Tattoo by Bananajims

Can you tell us about your tattoo collection There is a theme or sorts, water, fish, shells, flowers etc. I’m obsessed by chickens and everything means something, I wanted something for the wife and my daughter, so Lala (who was working from a studio in Cardiff at the time), designed the ‘poultry piece’ for me, I like it, Lala likes it and that’s all that matters. I gave up what people think about me years ago – it’s a truly liberating experience if you can master that.

This was followed by the waterfall by Lala on my left arm. Then Yeshe did me a lobster, after that I went back and had the bull and the Japanese poet, based on a woodblock carving  and he did my koi half sleeve at the Brighton Convention in 2014.  I did enter it into the competition at the end of the day  – but I was told Japanese never wins – they were right! At Brighton in 2016, Yeshe did my back in four and half hours!  I haven’t had a chance to go back and add to it, but I will.  Yeshe is such an amazing bloke, both him and his family and the extended family at the shop.

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Tattoo by Olivia Chell

Olivia Chell has a work in progress (wip) on my right forearm and Ellie Williams of Modern Body Art has two chest panels and a money toad on me, and more wip.  I also have ones from Banana Jims, who’ve I’d been corresponding with for years and Ali Baugh who did my plaice.

What sorts of reactions do your tattoos get from family and at work? My wife doesn’t really have an opinion on them but the kids love them; my boy is fascinated by them. My folks are none the wiser and that’s fine by me. I remember how Yeshe wanted me to go with him to see Aaron from Cult Classic Tattoo stand to show the koi half sleeve we did (Aaron is his friend and mentor and his views and comments on it were important to Yeshe), I was so happy I could do that for him and shows the measure of the man. I genuinely do not give a toss what people think about them, another stress relief mechanism – they’re mine, I love them.  I’ve paid good money to have them done professionally, so do one.

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Money toad by Ellie Williams

Are you allowed to have your tattoos on show when you’re working or do they have to be kept covered? When I worked on the stand for Welsh Government, my forearms weren’t done but I doubt they’d let me out in public without long sleeves or a fleece on – in saying that, nothing was said but I always covered up out of choice. Where I work now, loads of girls walking around with full sleeves! Great to see, but I’d bet they’d say something to me or anyone else. It is double standards but I get it – if you’re front of house, it’s one more thing for the neds to complain about.

Have your tattoos ever hindered your role or helped it? Never hindered me, although I had to declare them all for work!  The tattoos are a reflection of me, not the other way around, I do find them very personal and there’s a time and place to display them. I  cannot wait to finish some of the work that has been started, as I’ll be more easy to show them off, without impunity. Money is always the issue as ever – I have more money in deposits scattered across the country than I have in my bank account!