Have Courage and be Kind: An Interview with Lady Chappelle

Birmingham-based illustrative artist Lady Chappelle has been tattooing for over three years. With a passion for travelling, Lady Chappelle has managed to do a lot in what could be considered a short time in our fast-moving industry. Guest blogger, Rebecca Rimmer Givens chats to the Disney fanatic about hopes, dreams, ambitions and why it’s important to stay focused in what can be a crazy place to be…

Photo by Calvin Tasker

Photo taken by Calvin Tasker

You are based in Birmingham but also regularly tattoo in London. You’ve also done guest spots at a lot of different shops in the last few years. Has it been a busy journey so far? I have crammed a lot in – it has been a crazy few years but in a good way! The moment I got my apprenticeship there were certain goals I had, so I wanted to work hard at them. I used to not feel confident enough to approach places for guest spots, or I was worried I wasn’t good enough but then I thought – ‘what have I got to lose?!’

Luckily, some fantastic shops agreed to have me work with them. I’ve loved getting to know cities like Leeds, Edinburgh, Derby and Manchester, and recently visited Heerlen in The Netherlands. I can’t express enough how valuable guest spots can be for artists, both in the early stages of your career and thereafter. They are a great way to learn off of other artists and have valuable conversations.

In terms of travel goals for the future, I have a love affair with Southern California so I would love to guest there as well as the East Coast,  Canada and Australia.

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Which is your favourite studio to visit, if you have one! I have been to so many now but I have to say one of the best is Semper Tattoo in Scotland. I worked there this this year and had the best time. David Corden and the other artists are all crazily talented and friendly, some of the most super humble people I’ve had the pleasure of tattooing alongside.

Let’s talk Birmingham. You work with Dawnii and the team at Painted Lady – what’s life like there? I adore working with Dawnii and love being a resident artist at Painted Lady. I followed Dawnii and her shop online for years and really idolised both. To work there now in all honestly feels like a dream – I feel so so grateful to be part of the team, I work with some very talented people and again, learn so much from each of them.

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You’ve come such a long way in three years. Do you take time to stop and reflect on where you’ve been so far and what you plan to do in the future? In terms of achievements so far, a lot of this is down to mindset and being clear about what my goals were, and are. I have always been quite an ambitious person and if I really want something then I will work hard to achieve it. I didn’t start tattooing until I was 31 and so felt like I had a lot of catching up to do – not with anyone else but with my own personal goals.

I think when I take a few minutes to reflect on the whirlwind that has been the last three years, I am proud of what I’ve achieved in a short space of time. I feel very grateful for all the opportunities I’ve been given. For me it’s imperative to have goals – without goals and dreams I would lack focus, direction and probably live a mediocre life. I want the best life for my family and it’s all possible so why not aim high?

There’s a lot that I would still like to achieve and someday I believe I shall, but for now I just focus on making each tattoo better than the last and giving it my all.

What do you see as your single biggest accomplishment? I think having the opportunity to work at such a reputable shop as Painted Lady – it was my proudest moment when they told me I had gotten the job.

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What pushes you the most out of your comfort zone? I tattoo a lot of character work and although it still requires skill I can only push myself so far with it. I love a challenge so recently I have started doing more portrait tattoos in my style – I used to really love painting and drawing them and was intrigued to see how they would turn out on skin.

It took me a little while to be brave enough to try one but thankfully my fiancé James offered me a free thigh so I thought ‘why not?’ I was happy with how it turned out and most importantly, so was James, so that gave me confidence to try more. Now, portraits are one of my favourite things to do and I really hope I get to do more in future.

Do you have a favourite tattoo of all time? Or a favourite recent one that you’d put at the top of your portfolio? I have a few favourites so it’s hard to pick. I am currently working on a large back-piece though which has taken multiple sessions and has been a huge learning experience. I think once that’s completed, it will be my ultimate favourite.

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Do you think you’ll always focus on Disney-themed tattoos or are you keen to explore other avenues? I would say that 98% of my tattoo work is based on Disney characters. I grew up on Disney and will never get bored of it but there are certain elements in my character work that I want to develop and explore.

When you are using a pre-existing image of a character, there is only so much you can do with it to turn it into your own creation, but still there are so many of us Disney tattoo artists out there, all identifiable by the little quirks we have that make us unique. There will always be a long-running argument that tattooing Disney characters is an easy job but I want to show people otherwise. I hope what makes my creations different and likeable is the way I add other elements to them and have an attention to detail with every tattoo I do. I LOVE detail and in 2019 I want to focus on larger-scale pieces without so many elements in, so I can do less elements, really well.

Regarding keeping Disney to its true form, sometimes I ask clients why they have picked me to do their tattoo and they say it’s because I keep the characters’ faces true to the movies and original Disney concepts. Because I have always used Disney film stills and books to reference my material, I have always tried to make the designs as honest to the original as possible. However, there are some amazing artists out there who create their own more stylised versions of characters – this is something I would love to dabble around with more in 2019.

As much as I love tattooing characters, I also love flowers, animals and portraits, and enjoy working in more of a photo-realistic way. This imagery and approach offers me a different and exciting challenges (in comparison to my character work) because I have to think more and question myself and my decisions. I will definitely be doing more of this moving forward – I get a thrill from challenging myself with something new and then being pleased with how something has turned out.

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Tell us five tattoo artists that you look up to:

  • Russell Van Schaick – He was the first artist to introduce me to an illustrative, sketchy style and is someone that inspires my daily.
  • Michelle Maddison – There is nothing this lady can’t do! I’m obsessed with all of her tattoos. I fell in love with her floral work first of all. She tattoos in a colour realism style and it just feels so rich and luxurious.
  • Miss Mae La Roux – She’s the queen of Disney tattoos – no more needs to be said!
  • Marie Cox – I have known Marie since my apprenticeship and she’s always been a massive support to me. I’ve had the privilege of working with her too at her studio in Tamworth. I love her nature and botanical work and her amazing compositions.
  • Jenna Kerr – I love how intricate and detailed Jenna’s work is. Everything is so clean, precise and super pretty.

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I know you’re quite interested in motivational speaking. What drew you to having a focus on self-improvement and self-care, why do you think it’s important in an industry like tattooing? I spent the entirety of my 20s feeling incredibly insecure – insecure in myself, insecure in life and insecure in my purpose. I had great jobs but never felt fulfilled. As I was reaching 30, a friend introduced me to a book called The Secret – after a few listens to the audiobook and further time researching The Law of Attraction, something began to click. Shortly after got my first tattoo it all fell into place – I knew what I wanted to do and knew how to get there. What I needed was to write an action plan, work hard and most importantly have the right mindset. I gave up my managerial job and went in pursuit of an apprenticeship.

I was focused, positive and relentless, which is important because the tattoo industry can be crazy (in good ways and bad ways). If I hadn’t done so much work on self-development then I wouldn’t have been so. Overall, this is an incredible industry and we are all so lucky to be part of it, we should be grateful and humble that tattooing enables us to pay our bills whilst doing what we love. As the tattoo industry grows, having an awareness of your own self-development and improvement really aids your work. I don’t think you can be a true artist if you don’t care about doing the best you possibly can, wanting to be better each time.

Like many artists, I live and breathe my craft and am always pushing to improve myself. Whilst I am entirely grateful and happy that I have been so busy this year, I have neglected my own welfare a little too. One of the biggest lessons I’ve learnt is that you cannot serve to be the best you can if you are not looking after yourself. In 2019 I have promised myself more time out because resenting my art is something I never, ever want to happen. Self care is essential.

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Well that’s tattooing… what about non-tattoo life? Where would we find you during your free time? Outside of tattooing, you’ll find me playing my cello (I’m part of a symphony orchestra) walking our little sausage dog Winnie, or jetting off to Southern California (when time and money permits).

Any last words? In the words of Cinderella, ‘have courage and be kind’.

Tattoo Artist Fede Gas

Known for his realism tattoos, 38-year-old tattoo artist Federico Andújar, aka Fede Gas works out of Gas Tattoo Studio in Seville. In this interview he tells us about how he started in the business and what he loves most about tattooing…

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I’ve been tattooing since 2006, so 12 years now. In the beginning I just wanted to paint graffiti, but one day a friend of mine asked me to join him in a tattoo studio. This is when I started to learn about tattooing and how to tattoo. After a long period spent as a tattoo apprentice I started my own career as tattoo artist. I’ve worked conventions in Barcelona, Milan, Brussels and London and I hope to work them again some day and new ones.

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I would say my style is a mix of realism and watercolor or abstract effects. Now it’s changing though as I am starting to work with more Neo-traditional styling.  I think it will allow me to develop my ideas further and really connect to tattooing in a more personal way.

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What I love most about my job is the freedom and that everyday is a new and different day. My favourite sentence is “always learning”, I even have it tattooed on my fingers, this is how I want to live my life.

After 12 years of tattooing what I really want is to express myself in every tattoo, to put a piece of myself into every tattoo I make. I don’t really care that much about the subject, but I do care about the confidence my clients put into me, how they let me create my vision. I need to express myself and not to copy an image onto the skin.

Interview with Jonny Saunders

31-year-old tattooist Jonny Saunders tattoos out of Pulse tattoo studio in Banbury, Oxford. We chatted to Jonny about his dotwork swirl designs, how art relaxes him and how he chooses to decorate his own body with tattoos…

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How long have you been tattooing? I’ve been tattooing professionally for four years now. I used to study art, I had private art classes with Sue Burns who is the wife of Jim Burns the airbrush comic artist. Growing up with ADHD I found nothing interested me, except art. Art was the only thing I could do for hours on end and it helped to calm me down, it still does.

What made you want to become a tattooist? I wanted my artwork to have a bigger impact than I got on paper – it’s one thing to draw on paper and frame it but it’s another to mark someone for life. I love the rush of tattooing knowing I cant make any mistakes, the whole way from the power output to my running of the machine to how deep to go and what angle, and having it all work together to create amazing artwork to last a lifetime.

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You tattoo in a lot of different styles, which is your favourite? Working full time as a tattooist brings many different styles of art daily. My favourite style and the one I want to make my name for is my 3D Dotwork stippling.

What do you love to tattoo and what would you like to do more of? As I’m still fairly new to tattooing I would love to do more and be known for my dotwork paint swirls and my custom mandala geometric designs. Big plans and designs to come.

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What inspires your work? Are there any artists that you admire? I get inspired by doing photography and speaking with customers and their ideas. Without sounding stuck up I don’t admire anybody. I’m a strong independent artist with my own ideas and way of thinking. I have taught myself to tattoo and because of this I have my own way of working. I have my own thoughts on how art should turn out. In truth I want to be the one other admire.

When did you get your first tattoo? When I was 22, I got a tribal rose that was for my mum as her middle name is rose, but now I have it blacked out (my mum forgives me).

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You’re heavily tattooed, including your face, what sort of reactions do your face tattoos get?  Having face tattoos for me has done nothing but make me so much more confident and free. I get stared at constantly and random people come up to me asking about them and I love the attention. I blacked out one of my ears as I didn’t want to look stupid by blacking out both.

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What inspired you to cover your face and black out your ear? Was this a journey or more of a spur of the moment thing?  For me just the look of black abstract tattoos is as deep as it gets. It doesn’t mean anything to me there is no planing when it comes to the outcome of my body art. I get tattooed by Eli who works in Brighton, I show up and get tattooed. There is no plan, I just let him go crazy and I feel that with this way I won’t ever regret my body art. To be completely free of planing or worrying about if it will come out as planned feels amazing, there is no goal and no end.

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Head to Jonny’s website to see more great tattoos or follow him on Instagram.

Tattoo Artist Myra Brodsky

New York tattoo artist Myra Brodsky has created a line of spooky inspired tattoos titled Cabinet of Curiosities, which features ghouls, goblins and 19th century magic. Strongly influenced by art nouveau and the Victorian age, Brodsky has developed a style that is feminine, classic yet dark…

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I’m not interested in making little girls happy in the simplest way, and if I was I wouldn’t even be able to serve that, I only see the world through my own twisted mind and it just happens to be dark inside of there. I cannot help it.

What inspired you to become a tattoo artist and what drew you to the world of tattooing? I did not become a tattoo artist because I really wanted to. For me it came out of an emergency situation. I was 19 when I started to tattoo. I had to pay college fees and rent all by myself after I lost my father. My mother stopped talking to me and disappeared after he passed so I had to figure out a way to provide for myself. Luckily tattooing gave me the chance to generate some pocket money. At that time I had no idea what I was doing so I let my insane state of mind direct my actions.

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How long have you been tattooing? I started tattooing in 2008 when I met my best friend at the time who was already working at a tattoo shop. I did not take it seriously when I started and it was more of a way to try out things and tattoo my friends. It took me a while to figure out that it was something I could actually get really good at.

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How would you describe your style? How has it developed over time? It’s always very hard for me to put in words what my style is about. I get inspired by a lot of different things, periods of art and places I’ve been to. I settled down in New York City a while ago. But when I was still traveling from one place to another without a steady home base, I was so mad about absorbing all sorts of inspiration I was able to find anywhere in this world. Soon my style transformed into a blend of decorative elements you can basically find in any given period of art from the past and comic-like rather more modern characters that bring the scenery to life. I’m glad that I received my O1-visa for aliens of extraordinary ability as I have the privilege to travel back and forth between America and Europe whenever I want to. I’m sure my style is going to transform again in a few years.

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Designs from Cabinet of Curiosities

What do you love to tattoo and what would you like to do more of? What I most like about tattooing is trying to figure my clients out and find a personalised idea that really suits them. Everything has to make sense no matter what idea we are talking about. If I tattooed a large-scale griffin on someone’s arm there’s supposed to be a reason why. Personalities become alter-egos become simplified images.

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What inspires your tattoos? Do you think your German roots inspire your designs? I would not necessarily say that my German roots play a fundamental role since I consider myself a European citizen rather than a German. I went to art school and I know a lot about art history and love to help myself to all the decorative and adorning elements that most periods offer. They’re classic, they’re organic and can easily be used as a timeless way to complement your design. It just makes sense to me to tattoo them since classic art never gets old. People still pay admission to see old paintings in museums so I’m sure they won’t regret getting details of them tattooed. But still I need something else to break the sweetness in there. And I’d like to manifest that these days I mix my knowledge of art history with more modern elements I find in adult cartoons from the 70s-90s.

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You’ve created a series of designs based on a Cabinet of Curiosities, where did this idea come from? I take the subway everyday, I drink a lot of wine among other things and I watch a lot of B-Movies. I guess that explains at least something.

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Design from Cabinet of Curiosities

Halloween Tattoos Pt.2

Halloween is getting closer, the nights are drawing in and we’re stock piling the sweets for ourselves! To celebrate this spooky time for year we’re doing a mini series of Halloween inspired tattoos…

@sadee_glover

Sadee

@jodydawber

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@mikelovetattooer

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@_cattnip

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@xinaxiii

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@stephblackcrow

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@gerktattoos

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@karolina.sylwia

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@emilyceetattoo

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@hannahflowers_tattoos

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@kevinraytattoos

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@iris_lys

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If you’ve got a Halloween tattoo and would like to see it on the blog, send it to us at hello@thingsandink.com