Interview with Luke Ashley

24-year-old tattoo artist Luke Ashley tattoos out of South City Market which can be found in New Cross, London. If you’re an avid tattoo Instagramer you’ll have seen Luke’s palm tattoos that he’s now known for, we caught up with Luke to find out how it all started…

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How long have you been tattooing? How did you get into the industry? I’ve been tattooing full time for the last five or six years. I managed to get myself an apprenticeship quite young at the age of 16 in my local studio where I worked weekends and in the week around my collage schedule. I was super grateful to get my foot in the door and have a space to be amongst tattooing.

How would you describe your style? I’m not sure how I would describe my style, I’ve worked in street shops my entire life so I’m used to accommodating to what style my client is after. I think creating your personal style is one of most important things an artist has to do. But I’ve never wanted to turn my nose up to a tattoo as there are tricks to be learnt from all different styles, which can then in turn can be used across the board. My favourite thing to tattoo is definitely linework pieces and I love using different line weights in my work.

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You used to tattoo in colour, what drew you to blackwork? I still love doing colour and I still tattoo a lot of colour pieces but I’m definitely enjoying the blackwork style. Like I said I really enjoy most styles of tattooing and enjoy a challenge so am game for anything!

When did you do your first palm tattoo? Do you like tattooing palms?  I did my first palm tattoo on my friend Stu who I was working with with at the time and he just asked me to do it, witch I initially said no to because I’d heard how they would fall out and are really painful. But we did it anyway and it didn’t turn out great, I said to Stu ‘I think I was afraid to hurt you too bad’ so we did his other palm the next week and I didn’t hold back and I did it how I thought it should be done and it healed perfectly and is still super solid to this day. After that I just convinced friends to let me tattoo their palms because it was super satisfying to get it in properly and see it heal up solid.

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How do you find working on this area of the body? Everyone’s palms are different so you kinda have to get used to adapting your technique depending on the person’s palms. Like a builders hands in comparison to an office workers are going to be way more calloused and tougher to get through. But its definitely my favourite place to tattoo.

What kind of designs would you like to do? I would love to do some more double palm projects covering the entire hands and all up the fingers. I’m also looking forward to tattooing more soles of feet. I enjoy geometric and line work tattooing but I also love tattooing traditional and neo-traditional designs. As long as its a cool idea I’m into it!

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Do you have your own palms tattoos? I do. My first palm tattoo was done by Brody Polinsky. His bold lines and designs are incredible, I’m hoping to go and visit him soon to extend my current palm tattoo. I also let my friends Dash  and Stu do they’re first palm tattoos on me as they let me practise on theirs when I first started. I see my palm tattoos as really personal and look at them all the time.

Can you tell us some more about your own tattoos? The linework tattoos I have on my front and head are made by Kieran Williams. I had my first session over five years ago when I got the front started and then took a little break when we got to the top of my chest, as I wasnt sure if I wanted visable tattoos at that point. Now I am so happy with how its progressed and flowed up onto my neck and now head.
Im pretty open to the tattooist deciding what they want to do, i chose the artist for they’re style so I’m happy for them to run with it. None of my tattoos have much specific meaning to me but they are more like time stamps. I remember getting all of them and what I was doing in my life when I got them. I have one foot dedicated to friends doing little first tattoos on me, witch is always fun.

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What sorts of reactions do your tattoos get? I get a lot of positive reactions from people. Lots of times people ask if getting my head tattooed hurt and are really interested and compliment them which is nice. I’d say its 95% positive.

Does the pattern work you chose represent anything in particular? Not to me no. I originally asked for a church/cathedral but when I turned up Kieran had designed some more Thai looking designs and I was into it so thats what we did!

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Do you have any future tattoo plans for your own body? I’m trying to save the little bit of space I have left. But I reckon I’ll just get everything done pretty soon!

Do you have any travel or guestspot plans? I’m hoping to make it to Madrid this year and maybe Berlin but I haven’t made any solid plans yet. I’ll be heading back to Brighton/Hove to Nine Lives Studio and hopefully to SixtySix at some point this year too!

I’ve just started working at South City Market, it’s a brand new studio opened by Ricky Williams. It’s filled with talented artists and I’m so pleased to be a part of it. You can come find me there slamming out the palm tattoos!

Photography by LadyKaat Photography 

Careers: Tattooed Data Quality & Audit Officer

44-year-old Richard Hughes is a Data Quality and Audit Officer for his local authority  in South East Wales. Richard is a researcher and part of a team that maintains and delivers helpdesk support to the authority, as he puts it “it’s as clinic and white collar as that, but, it pays.” We chatted to Richard about his extensive tattoo collection and how this fits with his career…

How long have you been in current role, how did you get there and what have you done before? I’ve only been in the role for just over a year, but before that, I was a civil servant for 20 years in various government departments both in Wales and the UK. I’m a fluent Welsh speaker so my role has taken me to various places to meet and engage with the public, including the national Welsh cultural festivals, plus the Royal Welsh Agricultural Show and many others.

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Richard’s back by Yeshe, who owns Dharma Tattoo in London

What initially drew you to tattoos? I’ve always been fascinated with tattoos, their permanent nature, the belief they were exotic and dangerous appealed to me on many levels. My mother hates them with a passion; which is probably why I like them so much! – my mother’s side of the family are all very straight laced stereotypical ‘grey’ people, whereas my dad’s side are all farmers and all a bit more daring and care free.

No one had any new tattoos though, just the ones they got on stag dos 30 years before, or in National Service. However, in school, a lad called Danny who was 14-15, had a blue ringed octopus which he got whilst abroad. It was spectacular, not like the stock Welsh dragon flash you saw in the shops, and I really got into it. I was in college in Luton between 1993 and 1996 and visited Dunstable Tattoo Expo in 1994 (I think) – different world to conventions of today. I stood out like a sore thumb.

What is your favourite tattooing style? I love Japanese art, always have from the willow pattern on our Welsh dresser and all the Japanese antiques my nan had.  I love the story and the work that has gone into it – I can identify with the Japanese work ethic.  I find it all very calming. I’m highly stressed and anxious at the best of times and it takes me to a happy place.

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Chickens by Lala Inky

How old were you when you got your first one? What was it and do you still love it? I’d been putting it off for months and years for no other reason than worrying what my folks who think, but I grew out of that bloody stupid notion and I went to Dai and Pie Tattoo in Swansea. I got a palm sized tribal dragon in red from Dai on my left shoulder. I was hooked, buzzing off the experience.  I remember some flash he had for a koi half sleeve, and loving the style, the colours.

I phoned the studio back up the next week about having more done, and Pie told me to me to fuck off and have a think about having anything more done and not rush into it. Best piece of advice I’ve ever had. Think about it, don’t rush into it. It’s covered up now but a bit of it still peeks through!

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Tattoo by Bananajims

Can you tell us about your tattoo collection There is a theme or sorts, water, fish, shells, flowers etc. I’m obsessed by chickens and everything means something, I wanted something for the wife and my daughter, so Lala (who was working from a studio in Cardiff at the time), designed the ‘poultry piece’ for me, I like it, Lala likes it and that’s all that matters. I gave up what people think about me years ago – it’s a truly liberating experience if you can master that.

This was followed by the waterfall by Lala on my left arm. Then Yeshe did me a lobster, after that I went back and had the bull and the Japanese poet, based on a woodblock carving  and he did my koi half sleeve at the Brighton Convention in 2014.  I did enter it into the competition at the end of the day  – but I was told Japanese never wins – they were right! At Brighton in 2016, Yeshe did my back in four and half hours!  I haven’t had a chance to go back and add to it, but I will.  Yeshe is such an amazing bloke, both him and his family and the extended family at the shop.

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Tattoo by Olivia Chell

Olivia Chell has a work in progress (wip) on my right forearm and Ellie Williams of Modern Body Art has two chest panels and a money toad on me, and more wip.  I also have ones from Banana Jims, who’ve I’d been corresponding with for years and Ali Baugh who did my plaice.

What sorts of reactions do your tattoos get from family and at work? My wife doesn’t really have an opinion on them but the kids love them; my boy is fascinated by them. My folks are none the wiser and that’s fine by me. I remember how Yeshe wanted me to go with him to see Aaron from Cult Classic Tattoo stand to show the koi half sleeve we did (Aaron is his friend and mentor and his views and comments on it were important to Yeshe), I was so happy I could do that for him and shows the measure of the man. I genuinely do not give a toss what people think about them, another stress relief mechanism – they’re mine, I love them.  I’ve paid good money to have them done professionally, so do one.

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Money toad by Ellie Williams

Are you allowed to have your tattoos on show when you’re working or do they have to be kept covered? When I worked on the stand for Welsh Government, my forearms weren’t done but I doubt they’d let me out in public without long sleeves or a fleece on – in saying that, nothing was said but I always covered up out of choice. Where I work now, loads of girls walking around with full sleeves! Great to see, but I’d bet they’d say something to me or anyone else. It is double standards but I get it – if you’re front of house, it’s one more thing for the neds to complain about.

Have your tattoos ever hindered your role or helped it? Never hindered me, although I had to declare them all for work!  The tattoos are a reflection of me, not the other way around, I do find them very personal and there’s a time and place to display them. I  cannot wait to finish some of the work that has been started, as I’ll be more easy to show them off, without impunity. Money is always the issue as ever – I have more money in deposits scattered across the country than I have in my bank account!

Interview with Tattoo Artist Deborah Pow

26-year-old Deborah Pow tattoos out of Den of Iniquity Tattoo Parlour in Edinburgh. We love her lifework tattoos from florals to animals and just had to interview her for the blog…

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Photo taken by Tegid Cartwright

When did you start tattooing and what made you want to join the industry? I have been tattooing for three years now. I’m sure this is what everyone says but it’s just something I always wanted to do, I don’t remember wanting to do anything else!

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What did you do before? Did you study art? Yes I went to college and did an art portfolio course in Dundee which got me in to Duncan of Jordanston where I did Illustration. Art college is obviously not necessary at all for a tattoo artist, but it definitely helped me for many reasons. Firstly I wouldn’t have had the amount of work in my portfolio and most importantly I completely learned how to draw when I was at art college. Life drawing is 100% the best thing I was introduced to and recommend everyone does it! Work wise I’ve always had a part time job since I was 13, through school, university and my apprenticeship I worked in a bakery, milkshake shop, supermarkets and bar work. I think everyone should have to work in retail or a bar at some point to appreciate people and to not be a dickhead to people!

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How would you describe your style? What drew you to working in black and linework? I get asked this a lot and I don’t really know, it’s the way I draw and have always drawn so don’t really know how to categorise it! ‘Line-y blackwork’ maybe? Again I’ve always been more drawn to just sitting down with a pen and adding lots of lines and details, I did a lot of print making and painting at university and obviously painted lots in my apprenticeship which I do enjoy from time to time but it definitely doesn’t come as naturally.

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What inspires you? I really love old illustrations of anything a bit strange, as-well as looking through books on mythology and anatomy – and of course all things nature!

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What do you like tattooing and what would you love to tattoo? Anatomy and dissections, animals, hands, botanics and mythology. Combining two or three of these elements is a dream design for me to draw! I’d also love to tattoo more large scale birds as I really enjoy creating different details in their feathers.

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Do you have any guestspots or conventions planned? Conventions I’m doing this year are Brighton, Big North and Leeds! And so far I am guesting with my friends Ben and Rach in Darlington at Luck and Love and revisiting friends at Parliament in London, Salon Serpent in Amsterdam and my second fam at Redwood in Manchester. I’m not sure how many more I’ll be doing because I’m going to go (non-tattoo-related) traveling a little this year but hopefully will squeeze in going back to see the wonderful people at AKA Berlin too! Sometimes when I guest away I don’t actual manage to see the cities in the daytime so I’m excited to be a little tourist this year *sorry in advance for annoying Instagram stories coming soon*.

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

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When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

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What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

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How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

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What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

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I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

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Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

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When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

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What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

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How would you describe your style? What drew you to blackwork?  I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

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What inspires you and what would you love to tattoo?  I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

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Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

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