When Tattoo Culture and Fashion Collide

Our guest blogger is Jade-Bailey Dowling, fashion writer and creator of Nouvelle Noir, a blog dedicated to dark fashion. In this post she explores tattoos in the world of fashion… 

Fashion and tattoo art appear to have very little in common . While fashion is fleeting by its very nature – trends change twice a year – tattoos are a life-long commitment. Yes, there are, of course, “trends” in tattooing (take the tribal mania of the ’90s, or the current love of the mandala), but when deciding to get tattooed, you put far more thought into it than which new season shoes to purchase.

However, fashion has repeatedly looked towards the tattoo community to gain inspiration for their own craft.

Vogue

Designer Jean Paul Gaultier has repeatedly drawn inspiration from body art in his designs. His signature style originated from nautical influence, and this too included the body art and tattoos sported by sailors. While the Breton stripe was prominent in his early work, traditional Japanese style patterns were seen in the Spring/Summer 2012 collection – printed on women’s shoes and handbags, as well as earlier in the Gaultier menswear. His tattoo infatuation was enhanced further when designing the Diet Coke bottles (also in 2012), a campaign that saw Gaultier cover model Daisy Lowe in temporary body art to promote the collection.

Coca Cola

And Jean Paul Gaultier is not alone in bringing tattoo art to haute couture. In 2012, Karl Lagerfeld, creative director of Chanel, sent models down the catwalk covered in Chanel-esque temporary tattoos. Designs included pearls, the brands signature interlocking Cs and brands namesake and creator, Coco Chanel’s favourite flower, a camellia. They had been designed by the brand’s former make-up director Peter Philips, and at £45 a sheet, fashionistas could get the tattoo trend without the commitment of a lifelong addition.

Chanel

This seeming ‘tattoo trend’ looks to continue into Spring/Summer ’16, McQueen has designed a new take on the brand’s signature skull scarf to incorporate traditional flash style artwork alongside it. At £95, tattoo flash sheets become wearable in these silk scarves.

Alexander McQueen

Kate Moss is noted for having a small swallow tattoo on her wrist, but previously models, in particular female models, were discouraged from having large, visable tattoos in the fear of hindering their careers. This seems to be changing gradually, with the likes of Cara Delevingne proudly showing off her many visable artworks, including a lion on her finger. Also, at the Met Gala this year – a yearly fashion event held at the Metropolitan Museum of Art by U.S Vogue editor Anna Wintour – Cara Delevingne decorated herself with cherry blossom airbrushed body art, done by New York tattoo artist Bang Bang, in keeping with the theme of Chinese Whispers: Through the Looking Glass.

W Magazine

More recently, cult shoe brand Dr Martens looked towards tattoo artistry for inspiration. Their Spring/Summer 2015 collection included shoes, satchels and dresses adorned with traditional style tattoo patterns. Similarly, for Brighton Pride 2015, Dr Martens teamed up with tattoo artists from the local area to come together for a charity raffle with prizes including shoes and bags custom decorated by local tattoo artists.

Dr Martens

Tattoos and fashion have collided in a more permanent way (forget the temporary tats) on the high street too… A few years ago, consumers could not only get their fashion fix, but they could also get a tattoo in the Metal Morphosis studio in Topshop’s flag ship store in Oxford Circus. And last year, legendary department store Selfridges had a pop-up tattoo parlour for two weeks.

Although it’s great that body art and tattoos are seemingly being more accepted into society, especially within fashion, taking inspiration from the late Yves Saint Laurent quote, perhaps trend seekers should remember that fashions fade, while tattoos are eternal.

Focus Group: Tattoo Spotting

Last night we had a focus group in London to find out what our readers love and don’t love about Things&Ink magazine. We met these three lovely ladies who shared their opinions about our articles, layout and, of course, tattoos! There are lots of exciting changes ahead for Things&Ink

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Above from left: Columnist ReeRee Rockette, editor Alice Snape, editorial assistant Rosalie Woodward and our three panel members… 

We couldn’t resist the opportunity to street spot and chat tattoos to our panel members…

Name: Emma Age: 27 Lives: London  Job: Photograph researcher for Merlin
Tattoo: Skull by Ray Hunt at Diablo Tattoo in Kent

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Name: Laura Age: 40 Lives: Maidstone, Kent  Job: Dinner lady/ toddler rugby coach
Tattoo: Abi Cornell at Inkfish in Maidstone
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Name: Silvia Age: 24 Lives: London Job: Digital marketing executive
Tattoo: Lady by Angelique Houtkamp at Salon Serpent Tattoo in Amsterdam
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If you have any suggestions or comments about the magazine get in touch, email us at hello@thingsandink.com

Fangs&Ink: Maidstone John

Maidstone John is a 24-year-old freelance illustrator from Canterbury who creates black pen and ink drawings depicting nightmarish ghouls, he has created a fanged female monster, especially for Things&Ink. We chatted to him about what inspires him, his hopes to become a tattoo artist and the tattoos on his body… 

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The Fang Girl John created for Things&Ink

Do you have a background in art? Yes, when I left school I studied fine art and design at Canterbury college, specialising in illustration and print making.

When did you start drawing?  I’ve always drawn from a young age, it all started after school one summer when I broke my leg skateboarding. I was stuck indoors for a good three months with nothing to do, watching my friends going skating and getting frustrated. My good friend Craig Questions would come and visit all the time and I just remember him telling me that I had to focus my mind to something positive or I’d eat myself up. Craig would always visit with these incredible fanzines that he’d been working on, which fuelled and inspired me to draw my own. When the summer came to an end, I was sat in front of a body of work that later on secured my place on the art and design course and the drawing never stopped from there…

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How would you describe your style? Black work inspired by old woodcut etchings. I think my work is a real diverse variety from elements of dark satanic reference to bold traditional 1920s tattoo flash.

What inspires you? I would say I’m particularly inspired by old horror films specifically hammer horrors, the devil rides out being my all time favourite. 80s skateboarding, natural history and third world culture. Those who are close to me know I’m an avid collector of antiques, oddities and ephemera, I love 80s toys. Madballs, Boglins, Ghostbusters and any monsters.

How do you choose your subject matter? I normally find a fragment of a idea from a film or a good book and then run with it until I am happy. I’ve recently had quite a few people email me with some really cool ideas for commissions, mostly album covers for bands, clothing and skateboard graphics which is awesome. I am always happy to run with any idea, it doesn’t always have to be a dark and gnarly design.

innkkkAre there any artists you admire? Do they influence your work? Most certainly, there is a never ending list of people who I look up to, many of which I am lucky enough to call my friends. Without them, I’m not sure if I would even be doing the things I love right now like drawing and skateboarding. French (Richard Sayer), Craig Questions and Dan Singer gave me the original inspiration and the kick start I needed with their insanely detailed illustrations.

I look up to many different tattoo artists (past and present) from Daniel Higgs and Stoney St Clair to the amazing blackwork by DuncanX and Philip Yarnell. All of these guys have their own quirks and calling cards that to me makes them unique not just as artists, but as individuals. I spend every Thursday at Classic Ink in Herne Bay, owned by my pal John Slack, drawing along side Scott Banks and John has really helped me creatively and they are always filling me with advice and confidence, which I am so grateful for. Some day I hope to learn to tattoo and me and John are doing a little trade soon, which I am really excited about.

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What medium do you use?  I normally prefer to work with pen and ink, uni pin fine liners are real good, but I’m trying to push myself with my painting.

How long does it take to create a piece? It all depends on the size and intricacy of the piece, but I am getting much quicker these days, I’ll spend around six hours on an A3 sheet at the longest.

Do you have any tattoos? Can you tell us about them. Of course, I’m nearly complete from the waste down and I have some cover up work on my arms but, as of now, I’m in the process of filling my front. I have been tattooed by some really incredible artists and I still have a long list of artists who I long to get some work off.  I can appreciate all genres of tattooing but I am particularly fond of traditional black work.

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John’s bat by tattooist Philip Yarnell

I have a lot of rad and exciting things coming my way towards the end of this year, if you’re interested in being a part of my journey, find me on Instagram @maidstonejohn

The Art of Alex Gross

Alex Gross is an LA based artist who creates incredible oil paintings that often explore the themes of globalisation, commercialism and beauty. His works suggest that in the world we live in, it is impossible to escape consumerist and media pressures.

Memory Fragments, 2015, oil on canvas, 40.25 x 53.5 inches

Candy Crush | Oil on Canvas | 48.25” x 33.5″ | 2014

Selfie | Oil on Canvas | 22” x 15″ | 2014

Come to where the flavor is. | Oil on Panel | 20.5” x 18” | 2010

Original Sin | Oil on Canvas | 54” x 56” | 2011

Siren | Oil on panel | 28″ x 45″ | 2004