For Identity // Against Stereotypes

A couple of months ago, lingerie brand The Underargument asked our editor Alice to model for their new campaign: For Identity // Against Stereotypes. This inspiring lingerie brand is a wearable reminder to embrace individuality and argue against the norm.

The For Identity // Against Stereotypes collection illustrates that we are more than the boxes that we are sometimes put in. Your identity does not start or stop with your gender, your religion, your abilities, your cultural, occupational or social background. This underargument will remind you that you don’t have to be the product of your environment and predispositions or let stereotypes define you.

Here is Alice’s story for the collection. 

 

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“One of my favourite things about my tattoos is that they challenge traditional stereotypes of beauty, that a woman’s skin should be pure or unmarked. It still shocks me that, in 2019, some magazines and mainstream media push the idea that we should look a certain way, by losing weight or using make-up to conceal our so called imperfections. It is so damaging.”

“Perceptions of tattooed women have always suggested sexual promiscuity and over-confidence. And I think that society still views female confidence with an irrational disdain. Perhaps that is why tattoos on a woman are so provocative. I don’t often wear shorts in the summer now for fear of #tatcalling. As dependable as clockwork – when you’re a tattooed woman in public, some guy will eventually shout, “I like your tattoos!” My tattoos aren’t an invitation to leer at me. My tattoo on my back is certainly not permission to run your hands down my spine or pull my top down to “get a better look” or ask me “how far does that go down love?”; I am not public property. Tattoos don’t make me “easy”, they are not any reflection of my morals and they don’t mean I am seeking attention.

I bumped into an ex a few years ago who was like “what are you, good girl gone bad? “

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“Whenever I go back to my hometown, it’s a small place in the midlands, people are always shocked that I have tattoos. I bumped into an ex a few years ago who was like “what are you, good girl gone bad? “. My uncle has a few tattoos and even he is surprised that I am the one in the family who is heavily tattooed. Women with tattoos are never portrayed as the “girl next door”, they are never the nerdy girl, they are the bad girl, and they are sexualised. Women with tattoos have been painted that way for years. The Tattooed Lady in the circus, for example, was literally a freak, a strange creature to be objectified.

“Tattoos have always been for “tough guys”, and men with tattoos aren’t sexualised in the same way that women are. I was a studious girl at school, quiet, shy, forever with my head in a book. The fact that I have ink on my skin apparently doesn’t fit into mould. But I am still that person. In fact, tattoos have given me confidence. I used to hate the way I looked and adorning my body with beautiful artwork has been empowering – and I can’t wait to see how my collection grows. I would love to fill all the gaps. It will be my life’s work. It is funny. People often ask if I worry about what I will look like when I am older, but, really, why would I? I don’t plan on fitting into another stereotype about what I should or shouldn’t look like in my seventies, eighties, nineties…”

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View more at theunderargument.com

We love kewpies

Rose O_Neill 1907Rose O’Neill first illustrated Kewpie dolls to be featured in the Ladies’ Home Journal, and they swiftly became extremely popular. Born in Germany, their name derived from the word “Cupid”, for the Roman God of beauty.

Shortly after Rose was 19, she moved to New York city alone with only 60 drawings. Within three months, she had sold them all. She was shocked by their popularity. She began illustrating for children’s books and was highly successful, appearing in many popular publications including Harper’s Bazaar and Good Housekeeping. She drew over 700 cartoons for the humour magazine, Puck, which was a predominantly male-centric title at the time.

Her career was unparalleled and she truly demonstrated the traits of a strong woman. During her success, she sent her earnings home to her father, who converted their two-bedroom cabin in Missouri into a 14-room mansion. Rose also bought homes in New York, Connecticut and the Italian Isle of Capri. In a time where women could not even vote, she was truly supporting her family and allowing them to live a life they were not previously accustomed to.

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Rose took inspiration for her work from many different areas of her life. Her Kewpie dolls came to her in a dream. Rose O’Neill had a dream of small little cherub-like elves jumping on her bed, one night in 1909. When she woke, she hurried to her drawing desk and sketched the first Kewpie. From there, her love of the small Kewpie never faltered.

Tattoo by Kim Anh-Nguyen
Tattoo by Kim-Anh 

Kewpies took their doll form in 1913, manufactured in Germany, designed by Joseph Dallas. They were five inches tall, with jointed arms, painted eyes and a distinctive moulded face. They became highly collectable, and in 1939 a Kewpie doll was entered into a time capsule in New York’s World Fair. Early dolls now raise thousands of dollars, and are highly collectable. But they were not only captured in celluloid and plastic; Kewpies were immortalised in colouring books, stationery, cups, plates and poems. More recently, they have been commonly eternalised in tattoos. Many artists now tattoo the dolls in many different outfits and styles, but always keeping to the distinct Kewpie characteristics Rose O’Neill designed.

Tattoo by Lauren Winzer
Tattoo by Lauren Winzer

Kewpies were popular in tattoo flash around the time of their conception, but faded out by the 1950s, being seen as old-fashioned. Today, they are almost as famous in tattoo flash as other bold traditional designs, such as the pin-up girl. Many artists are known for their amazing renditions of these cherub-like children, such as Kim-Anh Nguyen, Lauren Winzer and the late tattoo legend Mike Malone.

Kewpie necklace, by Bete Noire.

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London Tattoo Convention: Street Style

We adore tattoo conventions: everyone united by their passion under one roof, that buzz of tattoo needles and endless inked skin. We love stopping people to have a chat to find out more about their style and what they love about tattoos. Here’s who we chatted to at the London Tattoo Convention

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“This is my first ever tattoo and my first time at a tattoo convention. I went to Borneo for my 60th birthday, and this is to commemorate that trip. My friend had a tattoo done by the artist, and I loved it and I knew my first tattoo had to be done by the same artist, their work is just so different. I love my orangutan, it is even better than I imagined! And it didn’t take long, six hours in just two sessions. The artist is LA based artist, so I got it finished here today.” Tracey Judge

Tattoo by @ivanatattooart

 

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Bio chemist, from United States
“My back piece took one year to complete, in around 11 sessions, and I sat for about ten hours each time. I am filling a space on my arm today, at London Tattoo Convention. Last week I was in Germany for another convention with Russ (the artist) to show off his work. I’m a scientist, I’m trying to progress my career right now and would rather not have my name online. I do not want to be weaponised for my tattoos, in my field of work, not until I am high up enough to hire or fire the people who would use my tattoo against me – I won’t reveal my tattoos until I am in the postion of power. My job involves designing vaccines, and running grad schemes, it’s really full-on, like my life has been lately. Getting tattooed, the whole process of it and enduring pain, is my way of coping with stress. It helps me to navigate through my trauma, like a rite of passage through the years of marriage and school, and recovery. I am owning that!”

Tattoo by @russabbott

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“I am a friend of Rose Hardy, and am helping her at the convention this weekend. When I’m not helping Rose, I am a master stylist and educator at ARROJO in New York. I love my hand tattoos, the details that Rose put into them too.”
@tinachacha

Neck and hand tattoos by Rose Hardy

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@adelebrydges and @noyau_noyau
Adele creates gorgeous erotic objects in her London studio, and this year is her first time exhibiting at the convention. Her heart tattoo was done by CJ at East Side Ink in New York.

“As a leather worker, I take take photos of hands all the time, I work with my hands. My Instagram is filled with hands, hands holding my pieces and  and tools. I want to cover myself in hand tattoos – I just want to be touched and touch everything.” @noyau_noyau
Hand tattoos by @jenzietattoo

It has been another wonderful year at the London Tattoo Convention, see you at the next one.

Inked Girls: The sexualisation of women with tattoos

The female body is sexually penetrative in its very nature. The skin forms a protective layer, but this can only protect so much. The argument that our skin should not be blemished is a prominent one. Tattooing a woman’s skin is a way of reclaiming it, in its purest form it is naked and sexually accessible, and tattooing is a way of gaining control. It is power. However, some might suggest that the act of tattooing is, in fact, tarnishing it.

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Perceptions of tattooed women have always suggested sexual promiscuity and over-confidence, and over time this has become a negative way of viewing these traits. We still view female confidence with an irrational disdain. By those who aren’t within the tattoo community, tattoos are often associated with masculine men, sailors and bikers. It’s certainly how my parents view them. They’re for tough guys. Feminine tattooing breaks these boundaries and The Tattooed Lady performing in freak shows personifies the shock, or horror, of tattooed women in society.

Albert Parry, author of the 1933 book Tattoos; Secrets of a Strange Art, describes a rape case in late-1920s Boston in which the prosecutor, on realising that the woman he was defending had a tattoo, dropped the case. The judge and jury released the two men who raped her on the grounds that they had been misled by the butterfly on her leg. The defendant herself was put on trial, and her tattoo was seen as evidence of her guilt.

This seems to be a theme throughout the history of tattoos on women. Judgement and sexualisation are part of the process. Whether this is due to society’s ideological restraints on women, or whether the act of getting tattooed is depicted as a practice meant for “those at sea and criminals” alone, is uncertain. What is clear, however, is that in the world of two minorities – those with tattoos and women – face criticism at the hand of others.

It is rarely considered that women don’t get tattooed in order to challenge traditional feminism, but instead to enforce it. Common themes in female based tattoo art are butterflies, flowers and gentle animals; symbols of rebirth, and fertility. Instead of defying their sexuality, women can enforce it.

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Tattooing is a fantastic way for women to reclaim control over their bodies, but even the freedom they gain from their tattoos can be culturally written over. For instance, who hasn’t been told that they were, “such a beautiful girl” prior to having their tattoos and who hasn’t faced the implication they are ruining their body? These comments, although sometimes well-meant, once again take away the attempt at personal freedom and expression by the female involved. According to the Sociology MA thesis of A. Ellerbrok, “While 65% of the male tattooees indicated that their family members have reacted positively to their tattoo(s), only 36% of female tattooees indicated the same.”

Women have pioneered the use of tattoos to reclaim their bodies from traumatic experiences, including disease and abuse. Recently, women recovering from breast cancer have sought tattoos, both to create a new aesthetic for mastectomy scars and to express the devastating effects of the disease. Tattoo artist Sasha Merritt, based at Dragonfly Custom Ink in San Francisco, recognises the importance of tattooing in the healing process for women who have mastectomy scars and advertises a special rate for survivors.

The concept of the wild female is underpinned by the implicit understanding that to tattoo one’s female body with apparent ‘male’ body art, in regards to imagery, size, or location, is to take part in an irreversible act of destruction in relation to femininity. The attitude that a woman is “desecrating her beautiful body by marking it with something that’s not feminine” is stated by a participant in an interview conducted with A. Ellerbrok for her thesis. Another said, “Honestly, if I see a woman with a lot of tattoos I think oh my god what was she thinking, she barely looks like a girl anymore”. The latter participant was a woman.

The sexualisation of female tattoos has always been embedded in these stereotypical concepts, and has once again become a hotbed for debate. With the rise of Suicide Girls, and the origin of feminine tattoos being with circus performers, it’s clear that tattoos on women are heavily sexualised: the small costumes and flaunting of their bodies has secured this. After all, the tattooed lady wouldn’t be so shocking if you couldn’t see her tattoos.

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It’s interesting to note, however, that not all women baring tattoos are flaunting them intentionally. For instance, within the fetish community women with tattoos are common, but that is a separate part of their personality not a requirement of their job, perhaps just a reflection on the subculture itself.

An overview of the literature on female tattooing and sexuality suggests that the tattooed female is both interpreted and performed in the context of a highly sexualised media and advertisement-saturated society. According to radical feminist Joan Jacobs Brumberg in An Intimate History of American Girls (1997) we live in “a culture of unrelenting objectification where women’s bodies are used to sell everything” – even children’s toys such as the tattooed Barbie doll. This reflects the extent to which the sexualised female tattoo has become a normalised consumer image within mainstream society. Despite this image, tattoos are still associated with negative sexualisation, for example, the slang term for a lower back tattoo is the Tramp Stamp.

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The clearest example of the sexualisation of women bearing tattoos is the popularity of Suicide Girls, the online forum dedicated to those who live an alternative lifestyle. The website is now a worldwide phenomena; there are a huge number of paid models and an even larger number of paying subscribers, they sell merchandise and are a massive, successful company in their own right. What started off as a way of connecting is now a business, and they have grown from 200 models in 2004 to a huge 2,000 models in 2012 [update: there are now more than 3,000]. Everyone wants to be a Suicide Girl. They highlight the alternative lifestyle, and the beauty of a feminine and often tattooed scene. Sadly, the site chooses to highlight their differences with erotic photo sets, perpetuating the image of the tattooed lady being the easy-to-screw lady. What began with the intention of celebrating the uniquely beautiful has turned into a standardised erotic website with pictures of tattooed women. They tried so hard to be different that they set a new bar for conformity.

Words by Kelli Savill, first published in The Face Issue of Things & Ink which was published in 2013. Mannequin tattooed by El Bernardes, Dominique Holmes and Inma. Photos by Kristy Noble.

Interview with blogger Pale Ginger Pear

We’ve been following Cara, AKA Pale Ginger Pear, on Instagram for a while. She talks openly and honestly about illness (she has lipedema and lymphedema), being fat and tattooed. We caught up with her to find out more – spoiler alert, she loves Disney tattoos as much as we do.

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076B09ED-0C9C-4FA7-9FA2-F67A696A679FTell us about your tattoo collection. When was your first? My first tattoo was a tiny roll of film on my left shoulder, it was done by Tyree Patrick of Big Nerd Tattoos – he is the only person I have been tattooed by. I had it done in the fall of 2002 shortly after finishing schooling for photography. Pretty quickly after that I added a camera to the right shoulder.

In 2006, I added some CD artwork. Then I took a few years off from getting inked. Before adding my gluten-free baking logo to my right wrist in 2013 (I am a celiac). July 15, 2014, my mom’s birthday (five years after she passed), I got a Wicked Witch and Flying Monkey from her favourite movie on my left arm in her memory. I remember thinking the Oz tattoo was big! In typical Ty fashion, he started talking to me about my next tattoo while tattooing me. The idea of an Ursula and Cruella half sleeve formed – which eventually evolved into my Disney Villain sleeve. As we were wrapping up the Disney Villain sleeve, he asked “what next?” I mentioned that the only other thing I liked enough for years was The Muppets. Next thing I know I was scheduled to start the thigh piece the following month. 

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What do you like about getting – and being – tattooed? I love getting tattooed. I enjoy the pain as crazy as that sounds. I jokingly call it “ink therapy”. Ty has been a sounding board during many sessions about all the crazy DMs and offers I receive (one guy even asked to buy my pubes). Ty has also been great at helping me ramble about possible ways to grow Pale Ginger Pear.

I love how being tattooed makes me feel. I know my tattoos are pretty amazing so it’s an easy way for me to brush off people staring at me. In my head I justify it to myself that they are looking at my ink not my fat arm.

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Do you have any more tattoo plans?  The Muppet thigh piece isn’t complete yet. There’s a spot above Swedish Chef beside Bunsen that I feel there is room for another Muppet. There will be some touch-ups and background added too, for sure. Other than finishing that, I don’t really have any plans for more ink. I like the contrast of one arm inked and the other pale and freckled. As much as that drives Ty crazy to be “unbalanced” and not take advantage of all that great “real estate”. We have talked about doing a pear with a tattoo on it but I can’t picture where it would be placed. 

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You are very open on social media about your illnesses and your size, do you think instagram transparency is important? How do you hope to inspire others? I think transparency is important to a degree. I keep my kid and my dating life (for the most part) off of my IG. I don’t feel they factor into what I’m trying to show about lipedema/lymphedema. It’s nice to have somethings about my life as mine that can’t be judged and picked apart. I already judge myself enough for being a single mom, I don’t need strangers adding to my self doubt. I also don’t post my weight as I don’t feel the actual number is going to change anything for the person reading it. People carry weight differently so my number might look different on other people, but it doesn’t change my conditions.

I hope to inspire people, especially women with lipedema and lymphedema, to embrace their body as it is. There is no reason to not wear the little black dress while wearing your compression stockings or showing off your large upper arms, thanks to lipedema.

Can you tell me what having lymphedema and lipedema means, and how it affects you day to day? Lymphedema is where the lymph fluid flows down but, in my case, doesn’t flow back up from my lower legs properly. The lymph flow pools in my lower legs causing swelling. I wear compression stockings daily to keep the swelling to a minimum. If I don’t, my legs feel super tight, almost like they can explode. Lipedema is when fat cells absorb lymph fluid, damaging the cells causing it to not react to diet or exercise like typical fat cells. Lipedema is a dull constant ache. It also is very sensitive to the touch and bruises easily. It hurts if I try to sit in a tight seat where the arms can’t be adjusted.

When were you diagnosed? I was diagnosed in 2008 with lower leg lymphedema. It wasn’t until about 2016 that I was told I had lipedema as well. Then it wasn’t ’til 2018 that I found out lipedema was the cause of my bigger upper arms. I had originally been told that it was just hips/thighs/buttocks. Lipedema is more frustrating to me because there isn’t much relief for it, short of liposuction to remove the damaged fat cells. But most US insurances don’t cover the cost of the liposuction as they view it as cosmetic.

Does it affect you getting tattooed? Lymphedema areas can’t be tattooed, which is why my Muppet piece will be just on my thigh. Cuts or injections are to be avoided as lymph fluid will leak out of the opening and can be difficult to heal. Before I started my thigh 6D8DD8B4-E490-466B-9EFC-5CED267A500Dpiece, I reached out to some specialists in lipedema asking about tattoos. They had no real information or studies on it. Basically, the replies back were: “Not really sure, but if you go through with it, update us afterwards.” It wasn’t until mid-summer last year that I realised I had already tattooed on lipedema damaged area with Ursula. It made a lot more sense looking back at how Ursula was harder to heal and seemed to be “too wet.” My thigh has been really tender during the actual tattooing. My skin puffs and pinks up in the lipedema areas pretty quickly and makes it more difficult for Ty to see the saturation of the ink. It also seeps lymph fluid, which can be annoying.

4C5C3166-DE34-4E48-82BC-9F11F8FF1D62Healing the thigh has been interesting. There is a very fine line of just enough ointment to keep it from being dry and cracking and too much that keeps it too wet that doesn’t allow it to scab over. The lymph fluid can cause some deep scabs which are really painful and sore. Ursula and The Muppets have been harder to heal than any of my other tattoos but not bad enough that it keeps me from completing my vision.

There are a lot of fat shamers online, how do you respond to haters? I tend to ignore the hate. I believe that they are just hurting, so they want people to hurt with them. There’s been a time or two that I’ve responded if I felt I could explain something in more detail to them. 

What made you start blogging and instagramming as Pale Ginger Pear? I started my IG (and website) as the result of a bet with someone very dear to me. “Schmidt” had felt that I would get a lot of followers due to dressing well for my size/shape and having a story to tell. I thought he was crazy. We playfully bantered back and forth about it. February 11 2018 I decided to start PGP Instagram to prove him wrong and for the longest time I thought I was. I remember hitting 50k and his reply was: “So no followers…”

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I often hear women say they don’t want to get tattooed on the parts of their body that they hate, but to me, tattoos are about owning your body and feeling happier in your skin in a way you can control, do you feel that too?  I NEVER used to show my arms. I hated how different my upper arms were in comparison to my forearms. But now I get so bummed when it starts to get cold again and I have to cover up my arm. I used to hide my legs and rarely wore dresses. Now I find myself picking out skirts or dresses, so when people talk to me about my tattoos, I can show them the Muppet thigh piece. My ink has helped me embrace my size and condition, things that I can’t really change. I feel more me with the brightly coloured ink than I ever did before. 

We feel that too. Follow Pale Ginger Pear on Insta and check out her blog.