Dreaming in gold

Alice Le Beau-Morley is a dreamy jewellery maker from London. I discovered Alice’s beautifully pastel Instagram feed sparkling with unique gold pieces one evening when I was scouring the social media platform for handmade earrings to upgrade my current piercings with. I was immediately drawn to Alice’s delicate, handmade earrings, rings and septum rings, that all looked so lovingly crafted and designed. 

Words: Rosalie Hurr

Alice in her home studio
Alice in her home studio

How did you start hand making jewellery? I trained as a piercer when I was 22, as I love piercings (I have around 30!) I hadn’t really considered piercing as a career as its notoriously hard to get into so I just didn’t think it would be possible for me. But luckily I was offered an apprenticeship by an old friend and I jumped at the chance. I’ve always loved piercings, jewellery and styling peoples ears so it was ideal, plus working in a laid-back environment like that really suited me.

I ended up working in studios around London for four years, before I enrolled onto an evening class at the Working Men’s College in Camden to learn the basics of jewellery making, this was back in 2014. I took the classes purely for fun, and there was a lot of trial and error, but it was always something I’d wanted to try. From the first class, it all just clicked, and I knew that it was what I wanted to do.

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The classes really inspired me, and I built a small jewellery bench from an old kitchen cupboard door and some mismatched legs from Ikea. It was very wobbly and I only had a few jewellery making tools. I taught myself a lot too, with YouTube videos and books. Alongside the classes I was posting some of the bits and bobs I was making on my piercing Instagram and people would comment asking where they could buy one of the things I had made. That’s when I decided to set up an Etsy shop, although I had no idea if it would work out! I was very lucky to have my boyfriend (now husband) who supported me for six months to see if I could get my shop off the ground.

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What inspires the pieces you create? I love going to folk museums and looking at handmade crafts. Although to me, crafts are something much more tangible and made for wearing or being used, not for hanging in a gallery where you’re not allowed to touch them! I have such a strong connection to crafts that have been made by hand, as the makers tend to use skills that have been passed down from generation to generation. I just love the idea and sentiment behind this. I also love traditional jewellery that is made using rudimentary techniques, something that you can really tell is handmade, is so beautiful to me.

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I’m heavily inspired by folk art, weaving and particularly Polish and Hungarian embroidery. I enjoy knitting and embroidery, and I think piercing and jewellery making are similar, I love anything small and fiddly. I can happily make tiny  studs for ears and lips for a solid nine hours and then knit for the rest of the evening. Originally I didn’t consider making piercing jewellery at all as I just didn’t think I would be able to do it by hand, but I spent a long time working on the idea and coming up with the labrets you see in my shop today – and I am really proud of them. People would enquire all the time and ask if I could make them studs for their tragus or helix piercings and I would always say no. I couldn’t figure out a way to make them secure enough that I would be confident in putting them in my shop. I tried so many different ways of making them and eventually I got there. They are so comfortable, super secure and have become one of my bestsellers. That’s why I love them, because I spent so much time working on making them perfect for my customers and it feels really good to have achieved that.

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With my own pieces, I feel so happy that somebody wants something that I have made with my hands, it means so much. I also try to support other makers too, that person imagined this thing and put care into creating it, it’s special to them so it’s special to me too. I also adore the wabi sabi quality to handmade objects, you can really see the touch of the person who created it. I feel like I value my handmade things more, like they have a little touch of magic to them. I hope people feel the same about my work.

How would you describe your style, do the pieces you create reflect a part of you? I tend to make things that I would want to wear, I love cute motifs like stars, moons, seashells and flowers. About five years ago I made the decision to only wear colours I really adore. Now I wear a very limited colour palette and everything I own is a cute colour, mainly pink and lilac. My branding and packaging is cute and colourful too, and really it’s an extension of me.

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What advice would you give to other young women who want to start their own business or follow a creative pathway? I didn’t go to university and I think there are so many more options out there today. If there is something you are already interested in fashion, jewellery or drawing, just immerse yourself in it and do it every day. Don’t underestimate the power of the internet, get yourself out there on Instagram, show people the passion you have for what you do. Be prepared to work harder for yourself than you ever have in any other job. Nothing compares to being my own boss and making jewellery. I have absolute satisfaction from mastering a skill and constantly building on it all while supporting my family at the same time.

Visit aliceruby.com (warning: you will want everything.)

Search & Rescue Denim Co. – Tattoo Aprons made by Bad Ass Women

Search & Rescue Denim Co.  based in Canada, create extraordinary custom aprons. Running since 2012, the Search & Rescue Denim opened their flagship store, where all the aprons are made in 2015. We chat to Sarah Bromfield, about the brand’s beginnings and how you can create your own custom apron…

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Bad Birdy in her custom apron

How did the company come about? Our founder Will was working in retail but had some sewing experience and a passion for design. When his friend Mitch Kirilo, a tattoo artist and owner of Vancouver’s Gastown Tattoo, asked if he could make a tattoo apron for him he took on the project. Once Mitch received Will’s apron it started popping up all over Instagram and more people started to contact Will and ask him to make them one too. At that point Will roped in his wife Jill to help out and started building the brand from the kitchen table where the aprons were being made.

What was the inspiration and vision? Will didn’t realise there would be a market for aprons and started by just taking the requests from friends and admirers of the original apron, but then once it started to take off he began his mission to design and produce the best quality aprons out there.

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Can you tell us about the team We are a small team made up of our production manager Joy plus her two sewers Keith and Lee-Ann. They are aided by Itsuki and Bonnie who prep all of the pockets and apron bodies once they have been cut by Sarah. Once the aprons are done being sewn they are finished off by Kirsten with metal grommets and rivets to reinforce the pockets and attach the straps.

Where do you source the materials for the aprons? Our fabrics are sourced from a local wholesaler here in Vancouver and our leather is all from North America and purchased from Lonsdale Leather, a local leather shop run by our friend Riley.

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Can you tell us about the process behind each piece? We have a very collaborative process here; new designs either come from requests by clients or ideas thrown around by the team. We all have our own aprons that we wear either in the shop, at home or during whatever creative side hustle we have going on – this helps us really get to know what works well and what activities each style is best suited to.

Has there been an apron order or design that has really stood out to you? There have been many! Because we offer full customization we get some really creative requests that are great fun to fulfill. We’ve had clear plastic lap pockets so a tattoo artist could read his phone while in his pocket, a recent holographic print that sent half the production team dizzy while cutting and sewing plus a beautiful split leg apron for a farrier with leather panels to protect from horse’s hooves. But probably my personal favorite is the collaboration apron that we designed with bartender extroadinaire Bad Birdy. It’s a buttery soft leather body (lined with duck canvas) but the pockets are all in this gorgeous matte crocodile print leather. The contrast of the different materials really makes this apron sing plus it has some great little extras such as the key-ring clip and towel loop which make it really practical.

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What sorts of people order from you? We get all sorts – from grandmothers who want a feminine apron for baking to heavily tatted up 20 somethings who want them to fix up their motorbike! Our store is located in a popular tourist destination (Granville Island in Vancouver) so we get a lot of international visitors who typically purchase an apron for cooking, cleaning or whatever their hobby is. But then we have a lot of local creatives who come into the store to design their custom aprons – ceramicists, jewellers, painters, carpenters, etc.

Are there any trends or industries that buy from you more than others that you’ve noticed? The business started off by making aprons for tattoo artists and they are still one of our biggest customers. We have many different styles of tattoo aprons from our minimalist right up to full length split legs. We also sell to a lot of barbers and stylists as we offer vinyl reversible aprons that protect them from colour or water and have places for all of their tools. After these two bartenders and restaurants are our biggest clients.

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How can someone order their own apron? Anyone local is welcome to pop into our shop as we’re open seven days a week and love to meet the people who are going to be wearing our aprons. We were an online shop before we opened our store so we have a very comprehensive website with all of our most popular styles and last year we launched our long awaited online apron builder which is the first of kind. Customers can build a 3D rendering of their apron by choosing the fabrics, thread colour, pockets, placement and more! This is really exciting for us and has had a great reception from our customers who have used it to get creative!

Brave Collective: Ellen Duffy

London based, freelance graphic designer Ellen Danielle Duffy, decided to create Brave Collective while kicking some breast cancer ass. A brand who are purveyors of merch inspired by rock culture, spreading the word on cancer in young adults. We chatted to Ellen about the brand’s ethos, her diagnosis and of course, tattoos…

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Founded by someone who has had cancer for anyone affected by cancer, Brave Collective provide a platform for young adults to tell their story and support each other. No young adult should ever have to face cancer alone and I’ve seen first-hand the power that a support network can have.

I firmly believe that no matter who you are or where you’re from we’re all in this together; we’re braver together.

Whether you’ve had cancer yourself, are caring for someone with cancer, or are a friend, family member or loved one, we’re here as a reminder that you’ve got this and we’ve got you.

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What inspired you to create the brand and what message do you hope to spread? Every year in the UK 12,500 young adults are told they have cancer.

Throughout my own cancer diagnosis and treatment, I’ve found there’s a shortage in age-specific support for young adults with cancer. Many charities offer support for teens or adults aged 25-45, but the reality is a person in their 20s or 30s is at a very different place in their life to someone in their 40s. Your 20s and 30s are the years that have the potential to shape and influence the rest of your life and it’s for this very reason that age-specific support at this time is so important. That’s why Brave Collective chose to partner with and donate a percentage of their product sales to three awesome charities – Trekstock, CoppaFeel! and Wigs For Heroes – not only are they raising awareness, but they bridge that gap and what they offer is invaluable to any young adult living with and beyond cancer.

As a brand, we want to raise as much awareness as we possibly can, showing what cancer in your 20s and 30s really looks like by sharing the stories of some incredible individuals and continuing to raise money for these amazing charities and their life-changing work.

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Can you tell us about your diagnosis and your treatment so far? I was diagnosed with breast cancer at the start of summer last year when I was 28-years-old. I’ve since had chemotherapy, extensive reconstructive surgery and I’m currently undergoing radiotherapy – the last stage of my treatment.

It’s been a long and very tough year. I’ve had to temporarily put much of my life on pause for a year in order to save it. It’s been difficult seeing how my diagnosis has impacted my family and partner and watch friends lives continue to move forward, as they should, whilst I fight for my own. All of this aside and as cliche as it feels to say, through all of the hardships and heartbreak there have been some pretty incredible moments and through sharing my story on Instagram, I’ve met some incredible people along the way.

My doctors have recently told me I’m now cancer free and I still can’t quite believe it – I still have to stop myself from saying “I have cancer” because I HAD cancer, and I kicked its ass.

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How has having cancer affected the way you view your body and your relationship with it? I’ve had a love hate relationship with my body over the course of the last year. I’ve lost trust in my body since my diagnosis and it’s going to be a lengthy process to rebuild this, but together we’ve been through a lot so I try to be kind.

Like so many others, almost all of my hair fell out during chemotherapy. Making the transition from looking well to visibly poorly so quickly was hard and there were times I found it difficult looking at my reflection in the mirror. At the time making the decision to shave my head felt huge – it may have seemed like ‘just hair’ to some but it was this moment that really concreted my diagnosis and what was happening to me. The relief I felt once I’d made the commitment was overwhelming. Taking charge felt really good, like I’d regained just a small amount of the control I lost during this time. I’ve since taken this time as an opportunity to experiment – I’d always wanted grey hair but no colourist would touch my decades worth of home bottle-dyed jet black hair! Thanks to wigs this was finally possible for me.

Since surgery I have a pretty big scar that runs from underneath my left breast to my shoulder blade and another in my armpit. I’m proud of the marks that cancer has left on my body; much like some of my tattoos they’re meaningful for me – they symbolise the hardest year of my life and everything I’ve overcome.

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What inspired you to start getting tattooed? I knew from young age that I wanted tattoos. I love everything about them – the creativity, the process, the culture. There’s something quite special about being able to collect art in a way that is so personal and individual to you.

Most of my tattoos are inspired by traditional mehndi and I have quite a few pieces by Sway and Matt Chahal. My favourites are the deity on my arm (Sway) and the tiger on my leg (Matt Chahal). I’m looking forward to getting more once my treatment is over and have a bucket list of artists from around the world that I’d love to be tattooed by.

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What’s next for you and Brave Collective? I’m always working on new ideas for the brand. There’s a number of artists I’d love to collaborate with, tattoo artists included. I’m currently working on a collaboration with illustrator, Matt Sabbath and products should be available to shop in May of this year. I’m really excited about this, he’s an awesome artist and I massively respect his work.

I’d love to eventually reach the stage where we’re raising awareness, offering a platform of support and showcasing our brand at gigs and music festivals alongside some of the bands and artists we love. If through all of this I can help even a handful of young adults dealing with a cancer diagnosis and those closest to them, then I’ll be happy.

And for me personally, I’m trying to adjust to life after cancer. It’s been one hell of ride.

Photos: Sarah Victoria Shiplee

Brighton Tattoo Convention: Street Style

We adore tattoo conventions: everyone united by their passion under one roof, that buzz of tattoo needles and endless inked skin. We love stopping people to have a chat to find out more about their style and what they love about tattoos. Here’s who we chatted to at Brighton Tattoo Convention a couple of weeks ago… 

Photos by Amber Carnegie

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Anna Harvey Williams @wonderlander
Job: MUA
Tattoos by Antony Flemming, Kate Selkie, Vicky Morgan
Star sign: Aquarius
“I am at the convention because my tattoo artist Antony has moved to Canada and he is back in the UK for this!”

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Lizzie Guy @lizzytotaltattoomag
Job: Editor Total Tattoo
Tattoos by Jon Longstaff and Enzo Barbareschi at Black Dog Norwich and Alex Binnie
“This bag is made from an old bouncy castle, by Wyatt and Jack

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Grace Reed @_gracereed
Job: Tattooer at No Friends Tattoo Club in Brighton
Tattoos by James Grave and Jane Rose
“I had to use my straighteners on my tee this morning because I didn’t have an iron!”

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Lydia Amor @lydiaamor_tattoo
Job: Tattooer, Black Market, Leicester
Scorpion tattoo by  Vinny Garcia
“I love lamps”

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Louise Henesy 
Job: photographer and business owner
Tattoo by Valerie Vargas
“Babe Cave started three years ago. I wanted my own little brand as a side hustle.”

Hopefully see you all at some more conventions this year? Let us know which ones you’ll be going to #thingsandink

Mothercare #bodyproudmums

Celebrating the beauty of post-birth bodies, Mothercare launches their Body Proud Mums Campaign. Representing women’s bodies and a side of motherhood that are rarely shown in the media today.

At the heart of the campaign is the belief that all mums are beautiful. After all, their bodies have just performed a miracle.

Behind the photographs is Sophie Mayanne, who in 2017 promised to never digitally manipulate skin in her work. We love the photos from the shoots, of the mums full of love for their new baby and bodies.

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